New York Mounted Objects

1909 Italian Hand Painted Ceramic Rennaissance Equestrian Wall Plaque

This hand-spun 8" dome is meticulously brushed and waxed to desired finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overall form...

This dreamy Pink Amethyst display showcases four hand-carved crescent moons, each cut from solid, natural stone and arranged in a balanced celestial composition upon a custom metal s...

The vintage bronze sculpture features a standing Greek god, preparing to throw a javelin. The pose is heavily inspired by the antique bronze statue of Zeus (or possibly Poseidon), da...

This hand-spun 10" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overa...

Midcentury Harry Bertoia Sonambient sculpture featuring seven black monel "cat-tail" tops silvered to beryllium. Copper rods silvered to brass base. In fin...

Large natural rock crystal (clear quartz) cluster, elegantly mounted on a custom black stand, composed of densely packed, well-formed prismatic points with softly translucent to milk...

It’s fascinating how Mother Nature produces these stunning 40 million year old petrified wood with such contrasting and natural patterns throughout. Modern yet with so much history. ...

This glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handmade in the...

Mid-Century Modern sculpture in patinated bronze and marble by Sante Monachesi, an impressive abstract sculpture by this renown Italian artist made of patinated bronze intricately de...

ArtArsouf Contemporary handmade Silver Metallic Balloon ceramic balloon sculpture. The balloon sculptures can be easily installed individually as one balloon or in different combinat...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

A Chinese Shanxi carved wooden corbel from the mid 19th century, mounted on a base and depicting two deities. Born in the Northern Province of Shanxi during the 1840s, this exquisite wooden corbel demonstrates the undeniable skill Chinese artists possessed at the time. Presenting two deities (possibly Zhong...

Late 19th century ship's model in crate is more than a decorative item, its tribute to an age of exploration and adventure, a special object d' art. Although, the detailed ship is ...

An ancient Indian cart wheel mounted on custom black lacquered base, with brown patina. Imagine the rhythmic creak of wooden axles and the dusty trail of a bygone era. Envision the s...

Rare tones on this one and a half thick petrified wood slab, resting on a minimalist metal base. Beautiful pale blue veins with a contrasting edge left unpolished. We have a collecti...

Adorned with spiked braids, this prestigious custom mounted Ashetu hat embodies the cultural significance of the Bamum and Bamileke people of Cameroon, Central Africa, who revered th...

Four foot tall sailboat sculpture made of brass rods welded together. Mesh sails and polished marble base. Please confirm location NY or NJ

Large antique, Industrial factory wooden foundry form mold, wheel, cog, gear, very unusual and rare size measuring 52" in diameter, retains original facto...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

An 18K gold, diamonds, amethyst, tourmaline, bloodstone, carved emerald, opal and jasper toucan bird resting on a gold tree branch, mounted on a carved malachite base. A very rare and unique gold-mounted jeweled object...

A hand-carved marble ring on stand, contemporary. Made in Indonesia by local artisans. 16" Diameter, 20.5" High (mounted). Stand base: 10" W x 5" D

This Aubergine glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handm...

Fabulous and elegant in it's sheer size and power, 29.25 inches tall. Michael Shacham is a prolific sculptor and artist born in 1938 and has been a cre...

Flush mounted wood cylinder with slits that emits a soft glow.

A spectacular example of Béjar’s Magiscope sculptures. He is known for his experimental sculpture using metal, crystal, plastic and stained glass. Béjar, 1920-2007, has had one man s...

This hand-spun 8" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overal...

Rare tones on this one and a half thick petrified wood slab, resting on a minimalist metal base. Beautiful pale blue veins with a contrasting edge left unpolished. We have a collecti...

A rare carved Hawk's Eye agate tiger on a 14k gold mounted rock crystal base, circa 1960. "A Jeweled Sculpture" An incredible carved tiger made...

Mellerio Paris, a large silver, gold, lapis lazuli, coral, and hardstone picture photo frame with two falcons. France, circa 2000 The frame resting on a lapis lazuli base with squa...

Originally used as a butcher's trade sign. With mounting hooks on back. This head was previously mounted on the carriage house of Buatta's country house in Connecticut.

