Montreal

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Serge Brunoni, Canadian, 1938-2020 Quebec Oil on canvas 20 x 24 in Signed lower left; signed and titled verso framed

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

Sorenson consistently disrupts institutional expectations of the visual artist as a producer of proprietary images. His work exposes the contradictions between limited copyright and ...

Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...

In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...

In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devices in the artistical creat...

Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devices in the artistical creat...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...

Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...

For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea market, objects are resurrected and given a second life. This is where Jennifer Small...

Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...

Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devic...

Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devices in the artistical creat...

Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devic...

For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea market, objects are resurrected and given a second life. This is where Jennifer Small...

In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...

Holly King was born in Montreal and has a BFA from Laval and an MFA in visual art from York University. She currently teaches at Concordia University. Her photographs have been shown...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...