Montreal

Bronze elephant mounted on grey marble base. Signed "Milo". Size including base 8.75" H x 14.5" L x 6.25" D. Size of elephant only 8" H x 13" L x 5.5" D.

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...

Important pair of wrought iron Gothic Revival lamps with brass embossed decorations in the Art Nouveau style. Possibly by Paul Beau.

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Napoleon III cabinet or Petite armoire, French 19th century Ebonized, Boulle Style details, bronze inlay, gilt bronze mounts, marble top. Its neoclas...

Louis XIV style walnut "os de mouton" stool with recently upholstered seat on serpentine apron over carved legs joined by conforming stretcher.

Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

And Here I Sit Seater by Claste Dimensions: D 48.9 x W 45.7 x H 83.8 cm Material: Carrara Marble Weight: 131 kg Also available in different materials: C...

French serving cart with removeable glass tray top, two-tier, side drawer, easy to move on its wheels. Versatile serving table can be used as a sid...

Whimsical pair of Italian red and grey ceramic vases by San Polo Venezia.

David Umemoto transforms concrete structures into fantastical worlds by reinterpreting recognizable architectural forms. Staircases, archways, corridors, and ramps are miniaturized, ...

Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lama...

Coming out of Sonny Assu's artist residency at the Institute of American Indian Arts, they have created a new body of work called the Santa Fe series. The artwork is filled with flui...

Mario Mauro, Canadian, 1920-1984 Oil on canvas panel 10 x 12 in (image) Signed lower left; signed, dated, and titled on the reverse

Pair of Empire style cast iron jardinières with swan handles and swagged garland decor, painted white with gilt trim on decorations and resting on stepped round base.

Victorian rectangular papier-mâché tray, on later stand. This is an outstanding example, which got our attention by its many unusual qualities. It is large, with a dished rim, gilt ...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

Fine Gilt-Bronze Louis XVI style mantle clock on a white marble base. Signed "O. Lelievre, Susse Freres."

Leo Ayotte, Canadian, 1909-1977 Oil on canvas panel 8 x 10 in Signed lower right; framed

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

These boxes were a specialty of Brunswick and are highly collectible, especially if an interesting subject or view. Here we see a banker bagging up his gold...

Pair of carved ebony bookends modelled as African warriors, resting on their haunches, with glass eyes, 19th century Spanish coin-earrings, brass bracelets...

Born in 1967 in Toronto and a graduate of OCAD and University of Guelph, multidisciplinary artist Franco DeFrancesca investigates the links between art and technology, using digital ...

A fine pair of bronze and lead crystal two light wall sconces, each elliptical oval open back plate set with a radiating design of elongated glass drops. This New York based compa...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Stanley Cosgrove, 1911-2002, Canadian Oil on canvas 14 x 18 in Signed and dated '89 lower right framed

Louis XVI style commode dresser, marble-top with bronze frieze, pale golden wood, with bronze frieze mounts. Dimensions: 47.5 in. W x 21 in. D x 33....

This pair of simulated marble covered urns are amphora-shaped, raised on gilt hoof feet on a stepped trefoil base, each domed cover has a lobed fini...

Belvedere Black Beside Myself Square Coffee Table by Claste Dimensions: D 106.7 x W 106.7 x H 35.6 cm Material: Marble, glass Weight: 145 kg Since 2017 Quinlan Osborne has cultivate...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...

Beautiful 18th century neoclassical carved and giltwood Italian mirror.

Large and unusual onyx sculpture of a walrus.

To Float From Grace Console Table by Claste Dimensions: D 40.6 x W 137.2 x H 76.2 cm Material: Marble, Glass Weight: 125 kg Since 2017 Quinlan Osbo...

At swim two tables by Claste Dimensions: D 122 x W 122 x H 35.5 cm Material: Marble, Glass Weight: 225 kg Since 2017 Quinlan Osborne has cultivated an...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Pair of large 18th century style wrought iron andirons.

I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely feel the significance of this change in colour of the world’s landscapes...

This fixture is very much in the Moorish taste, orientalism, a romantic view of the Levant, was expressed in paintings furniture and in this case lighting. Often such a lamp was used...

North Italian or South German walnut side table with scagliola marble armorial top with ebonized turned feet and baroque relief carving. Bearing castle...

This 5 panels abstract original painting is a textural work on bold bright colors, with beautiful details and texture. Each panel has different and original knife strokes and tones. ...

This 5 panels abstract original painting is a textural work on bold bright colors of pink, royal purple, violet, lilac, blue and orange, with beautiful details and texture. Each panel has different and original knife strokes and tones. The panels look truly stunning in real life and they transform any wall in a focal point. This work has 3 panels of 36"x8" each and 2 panels of 36"x6" for a total of 36"x36". With 2.5" spaces between the panels, the paintings will cover a large 36"x 46" wall. - Title: Pillars of colors - Be bold - Medium: Mixed media, marble dust paste, water miscible oil and acrylics. - Support: gallery canvas - Two coats of protective gloss varnish are applied to protect the pa Multiple panels, foyer art, curved large wall art, art on curved wall, huge wall art installation, designer art, office lobby décor, corporate art, wall sculpture Materials used...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 2, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné referen...

- Title: Sense of judgment - Medium: acrylic, mixed media - Support: rolled canvas. - Size: 60"x48" (the total size of canvas is 65"x53" #large_abstract #painting :: Painting ::...

Original multicolored horizontal painting on tones of blue, yellow, green and orange. This is a bold colorful abstract painting, created with energetic brushstrokes and vibrant colo...

Original multicolored horizontal painting on tones of Payne's gray, Prussian blue, sap green, lime yellow, Indian yellow and a touch of orange. This is a bold colorful abstract pain...

This abstract painting with blues, yellow, and white, makes me think about the reflection of the golden sun in the waves of the sea at sunset. The seagrass-covered bottom can be seen...