Ohio

A larger sized pottery art tile with colorful horse back riders on a dimpled glazed back round . Attributed to the iconic Mid Century artist Harris Strong who's many pieces hung in m...

A very modern looking early heavy glass cocktail shaker with round ball top , frosted edge to the collar with two pour spout areas . The top has cut grooves to each end for shots or pours as pictured and a very well thought out design for the professional bar keeper . Weighted perfectly for the hand and tight lid manufactured by the Cambridge Glass...

The necklace is 20 inches long (50 cm) and weighs 225 grams (8oz). The nephrite jade beads are 17.5 mm in diameter, and the silver spacer beads are 8x1 mm. The necklace is fastened w...

Sometimes the best things in life are the accents, the small gestures and textural pieces that add intentionality to our days. These Mini Formation Studs can pair well with larger ea...

Designer: Unknown Manufacturer: Unknown. Period or model: Mid-Century Modern. Specs: Aluminum, glass Condition: This modern Donald Drumm style side table is in good origin...

Where wine storage meets artistic expression—the Lombardy Wine Wall Display transforms your collection into a stunning centerpiece. Meticulously handcrafted to your specifications wi...

An 8.28-carat London Blue Topaz takes center stage in this clean, modern solitaire design. Set in 14K yellow gold with an attached chain, it’s effortlessly luxurious. This pendant al...

This exceptional late 19th century porcelain cabinet vase was hand painted at the Dresden based studio of Georg Heufel & Co. The artist signed vase has a slightly flared cylindrical...

This Craft Associates modern side chair is beautifully constructed from solid wood in Ohio, USA. The lounge chair's silhouette is simple, modern, and sleek with comfortable back and ...

Set of 4 Late Art Deco Retro Soda / Fountain stools by Chromodern (no. 14). Made with a baked enamel finish over aluminum base and red seats. Each st...

En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922 Unsigned as ...

Hollywood Regency Gold Gilt Embossed Trim Ceramic Lamp with finial. Lamp works. Base is 5" square.

This pair of 19th century busts are after noted French sculptor Albert Ernest Carrier-Belleuse (1824 - 1887). The pieces are exquisitely detailed and depict the head and torso of a ...

The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A Series of Thirty Etchings by William Strang, Illustrating Subjects from the Writings of...

Late 20th century Arte Italica 95% Pewter ice bucket / champagne chiller. Oval-footed bucket shape cast with a decorative band accented with a heraldic crest / shield marked 1753 and...

La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by Edmund Sagot, Paris Edition of 50 in black only, aside from the edition of 50 in co...

The length of the necklace is 17 inches (43 cm). The size of the carved beads is 18 mm. The beads have a delightfully soft, gentle, rose tone. The color is authentic and natural. No thermal or other treatments were used. This necklace alternates beads of quartz with 4 mm natural freshwater pearl beads. The necklace is fastened with a beautiful sterling silver gold pale toggle clasp with a natural freshwater pearl. Necklace weight 160 grams (5.6 oz). Gently rose mineral belongs to the world of feelings and emotions. In the culture of the East, rose quartz is called the “stone of the heart.” Rose quartz evokes gentle, touching sensations and has a romantic, dreamy, refined, and soft aura. This is not loving itself but rather a premonition, the origin of feelings. The ancient people believed that rose quartz sent down the god of love, Eros (Cupid), to Earth. But according to another version, rose quartz is the “juice” of the Earth, which crystallized over many centuries and became a stone. Regular wearing of Rose quartz jewelry...

Manufacturer: Bitossi Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi multi color flower vase for Rosenthal Netter...

La Pointe de Bretteville Color lithograph, 1899 Signed in the stone upper right Publisher: Sagot, Paris Edition: Edition: about 200 (per Arwas) References And Exhibitions: Arwas 33 2...

This elegant late 19th century sterling silver bowl was made by Tiffany & Company. The silver bowl has an oval shape and the interior features ornate repousse decoration in the form ...

A walnut side table by Bill Sofield for Baker Furniture. This attractive table features antique bronze trim around the bottom shelf and the legs ca...

Frank Nelson Wilcox (American, 1887-1964) Frosty Dawn, Upstate New York, c. 1916 Watercolor and gouache on board Signed lower right 21 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...

untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...

The Ermine Scarf Lithograph, 1905 Signed in pencil Belleroche and initialed A.B. lower right Edition: 30 Reference: Belleroche K447 Albert Belleroche log of llithographs, AB164 Condition: Excellent Image size: 6 5/16 x 5 1/4 inches Frame size: 18 3/4 x 17 inches Provenance: Estate of the Artist Richard Reed...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Sunflowers in Field Watercolor on paper Signed lower left 12.5. ...

Peabody Cane Front Credenza, Modern Walnut Credenza, cane front, walnut, CraftAssociates Furniture This Lawrence Peabody modern cane front credenza in walnut for Craft Associates ...

Joseph Glasco (American, 1925-1996) Seated Figure 1970 India ink on paper 16 x 11.5 inches Signed and dated lower right Joseph Glasco was born in Paul’s Valley, Oklahoma and grew up...

18th century Worcester tea saucer in a Chinese design with a seated woman and child in front of urns filled with flowers and fruit, and a tea set in front. 5" diameter. Marked on the...

Designer: Laura Trenchard Manufacturer: Craft Associates Furniture Period/model: Mid-Century Modern Specs: Solid walnut, leather, cane Modern "Bonnie" dining chair, for Craft Associates Furniture are expertly handcrafted in solid walnut and cane. Each chair base is constructed by hand from solid wood and hand caned backs. The chairs are finished with a commercial grade matte finish. Craft Associates Furniture is proud each piece is made in the US. They strive to Craft a product that will Stand the test of time. They use the best materials and have the best craftsman in the business. We Stand 100% behind this product. All pieces are available in: Teak, walnut or ziricote "Modernism means freedom - freedom to mix, to choose, to change, to embrace the new but to hold fast...

