Ohio

A very large and impressive vintage Adams style half cylinder secretary desk / hutch featuring a mahogany finish with upper bookcase curio cabinet with fretwork doors supported by a ...

Pair of circa 1980's Italian postmodern Bauhaus style "Tokyo" chairs / counter bar stools, designed by Rodney Kinsman for Bieffeplast of Padova, Italy. Gray metal tubular frame with ...

This Suelo® Modern Outdoor Sofa is beautifully constructed from solid wood in Ohio, USA. This sofas's silhouette is simple, modern, and sleek with comfortable back and seat cushions....

Mid to late 20th century Mason & Sullivan pillar and scroll style, chiming, key wound mantel / shelf clock. Slim rectangular wooden case flanked with slender pillars and scrollwo...

The necklace is 18.5 inches (47 cm) long. The rare size of the smooth round beads is 15 mm. The beads are rare, of excellent quality, and a unique color. They have delightfully brown...

A monumental Italian Louis XIV style "Belle Epoque" giltwood console table. Belle Epoque (The Age of Excellence) takes inspiration from the very beginning of the French Golden Age of...

The necklace is 36.5 inches long (92 cm) and weighs 212 grams (7.5 oz). The size of the smooth olive jade beads is 16.5 mm in diameter, and bead knotting is traditionally done with s...

This heavy centerpiece bowl dates to the late 19th century and is composed of cast iron with a gilt finish. The bowl has a shallow basin made up of a series of detailed open poppy blossoms and features a sleeping maiden curled up at one side. The bowl rests on an ornate dimensional foliate base. A lovely example of Art Nouveau metal ware...

CraftAssociates Buffet, Milo Baughman Buffet, Walnut The Milo Baughman Buffet for Craft Associates® Furniture is expertly crafted. These are a licensed reintroduction from Craft Ass...

This White Oak Cove Coffee Table is made in the heart of Ohio with locally sourced wood. Each table is hand-made with mitered corners from white oak veneer and finished with a beauti...

Bertu Lounge Chairs, Mondo Modern Lounge Chair, Maple, Black, Upholstered This Modern Mondo lounge chair is beautifully constructed from solid wood and veneer in Ohio, USA. The chair's silhouette is low, simple, and modern with comfortable reversible back and seat cushions. I like to describe this collection as chunky/sleek! The Mondo Collection...

Poem 71-25 (Me) Color woodcut with cement mold embossing, 1971 Signed, titled and numbered in pencil (see photos) Edition 100 (55/100) (see photo) Signed with the artist's stamp lowe...

Summer Rain is a painting by Sakai Hoisu that was produced during the Edo-period (1603-1868). This contemporary example after the artist separates the work into eight canvas connect...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU HOME stumps? KILN DRIED Our stumps all go through a drying process in our kiln, s...

"ṭāhēr 2891", Gold Painting, 2025 This is a highly textured, multi-media abstract in gold and has a dark patina around the edges. All of Addison's text in her paintings are her jour...

This fabulous bronze peacock was made at Franz Bergman's Vienna foundry and bears the name of sculptor Bruno Zach. The highly detailed sculpture is beautifully cast and features cold painted polychrome decoration. The peacock's crested head is turned slightly to the left and its magnificent fanned tail feathers - also known as a train - are realistically rendered and arch forward as they rise. The train has splayed feathers at both ends that rest flat on the display surface, preventing instability. The feathers have been finished with white shafts and greenish-gold vanes while the ornamental black eyespots are accented with metallic rose and copper colored paint. It should be noted that the back of the bird's train is also highly detailed lending visual interest if viewed from the front or the rear. The peacock's head and body are painted in a silvery color while the painted decoration on the head includes large white masks and black eyes that are ringed in orange. The bird's angled beak is finished in yellow and has well defined upper and lower sections. The peacock's wings are positioned parallel to its body and extend back beyond the train. The outside of each wing is accented in mottled copper and black paint while the rear portions bear a series of painted copper and black stripes. The bird's thin legs are finished in gray and have black spurs at the back. Its long toes terminate in sharp black talons. The peacock is in very good condition with no replacements or repairs. As an antique, the piece shows signs of age including minor areas of paint loss that are noted for accuracy. It stands 8" at the tallest point of the train and is 11.5" as measured across the widest points of the train. The piece is 3.25" at its deepest point. The back of the train bears a partially legible Bergman amphora-shaped foundry mark with a B at the center. It is also signed 'Zach' in cast at the underside of one section of tail feathers for sculptor Bruno Zach who had a history of collaborating with Bergman to edit and cast some of his works. The peacock weighs 3lbs 2oz. This lovely antique Vienna Bronze peacock sculpture...

