Montreal

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

Jean-Paul Riopelle, 1923-2002, Canadian Auprès de mon lac n7 1985 Lithograph on Japan paper 20 ½ x 26 ¾ in 52 x 68 cm Signed and numbered in pencil (edition of 75) Catalogue raison...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 4, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné referen...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 3, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné referen...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Albert Rousseau, 1908 - 1982, Canadian Oil on masonite 18 x 24 in 46 x 61 cm Signed lower right ; Titled on the reverse framed

Vintage Red Carpet 1.50 Carat Trillion Sapphire and Diamond Platinum Cocktail Ring Simply Beautiful! Oscar Worthy Trillion Blue Sapphire and Round Br...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrativ...

Bloom Floor Lamp by Studio Super Sunday Dimensions: Ø 25,1 x H 147,3 cm. Materials: Ash. Available in six different finishes. Prices may vary. Dimens...

Layout Low Square Stool by Studio Super Sunday Dimensions: D 33 x W 33 x H 45,7 cm. Materials: Oak. Available in six different finishes. Prices may vary. Please contact us. We are ...

Layout Dining Chair by Studio Super Sunday Dimensions: D 43,2 x W 43,2 x H 81,3 cm. Materials: Oak. Available in six different finishes. Prices may vary. Please contact us. We are ...

Layout Bedside Table by Studio Super Sunday Dimensions: D 33 x W 101,6 x H 45,7 cm. Materials: Ash. Available in six different finishes. Prices may vary. Please contact us. We are ...

Vintage 1980s standing mirror with a clean and timeless design. The tall frame makes it ideal as a full-length mirror for a bedroom, hallway, or dressing area. Its freestanding base ...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

The sculpture Cranium (2020) is an exploration of consciousness in isolation. It re-imagines the human skull as an ever-expanding container, complete with its own internalized logic...

Oil on board abstract black and white painting by Louise Pershing Signed L Pershing on yellow card of 3rd annual Abstract Exhibition...

Pair of lacquered grey and beige wood heavy with high quality polished chrome lamp shades.

This fender is distinguished from many others by its fretted repeating design of alternating stylised anthemions and radiating flower petal forms; with moulded base and continuous be...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

Blue Somerso Murano vase.

Set of 2 Beside Myself End Large Tables by Claste Dimensions: D 55.9 x W 55.9 x H 55.9 cm Material: Marble, Glass Weight: 48 kg Since 2017 Quinlan Osborne has cultivated an aesthet...

And Here I Sit Seater by Claste Dimensions: D 48.9 x W 45.7 x H 83.8 cm Material: Carrara Marble Weight: 131 kg Also available in different materials: C...

Beside Myself Large End table by Claste Dimensions: Ø 55.9 x H 55.9 cm. Material: Marble, Glass Weight: 48 kg Also available in different sizes. P...

Beside Myself end small table by Claste Dimensions: D 45.7 x W 45.7 x H 55.9 cm Material: Marble, Glass Weight: 41 kg Also available in different sizes.  Since 2017 Quinlan...

For the love of solitude large seater by Claste Dimensions: D 50.8 x W 68.6 x H 116.8 cm Material: Marble, glass Weight: 111 kg Since 2017 Quinlan Osborne has cultivated an aes...