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French Neoclassical cast bronze candlestick holder / candelabra featuring Art Nouveau styling with the figure of a young boy holding a torchiere above his head, on an ornate base. D...

A large and impressive late 20th century fluted crystal trophy urn shaped table lamp featuring a square brass base with foliate feet, a scallop shell patterned band and scrolling fol...

This stunning ring features a 1.11 carat intense fancy pink sapphire in a graceful pear shape, surrounded by ethically sourced diamond accents. Set in genuine 14K yellow gold, it’s a...

Ora Coltman (American, 1858-1940) Portrait of De Forest Mellon, 1922 Oil on canvas Unsigned 30 x 25 inches 35.5 x 30.25 inches, framed Ora Coltman was born in 1858 in Shelby, Ohio, ...

An early 20th Hand Painted Delft Wall Hanging Plate. Features a river scene in Delft, South Hollands showcasing the Oostpoort. The Oostpoort is a historic 15th-century fortified ci...

Slit mirror by Phillip Jividen Limited Edition of 25 Dimensions: W 71 x D 3 x H 94 cm Materials: Brass Also available in H 112. Please contact us. Tak...

A 0.98ct zambian emerald oval ring set in solid 14K white gold, set with fifty earth mined diamonds and eight blue sapphires. Emerald, the May birthstone, is treasured for its deep g...

Mid 20th Century rectangular wall / vanity mirror featuring a gold embossed geisha. Dimensions: 17.25" x 0.75" x 27.25" / Mirror - 15.25" x 25.25" (W x D x H)

Antique Hayward Lumber & Inv Co of Los Angeles nautical maritime military ship spyglass / telescope / scope. Quartermaster, Mark II, 16 Power, Chemical & MFG Division. This telescop...

This GIA Certified Premium Burma Ruby showcases a stunning cushion cut, measuring 7x6.2mm and weighing approximately 1.82 Cts. Known for its vivid red color, this natural gemstone co...

"Any Thing for Me, If You Please" Post Office of the Brooklyn Fair in Aid of Anitary Commission Wood engraving, 1864, with grey ink wash added later by a skillfull artist Signed in ...

Mid century Miss Lititia Thompson Blue Ridge Mountains oil painting on canvas. Marked Happy Birthday Mary 1963 on back. This pictur...

The Adrian Pearsall rocking "Wave" chaise lounge fully reupholstered in an Ana Elisabeth S5443 Arctic faux fur fabric. The walnut base has been professionally refinished and is in an...

Circa 1940s painted grain game / card / parlor desk table featuring American Federal / Hepplewhite styling with serpentine bow front, large drawer with brass rosette hardware, and sq...

Tall vintage French Gothic Revival five light floor lamp featuring scrolled black iron with gold acanthus accents and a five arm candlestick cand...

This rare English five-piece porcelain platter set was made by Chamberlain & Co., Worcester, in the mid-19th century and is offered as a group across three graduated sizes. The platt...

Vintage pair of Chelsea House table lamps featuring a Neoclassical black tole painted floral design with a cylindrical pedestals supporting a pair of mantel vases / trophy urns. Dim...

Meduse Etching and aquatint printed in colors, 1958 Signed, titled, numbered and dated in pencil (see photos) Edition: 50 (25/50) Etching and aquatint printed in colors ...

This elegant sterling silver rectangular double-handled butlers tray features engraved Neo-Renaissance decoration including winged cherubs along with urns and floral and foliate moti...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU HOME stumps? KILN DRIED Our stumps all go through a drying process in our kiln, s...

A pear-shaped imperial topaz glows in a warm golden-orange at the centre of this solid 14K yellow gold ring, framed by twelve earth-mined diamonds. Imperial topaz is the rarest and m...

An antique Victorian era Eastlake parlor pedestal table or plant stand, circa 1880s. Made from walnut with a round top with carved edge over a burled frieze with leaf carving over a...

This classic Val St Lambert clear lead crystal box has a rectangular form with thick walls. The timeless design features a lid with polished beveled edges and chamfered corners. Th...

Antique hand painted, folding, double sided game board. One side painted for chess / checkers in a simple design of yellow and black. The other painted for Parcheesi in white, green,...

Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...

John W. Kearney (American, 1924-2014) Godiva on a Rhinoceros Bronze Signed with monogram to base 6.5 x 3 x 8.5 inches Born in Omaha, Nebraska, he studied at the Cranbrook Acadamy of...

This Outdoor Stand Alone Modern Vita Bar is beautifully constructed from solid wood in Ohio, USA. This modern bar has soft glide sliding doors complete w...

