Ohio

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU HOME stumps? Kiln Dried Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. Eco Friendly In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. Family Owned These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. Commercial Grade These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This tree stump table is made in the heart of Ohio with locally sourced wood. The stump can be used for a side table, a stool, or grouped together for a coffee table. Each stump is made from a solid trunk of red cedar...

Brass 6-door credenza by Bernhard Rohne for Mastercraft. This 1970's era credenza features acid etched design work and large brass handles. 78" wide x 21" deep x 30" high. A matchin...

These elegant oval black spinel studs, mined from Madagascar, are set in solid 14K yellow gold and accented with natural earth-mined diamonds. A classic prong setting enhances their ...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. These outdoor tree stump tables are made in the heart of Ohio with locally sourced wood. They can be used for a side table, a stool, or grouped together for a coffee table. Each table is handmade with a solid trunk of red cedar with a commercial-grade outdoor finish. Please specify your color choice when ordering - whitewash, black, or natural. IMPORTANT INFORMATION ABOUT OUR STUMPS... 1. Please unpack your stump immediately and leave it out of any packaging. These are real pieces of wood and need to breathe! 2. For OUTDOOR stumps : Though these are kiln dried and the wood can be used outdoors, sometimes when they arrive in different climates, humidity levels adjust and can affect the finish on top. We see this more often in direct sunlight. We do our very best and continue to make sure there are no issues, but we can not control climate. Solid wood and the elements are unpredictable and we will not be liable. The great thing about these logs is you can always sand them down and refinish. 3. Wood naturally moves. These are solid pieces and for that reason, they are prone to cracking. You may get more cracks or bigger cracks in the first few weeks as the wood acclimates to its new home and climate. 4. These stump tables have nylon glides (feet) underneath not only to make them easier to move around (they are heavy!), but also so there is nice air flow to the wood. The air flow is most effective on hard flooring. If you put these on rugs or carpeting, we suggest checking on the underside of your stump periodically to prevent any issues. 5. We are not liable for any damages to property or people. If you have any concerns or questions you need to discuss, please write or call. We are always available, honest, and transparent about our products. Thank you and I hope you love these! Specs Period/model: New and modern rustic Specs: Cedar stump...

CraftAssociates Sofa, Peabody Danish Modern Sofa, Walnut, Slatted This Lawrence Peabody Danish Sofa P-1713 for Craft Associates Furniture is expertly handcrafted and upholstered. T...

No Footprints Show, Where the Flowers Grow Deep Woodcut, 1961 Unsigned (as isssued) From: The "Way" of the Woodcut, three woodcuts, 1961 Publisher: Pratt Adlib Press, Brooklyn, New Y...

Clarence Holbrook Carter (American, 1904-2000) Study for Worlds Beyond, 1980 Graphite, collage and white heightening on illustration board Signed and dated lower right 10.75 x 4.5 in...

The Dark Aspect of the Great Goddess Devi Pigment on paper (unfinished), 19th century Unsigned as is usual Condition: Good color Voids at edges of the sheet Image s...

Antique Victorian marble top wash stand / server / console / buffet / sideboard / entry table. Made of walnut featuring upper drawer and lower c...

Bertu Ottomans, Cicely Modern Wood Ottoman, Leather, White This White Wood and Leather Ottoman - The Cicely is beautifully constructed from s...

This amazing necklace is unique; with beautiful shiny diamonds and two strands of round pearls, it's a must have for anyone! Two graduated, cultured pearl strands with diamond clasp...

Rich in color and luxury, this 2.35 carat tanzanite ring is framed by earth-mined baguette diamonds. Set in solid 14k white gold, it’s a refined choice for any occasion. "Who needs ...

Extraordinary Find. Original Lucite Bases support a monumental Glass top. Jeffrey Bigelow.

Figures Allonges Color Lithograph, 1971 Unsigned (as usual) Published: XXe Siecle, Volume 33, 1971 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Editi...

Anna Maria Cammilli hand made gold necklace. The Necklace, in the style of a Ruff Collar, fashioned in 18k yellow gold with both a mat and mirror f...

Clarence Holbrook Carter (American, 1904-2000) Chromatic, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches A surrealist mid-century figural abstrac...