Designer: Hans Brattrud Manufacturer: Hove Mobler Period or model: Mid-Century Modern. Specs: Rosewood, leather Condition: This Hans Brattrud rosewood...

Bertu Storage Cabinets, Outdoor Storage Cabinets, Mahogany, Modern This indoor outdoor industrial buffet is made in the heart of Ohio with locally ...

A lovely, 1918, French Impressionist oil painting depicting a view of the town of Martigues, France by Antoine Ponchin (1872-1933). Antoine Ponchin was a landscapist, achieving the...

Still Life No. 5 Lithograph, 1978 Signed, dated and numbered in pencil (see photos) Edition: 50 (24/50) Published by Solo Press, New York, 1978 Printer: Judith Solodkin, first femal ...

Pair cast bronze Art Deco wall panels with openwork details of squirrels, birds, storks and floral designs. Stamped #P286898 9 on the back.

The Golden Gate Lithograph on wove paper watermarked GC, 1940 Signed in pencil by the artist (see photo) Publisher: Associated American Artists Edition: 189, unnumbered The image depicts The Golden Gate Bridge which connects San Francisco and Marin County, California References And Exhibitions: Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 13.17, page 324 Reference: L & O 325 AAA Index 391 Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...

This necklace is a true romance in stone, a story of tenderness, sophistication, and lightness. Its length is 18 inches (45.7 cm); yet, its true grandeur lies not in the centimeters ...

A Mid-Century Monmouth Pottery floor vase, circa 1950. A large form monochromatic glazed pottery vase with ribbed detail in a grey/green shade. Very good condition. Dimensions: 8.5" ...

Untitled (Female Nude) Graphite and sgrafitto on yellow paper, 1987 Signed lower right Note: Steven Assael is represented by Forum Gallery in New York. In 1977 he won the Charles Ro...

A sculptural iron and mesh orange slice loveseat in a flat black finish with curved legs having foot pads making the piece very stable. A great design for your garden, deck or three ...

Gold Modernist pendant necklace. The 2" x 2" 14K squircular shaped , heavily textured yellow gold pendant with a hinged bale and pin clasp. Inspired by nature of some form, this pendant could relate to the texture of the moon, a close-up of foliage or perhaps the artists rendition of his own inner feelings. Many studio jewelers of the 60's and early 70's were influenced by not only nature, but grew out of a period of "Abstract Expressionism" that seemed to inform the bold jewelry...

Extraordinary find. 4 Faux Tortoiseshell hand painted Etegeres' with Rosewood Backs and Plate Glass Shelving. Gorgeous pieces.

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU HOME stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. See how we do it here. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. This Modern Wood Stool...

Modernist Pierre Cardin Runway Jewelry. The choker necklace with a 2 1/2" x 2 3/4" pendant made of geometric red, orange and yellow painted e...

Untitled Watercolor on paper, c,. 1890 Unsigned Provenance: Estate of the artist Image/Sheet size: 3 1/4 x 4 1/8 inches From Wikipedia "Francis Augustus Lathrop (June 22, 1849 – Oct...

Slit Mirror Steel by Phillip Jividen Dimensions: W 84 x D 3 x H 112 cm Materials: Stainless Steel. Taking cues from Lucio Fontana’s Slash paintings, the Slit Mirror merges the boun...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

A breathtaking oval blue sapphire takes center stage in this 14K yellow gold statement ring, surrounded by a halo of sparkling, earth-mined diamonds. A true symbol of luxury and refi...

Vintage Italian Murano swirl glass sphere table lamp with brass applied cage. Single socket. Designed by Adolf Loos for VeArt. Sits atop an oak base. Dimensions: 11" high x 11" diame...

Beautiful little vintage Art Deco leather club chair by Barbara Barry for Baker Furniture. Condition Disclosure: Please understa...

Peridot earrings bring a lively touch to any ensemble. The vibrant green stones, set in solid 14K gold, ensure they catch the eye even through your hair. Let us know the gold color ...

A pair of bone white nightstands with adjustable glass center shelve and a brass light having up and downward lighting with mirrored back. Retains the manufactures label Thayer Coggin designed by...

Henredon flamed mahogany banded top dining table. Empire style part of the Natchez collection. Two pedestals with bun feet. Very nice condition. 86" long x 52" wide x 30" tall. One e...

Mid-Century Modern Brass 12-Light Chandelier in the Manner of Tommi Parzinger Elegant and architectural, this mid-century modern brass chandelier channels the refined sensibility of...

The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...

The 14K White Gold 1.65cts Boulder Opal Diamond Ring features a stunning fancy shape 9x7mm Boulder Opal at its center, surrounded by a delicate halo of diamonds. The opal's vibrant, ...

These earrings show off the stunning color of our london blue topaz. Set in solid 14k gold with push backing, you'll love these studs for a long time to come. These London Topaz earr...

View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...

The Diamond Formation Square Pendant Necklace holds a conflict-free 3mm diamond at the center of its beveled surface. Paired with a delicate 1mm Italian made chain in 16”. This penda...

Courtesan Kumekichi Color woodblock, 1858 Kabuki Actor Iwai Kumesaburo III in the role of courtesan Kumekichi, who is standing in snow hold a red sake cup Publisher: Ohkuniya Kinjiro...

By designer Richard Krementz, this diamond ring is true to his design style! 18 karat yellow gold and platinum 'pyramid' design. Looks great worn alone and can also be stacked with o...