Ohio

This stunning Steuben boudoir art glass lamp is decorated with gold heart and vines. This lamp has the original Bryant socket. The shade is 8 1/2" diameter and the lamp stands at 13 ...

Contact us for designer/trade pricing. This Modern Patio Furniture - Suelo® Slatted Loveseat is beautifully constructed in Ohio, USA. This silhouette is simple, modern, and sleek wi...

Signed with the artist's initials lower left From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...

A beautiful vintage Schonbek Milano 12 Light Chandelier. Features a Baroque style with reticulated rip pans, finished in Antique Silver with heritage hand cut crystals. MSRP $12,0...

Untitled Abstraction Graphite on paper. c. 1946 Unsigned Provenance: Estate of the Artist Inherited by his neighbor/caregiver Condition: Staining at corners ...

Tommy's Pond Etching, aquatint and intaglio, 1966 Signed, dated and numbered in pencil Image/Plate size: 13 7/8 x 10 7/8 inches Sheet size: : 20 1/16 x 14 7/16 inches From: The Portf...

El Ultimo viaje del buque fantasma, Plate I Color lithograph, 1976 Signed and numbered in pencil (see photos) Edition: 99 (6/99) From: Gabriel Garcia Marquez, El Ultimo viaie del buq...

CraftAssociates Sofa, Peabody Bracket Back Sofa, Upholstered This Lawrence Peabody Bracket Back Sofa for Craft Associates Furniture is expertly hand crafted and upholstered. This L...

Striking Smokey Black Lacquer shaved corner Credenza with spectacular Brass Hardware and recessed Brass plinth base by John Widdicomb. Even the inside of the drawers are gorgeous on ...

1 of 2 Monumental Chests of Drawers from Century Furniture. Distressed finish, beautiful hardware and cream stone tops. These are huge and have a strong European rustic feel. Italian...

Extraordinary find. 4 Faux Tortoiseshell hand painted Etegeres' with Rosewood Backs and Plate Glass Shelving. Gorgeous pieces.

Mid Century oak pedestal or side table. Features an octangonal form with naturally distressed finsh and leather inset top over a baluster turned column and pedestal base. Marked Bu...

This beautiful ring features a 0.90 carat Sapphire gemstone with a halo of natural earth mined diamonds set in solid 14K gold. This Sapphire ring makes a lovely September birthstone ...

Mid-Century Modern large round tire planter bowl by Gainey. circa 1960s. Measure: 25".

These real 14k yellow gold huggies showcase natural Zambian emeralds in a sleek, minimalist design. Lightweight and timeless, they’re made to go with everything—every day. Specifica...

An antique hand stiched 18th Century Italian armorial heraldic embroidered coat of arms. Features a knights helmet over a shield with star of...

This beautiful flush mount ceiling light by Lightolier has a brass frame with gold detailing along the edge. The shade is acid cut and 21" in diameter and the total light fixture is ...

Beautiful reupholstered emerald green dark walnut MCM accent chair!! This chair was reupholstered in a emerald green velvet fabric by Anna Elisabeth. ...

A beautiful Asscher-cut Colombian Emerald takes center stage in this elegant 14K white gold ring. Earth-mined diamond accents add sparkle and depth, making it a stunning and meaningf...

Antique early American style pine two step bedstep / stool / library steps featuring hand cut nails and upright handle / hand rail. Dimensions: 13" x 12.5" x 41" (Width x Depth x He...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

From Tiffany & Co. Paloma Picasso's "Graffiti" collection. Sterling Silver Brooch and Earrings X style. Earrings are like new condition. Brooch has small scratches. Both are stampe...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy Bertu Home stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care.See how we do it here. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This Sculpted Stump Table...

Hale of Vermont stools in maple with dark finish. Hand made with club shaped legs mortised and tenoned to the stretchers and the seat. Excellent conditio...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This sculpted stump table...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs...

This beautiful dainty ring features a vibrant deep green emerald in 14k yellow gold with baguette diamond accents. A minimalist ring design perfect for an eye catching engagement or ...

A very well crafted two toned Mid Century walnut credenza server with lighter wood trim around each of the five doors . The one side has four pull out drawers and the other end has t...

Magnificent John Widdicomb Burled Walnut Credenza and Hutch, circa 1950s this piece is absolutely stunning in every way. Genuine Amethyst stones ...

This Modern Lotus Side Chair in White Oak is beautifully constructed from solid wood in Ohio, USA. The side chair's silhouette is modern, architectural, and...

A pair of very well crafted vintage Art Deco streamline skyscraper fireplace andirons in solid brass with iron back legs. Having a scalloped top with waterfall design giving them a s...

Embrace the rare beauty of a 0.68-carat Padparadscha sapphire, glowing in a captivating blend of pink and orange hues. Nestled in solid 14k white gold, this exquisite ring features n...

Vintage Italian Murano swirl glass sphere table lamp with brass applied cage. Single socket. Designed by Adolf Loos for VeArt. Sits atop an oak base. Dimensions: 11" high x 11" diame...

This graceful pair of French crystal candelabra features tall, tapered spike-form finials with paneled sides. The pieces have scrolling bronz...

Lithographie originale our XXe siecle Color lithograph, 1964 Unsigned (as issued) From: XXe siecle, Permanence du Sacre, No. 24 Publisher: G. di San Lazzaro, Paris Printed by Mourlot...

This late 19th Century bust was executed by French painter and sculptor Louis-Robert Carrier-Belleuse (1848–1913), son and pupil of renowned sculptor Albert-Ernest Carrier-Belleuse. ...