Raoul Ubac (1910-1985) Torse Color lithograph, 1967 Unsigned as issued Published by Maeght Editeur and the Redfern Gallery, London Printed by L'Atelier Arte, Paris Edition 1500 Raou...

Landscape with buildings and trees Watercolor on paper, c. 1930's Signed in pencil lower right (see photo) Provenance: Estate of the artist Condition: Excellent Sheet size: 9 3/8 x 1...

This large Art Nouveau–influenced vase was crafted by New Hampshire–based artisan Stephanie Young of Calmwater Designs. The hand-carved porcelain vessel is finished in turquoise and ...

Vintage hammered copper range hood featuring a wide rounded dome base with geometric accents. and tall cylindrical chimney. Dimensions: 58"h x 55" x 27"

Vintage Roscoe Village Early American style wall hanging corner cabinet featuring a paneled door with tiered shelving and painted in an ele...

St. George and the Dragon after Raphael Engraving, 1885 Unsigned, proof before letters A engraving after a painting by Raphael (c.1504-05) now in the Musée du Louvre, Paris (inv. no....

Extra large vintage woven wicker country farmhouse basket featuring an oval shape with boat shaped top edge, green diamond motif on the sides, pink an...

A limited-edition Parker Doufold Mandarin fountain pen with its original box, information and presentation paperwork. In bright Mandarin yellow with black details, 18K gold nib and g...

Antique Victorian lowboy vanity princess dresser / parlor wash stand with mirror. Made of quartersawn "tiger" oak featuring a wishbone vanity mirror, three drawers and rolling casto...

An exceptional hanging lantern clock from the 17th Century. The clock is housed within a hooded glass case with Grecian style carved columns, gadrooning and acanthus scrolled accents...

Lush 2.4Ct Zambian emerald radiates a rich, vibrant green, framed by sparkling natural diamond accents in solid 14K gold. An elegant 11x8mm centerpiece that blends timeless luxury wi...

CraftAssociates Sofa, Floating Modern Sofa, Mid Century This modern sofa is expertly crafted and upholstered. Each sofa boasts hand cut foam and high grade commercial fabric. The so...

This Tiffany iridescent gold Favrile glass five-piece set includes a fruit bowl and four individual serving bowls. The matched set has cylindrical b...

A 2.63-carat blue star sapphire displays a soft six-rayed star across its domed cabochon, set in solid 14K white gold with six earth-mined diamond accents. Star sapphires are treasur...

The Revolution Triangle ring gracefully cycles from a lower circular band to a triangular  top and back again. As the classic rounded base evolves into a...

William Grauer (1896-1985) untitled (Mexico: Houses by the Mountains) Ink and watercolor on paper, c. 1960 Signed in ink lower right (see photo) A dramtic Mexican seen with a heard o...

Antique 19th century Staffordshire porcelain flatback figural spill vase depicting a farmhouse scene with male figure recling against a tree with a red and white cow and milk bucket....

CraftAssociates console, modern console table, walnut, Cambre Collection Craft Associates® Furniture is expertly crafted. The credenza is constructed from solid hardwood by hand, not machine. The walnut is then shaped by artisans and finished with a commercial grade matte finish. This credenza was designed by Laura Trenchard as part of her Eiger Collection. Craft Associates® Furniture is proud each piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman in the business. We stand 100% behind our product. All pieces are available in Rosewood, Teak for additional cost. "Modernism means freedom - freedom to mix, to choose, to change, to embrace the new but to hold fast...

Very large vintage Aubusson style textile / tapestry depicting a 19th century Moorish / Morocco theme with figures on camelback and donkey, and a man smoking an opium pipe. Dimensio...

Bertu Credenza, Baron Modern Oak Credenza, Black This Modern Oak Credenza - The Baron is made in the heart of Ohio with locally sourced wood. Each unit is ...

This Suelo® modern wood sofa is beautifully constructed from solid wood in Ohio, USA. The sofa's silhouette is simple, modern, and sleek with comfortable back and seat cushions. This...

Bertu End Table, Zig Zag End Table, Burnt Finish, Maple Originating in 18th century Japan, shou sugi ban is a particularly striking method of preserving wood by charring it with fir...

Brutalist 70s Pendant/brooch in the manner of Arthur King. The large 3 1/4 x 2" 14k tendril-like gold work freeform pendant/brooch with four freshwate...