This Modern Patio Furniture - Chile Slatted Top Dining Table is handmade in the heart of Ohio with locally sourced sapele mahogany. The wood is suitable for outdoor conditions and fi...

Enormous Greek Apulian Red Figure Lekythos, 19th/20th Century Terracotta 41 x 15 inches This has been mended and is showing numerous cracks. A lek...

Antique turn of the century pie crust tea table. Made of mahogany featuring scalloped gallery top supported by tri foot pedestal base with ornate ball claw feet and acanthus accents...

Vintage Industrial cast iron and cherry wood side accent table or stand. The base was salvaged from an antique music stand and the top is solid curly / quilted grain cherry. Dimens...

CraftAssociates Dining Chairs, Baughman Armchair, Oak, Caneback, Oval The Milo Baughman Oval Cane Back White Oak Arm Chair for Craft Associates® Furniture is expertly crafted.These ...

A very unique Mid Century protype ceramic tile with a lively colorful comedic styled juggler printed to a cream toned back round. This square tile is attributed to Kenneth Gale (1908...

Andreas Roth (American, 1871-1949) Grand Canyon, 1943 Oil on canvas Signed and dated lower right 24 x 34 inches 29.5 x 39 inches, framed Andreas Roth was a German painter. Son of th...

Early Tiffany lamp with a 7" damascene favrile glass shade on a bronze base in an oil lamp style with nice original patina. The shade has no chips; there are some bubble bursts that ...

The length of the necklace is 17.5 inches (44.5 cm). The beads are 15-16mm — smooth round beads. The weight of the necklace is 125 grams (4.4 oz). Beads have a delightfully soft, gentle tone. Currently being mined in Madagascar, this gorgeous, soothing gemstone showcases creamy pink-hued blooms suspended in an opaque body. This necklace boasts an authentic, natural color. No thermal or other mechanical treatments were used, ensuring its pure and genuine nature. Cherry Blossom Agate is a relatively new discovery that was only found in Madagascar. Cherry Blossom Agate is also known as Flower Agate or Sakura Agate...

Set of twelve vintage Wedgwood X2830 China plates featuring gold flowers and acanthus leaves on white. Made in England, discontinued. Dimensions: 10.5" x 1" (W x D x H)

Antique Victorian Sessions Clock Company key wound, chiming mantel clock. Black lacquered wood finish with brass foliate acanthus feet and handles. Face flanked with classical figure...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

These exceptional Madagascar brown opal beads — often referred to as “chocolate opals” — are a true celebration of earthy elegance. Their rich, natural palette ranges from deep coffee and warm caramel to soft beige, taupe, and smoky gray, creating a captivating harmony of tones. Unlike precious opals, this variety does not display flash or iridescence. Instead, it is prized for its velvety body color and organic, grounding presence. The beads are of outstanding quality, beautifully polished to enhance their natural luster while preserving the integrity of the stone. Each substantial bead measures approximately 20 mm, giving the necklace a bold and sculptural presence. In natural light, the tones shift subtly, revealing caramel-gray nuances that make the piece especially dynamic. The opal beads alternate with impressive 17 mm antique Nepalese silver beads, adding texture, cultural character, and refined contrast. The necklace is completed with a distinctive silver toggle clasp that complements the design. Length: 18 inches (45.7 cm) Bead diameter: approximately 20 mm Silver accent beads: 17 mm antique Nepal silver...

This beautiful rosewood bedroom set from Westnofa Furniture includes a queen size floating platform bedframe, wide headboard with floating shelves with drawers, a low 8-drawer dresse...

Need something now? We are offering a few of our pieces, including this Split Panel Dining Table ready to ship! 20% off and in perfect/excellent condition. These are all one-off piec...

Pair of American of Martinsville mid-century modern nightstands or end tables. Overall in good condition, a few spots that have some imperfections, please see pictures for details. T...

Buckingham Crest Etching on canvas by Liz Jardine, circa 1992. A large format art with an amazing frame. Features a heraldic crest or shield at the center ...

The length of the necklace is 18 inches (45.7 cm). The rare size of the smooth round beads is 20 mm. The color of the beads is a soft, pale, peachy pink. Very gentle, soft pastel colors! Huge statement...