The Garden of Love (after Peter Paul Rubens [1577-1640]) Woodcut diptych, c. 1633-1636 Each of the two sheets is signed in the plate lower right A posthumous impression with tiny wor...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

This elegant matched seven-piece Modernist coffee or tea set is made of sterling silver and rosewood. The set includes a coffee pot, tea pot, pitcher, cream jug, and covered sugar bo...

Mid century modern choker necklace featuring an abstract gold plaque. The 1 1/2" gold abstract designed pendant/brooch enhanced with 8 round white diamonds on a detachable 13 1/2 twi...

L'ACTEUR . . . . - On voit bien qu'il fait chaud . . . . . . . trois spectateurs dans la salle ..... faut-il commencer ? . . . . LE DIRECTEUR .- Et encore un des trois est le vendeu...

Craftassociates Credenza, Cambre Modern Credenza, Walnut and Maple, White This modern walnut credenza from the Cambre Collection for Craft Associates Furniture is expertly crafted. ...

Building and Garden Elements > Patio and Garden Furniture These Suelo® outdoor dining chairs in black are beautifully constructed from solid wood...

Clarence Holbrook Carter (American, 1904-2000) The Way Out, 1992 Acrylic on paper Signed and dated upper right 24 x 30 inches Figural abstract vibrant orange geometric painting. C...

Featuring a vibrant 0.92 carat Mozambique ruby set horizontally, this sunburst ring blends modern design with vintage flair. A halo of earth-mined diamonds radiates from the center, ...

Pair of Chapman Brass and Marble Obelisks Solid black marble with white Glass shades have small bubbles, slightly frosted Possibly would accept being wired with electric. Looks brand...

Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with pape...

A brushed aluminum framed armchair with curved arm rests and upholstered seat and back. The fabric is a textured dark greenish leatherette and came from the barber shop at Cincinnati's inconic Union Terminal Art Deco train...

Academic Nude Study by E. Rantz Charcoal on laid paper signed in charcoal Lalanne Watermark, c. 1880-1900 Image: 24 3/4 x 18 3/4"

Modern teak credenza - 1909 - Craft Associates Furniture This modern teak credenza from the Cambre Collection for Craft Associates Furniture is expertly crafted. The legs and door...

A nice cleanly designed mid century domed pendant chandelier with matching metal concentric louvered shade which snaps in for easy bulb changing for the ...

Designer: Lawrence Peabody Manufacturer: Craft Associates® Furniture Period/Model: Mid-Century Modern Specs: Walnut, leather These Lawrence Peabody dining armchairs P-1708 are expertly handcrafted and upholstered. These Peabody chairs are licensed reintroductions for Craft Associates®. Chairs are solid walnut with each frame hand steamed and bent. The price includes our standard leather seat. Craft Associates® Furniture is proud each modern piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman and upholstery in the business. We stand 100% behind our product. dimensions H: 29.5" (74.93cm) W: 23.75" (60.325cm) D: 21" (53.34cm) Seat Height: 18" (45.72cm) Seat Width: 19" (48.26cm) Seat Depth: 17.5" (44.45cm) Arm Height: 27" (68.58cm) "The U.S. would profit by the example of the Danes, whose great work in furniture design is the result of combining proficient craftsmanship, fine design and technical skill. The Danes do more than sell arts and crafts in their distinguished work, they sell Denmark." - Lawrence Peabody, 1957 history Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle...

A pair of very well crafted chromed Art Deco sconces with saucer discs tiering down the shaft and each having a large white opaque glass globe shade . ...

Simply elegant, easy to wear, unique ring! 14 karat yellow gold. Overlapping "leaves" all the way around the band. Approximate size 6.5. Approximately 4.5mm wide. Owned, but neve...

Classic Silver gelatin print on photographic paper, 2006 Signed in pencil and dated in pencil on verso (see photo) Condition: Excellent Image size: 12 78 x 9 1/2 Inches Sheet size: 1...

Clarence Holbrook Carter (American, 1904-2000) Icon Mandala, 1967 Acrylic on paper Signed and dated lower right 30 x 22 inches Clarence Holbrook Carter achieved a level of national ...

