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This mid-century modern rolling cart frame features an ingenious accordion-style folding mechanism that allows the entire wooden structure to compress flat for easy storage. Viewed f...

This vintage French-style corner bakers rack features an ornate, four-tier openwork frame crafted from scrolled wrought iron with a distinctive muted red or brick red finish. Designe...

Mid Century English-style magazine canterbury is beautifully crafted from solid mahogany with a rich, deep reddish-brown finish. Attributed to Col...

This low-profile rectangular footstool showcases an intricately woven cane top set into a deeply detailed, solid ebony wood frame. The substantial outer apron of the dark, dense wood...

A very well crafted larger sized geometric pottery table lamp by Jane and Gordon Martz is in a darker charcoal green tone with incised lighter contrasting lines to the body. A walnut...

This magnificent mid-century Baker Furniture Georgian style breakfront china cabinet stands as a monumental masterclass in high-end traditional American cabinetry. Designed with a cl...

These four traditional Chinese lattice panels feature intricate geometric openwork fretwork typical of late Qing dynasty or early 20th-century domestic architecture. Crafted from dar...

Mid-Century Modern round teak table by Grete Jalk for P. Jeppesens-Mobelfabrik. Tapered legs and two skirted 21" leaves. 54" in diameter 96" long with leaves. Very nice to excellent ...

Untitled (Figures in a park) Watercolor on paper, 1991 Signed lower right of image (see photo) Condition: Excellent Sheet size: 10 3/16 x 14 1/16 inches Provenance: David Anderson Ga...

Sprong in de Lente (Deux Personnages) Color lithograph, 1963 Signed, dated and numbered in pencil (see photos) Edition: 25 Signed, dated and numbered in pencil Printed on Arches pape...

Untitled (Abstraction) Oil on canvas, date unknown Signed lower left corner: Zayon Canvas size: 13 3/4 x 19 1/2 inches Frame size: 19 3/4 x 25 1/2 inches Condition: Very good Born i...

Mid-century modern 1970's bar cabinet by Guy Lefevre for Maison Jansen in a cream colored glossy lacquer with an Asian inspired frame and door pulls. The cabinet has 2 doors, an open...

Drexel Tea Table with Queen Anne Legs and pull out shelf.

Antique mixed-media enhanced engraving artwork attributed to Francois Grenier. François GRENIER b. 1793-1867. This work features a hunting scene from India, framed shadowbox style, signed in stone lower left and titled on backside. La Chasse au Tigre translates to (Tiger Chase or Tiger Hunt...

Antique bronze sculpture from a design by Eugene Lanceray, showing an equestrian scene with a Russian / Cossack soldier seated on a horse, giving his lover / wife a kiss goodbye. Sig...

Twenty-one earth-mined diamonds sparkle in a continuous line across this solid 14K yellow gold band. Clean, classic, and endlessly wearable, it works beautifully on its own or stacke...

George Gustav Adomeit (American, 1879-1967) Beachside Village, Maine Watercolor on paper Signed lower right 10 x 14 inches 17.75 x 21.75 inches, framed A major painter of American ...

A very well crafted wooden floor lamp with intergraded table sitting on a piece of white Italian Carrera marble as the base . Retains it's original gold braded pulls and end tassels ...

Curtis Jere sculpture, two wire squares with an inner area of stacked rods in varying positions, sits on a wood base, signed, circa 1978. Dimensions: 37" Wide x 10" Deep x 27" High

Aircraft--Engine Assembly Line (Workers Installing a Liberty V-12 Engine) Etching with Drypoint, c. 1917-1920 Unsigned Provenance: Estate of the Artist New York...

Calder Lithograph Exhibition Poster Aubusson Tapestry New York Never mounted One owner

Pair of stacked Lucite helix table lamps with 2 sockets and switch on the cord. The hexagonal string shades are covered with unique beaded slim cords; clea...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

"The Nativity" Italian sculpture signed by G. Armani The piece is mounted on a wood base with a brass plate "G. Armani" The back is marked 1983 Florence and also an "N" with a crown ...

Fille dite de joie (They Call Her Daughter of Joy) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922-1927 Unsigned (as issued) From: Miserere (Have Mercy), 58 plate...

Gilded floor mirror by John Richard. Mirror features a serpentine arched top with a paneled boarder throughout. Each section has a distressed mirror with a thin beveled edge. Carved ...

A striking 7.5ct Black Opal takes center stage, flashing vivid play-of-color against a deep, dramatic base. Framed by natural Diamond accents and set in solid 14K gold, this 19×12.5...

This 17 piece porcelain demitasse set was made by Vista Alegre of Portugal for Mottahedeh. The pieces have been finished in the heavily gilded ...

Signed by the artist in pencil, lower right Provenance: Estate of the Artist With the artist's original presentation (Frame and matting) Two similar titles were exhibited in The ...

Francoise Gilot, Mixed Media Gondola Painting on Arches Paper. Circa 20th Century. Francoise Gilot (1921-2023), partner of Pablo Picasso, mother to Cl...