Adam Lehr (American, 1853-1924) Still-Life of Cherries, 1901 Oil on canvas laid on panel Signed and dated lower left 12 x 20 inches 20 x 28 inches, framed Known primarily as a still...

Antique mid to early 19th century German Biedermeier library / lounge armchair. Made of mahogany featuring traditional form with fauteuil padded arms and flared ear / wing back with...

Mid Century Moorcroft pottery vase in the Hibiscus pattern. The vase features large blue and yellow hibiscus flowers with green leaves on a cream-yellow-colored ground. It was produc...

William Morris (American, b. 1957) Petroglyph Vessel Blown glass Signed on bottom 26 x 20 x 7 inches William Morris was born in Carmel, California in 1957. He is an American glass a...

Addisonjones artwork, Anti-Hero pop artwork A R T I S T S T A T E M E N T: Introducing the iconic Andy Warhol style print with neon colors and screen prin...

A Cambodian blue zircon blazes with extraordinary brilliance in this elongated cushion ring, accented with diamonds in solid 14K white gold. Known for its diamond-like fire, the zirc...

Danish teak folding table by Skagerak, circa 1970s. Skagerak Denmark (Danish, established in 1976). Fold up table with checkerboard open top. Marke...

We are excited to present our newest addition to the collection - a stunning Rutilated Quartz necklace. Measuring 17.5 inches (44.5 cm) in le...

F. Luis Mora (American, 1874-1940) Native American, c. 1930s Ceramic Stamped on bottom, Cowan Pottery 9 x 7 x 5 inches Francis Luis Mora was one of the better-known American artists...

Vintage Pearson Furniture club / lounge / arm chair and ottoman / footrest / stool featuring a colorful floral tufted acanthus design. Dimensions: 40"h x 55" x 34", seat h 18": otto...

Frank Nelson Wilcox (American, 1887–1964) Plowman, Brecksville, Ohio, c. 1922 Watercolor on paper Signed lower right 22.5 x 27.75 inches 27.75 x 34.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

What a better way to bring family or friends together than a good fondue , this well designed 10 piece set has it all . Six bowls , large pot with lid and fork holder , drip tray , s...

A large driftwood carving of Zues. Handcarved with natural detail from a very heavy piece of driftwood. In ancient Greek mythology, Zeus is th...

Iconic Fratelli Saporiti Italian Confidential lounge, library or club sofa / couch by Alberto Rosselli, circa 1970s. One of the first modular club chairs with a puzzle like cushion c...