A pair of Chinese 18th century hand-carved wooden temple corbels. Each corbel features detailed animals, shells, and other adornments among openwork fol...

Italian 1930/40s Venetian Murano clear swirl design glass cornucopia ornament with multicolored glass fruit and vegetables with 2 blue leave...

This uncommon Jere sculpture is comprised of chromed steel 'spores' that together form an urchin or pom-pom figure at the top. A combination of brass and chromed steel rods with stee...

Handmade and Hand Painted Diorama Figures of a Village Farm Scene, Christmas Decoration. Eleven piece diorama with a pastoral scene of animals, people and trees. Includes: a bull, sh...

Contemporary Belgian miniature iron ladder back chair encased in lucite box. Very decorative.

PAIR of English pine boot shoe trees

Fabergé: Imperial Eggs and Other Fantasies by Hermione Waterfield. Published by Charles Scribner's Sons, 1978. 1st Ed, 1st Printing hardcover with dust jacket. The Fabergé egg is one of a limited number of jeweled eggs created by Peter Carl Fabergé and his company from 1885 to 1917. The most famous of the eggs are the ones made for the Russian Tsars...

7 Various Italian opalescent blue glass models of fruit and vegetables (PRICED EACH)

Amazing antique expertly hand-carved wood block with a floral and vegetal pattern that has been used in printing production. This now rustic piece shows signs of years of handling in...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A cream-colored marble disk, hand-carved in Indonesia, contemporary. Reminiscent of the traditional "Bi" disks omnipresent throughout Asia since prehistory to symbolize heaven and ...

A bronze gong from mounted on a black custom base. This circular bronze gong is tied through a rope to a black metal arm resting on a rectangular wooden base. Boasting a nicely weath...

A circa 1900's Italian mirrored wall mounted niche with etched mirror insets. Measurements: Height: 44" Width: 27" Depth: 15"

This finely preserved Indian Blue Peacock (Pavo cristatus) taxidermy mount showcases the species’ celebrated iridescent blue and green plumage in vivid detail. Native to the Indian s...

A vibrant, handwoven beaded belt—traditionally known as a cache-sex—crafted from multicolored glass beads arranged in a dynamic diamond motif of red, green, blue, orange, and white. ...

A rustic Thai 19th century ox cart wooden wheel mounted on a custom made black wooden stand. Born in Thailand during the 19th century, this handmade wheel is pierced in its center with a circular hole reserved for the axle tree. The wheel showcases a nicely weathered patina witnessing its long use since the 19th century. This item is mounted on a custom made black painted stepped base. With its rustic appearance and large proportions, this 19th century Thai mounted wooden ox cart wheel...

Fabulous creation by Curtis Jere. 19thc bicycle Wall art or use the bracket and it can be set up on a flat surface. In excellent vintage condition wit...

The tri cone pendant echoes it’s form in 3 geometric elements. A tetrahedron structure suspends a glass disc under a cone shade that houses a focused spot-lig...

A 19th Century Italian painted and gilt reliquary with original patina. Measurements: Height: 11.5" Width: 5.5" Depth: 3"

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Special summer collection - 2 Glossy ceramic popsicles sculptures on a natural wood base. Handmade by artists Osnat Zimerman and Reli Smith for wall installation. Available at Vari...

A male necklace from the Asmat Village, Papua New Guinea. Four rows of large polished white cowrie shells in two sizes, seamlessly sewn onto a cotton macramé base, which has been ha...

An ancient Indian cart wheel mounted on custom black lacquered base, with brown patina. This ancient Indian cart wheel, mounted on a custom black lacquered base, is a stunning artifa...

Beginning in the Bronze Age, in much of what is now Europe, there emerged a practice of ritually “killing” weapons and other possessions to be buried with the warrior to whom they ha...

A mouth-blown glass globe sits flush on a cast-brass disc. Hardware disappears, and the sphere becomes mysteriously endless.

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A male necklace from the Asmat Village, Papua New Guinea. Large cone shells in concentric rows, seamlessly sewn onto a cotton macrame base, which has been hand-knotted around a sem...

A male necklace from the Asmat Village, Papua New Guinea. Two rows of large polished shells in concentric rows, seamlessly sewn onto a cotton macramé base, which has been hand-knott...