A industrial nickel chrome-plated adjustable floor lamp a large lamp head with a mercury toned reflector behind the bulb, big stylized knobs and great scissor base with built in feet...

Standing Woman in Profile Pen and ink drawing, c. 1900 Unsigned Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Condition: Excellen...

Nature morte au bulbe d'ail Mezzotint, 1957 Signed, titled & numberred in pencil (see photos) Edition: 50 (40/50) Condition: Excellent Image: 10 7/8 x 11 5/8 inches Sheet: 14 7/8 x 1...

This Daum Nancy French art glass vase has been made in the form of a diamond shaped tumbler with a mottled pink color and gilt accents. The exterior of the piece features detailed wh...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Attractive 3-tier bar cart or server cart by Maitland Smith with 3 burlwood shelves in a brass frame with pineapple finials and brass casters. Excellent co...

Beautifully simple! This ring shines from across the room! Platinum band with four prongs, approximately 2.0-2.5mm wide Approximately 1 carat emerald cut...

Set of 5 vintage 20th century Chinese ceramic "mud man" figurines. Wise looking men with long white hair, dressed in yellow, green, and blue glazed robes and hats, holding a variety ...

Iconic 1950's party sofa designed by Edward Wormley for Dunbar Furniture. This is the Model 5407 Chesterfield style sofa in black leather. Original leather. The wide arms and long le...

Blue Elephant with Golden Colored Ears German Blown-Glass Ornament Holder on trunk for ornament hook.

Moto-Fuite Color lithograph, c. 1902 Signed in the stone lower right (see photo) Published by Edmund Sagot (1857-1917), Paris Printed by Atelier Chaix, Paris Large edition with titl...

Vision Antique Color lithograph, 1899 Signed in the stone upper left (see photo) Titled in the stone lower right (see photo) Edition: unsigned edition about 200 (per Arwas) Published...

4-door walnut credenza or low dresser from Mainline by Hooker Furniture. Doors are accented with inlaid brass discs and cover fitted interiors with drawers. The piece sits on 6 turne...

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Georg Jensen Sterling Bracelet designed by Astrid Fog. Circa 1969. Georg Jensen iconic original sterling silver bracelet designed by Astrid Fog, Demark. Design #184 early sought afte...

L'ACTEUR . . . . - On voit bien qu'il fait chaud . . . . . . . trois spectateurs dans la salle ..... faut-il commencer ? . . . . LE DIRECTEUR .- Et encore un des trois est le vendeu...

By designer Gregg Ruth, this bracelet has incredible craftsmanship! Unique swirl design, approximately .75 inches wide 18 karat white gold interlocking circles with "X" connecting ...

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

Tommy's Pond Etching, aquatint and intaglio, 1966 Signed, dated and numbered in pencil Image/Plate size: 13 7/8 x 10 7/8 inches Sheet size: : 20 1/16 x 14 7/16 inches From: The Portf...

48” Floating Gradient Mirror by Phillip Jividen Dimensions: Ø 121 x H 1.27 cm Materials: Aluminium, Glass Mirror is customizable in both color and dimensions. Additionally, it is ava...

Things Kept Color lithograph, 1970 Signed & titled in pencil (see photos) Annotated: "Artists Proof" Printed on RIVES wove paper Condition: Excellent Sheet has aging consistent with ...

Radiant 8 mm trillion aquamarine set in lustrous Solid 14k Gold with shimmering natural diamond accents. A modern gem-meets-glam statement—where icy hues meet pure sparkle. 💙✨ Shar...

Spanish-Italian Porcelain Chandelier Beautiful, Good Condition Porcelain and Brass with Porcelain Flowers and Crystal Prism Includes matching cover for electric plate in the ceiling ...

Clarence Holbrook Carter (American, 1904-2000) Cicada, c. 1960s Watercolor on scintilla 30 x 20 inches Clarence Holbrook Carter achieved a level of national artistic success that wa...

A great oil on board by Adam Grant. This work is titled “Circus Couple” and shows two acrobatic performers. Artist signed in lower right hand corner. Original artist tag on the back ...

Perfect for any outfit! These yellow gold butterflies are beautiful and are the perfect size! Easy to wear, light weight (2.5dwt each)! 14 karat yellow and white gold butterfly earr...

A mesmerizing 4-star sapphire displays a celestial glow, accented by earth-mined diamonds for refined brilliance. Set in solid 14K gold with a bold 10x8mm design, this ring is both s...

Set of (4) Dining Chairs, Made in Italy in the style of Vico Magistretti. The chairs have been refinished recently and have been freshly reupholstered in this gorgeous gray toned Lo...

This elegant ring showcases a 0.57ct oval teal sapphire from Ceylon, measuring 5.3x4.3mm. Reminiscent of peacock feathers, its rich blue-green hues evoke harmony, renewal, and balanc...

Mere Etching and soft ground, 1970 Signed, dated, titled and numbered in pencil Printed in colors by Hector Saunier on BFK Rives paper Published by Georgetown Graphics, Washington, D...