Trees in the Field Mixed meia on masonite panel, 1967 Signed on the right edge oif the image (see photo) One from a series of similar examples, all with caligraphic trees and figures surrounding the composition. Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Condition: Excellent Image size: 12 5/8 x 10 inches Board size: 20 x 16 inches Frame size: 21 x 17 inches Russ Thompson (Born 1922- Jamaica Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Studied: Pratt Inst.; Carlyle College; NY Sch. Mod. Photography Exhibited: MoMA; BM, 1968; Nordness Gals., NYC; Phila. Civic Center; Ruder & Finn FA, 1969; Smithsonian Inst.; Mount Holyoke College, 1969; BMFA, 1970; RISD, 1969; Mem. Art Gal., Rochester, NY, 1969; SFMA, 1969; Contemp. Arts Mus., Houston, TX, 1970; NJ State Mus., 1970; Roberson Center for the Arts & Sciences, Binghampton, NY, 1970; UC Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art Soc. Gal. (prize); Nassau Community College; Brooklyn Pub. Lib.; Allentown (PA) Art Festival; Quinnipiac College, CT; Parrish Art Mus.; NY State Pavillion; Huntington Township Art Lg. Awards: Mitchell College, CT; BM; Armonk Lib. Show Award; Bedford Hills Lib. Show Award. Sources: Cederholm, Afro-American Artists. Public Collections: Zimmerli Art Museum, Rutgers Museum of Fine Arts, Boston Brooklyn Museum Museum of Modern Art, New York Smithsonian American Art Museum Exhibitions: MOMA Brooklyn Museum, 1968 Nordness Galleries, NYC Smithsonian Institution Museum of Fine Arts, Boston, 1970 Rhode Island School of Design, 1969 San Francisco Museum of Art, 1969 Contemporary Arts Museum, Houston, 1970 Parrish Art Museum Courtesy of Afro-American Artist; a biographical directory THOMPSON, RUSS (Born Jamaica, 1922) Painter. Born in Kingston, Jamaica, 1922. Studied at the Pratt Institute; Carlyle College; New York School of Modern Photography. Works: Cloud Flowers ; My Breath Is One with the Clouds ; The Acrobats; Relatives; Thoreau; Clothes to the Body; America- Amer- ica; Hanging Garden; Poor Room, Rich Room; Epigram a Bromide; Passage, 1969 (wood, epoxy, iron). Exhibited: Museum of Modern Art; Brooklyn Museum Fence Show, 1968; Nordness Gal- leries, NY; Phila. Civic Center; Ruder & Finn Fine Arts, 1969; Smithsonian Institution; Mount Holyoke College, 1969; Boston Museum of Fine Arts, 1970; Rhode Island School of Design, 1969; Memorial Art Gallery, Rochester, NY, 1969; San Francisco Museum of Art, 1969; Contemporary Arts Museum, Houston, 1970; NJ State Museum, 1970; Roberson Center for the Arts & Sciences, Binghamton, NY, 1970; Art Galleries, Univ. of Cal. at Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art So- ciety Gallery; Nassau Community College; Brooklyn Public Library; Allentown (Pa.) Art Festival; Quinnipiac College; Parrish Art Mu- seum; NY State Pavillion; Huntington Town- ship Art League. Collections: Frederick Douglass Institute, Wash- ington, DC; Spiro & Levinson Corp.; Mr. William Haber; Mr. & Mrs. B. Friedman; Mr. & Mrs. Samuel J. Rosen; Mr. David Scribner; Unigraphic Corp.; Mr. Benny An- drews; Jeanne Paris; Mr. & Mrs. Joseph Strauss. Awards: Westchester Art Society; Mitchell College, Conn.; Brooklyn Museum; Armonk Library Show Award; Bedford Hills Library Show Award. Sources: Boston Museum of Fine Arts. Afro- American Artists: New York/ Boston, 1970; Nordness Galleries. 12 Afro-American Artists, 1969; Mount Holyoke College. Ten Afro- American Artists, 1969; Ghent, Henri. “The Community Art Gallery,” Art Gallery, April 1970; Paris, Jean. “Black Art Experience in Art,” Long Island Press, Jamaica, NY, June 14, 1970; Ruder & Finn Fine Arts. Contemporary Black Artists’, Brooklyn College. Afro-Amer- ican Artists: Since 1950, 1969; Walker, Roslyn. A Resource Guide to the Visual Arts of Afro- Americans, South Bend, Ind., 1971. NEW YORK (NY). Acts of Art, Inc. Rebuttal to Whitney Museum Exhibition: Black Artists in Rebuttal at Acts of Art Gallery. 1971. Unpag. (20 pp.) exhib. cat., 54 b&w illus., brief biogs. of 48 artists. The text consists of an unsigned foreword (probably by Nigel L. Jackson, director of Acts of Art); a reprint of Z. D. Allen's review of the exhibition, "Rebuttal to the Whitney," from Chelsea Clinton News (Apr. 15, 1971). The catalogue was published after the show opened. Artists included: Benny Andrews, James Belfon, Betty Blayton, Lynn (Chuck) Bowers, Vivian Browne, Calvin Burnett, Jo Butler, Robert Carter, Art Coppedge, Adger Cowans, Joseph Delaney, J. Brooks Dendy, III, James Denmark, Reginald Gammon, Moses Paul Groves, Lester Gunter, Byron Hall, William Charles Henderson, II, Leon Hicks, Nigel L. Jackson, Kenneth Vrook Johnson, Cliff Joseph, Philip Martin, Kenneth Matthews, Richard Mayhew, Dindga McCannon, Alexander S. McMath, Ademola Olugebefola, William Payne, James Phillips, Kenneth Radcliffe, Junius Redwood, Enid Richardson, Gregory Ridley, Jr., Haywood (Bill) Rivers, Donald J. Robertson, Philippe G. Smith, Ann Tanksley, Bob Thompson, Russell Thompson, Robert Threadgill, Lloyd Toone, Bennie White, Timothy Wilkins, Walter H. Williams, Ed Wilson, Frank W. Wimberley, Hale Woodruff. Sq. 8vo, stapled tan wraps, lettered in brown, illus. of wire sculpture by James Denmark.. BOSTON (MA). Museum of the National Center of Afro-American Artists. Afro-American Artists: New York and Boston. May 19-June 23, 1970. 92 pp. exhib. cat, 67 b&w illus. of work by 69 artists, exhib. checklist. Intro. by Edmund B. Gaither. Important early exhibition. Includes Emma Amos, Benny Andrews, Ellsworth Ausby, Malcolm Bailey, Ellen Banks, Romare Bearden, Robert Blackburn, Betty Blayton, Ronald Boutte, Lynn Bowers, Frank Bowling, Marvin Brown, Calvin Burnett, Dana C. Chandler, John Chandler, Barbara Chase-Riboud, Ed Clark, Eldzier Cortor, Ernest Crichlow, Emilio Cruz, Avel DeKnight, Henry DeLeon, Stanley Pinckney, James Denmark, Reginald Gammon, Felrath Hines, Alvin C. Hollingsworth, Bill Howell, Zell Ingram, Gerald Jackson, Daniel L. Johnson, Milton Johnson, Ben Jones, Lois Mailou Jones, Tonnie O. Jones, Cliff Joseph, Harriet Kennedy, Hughie Lee-Smith, Norman Lewis, Tom Lloyd, Al Loving, Richard Mayhew, Edward McCluney, Jr., Algernon Miller, Joe Overstreet, Louise Parks, Stanley Pinckney, Jerry Pinkney, John W. Rhoden, Bill Rivers, Mahler Ryder, Raymond Saunders, Thomas Sills, Al Smith, Vincent D. Smith, Richard Stroud, Alma Thomas, Bob Thompson, Lovett Thompson, Russ Thompson, Lloyd Toone, Luther Vann, Paul Waters...

