Missouri - Art

Susan Kiefer Goddess Charcoal, pastel and reflective mylar on paper Year: 2000 Size: 30x25x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1660 Framed drawing o...

Katrina Revenaugh Efflorescence No. 1 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges Year: 2022 Size: 36×36in Signed: On...

Katrina Revenaugh Bunny Luv Acrylic Paint and Spray Paint on stretched Raw Belgian Linen. Back side of linen is primed. Year: 2020 Size: 61.25×49in Signed: On Verso COA provided Ref...

Katrina Revenaugh Morning Glory Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges. Year: 2022 Size: 24×24in (each) ...

Katrina Revenaugh Get Happy No. 2 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in Signed: On Verso COA provided Ref.: 924802-1950 *on Birch Pan...

“My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring...

Paul Wunderlich From Portfolio "Twilight" with Karin Szekessy Year: 1971 Medium: Color Lithograph Edition: 125 Size: 33 x 25 in. Publisher: A.A.A., New ...

Nick Vedros Road Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x17in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provided...

Kerry Smith Van Halen - Diver Down Mixed Media on Crescent board Year: 2017 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1624 *Black frame ...

Joseph Broghammer Wee One 14 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-190...

Honey Thief, 2016 Medium: 5 Color Lithograph Edition: 27 Paper: Handmade HMP Waterleaf Paper Size: 24.5″ x 20.5″ (irregular) Image Size: 21.75″ x 13″ (irregular) COA provided On the...

Joseph Broghammer Yoni (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 40x30in Signed by hand COA provided Ref.: 924802-1890 *on stretcher frame -...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Linocut Year: 1974 Signed, numbered and dated by hand Edi...

Kerry Smith Nine Inch Nails - Pretty Hate Machine Mixed Media on Crescent board Year: 2019 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1618 *Black frame with a mir...

Bruno Bruni Contemplazione Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böe...

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1979 Signed, numbered and dated by ha...

Dave Pavelonis Untitled (Valley of the Dolls) Acrylic on canvas 60.5 x 50.75

Jim Leedy “Torso Vessel” (Fish Head Woman) Stoneware Sculpture, Glaze Year: 1979 Size: 34.75 x 16 x 11 Signed COA provided Ref.: 924802-1364 Jim Leedy was a...

David Morris Chamelleo Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

David Pugh Swimming Lessons Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform /...

David Pugh Skin and Flower Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age ...

David Pugh Pink City II Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age res...

ASHLEE SELBURG Basile Ink and pencil on paper 40 x 30 inches

Michael Mardikes Boy with Mirror (Thomas Hart Benton Plate #26) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-909 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Aster Da Fonseca Fledglings Collage on Paper Year: 2023 Size: 19x24in Signed and inscribed by hand COA provided Ref.: 924802-1687 Tags: collage, tap...

Gesine Janzen From the Porch / Dock 2 Woodcut Year: 1998 Size: 6.5 x 8 inches Framed: 16 x 17 inches - Natural wood, light Signed, dated and titled by hand Comes with original papers COA provided Ref.: 924802-1023 Janzen is Associate Professor of Art and Head of Printmaking at Montana State University (MSU). She grew up in Lawrence, KS, and studied at Bethel College, the University of Kansas, and Studio Art Centers International in Florence, before receiving an MFA from the University of Iowa. Prior to coming to MSU, she taught at the University of Missouri and the Kansas City Art Institute. Janzen’s work is held in numerous collections, including the Nelson-Atkins Museum of Art; the Beach Museum of Art; Artist/Printmaker/Photographer Research Collection at the Museum of Texas Tech...

Nick Vedros Ronald Reagan Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1976 Size: 13x10in Editi...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

JENNIFER VIVIANO Cracked 2018 Chalk pastel and graphite on paper 8 x 22 inches

Russell Shoemaker Fluorescing Oil on Panel Year: 2010 Size: 22x15.5x1in Signed and dated by hand on verso COA provided Ref.: 924802-1703 Tags: Abstract, Vibrant, Drips, Neon, Gestur...

Pencil Study #10 2016 Graphite on paper 13 x 6 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy of th...

David Morris Breezin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

David Morris Red Onion Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

Kerry Smith The White Stripes - Nine Miles From The White City Mixed Media on Crescent board Year: 2017 Size: 21x20in Signed, dated by hand COA provided Ref.: 92-1662 *Black frame w...

Nick Vedros Army Men in Cereal Bowl Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x12in Edition: 15 Signed, dated and numbered by hand on label Stamped ...

Captain Nobbi Captain Nobbi (Yellow) 3D-Construction on Hahnemühle Velvet Year: 2022 Signed by hand Edition 25 Size: 10.0 × 10.0 on 11.8 × 11.8 inches COA provided Ref.: 924802-978 ------------------------------------------------------------------------------------------- "True to my motto “Don't throw it away, you can still do something with it”, I get my materials from materials yards, from construction site containers or from bulky waste. But I also like to use everyday objects, such as milk cartons, and breathe new "life" into them. I see the color and shape of my found objects as the starting point for my works. As a trained lighting...

David Morris Colibri Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

JB Nearsy Untitled Study 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1770 -------------- Tags: post graffiti, street art, expressionism, galax...

Jolynn Reigeluth Mercy of the Buffoons Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provid...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on Hahnemühle Velvet Year: 19...

Bruno Bruni Melancholia Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böer, ...

The Spanish Pointer 1887 Etching 3 x 5

JB Nearsy Motor 2021 Mixed Media on paper Size: 17x14in Signed by hand COA provided Ref.: 924802-1766 -------------- Tags: abstract, post graffiti, expressionism, contemporary art,...

JB Nearsy Blue Earth 2019 Mixed Media on paper Size: 13x10.25in Signed by hand COA provided Ref.: 924802-1771 -------------- Tags: abstract art, post graffiti, street art, neoexpre...

JB Nearsy Injustice (Blue Door) 2019 Mixed Media on paper Size: 42x46.75in Signed by hand COA provided Ref.: 924802-1753 -------------- Tags: expressionism, post graffiti, mixed me...

Bele Bachem Schwebeübung Lithograph on Velum Year: 1967 Size: 24.9x18.9in Signed and numbered by hand Edition: 150 + 3 Publisher: Edition Wolfgang Ketterer...

John Ferry Mid-Century Modern X2 #2 Medium: Oil on Panel Year: 2020 Size: 5x16.5 in Signed, dated and inscribed by hand COA provided Re.: JF-20-03 “Ferry’s...

Title: "Building in Black and White" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 10 x 8 in. Signed, dated and inscribed on label COA provided Multi...

Kerry Smith The Doors - L.A. Woman Mixed Media on Crescent board Year: 2021 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1642 *Black frame with a mirror-gloss finis...

Reiner Schwarz "Reiner Schwarz" (I) From Portfolio "Portrait #11 - Reiner Schwarz" with Karin Szekessy Year: 1972 Medium: Phototype (Lichtdruck) Edition: 100 Size: 26.4 x 20.1 in. Pu...

Louise Marler Carnation Wormhole Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1696 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Tom Binger "Coffee Pot" Medium: Mixed Media Year: 2018, Signed Size: 18.25 x 11.25 x 2 inches Tom Binger finds it interesting that during a time in which th...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

David Morris 2001 Space Odyssey Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Ted Hinrichs The Three Visitors Acrylic on Canvas Year: 2020 Size: 14x24in Framed: 16x26x2in Signed by hand COA provided Ref.: 24802-1715 *Framed in natu...

David Morris Feels So Good Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Blue in Green Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...