Montreal

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

Coming out of Sonny Assu's artist residency at the Institute of American Indian Arts, they have created a new body of work called the Santa Fe series. The artwork is filled with flui...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

Stanley Cosgrove, 1911-2002, Canadian Oil on canvas 14 x 18 in Signed and dated '89 lower right framed

Louis XIV style walnut "os de mouton" stool with recently upholstered seat on serpentine apron over carved legs joined by conforming stretcher.

Architectural Print Total of 6 available 2 horizontal & 4 vertical prints Dimensions : Frame: 16” W x 20.25” H x 1” D Etching: 9.5” W x 13.75...

Solid brass and steel coffee table in the style of Maison Jansen with rope twist Glass not included.

Set of 3 polychrome and laminated and polished nickel Art Deco style boxes. Included an ice bucket, a magazine compartment and a small boxe. Signed:...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Brandon Vickerd is a Hamilton based artist and Professor of Sculpture at York University, where he also serves as Chair of the Department of Visual Arts and Art History. He received ...

Abstract patinated bronze sculpture, "Kouros Goddess" on granite base. By Morton Rosengarten. Signed "Rosengarten"

King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Chabanel II Chair by Foraine Studio Dimensions: D 71 x W 66 x H 86 Materials: stainless steel Foraine is a furniture design studio founded by the architecture firm Atelier Barda...

Grey shaded drop tear glass vase by Per Lutken for Holmegaard

Burled wood table lamp Dimensions : Height to finial.  

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

Interesting carved soapstone Modernist sculpture.

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

Light green and transparent glass bowl by Daum signed etched: "Daum France".

Italian clear and amethyst glass and gilt metal 8 light chandelier.

These sconces are essentially of truncated triangular section, the mount and backplate look at first blush to be aluminium but more careful examination show this to be a finish rathe...

At first glance, the fields of art and science may seem like two incompatible subjects that exist on opposite sides of a spectrum, though historicall...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhibitions throughout Canada including, recently, Rideau Hall, Ottawa. Jean’s work can be found in public and private collections, including the Department of External Affairs (Canadian Embassy – The Hague), Musée du Québec, Royal Bank of Canada, Summit Maritime and the Royal Victoria...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

Set of 2 Remember Me Round Coffee Table by Claste Dimensions: D 76.2 x W 137.2 x H 35.5 cm Material: Carrara Gioia, Belvedere black, Mont Blanc, Manh...

100 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always workin...

Paul Beau, doyen of Montreal Arts & Craft metal workers flourished in the first half of the 20th century. He was responsible for much fine work, in both private and public mileaux. H...

French Africanist style plaster carved sculpture of a mother carrying water and feeding her child.

Pair of wall brackets. Made in Italy as indicated on the back of the top shelf. Giltwood with carved feather plume motif and a sculpted bow at the bottom, in the Style of Maison Jansen. These 3 feather wall brackets inspired by the Prince of Wales Feathers. Stéphane Boudin...

David Umemoto transforms concrete structures into fantastical worlds by reinterpreting recognizable architectural forms. Staircases, archways, corridors, and ramps are miniaturized, ...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...

Colorful oil on canvas painting: Le "Poisson" by René Arnoux (1928-2009). Born in Tunisia in 1928 Arnoux moved to Paris in 1956. He also exhibited extensively Canada, the U.S.A. an...

Paradise lost daybed by Claste Dimensions: D 61 x W 198.1 x H 45.7 cm. Material: glass, marble. Weight: 159 kg Also available in different and materi...

Peter Horvath is a photo-based and New Media artist. Embracing digital technologies at the birth of the Web, he created audio/video narratives through se...

Pair of Empire style cast iron jardinières with swan handles and swagged garland decor, painted white with gilt trim on decorations and resting on stepped round base.

Beside Myself Square Coffee Table by Claste Dimensions: D 106.7 x W 106.7 x H 35.6 cm Material: Marble, Glass Weight: 145 kg Since 2017 Quinlan Osborne has cultivated an aesth...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Victorian rectangular papier-mâché tray, on later stand. This is an outstanding example, which got our attention by its many unusual qualities. It is large, with a dished rim, gilt ...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

This sumptious chandelier from the Belle Epoque consists largely of a large hemispherical bag filled with basket weave crystals in a lattice of beads and flowerheads, the upper secti...

Interior scene depicting a woman with her cat by Georges Delplanque. Signed "G. Delplanque, 88." Oil on canvas. Georges Delplanque (1903-1999). ...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

At swim two tables by Claste Dimensions: D 122 x W 122 x H 35.5 cm Material: Marble, Glass Weight: 225 kg Since 2017 Quinlan Osborne has cultivated an...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Peter Horvath is a photo-based and New Media artist. Embracing digital technologies at the birth of the Web, he created audio/video narratives through se...

AFTER PRAXITELES Greek c.400-330BCE The original of this imposing group, was rescued from obscurity in the 16th century and became the basis of numerous copies in bronze, marble and ...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...