A lovely hand knotted Pakistani Balouch wool prayer rug, circa 1980s. Features a blue and black geometric pattern.

Unique, one-of-a-kind, antique necklace, Amulet necklace. The Mughal (or Mogul) Empire ruled most of India and Pakistan in the 16th and 18th centuries. It consolidated Islam in South Asia and spread Muslim (and particularly Persian) arts and culture as well as the faith. Rare 18th C. Mogul Indian Rock Crystal Ram Head. This amulet was probably made for a necklace worn by one of the Kushite kings. Representations show these pharaohs wearing a ram's head amulet tied around the neck on a thick cord, the ends of which fall forward over the shoulders. Sometimes, a smaller ram's head is attached to each end. Rams were associated with the god Amun, particularly in Nubia, where he was especially revered. The ram's head is carved from smooth rock crystal. The carved quality is very high. Dimensions: 41.5mm long and 25mm wide. The ram head amulet is a symbol of perseverance, vitality, and sexual energy. The ram personifies generative power, creative energy and is also a spirit that protects its owner. The length of the necklace is 32 inches (81 cm). The size of the vintage rice garnet beads is approx 6.5 - 7.5 mm, the size of the tiny round garnet beads is approx 2.5 mm. The size of the matte rock crystal beads is 16mm. The necklace is fastened with an old silver clasp. The weight of the necklace is 100 grams. The garnet necklace was most likely made later, around the end of the 19th century. This is evidenced by the clasp, the silk thread, and the way the garnet beads were cut, carved, and drilled by hand. As we wrote above, the head of a ram made of rock crystal is from the 17th-18th centuries. Unique, one-of-a-kind, antique amulet...

18th Century French School Portrait of an Actress Oil on canvas 30 x 23 inches 36 x 30 inches, framed

This striking ring showcases a 7.33-carat untreated Ethiopian opal, measuring 17.03 x 12.5mm, known for its vivid play-of-color. Set in a 14k gold band weighing 4.21 grams, the opal ...

Antique silver plate Art Nouveau Topazio silver plate and cut lead glass pitcher / caraffe / claret. Holds 28 fl ounces. Very good condition. Dim...

Antique hand stitched quilt or bedspread with pink and green border and a Rose of Sharon type floral motif. Measures: 74 x 78.  

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...

Art glass vase titled "Ariel" by designer Ingeborg Lundin (Swedish, 1921-1992) for Orrefors. Captivating art glass vase in rich purple color surrounded by faces in profile. This heav...

Vintage porcelain table lamp in the shape of a ginger jar styled to resemble a thatched roof pagoda style hut with mirrored sides and roo...

Lot of 5 Rare Genuine Papago Indian Baskets Includes; - A large Basket / Tray Man in Maze by Anne Miguel - An oval Basket with cactus - A Round woven basket by Mary Lists - A small...

Late 20th century LeRoy Neiman black and white etching titled "Skiing VII." Pencil signed and numbered 148/150, lower edge. Beveled black painted wood frame; gray and maroon layered ...