Montreal

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Large Acrylic Painting Title: At Home Large Acrylic Painting Medium: Acrylic and Graphite Support: Bristol Paper  100 lb (270 g) Size : 19?x 24? (48.26cm x 60.96 cm) Painti...

Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...

Title: My New Indoor Plant Large Acrylic Painting Medium: Acrylic and Graphite Support: Bristol Paper  100 lb (270 g) Size : 19?x 24? (48.26cm x 60...

This painting is truly stunning in real life and the photos don't do justice to it. The colors are very rich, vibrant and there are many tones that don't show in photos. Take a look ...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Ralph Burton, Canadian, 1905-1983 Rippon, Quebec, 1959 Oil on board 10 1/2 x 13 in 26.7 x 34.3 cm signed lower left; signed, titled and dated ’59 verso framed For our US customers:...

Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

Title: Lush Garden Large Acrylic Painting Medium: Acrylic and Graphite Support: Bristol Paper 100 lb (270 g) Size : 19?x 24? (48.26cm x 60.96 cm) Painting is signed and dated by the ...

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

For this exhibition, I wanted to find the coherence of a life shared between different geographies from Tunisia to Canada. Intertwining the imagery of here and there, I ask myself wh...

Pauline Paquin, Canadian b. 1952 Oil on masonite, 1986 14 x 18 in signed and on verso signed, titled, and dated 1986 PROVENANCE Kaspar Gallery, Toront...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

This imposing table is based on the celebrated example made for Marshal Murat, subsequently used by Napoleon and now in the Grand Trianon at Versailles. Supported by four draped caryatids, the striking Nero Antico marble above and heavy H frame cross...

Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 2, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné referen...

Text by Nancy Webb In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a reli...

Renato Garza Cervera’s work develops in a wide variety of media including painting, drawing, graphic art, sculpture, objects and installations, as well as interventions, action and v...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...

This abstract creation was in inspired by the Sulphur springs in Dallol, Ethiopia. - Title: Alien planet - Medium: Mixed media - Support: canvas, ready to hang - Size: 24"x48" - Two coats of protective gloss varnish are applied to protect the painting from UV rays and dust. Back wired. - Painting is signed and dated by the artist as well as accompanied by a Certificate of Authenticity. Yellow and gray abstract painting, textured gold art, abstract painting on canvas, panoramic art...

This painting is inspired by my memories of Tuamotus of South Pacific. In a grey day, let's bring the turquoise lagoon and the golden sand inside our homes. - Title: Dreaming the paradise - Medium: Mixed media - Support: canvas, ready to hang - Size: 24"x48"x1.5" - Two coats of protective gloss varnish are applied to protect the painting from UV rays and dust. Back wired. - Painting is signed and dated by the artist as well as accompanied by a Certificate of Authenticity. Light blue and aqua abstract, Orange and blue abstract painting, abstract painting on canvas, panoramic art...

Very large abstract painting, original bold art, purple, pink, white and black expressionist art, one of a kind. This work is a great con...

Very large abstract painting, original bold art, neutral colors, cream white black and grey expressionist art, one of a kind. This work ...

Title: Trumpet Vine Original Acrylic Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Acid free, Ready to Hang Size : 20? x 16...

Title: Endless Summer Original Acrylic Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Acid free, Ready to Hang Size : 20? x 16? x 1.1/2? ( 50.8 cm x 40.6 ...

Title: Angel Pelargonium Large Acrylic Painting Medium: Acrylic, Marker and Graphite Support: Bristol Paper 100 lb (270 g) Size : 19?x 24? (48.26cm x 60.96 cm) Painting is si...

"…last Thule of the South, which lies on our maps and globes like a white cloud, a void, fringed here and there with scraps of coastline, dubious capes, suppositious islands, headlan...

3 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working ...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

Adam Gunn’s painting practice began with a desire to subvert the traditional still life genre, creating an absurd experience that would evoke a sense of uncertainty in the viewer. In...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley. While Halley's paintings refer to philosopher Michel...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley. While Halley's paintings refer to philosopher Michel Foucault's panoptic prison cells...

Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative. Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

“When I was little more than a child my imagination was caught by a newspaper account of the voyage of the Belgica…” Over the Edge of the World locates itself in the entangled lega...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...

Abstract painting with blues, greens, rust and white. A modern bold, big and beautiful painting that wants to take you in the trip of a life time. The painting can be shipped read...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...