The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...

Swan German Blown-Glass Ornament Holder on back of neck for ornament hook

Jonas Lie (American, 1880-1940) Boat at the End of a Jetty OIl on canvas board Signed lower right 12.75 x 10.5 inches 18.75 x 16.75 inches, framed Jonas Lie was a prolific painter, ...

This contemporary figural limited edition photograph by Alyssa Fortin titled "Odette's Last Breath Before..." is a reinterpretation of the mythological story of Odette, the swan from...

This Early 1900s Hollywood Regency Giltwood, Glass and a touch of Brass Coffee Table exudes opulence and glamour. Its slightly tinted, glass top offers a sleek surface and is attach...

A captivating 11.31-carat boulder opal pendant shines with vivid hues, framed by a pave diamond bail of earth-mined diamonds. Crafted in solid 14k real gold, this large pendant offer...

This wonderful vintage porcelain figurine, Royal Doulton “HM Queen Elizabeth The Queen Mother” HN 4086, was designed by Royal Doulton artist Alan Maslankowski and was released in a l...

Circa 1950's Morihiro Sangyo pendant / swag light featuring a trio of pierced blanc de chine porcelain lanterns of different shapes, with wooden caps, suspended from a triangular bra...

"Lemon Jade" or Serpentine Necklace Lemon Jade is a "sister" gem to Serpentine and is the trade name for the light yellow-green variety of Serpentine. Lemo...

Dunbar Gondola sofa, designed by Edward Wormley, manufactured by Dunbar, very good to excellent condition. This sofa has a very solid walnut frame. The ...

Late 19th-early 20th century large floor lamp with an iron and white marble base, brass body with candelabra sockets for three candle shaped bulbs and main torchiere style top with m...

America's Daughter Lithograph, 2016 Signed in pencil lower right Edition: Edition: 40 (15/40) From: America's Family (Five Images) Published by: Valley House Gallery and Sculpture ...

Beautiful, unique design! Round cluster of yellow diamonds with a white diamond halo. 18 yellow diamonds of varying color intensity, sizes and shapes (round, oval, pear, marquis, cus...

This piece ships free in the continental United States! Originating in 18th century Japan, shou sugi ban is a particularly striking method of preservi...

(The poetess Chiyo turns to watch a flight of wild geese while sweeping up autumn leaves) Signature: Ichiyusai Kuniyoshi ga; Censor seal: Muramatsu Series: Kenjo hakkei ...

This lovely 1.25 carat opal has all the colors of the rainbow, accented with natural earth mined diamonds set in 14k yellow gold. An elegant bezel set ring design makes this glowing ...

“Bast” is A limited edition bronze sculpture of a seated black cat on a black marble base. Black patin From the limited edition of 8. Signed 1/8 Paula Blackman has been a bronze scu...

Arashi Rikan II in an Osaka Kabuki Scene Color woodcut, c. 1827 Signed middle left (see photo) Titled upper left (see photo) Format: oban Publisher: Honsei The actor, in character, d...

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II Provenance: Heirs of Edmu...

Peabody cane back chairs, walnut and Cane in black, Modern, Craft Associates These Peabody Cane Back Chairs in handcrafted in solid walnut and fur. However, each is made to order. Wood species and fabric can be customized. Craft Associates has a full fabric program available.. In addition, the chairs are a licensed reintroduction by the estate of Lawrence Peabody and built by Craft Associates. Craft Associates Furniture is proud each modern piece is made in the US. They strive to craft a product that will Stand the test of time. They use the best materials and have the best craftsman and upholstery in the business. We Stand 100% behind our product. Designer: Lawrence Peabody Manufacturer: Craft Associates Furniture Period/Model: Mid-Century Modern Specs: Walnut, cane, leather Dimensions: H 32" (81.28cm) W 24" (60.96cm) D 26.25" (66.68cm) Arm height 22.5" (57.15cm) Seat height 16" (40.64cm) Seat width 21" (53.34cm) Seat depth 20" (50.8cm) "The U.S. would profit by the example of the Danes, whose great work in furniture design is the result of combining proficient craftsmanship, Fine design and technical skill. The Danes do more than sell arts and crafts in their distinguished work, they sell Denmark." - Lawrence Peabody, 1957 History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle...

Exceptional, brilliant impression and colors from the extremely rare 1st edition Kataoka Nizayemon(?) Color woodcut, 1860 From the series: "Contemporary Brocade Mirror Portraits" Pub...

S. Kirk & Sons hand chased and hand decorated platter/serving tray in sterling silver. Adorned on the edge with crisp floral details. Presentation tray presented in 1937 to N.W. Phel...

The Whistle Silkscreen printed in colors, c. 1950's Signed and numbered in pencil by the artist Condition: very good Image: 23-1/2 x 18-1/2" Courtesy British Museum: Biography Born ...

Keresan Dancers Etching & drypoint, 1962 Signed lower right (see photo) Inscribed lower left: "Artist's Proof Keresan Dancers" Depicts Keresan speaking peoples at Sam Felipe Pueblo Contemporary Puebloans are customarily described as belonging to either the eastern or the western division. The eastern Pueblo villages are in New Mexico along the Rio Grande and comprise groups who speak Tanoan and Keresan languages. Tanoan languages such as Tewa are distantly related to Uto-Aztecan, but Keresan has no known affinities. The western Pueblo villages include the Hopi villages of northern Arizona and the Zuni, Acoma, and Laguna villages, all in western New Mexico. Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker. In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso. On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later. Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings. Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality. For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective. Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her. In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult. From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...