This gorgeous piece will for sure grab attention! 18 karat white gold swirl design. 280 round diamonds adorn half of the necklace. 5.66 total diamond weight, F-G color, VS-SI clarity. Hidden box...

Brass and Wood Asian Bookends Ceremony Position Asian Male and Geisha Female. Some wear on wood black bases. Male dimensions 7H x 4.5L x 2.5W. Wood base 5 x 3.5. Female dimensions ...

Lawrence Peabody cane back teak lounge chairs - 2001P These Lawrence Peabody cane back teak lounge chairs- 2001P for Craft Associates Furniture...

A large Mid Century staved teak center piece or serving bowl with rounded edges and beveled top rim . Early production with the three duck mark and branded Dansk manufactures mark , ...

Untitled Abstraction Graphite on paper, c. 1946 Signed with the estate stamp verso Provenance: estate of the Artist Inherited by his neighbor/caregiver Conditio...

Auguste Moreau (French, 1834-1917) Swan Baby, 19th Century Bronze with reddish gold patination mounted on verdigris marble base Signed on base 6 x 9.5 x 5 inches Auguste Moreau was...

CraftAssociates Benches, ETA Wood Bench, Teak, Slatted This ETA Modern Bench - 2311 for Craft Associates® Furniture is expertly crafted. The coffee table is constructed from walnut...

A breathtaking 1.1 carat round blue diamond takes center stage in this captivating engagement ring, kissed by a warm 14K rose gold band and embraced by sparkling earth-mined white di...

Beautiful giclée (canvas print) artwork signed by Leonard Wren. His artwork was inspired by his many travels and became famous for his beauty of the world through capturing the joy light...

This pâte de verre crystal sculpture was designed by French sculptor Marie-Paule Deville-Chabrolle (b. 1952) and hand made by Daum in Nancy, France. The ...

Clarence Holbrook Carter (American, 1904-2000) Reverberations, 1970 Acrylic on illustration board Signed lower left 20 x 30 inches Mid-century abstract surrealist black acrylic painting...

This refined statement ring features a vivid 1.5 carat Zambian emerald, emerald-cut to showcase its natural depth and striking green hue. A halo of sparkling, earth-mined diamonds ge...

A captivating heart-shaped 2.3-carat green Colombian emerald takes center stage in this bespoke ring, set securely in a bezel setting. The broad shank is adorned with shimmering eart...

Color woodcut with pochoir embellishments on fine silver mica ground By Kano Shuho, or Yamakawa Shuho, 20th century Japanese Artist

[recto];untitled (Sketches for Still Unsigned 9 1/2 x 12 inches (24.2 x 30.6 cm.)

This Outdoor Stand Alone Modern Vita Bar is beautifully constructed from solid wood in Ohio, USA. This modern bar has soft glide sliding doors complete w...

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II Provenance: Heirs of Edmu...

This beautiful ring features a 5.26 carat cushion shaped Blue Zircon gemstone with natural earth mined diamonds set in solid 14K gold. This Blue Zircon ring makes a lovely December b...

Composition No. 12 Gouache on paper, c. 1926 Signed lower right: “Urban Weis” (see photo) Condition: Excellent Image: 16 5/8 x 10 5/8" Frame: 21 1/2 x 15 5/8" Provenance: Dudensing G...

Bertu side table, modern side table, The Willow, Red Cedar. Please scroll down to read important instructions about our stumps before purchase! Why buy BERTU HOME stumps? Kiln Dried...

Georg Jensen modern designed disk pendant necklace. Sterling Silver, # 337A designed by Nanna Ditzel. 2 3/8" diameter with a 29" chain. 33.5 grams. Excellent condition, newly buffed.

Charming mid 20th century slant top desk, dresser or secretary. A fun cross between an old standing desk and chifferobe. Features a large slant top that can be used for work or dis...

This beautiful ring features a 2-carat Sleeping Beauty turquoise, prized for its vivid sky-blue hue, in bezel set in genuine 14K gold. Sparkling natural diamond accents enhance its b...

This piece ships free in the continental United States! Price includes free white glove shipping. This simple floating nightstand from the Cal...