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Portrait of a Man Facing Left Monotype printed in brown ink, c. 1880-1914 Signed in ink lower left: Chase (see photo) Provenance: Helen Chase Storm (the artist's daughter) Jackson Chase Storm (her son) Chapellier Galleries (as agent) James Bergquist, Boston References And Exhibitions: Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos) Reference: Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry) William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...

Feast of Lights (Poster) Signed in the stone 17 color lithograph Published by Kennedy Galleries Edition: Unknown edition, signed in the stone There was also a pencil signed edition o...

CraftAssociates Dining Tables, Milo Baughman Modern Rosewood Dining Table The Milo Baughman Round Dining Table for Craft Associates® Furni...

A great modern teak coffee table/bench by Michael Taylor for Baker Furniture. This table features an original finish, a floating top, straight lines with an inverted base. This great...

Extraordinary find. 4 Faux Tortoiseshell hand painted Etegeres' with Rosewood Backs and Plate Glass Shelving. Gorgeous pieces.

Vierge aux sept glaives (The Virgin pierced by seven swords) (Sorrowful Mother) Aquatint, drypoint, roulette and burnishing over heliogravure, 1926 Unsigned as issued From: Miserere ...

Set of six Baker Furniture Noble Homes collection (precursor to the Stately Homes collection) gilt black Chinoiserie dining chairs in the Queen Anne taste, each having a serpentine crest rail with paddle...

Extraordinary and Incredibly Rare Art Deco Burled Console by Jay Spectre for Century Furniture. Floating Glass Shelves under Cantilevered upper drawers....

Bertu Side Table, Vega Side Table, Aged Finished, Maple Please scroll down to read important instructions about our stumps before purchase! Why buy Bertu Home stumps? Kiln Dried ...

Vintage Italian Venetian style wall mirror. Made from giltwood and etched glass. Great for use along the wall or over a mantel. Dimensions: 23.5" x 35.5" x 2"

Sorry, we are no longer offering reclaimed oak. If you like this design, please contact us for pricing on other wood species! This modern wall unit f...

Pair iron Lily of the Valley white garden chairs. Very nice condition. Not sure if finish is original. Dimensions: 22" depth x 25.5" w x 32" h, seat height 16".

Modern dining table This Modern Cicely dining table has different wood species and finishes available. This Modern Walnut Cicely Dining Table is made in the heart of Ohio with locally sourced wood. We use the table both as a dining table and desk. Each table is hand-made with solid walnut and finished with a beautiful commercial-grade finish. We absolutely love the leg design - fresh, modern, and looks great with any aesthetic. Every piece in the Cicely Collection...

This 13.75" tall hand blown art glass vase was made by Lundberg Studios of California. The large vase has an elegant flared form and has been finished in Lundberg's deep iridescent gold Doré finish, heavily influenced by the techniques used in L.C. Tiffany's Favrile Gold Lustre and Steuben's Gold Aurene decorative glass. The highly reflective iridescent finish has hints of red which add depth to the mottled gold color of the piece. The vase is quite substantial and weighs in at 9lb 12oz. The vase measures 11" across the rim and 5" across at the foot. The underside has a rough pontil and is fully and properly marked reading Lundberg Studios along with the date 1993. The piece also bears the number 102107. This Lundberg art glass...

Antique early American style pine two step bedstep / stool / library steps featuring hand cut nails and upright handle / hand rail. Dimensions: 13" x 12.5" x 41" (Width x Depth x He...

This beautiful ring features a 2.38 carat emerald cut London topaz with two earth mined baguette diamond accents, all set in solid 14K gold. The ring exudes both elegance and durabil...

Victorian Essex Crystal Intaglio reverse painted pug ring, 10K. These rings were a novelty during the Victorian Period. Essex crystal cabochons were carved on...

Clarence Holbrook Carter (American, 1904-2000) Caged, 1971 Acrylic on paper Signed and dated lower right 24 x 20 inches A surrealist mid-century figural abstract painting. Clarenc...

Post-modern glass and chrome end tables in great condition!

Le Tasse de The (The Cup of Tea) Color aquatint and etching, c. 1906 Signed in pencil in the image (see photo) Edition: c. 100 Reference: Merrill Chase, Volume 1, No. 85 Condition: F...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

A mid century Owl wall sculpture made of a composite material and sand giving the piece a coastal and natural feel . Created by Barbara Field a black female artist and business woman...

A teak credenza with unique tapered front design having two sliding doors with built in pulls containing two smaller upper drawers and a single adjustable shelve . Sitting on sculptu...

This Suelo Slatted outdoor ottoman is beautifully constructed in Ohio, USA. This silhouette is simple, modern, and sleek with comfortable cushion. The ...

Mid-century English Chippendale / Georgian-style dining table by Norris Reproductions of Richmond, Virginia. Made from mahogany featuring oval form with inlaid banding, floral medall...

A vivid tsavorite gemstone takes center stage in this dual-tone 14K gold ring, framed by a sparkling halo of natural earth-mined diamonds. The pavé diamond shank adds extra brillianc...

Bertu Side Tables, Dublin Large Side Table, Maple Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU stumps...

Maker: Bitossi. Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi Italian pottery...

This beautiful ring features a 0.80-carat emerald-cut ruby gemstone with a halo of natural earth-mined diamonds and a pave diamond shank, all set in solid 14K white gold. This ring c...

This unique ring is breathtaking and is sure to impress!! 18 karat white gold mounting. Center round brilliant diamond, approximately .92 tdw. K-L color, VS clarity. 38 straight baguette diamonds...

