Ohio

#38183 Vintage 10 piece serving set by Hammersley & Company. White bone china with gilded details. Set includes handled serving tray with creamer and sugar bowl in the Rose Point pa...

This Mode Collection Modern Throw Pillow is made in the heart of Ohio, USA with a high-grade leather front and a suede back. The pattern of the stitching between the 3 leather panels...

Richard Ginori Italian Antico Doccia scalloped oval serving tray / platter featuring hand-painted scattered fruits and flowers with a blue scalloped trim and gold accents on the bord...

This Mode Black Leather Throw Pillow is made in the heart of Ohio, USA with a high-grade leather front and a suede back. The pattern of the stitching between the 3 leather panels is ...

Designer: Lawrence Peabody Manufacturer: Craft Associates Furniture Period/Model: Mid-Century Modern Specs: Black walnut, Claro walnut veneer This Lawrence Peabody modern bookcase ...

A larger sized pottery art tile with colorful horse back riders on a dimpled glazed back round . Attributed to the iconic Mid Century artist Harris Strong who's many pieces hung in m...

The Parable of the Prodigal Son, Mo. III, The Return Etching, 1881 Signed and dated in the plate (see photo) From: The Prodigal Son (four plates and title plate) This being an impre...

Frank Nelson Wilcox (American, 1887–1964) Rainbow on Santa Fe Trail, New Mexico, c. 1937 Watercolor on paper Signed lower right, titled verso 15 x 20 inches 18.5 x 24 inches framed ...

This turn of the century art nouveau boudoir lamp by P. Rigual is fitted with a Quezal shade. The bell form iridescent glass shade has gold thr...

Over 6 feet in height, the Stave Cabinet’s dramatic silhouette lives in space as a steeple or obelisk with a commanding but peaceful presence. Its subtle...

Mayan Trio Lithograph, 1950 Signed in pencil lower right (see photo) Edition 250 for Associated American Artists Publsihed 1950 Reference: AAA Cat.: 1950‑05; 1958‑01 AAA Index 1087 Condition: Excellent Image size: 13 x 9 1/2 inches Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana. Life Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers. He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened. He died on Mexico City on July 18, 1986 Career After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche. Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952. He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946. As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns. He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man crouching. Be...

Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort. Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper. Visible watermark verso Small printer crease in the bottom right below the caption plate. Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Vintage heavy cut crystal cake plate stand featuring octagonal form with domed finial top and footed base. Dimensions: 13.5" x 13.5" x 13"h

A lovely scrolled iron console table with Spanish marble top. Features a rectangular form with serpentine skirt and cabriole legs with acanthus design along the knee. Dimensions:...

Beautiful Vintage Toyo Hand Painted Floral procelain Decorative Large Plate. It does come with a stand. This piece is only for decorative purposes. It has been kept in really good co...

Bertu Wood End Table, Solid Wood End Table, Maple Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care.See how we do it here. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. These Solid Wood End Tables...

A stunning 4.5ct kunzite pendant set in solid 14K gold, accented with sparkling earth-mined diamonds. Featuring a graceful 10x8mm gemstone, it blends soft elegance with timeless luxu...

A natural purple spinel from Madagascar takes center stage in this round ring, encircled by sparkling diamonds in solid 14K yellow gold. Untreated and richly saturated, the spinel of...

Beautiful pair of antique mother of pearl shell servings spoons with silverplate handles. The spoons are neatly framed in a shadowbox b...

20th Century Chinese ancestor portrait painting on canvas. Depicts a Qing Dynasty male and female figure dressed as an emperor and empress in red red robes decorated with cranes, sea...

Antique Davis & Sons silver plated stuffing / serving spoon. D & S Co Davis & Sons of Glasgow Dimensions: 13.25" x 2.25" (L x W)

Stiffel Brass Floor Lamp 3 lights plus 1 mogul Light Lights turn on separate with our without mogul. Milk glass shade in good condition, no chips. ...

CraftAssociates Lounge chairs, Vancouver Lounge Chairs, White Velvet This Vancouver Lounge Chair for Craft Associates® Furniture are expertly crafted and upholstered. Each chair boa...

CraftAssociates Dining Table, Modern Oak Dining Table, Barricas Collection, Trenchard Modern Oak Dining Table "Barricas Series" for Craft As...

Set of four vintage dining side chairs featuring Leopard fabric with rolled back, nailhead trim, and square tapered black painted legs. DIME...

A very functional cabinet / sever with two doors , one smaller divided drawer inside and a adjustable shelve giving you plenty of storage with a larger lower drawer . This well craft...

Elegant Madagascar Ruby Pendant featuring a vibrant round 4.5mm natural ruby, showcasing a rich, deep red hue that highlights the timeless beauty of this classic gemstone. Accented w...

Vintage Baker Furniture Mcmillen collection fauteuil balloon back armchair featuring Louis XVI / Neoclassical styling with carved ribbons, floral m...

A chrome Art Deco cocktail shaker with ribbed grooves to the top and bottom section of the container. The lid has matching grooves with built in strainer topped with a black bakealit...

