Montreal

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrativ...

Layout Rectangular Dining Table by Studio Super Sunday Dimensions: D 91,4 x W 91,4 x H 76,2 cm. Materials: Ash. Available in six different finishes and three different sizes. Prices...

Layout Bedside Table by Studio Super Sunday Dimensions: D 33 x W 101,6 x H 45,7 cm. Materials: Ash. Available in six different finishes. Prices may vary. Please contact us. We are ...

Drip Wall Mirror by Studio Super Sunday Dimensions: D 2,9 x W 46,4 x H 101,6 cm. Materials: Wood and mirror. Available in three different colors. Please contact us. We are a Canadi...

This fender is distinguished from many others by its fretted repeating design of alternating stylised anthemions and radiating flower petal forms; with moulded base and continuous be...

Abstract painting black and blue on white background acrylic on canvas by Rohmann Signed: "Rohmann".

Napoleon III Louis XVI Style Mahogany Side table inset with rouge Languedoc marble top and decorated with brass railing.

Oil on board abstract black and white painting by Louise Pershing Signed L Pershing on yellow card of 3rd annual Abstract Exhibition...

Pair of lacquered grey and beige wood heavy with high quality polished chrome lamp shades.

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

The sculpture Cranium (2020) is an exploration of consciousness in isolation. It re-imagines the human skull as an ever-expanding container, complete with its own internalized logic...

Pair of Russian neoclassical gilt and patinated bronze sphinx candlesticks resting on a marble base.

Very fine Louis XVI style gilt bronze and crystal 8 light chandelier attributed to Gagneau Freres, Paris . The cast bronze structure is gilt with a soft matt gilding and finely ch...

Blue Somerso Murano vase.

Important 17/18th century Dutch silvered bronze four lights candelabra featuring an overall "punched " surface decorations . Gear gauge and ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

Set of 2 Beside Myself End Large Tables by Claste Dimensions: D 55.9 x W 55.9 x H 55.9 cm Material: Marble, Glass Weight: 48 kg Since 2017 Quinlan Osborne has cultivated an aesthet...

And Here I Sit Seater by Claste Dimensions: D 48.9 x W 45.7 x H 83.8 cm Material: Carrara Marble Weight: 131 kg Also available in different materials: C...

Beside Myself Large End table by Claste Dimensions: Ø 55.9 x H 55.9 cm. Material: Marble, Glass Weight: 48 kg Also available in different sizes. P...

Beside Myself end small table by Claste Dimensions: D 45.7 x W 45.7 x H 55.9 cm Material: Marble, Glass Weight: 41 kg Also available in different sizes.  Since 2017 Quinlan...

Where we first met seater by Claste Dimensions: D 47.6 x W 152.4 x H 55.9 cm Material: Glass, Marble Weight: 170 kg Also available in different ...

For the love of solitude large seater by Claste Dimensions: D 50.8 x W 68.6 x H 116.8 cm Material: Marble, glass Weight: 111 kg Since 2017 Quinlan Osborne has cultivated an aes...

This fine grate is an ideal size for domestic use. The serpentine shape is especially desirable. The fire basket is flanked by a pair of columnar pedestals with large finials, and ha...

Stunning charcoal portrait of a man by Shui-Bo Wang Born in China on September 11th, 1960, Wang Shui-bo studied visual arts at the Central Academy of Fine Arts in Beijing in the ear...

Elegant and Minimalist, Model G 54 desk lamp by Hans-Agne Jakobsson with teak arm and metal foot and shade.

Each exuberantly modeled with trailing acanthus on a pounced ground, with dragon- form handles and spiral-fluted stem, the slate base of square section supported by four stylized do...

A fine pair of bronze and lead crystal two light wall sconces, each elliptical oval open back plate set with a radiating design of elongated glass drops. This New York based compa...

French Empire period giltwood mirror with ebonized detailing.

Pair of gilt bronze Charles X period candelabras