Montreal

French Africanist style plaster carved sculpture of a mother carrying water and feeding her child.

Pair of Empire style cast iron jardinières with swan handles and swagged garland decor, painted white with gilt trim on decorations and resting on stepped round base.

Victorian rectangular papier-mâché tray, on later stand. This is an outstanding example, which got our attention by its many unusual qualities. It is large, with a dished rim, gilt ...

Paradise lost daybed by Claste Dimensions: D 61 x W 198.1 x H 45.7 cm. Material: glass, marble. Weight: 159 kg Also available in different and materi...

French Marble-Top Writing Table on Casters, Pull-Out Drawer, Gilt Tooled-Leather Writing Surface above the drawer, lower storage shelf. Versatile in its design and size, beautiful w...

Colorful oil on canvas painting: Le "Poisson" by René Arnoux (1928-2009). Born in Tunisia in 1928 Arnoux moved to Paris in 1956. He also exhibited extensively Canada, the U.S.A. an...

This sumptious chandelier from the Belle Epoque consists largely of a large hemispherical bag filled with basket weave crystals in a lattice of beads and flowerheads, the upper secti...

Beside Myself Square Coffee Table by Claste Dimensions: D 106.7 x W 106.7 x H 35.6 cm Material: Marble, Glass Weight: 145 kg Since 2017 Quinlan Osborne has cultivated an aesth...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

Peter Horvath is a photo-based and New Media artist. Embracing digital technologies at the birth of the Web, he created audio/video narratives through se...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

Interior scene depicting a woman with her cat by Georges Delplanque. Signed "G. Delplanque, 88." Oil on canvas. Georges Delplanque (1903-1999). ...

AFTER PRAXITELES Greek c.400-330BCE The original of this imposing group, was rescued from obscurity in the 16th century and became the basis of numerous copies in bronze, marble and ...

At swim two tables by Claste Dimensions: D 122 x W 122 x H 35.5 cm Material: Marble, Glass Weight: 225 kg Since 2017 Quinlan Osborne has cultivated an...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Peter Horvath is a photo-based and New Media artist. Embracing digital technologies at the birth of the Web, he created audio/video narratives through se...

Great pair of crackled white glazed ceramic sculptural lamps representing horse heads , signed: Austria.

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...

This fixture is very much in the Moorish taste, orientalism, a romantic view of the Levant, was expressed in paintings furniture and in this case lighting. Often such a lamp was used...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...

Terry Tomalty, Canadian, b.1938 Oil on board 12 x 16 in Signed framed

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Delft Fan dish with florals motives displayed like a peacock. Signature G.V.S is for Geertruy Verstelle, a Woman Faience Manufacturer Established at Delft in...

Claude Le Sauteur, Canadian, 1926-2007 GERBES SOUS LE SOLEIL, 1980 Oil on canvas 8 x 10 in signed and dated on lower left Le Sauteur 80; Signed, dated and titled verso; Kastel Galler...

A fine pair of Renaissance Revival bronze candelabra, now mounted as lamps. Each slender stem supporting five scrolling arms linked by chains, the trefoil platform base modeled with...

Stylish polychrome glazed ceramic Asian Modern Archaistic style table lamp by Ugo Zaccagnini.

Rare quartz and silvered metal Brutalist style illuminating sculpture by Marc D'Haenens. Signed "Marc D'Haenens".

Pair of patinated bronze puttis in the manner of Clodion, one holding bagpipes, the other a bird; each surmounted on a fluted red marble col...

Ralph Burton, Canadian, 1905-1983 Rippon, Quebec, 1959 Oil on board 10 1/2 x 13 in 26.7 x 34.3 cm signed lower left; signed, titled and dated ’59 verso framed

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

Belvedere Black Beside Myself Square Coffee Table by Claste Dimensions: D 106.7 x W 106.7 x H 35.6 cm Material: Marble, glass Weight: 145 kg Since 2017 Quinlan Osborne has cultivate...

purple and grey studio ceramic vase by Micheal Cohen Signed: "Cohen" Marked: 3 fish in a square and star with four dots in circle.

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Pair of carved ebony bookends modelled as African warriors, resting on their haunches, with glass eyes, 19th century Spanish coin-earrings, brass bracelets...

Important pair of wrought iron Gothic Revival lamps with brass embossed decorations in the Art Nouveau style. Possibly by Paul Beau.

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...

Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...