Man Sounding Horn (Psalm 150) Lithograph, 1969-1970 Estate signed: "Ben Shahn/by B.B. Shahn" in pencil lower center Stamped signature lower right (see photo) Signed by Mourlot Lith. in pencil lower right (see photo) Edition: 125 (67/125) see photo Psalm 150, "A Hallelujah Chorus" Published by Kennedy Graphics, Ltd., New York, NY Printed by Mourlot Graphics, Ltd., New York, NY Reference: Prescott 255 Kennedy Galleries, The Kennedy Graphics, 380, reproduced Condition: Very good Image/sheet size: 20 1/8 x 25 3/8 inches A posthumous print "This was the final project completed by Ben Shahn (1898-1969), leading American realist painter and muralist widely recognized for his socially conscious works. Born in Lithuania to Jewish parents, Shahn emigrated to the United States in 1906 and became a popular and versatile artist who worked in a variety of media and on a range of projects. His credits are as varied as assistant to muralist Diego Rivera, photographer for the Resettlement Administration (alongside the likes of Dorothea Lange and his friend, Walker Evans), maker of posters for the Office of War Information during WWII, and commercial artist for CBS. He is best known, however, for artwork depicting left-leaning political ideals and highlighting social concerns, such as his series of gouache paintings known as "The Passion of Sacco and Vanzetti...

Pair of mid to early 20th-century Chinese cloisonne enamel cylindrical mantel vases/ urns/ hat stands, featuring a red background patterned with interlocking circles behind blue and ...

A rare and one of a kind antique figural carved oak floor lamp, circa 1920s. Meticulously carved with amazing detail throughout. Features a swiss guard with torchiere staff atop a sq...

Vintage John Richard neoclassically inspired table lamp with painted chalkware column base supporting an amber glass trophy urn shaped vase topped with gold and caged with single lea...

This white oak side table is made in the heart of Ohio with locally sourced wood. Each table is a hand-made mitered box from white oak veneer and ...

Heavy carved stone goose garden sculpture. Made in Italy circa 1930s. Dimensions: 23.5" x 8" x 14.5"h

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This listing is for a pair of large tree stump side tables...

Vintage Brandt Furniture curio display showcase table. Made of Ancestry Mahogany featuring octagonal form with four tapered legs connected by X stretcher. Dimensions: 16.25" x 23" ...

Clarence Holbrook Carter (American, 1904-2000) Eye of the Desert, 1965 Collage, graphite and gouache on paper Signed and dated lower right 16 x 12 inches 25 x 21 inches, framed Condition: Minor stains on mat. A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Lovely painting - Unframed

This early 1900s antique side table is a classic example of early American Federal or Sheraton style design, crafted from durable, honey-toned solid oak wood that showcases a promine...

A vivid treasure from the legendary mines of Burma, this GIA certified ruby glows with the rich, romantic red hue that has made Burmese rubies the most coveted in the world for centu...

Pair Handel Floral Form Wall Sconces. Bent green and white glass flower petals in bronze frames, each with on/off turn switch. All original glass and frames. Rewired. Stamped Handel ...

Lino Litho BR, Planche VI Linocut and lithograph, 1970 Signed lower right in pencil (see photo) Edition: 99 (56/99) (see photo) Published by London Arts Group, Detroit Condition: Exc...

A very large vintage oval wall mirror with a gray, weathered / distressed chic wood frame, pierced / carved with a scrolling French Provincial inspired foliate / acanthus motif. Can ...

This simple modern dining table, walnut is made in the heart of Ohio with locally sourced wood. We use the table both as a harvest dining ta...

John Teyral (American, 1912-1999) Marrakech, 1937 Watercolor on paper Signed, dated and titled upper right 12 x 14 inches 19 x 21.5 inches, framed John Teyral was one of Cleveland'...

Kudu horn over plinth base. Features realistic patina and modern styling. Dimensions: 6" x 6" x 40.5"h

IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...

Layered torn paper collage

CraftAssociates Lounge Chairs, Hillsdale Mid Century Modern Chairs, Walnut, Highback These modern high back chairs are expertly crafted and upholstered. Each include hand cut foam a...

A well crafted smaller extension dining table with white Laminate top and satin black angled steel base with foot pads . This brilliant de...

Indulge in the timeless sophistication of these ivory colored Mastercraft dining chairs. The sleek, rounded design, completed with a black lacquered hardwood frame exudes modern lux...

A fine and impressive 102 pound Honeycomb calcite crystal or stone. Features ten drilled holes. The stone is transparent and translucent, offering a luminous glow when accentuated by...

Antique early 19th century Louis XVI fire screen / hearth ware. Made of wood featuring Neoclassical styling with gold gilt carved ribbons / bows and floral acanthus designs. Dimens...

Neoclassical inspired pedestal or sculpture / display stand. Made of chalkware (plaster) featuring round column form with distressed finish Dimensions: 14" x 14" x 49.5"h

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horses Prepared to Perform and Circus Truck, Circus Series, 1991 Oil on canvas Signed an...

Bronze sculpture by Seth Vandable, titled "Harvest", signed and numbered 11/29. Muscular nude male figure swinging a scythe and cradling an infant. Intri...

Rare antique framed folk art needlepoint textile panel / tapestry - a scene of European nobility seated in a great room with equestrian battle themed design, greeting figures in trad...

A Federal style mahogany candlestand by Kittinger, circa 1970s. Williamburg Restoration Line. Features a rectangular top with serpentine edge over a baluster turned base with cabriol...