Untitled (Young woman seen from the back) Sanguine crayon, charcola and watercolor on paper, c. 1910 Signed with the estate stamp, Lugt 5169 lower left corner Provenance: Estate of ...

Porcupine Engraving, 1949 Signed and dated lower right (see photo) Titled and numbered lower left (see photo) Created while the artist was completing the MFA in Printmaking at the Un...

14 karat yellow gypsy style ring Oval cabochon blue sapphire approximately 6mm x 4.5mm x 3.5mm, approximately 1.40 carat, set horizontally 6 round diamonds approximately .36 total di...

A unique Mid Century dark walnut three door credenza with applied metal fronts having brass studs and cast brass tassel shaped pulls . Inside is one fixed shelve running the length o...

2 Antique English leaded stained glass framed window panels. Features a central shield and drop finial design. Dimensions: 23" x 16"

This gorgeous piece will for sure grab attention! 18 karat white gold swirl design. 280 round diamonds adorn half of the necklace. 5.66 total diamond weight, F-G color, VS-SI clarity. Hidden box...

These 1.05 carat emerald-cut studs (6x4mm) shine with timeless beauty. Set in solid 14K White gold, the rich green hue of the natural emeralds adds a sophisticated pop of color to an...

This necklace is nothing but fabulous! Designer Sal Praschnik 18 karat yellow and white gold, weighing approximately 75dwt 55 rectangular shaped pieces alternating in 18k white and 18k yellow gold Six rectangles each in white gold have 10 round various sized diamonds Approximately 1.98 total diamond weight Approximately 17 inches Concealed box clasp with safety Stamped on back of safety "18K" and Sal Praschnik's jewelers mark

Stunning pair of midcentury Danish modern barstools designed by Arne Jacobsen for Fritz Hansen. They are done in a beautiful rich ebonized bent wood seat...

Floral still life oil on canvas in a heavy texture impressionist style titled "Oeillets sur Fond Rouge" (carnations on a red background). Frame is carved wood in a distressed finish ...

Bertu wood side tables, white black natural square wood side tables Please specify if you'd like black, whitewash or natural when ordering. ...

A petite stunner, this 1.13ct Ceylon sapphire ring features a classic design with a sparkling pavé diamond band. Crafted in real 14k gold, it’s a perfect mix of subtle luxury and mod...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

In th Bighorns (Wyoming) Drypoint, c. 1930's Signed in pencil lower right (see photo) Titled in the plate lower left Condition: Excellent Image/Plate size: 6 3/8 x 4 3/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

These aquamarine studs are both simple and stunning! These beauties can be worn all day long or just for special moments. 🥰 These Aquamarine studs also make a beautiful March births...

Bertu End Table, Maple Natural Wood End Table Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our ...

Vintage acrylic and glass coffee table by Karl Springer. Heavy cast acrylic, original green tint with 1/2" plate glass insert. Great sty...

Beautiful decorative disc pendant with Arabic writing. Pendant is a 24 karat yellow gold round, scalloped disk with ornate details. Arabic letters say "A Thousand Congratulations"....

Two Boys (one standing, the other seated and drawing) Graphite and colored pencils on wove paper, 1975 Signed and dated lower left center (see photo) Condition: Excellent Slight waviness visible only on reverse Image size: 11 1/2 x 13 3/4 inches Sheet size: 14 x 17 3/4 inches Provenance: Estate of the Artist By descent Mary Spain (Colie) (1934-1983) Mary Spain was born in Raleigh, North Carolina. She taught art in Chagrin Falls...

Where wine storage meets artistic expression—the Lombardy Wine Wall Display transforms your collection into a stunning centerpiece. Meticulously handcrafted to your specifications wi...

Vintage pair Harvey Probber wicker, tubular chrome and leather side chairs D43 Model. Removable brown leather cushions, and chrome is in fantasti...

Early 19th Century American Sheraton Drop Leaf Table. Made from cherry with a hand dovetailed and inlaid drawer within the frieze. The table features contoured corners and is suppo...

Ultra Rare Chinese Chippendale Dining Table from Century Furniture Co. This 1970’s piece from Raymond Sobota is finished in the original black lacquer that shows off the extraordinar...

Mere Etching and soft ground, 1970 Signed, dated, titled and numbered in pencil Printed in colors by Hector Saunier on BFK Rives paper Published by Georgetown Graphics, Washington, D...

Modern walnut dresser - 2004 - Craft Associates Furniture This modern walnut dresser from the Cambre Collection for Craft Associates Furniture is expertly crafted. The legs and do...

Baker Furniture Expresso Finish Chest of Drawers Milling Road Collection, circa late 20th century. Regency Style. Made in Italy. Dark maple wood original finish with antiqued hardwar...

An ornate late 20th-century Baroque style art or mirror frame. Features beautiful raised foliate relief along the corners and egg and dart molding. Fits a 24" x 30" painting or mirr...

Belgian carved wood wall hanging hall tree featuring seven cherub / angel / putti shaped hooks for coats / hats. Carved scene depicts a pair of hunters seated for a rest with a horn ...

A gorgeous sea blue aquamarine from the famed mines of Santa Maria set in a unqie bypass natured theme ring setting in 14k yellow gold with all natural earth mined diamond accents. T...

Clarence Holbrook Carter (American, 1904-2000) Neon Ovoids, c. 1960s Acrylic on paper 9 x 12 inches Mid-Century Abstract neon orange, green, pink acrylic painting. Clarence Holbroo...