Missouri - Interior Paintings

Pocket Ladybird 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still lif...

A joyful depiction of a towering celebration cake decorated in edible wild flowers. This painting has a great deal of texture, vibrancy and character. Kerry Louise Bennett, artist and painter, has original artworks available with Wychwood Art in our gallery and online. Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes colourful paintings loaded with texture and pattern. Her previous lives working in set design, upholstery and photography, and her passion for music and literature, all feed into the semi-abstract interior and still life compositions she paints. In one sense the objects painted and the relationships between them can be seen as arbitrary, necessary only to serve a sense of spatial orchestration, and the abstract sensibility of a process-led artist, however, an element of romance and storytelling always seems to emerge in her charming characterful paintings. Colour and composition, strong mark-making and the pure materiality of paint drive my creative practice, but of course everything I make reveals something of me - the introvert, the observer, the dreamer. I work over multiple layers before finding the story the painting wants to tell. In some ways I feel like the conductor of an unruly orchestra - there is a musicality to my work, and my visual vocabulary draws on the everyday to capture a kind of unconscious narrative that transforms chaos into calm, worry into joy, the mundane to the magical. Kerry says of herself: I am obsessed with colour first and foremost – it’s impact is so visceral, but mark making is also important – usually expressed through pattern and the shapes of things often scratched into the surface of the paint, with textures then built up over many layers. My visual vocabulary draws on the ordinary stuff of life - chairs, plants...

This is a painting from my series of architecural paintings. In this particular painting I have played with colour by adding a striking cinematic pink sky which contrasts against a turquoise pool and a green grass garden. I love mid century architecture, its straight lines with its glass windows giving wonderful reflections. I also love to paint warm climates with tropical plants and palm trees which have an exotic feel good vibe. ADDITIONAL INFORMATION: Pink Sky Neutra House...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

This intimate interior by Henrik Nordenberg demonstrates the artist's remarkable ability to transform an ordinary domestic setting into a scene of quiet beauty and contemplation. Exe...

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

Serge de Vries, Dutch artist Interior with secretary Desk 90 x 70 cm Oil on canvas A jug, a sugar bowl, a tea bag – these are objects that we hold carelessly every day, but Dutch f...

The Artist's Apartment Mid-Century Fauvist Interior Scene Original Oil on Canvas Vibrant interior scene by Santa Cruz California artist Frances Rinaldo (American, b. 1943). A bright...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...