Craft Associates® modern bronze coffee table - 1603. This modern coffee table is expertly crafted. The base is constructed by artisans who hand-weld and hand-patina each piece. The top is 3/4" glass with a standard 48" diameter, but the base can accommodate a much larger piece of glass. Craft Associates® Furniture is proud each piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman in the business. We stand 100% behind our product. "Modernism is a movement that began in the late 1800's and ended approximately in the early 1970's. It broke away from the heavily ornate and dark furniture...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition: Excellent Image/Sheet size: 10 x 13 7/8 inches Part of a suite of collages created during the artist's sabatical leave from teaching, spent in Florence, Italy, studying at the Accademia D'Arte Firenze in 1963-1964. Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print Group under Mauricio Lasansky. Following his graduation in 1948, Ray experienced firsthand the rapid rise in creative printmaking in America. By 1949, he had exhibited at The Brooklyn Museum, the Walker Art Center, and MOMA New York. Ray’s early style of printmaking is characterized by pure line engraving on copper plates, a technique suited perfectly to his study of the beauty of animals. This charming and whimsical subject ran counter to the concurrent trends of Lasansky’s horrors of war and Hayter’s non-objectivity, but was equally effective in capturing the public’s attention. Walruses was purchased by the Victoria and Albert Museum, exhibited at MOMA New York and received the Arthur D. Allen Memorial Purchase Prize for its “skillful and economic use of line.” Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style evolved into organic non-objectivity, in which he incorporated personal autobiographical vignettes and symbolism. His work during this time was further characterized by a departure from the traditional squared compositional format to his cutting and rounding of the plate to accentuate organic shapes. Ray’s 1959 Enchantment remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was successfully exhibited at the Brooklyn Museum of Art for the 12th National Print Exhibition of The American Federation of the Arts and received the Pennell Purchase Prize from the Library of Congress in 1960. In the 1960s, Ray also started to focus on blind embossing, which he had first experimented with at the University of Iowa. He was extremely prolific and successful with this medium, selling hundreds of prints in small editions of 10 through the Associated American Artist Gallery in New York. In 1966, Ray built upon his mastery of embossing and began developing a shadow box presentation called a graphic construction that combined color, blind embossing, and multi-layered cutouts to revel intaglio compositions. Noted curator William Lieberman purchased Ray’s masterpiece graphic construction, Moon Rays...

Peabody cane back chairs, walnut and Cane in black, Modern, Craft Associates These Peabody Cane Back Chairs in handcrafted in solid walnut and fur. However, each is made to order. Wood species and fabric can be customized. Craft Associates has a full fabric program available.. In addition, the chairs are a licensed reintroduction by the estate of Lawrence Peabody and built by Craft Associates. Craft Associates Furniture is proud each modern piece is made in the US. They strive to craft a product that will Stand the test of time. They use the best materials and have the best craftsman and upholstery in the business. We Stand 100% behind our product. Designer: Lawrence Peabody Manufacturer: Craft Associates Furniture Period/Model: Mid-Century Modern Specs: Walnut, cane, leather Dimensions: H 32" (81.28cm) W 24" (60.96cm) D 26.25" (66.68cm) Arm height 22.5" (57.15cm) Seat height 16" (40.64cm) Seat width 21" (53.34cm) Seat depth 20" (50.8cm) "The U.S. would profit by the example of the Danes, whose great work in furniture design is the result of combining proficient craftsmanship, Fine design and technical skill. The Danes do more than sell arts and crafts in their distinguished work, they sell Denmark." - Lawrence Peabody, 1957 History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle...

Beautiful antique leaded stained glass reclaimed window panels. Features blues and ambers with a rose at the center. A fun set to hang in the light or reframe for use. Dimension...

Vintage 1998 Betty Anglin Smith original oil painting on canvas titled Ashepoo Marshland. A vibrant landscape featuring a low-lying, waterlogged wetland dominated by grasses, reeds,...

Eight antique Georg Jensen Denmark Sterling Silver 925 steel blade dinner knives in the Acanthus (Dronning) pattern. The Acanthus pattern was designed by Johan Rohde and introduced ...

F. Luis Mora (American, 1874-1940) Native American, c. 1930s Ceramic Stamped on bottom, Cowan Pottery 9 x 7 x 5 inches Francis Luis Mora was one of the better-known American artists...

Ora Coltman (American, 1858-1940) House in Hudson, OH Oil on canvas Signed lower left 22 x 26 inches 27.5 x 31.5 inches, framed 21 Aurora Street is locally known as the Isham-Beebe ...

A unique mid century copper and iron side table. Features a square copper top with riveted edge over straight iron legs scrolled at the feet. Dimensions: 18.5" x 16" x 23"h, top ...

Jens Risom two-tone mid-century modern credenza featuring 4 drawers with carved wood handles, 1 door, and a travertine top. 65 1/2" long x 19" deep x 34 1/2" high.