Oslo

Signed and dated. «Packing right» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memo...

Signed and dated. «This is not a prison» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Signed and dated. «Meg og deg» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory ...

Signed and dated. «We aim high to keep them down» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibi...

Signed and dated. Nils Erichsen Martin's ceramics has a distinct style. He takes on a scientific approach with his artwork, researching into the different aspects of how form is per...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x...

Okurimono 66 cm. x 200 cm. Edition 6 (+2 ap) 100 cm. x 200 cm. Edition 3 (+1ap) Euro 8,000 Pigment Print Okurimono (meaning both “gift” and “that which is in-between” in Japanes...

Images from soloshow a Buer Gallery, oslo. 2021 The need for images that can change us. – An account of Christian Houges images. “For example, one could say. A people is a “group of rational beings, bound together in agreement about what they love.” The kind of “people” they are, would be determined from what they “have loved.” If we then have a group of rational beings (animals excluded) who are “bound together in an agreement about what they have loved”, then it makes sense to call them a “people”, no matter what they may have loved. And for better or worse, what it is that they have found in common, through better or worse they are considered as a people” – Augustin, De civitate Dei – The City of God. A glacier is melting in the Alps. The consequences, if it completely disappears together with the other glaciers, will be catastrophic: The ocean will rise and livelihood will vanish for many. Yes, the very place we inhabit each and everyone of us, nation, the earth we walk on - the home we seek refuge for safety - will in part be completely gone. .....In this context, another series by Christian Houge becomes interesting, because it not only sheds light on the national romanticism...

`In;Human Nature` Oslo, 2016 In this series, Christian Houge is inspired by our endeavour to connect Man to both the Cosmos and the Earth. By exploring Nature`s geometry in minerology, the outer landscapes of the Moon are juxtaposed to inner landscapes on Earth. Rare minerals...

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

`Zebra`, Oslo, 2018 Edition 6 of 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature...

Drawing on a wealth of resources, Benjamin Risk invites you to join an adventure of unconscious thought and imagination where everything seems familiar, yet surreal. With hi...

Inspired by the intersection between human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfuln...

Samantha Van Heest explores the intimacy of impermanence through her work, utilizing still life, found objects, and portraiture through minimalist r...

For Julia Kiryanova, painting is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...

«Golden» oil on canvas by Signe Solberg. On a square-shaped canvas, a series of golden, straight lines rush across a white canvas. Although quite simplistic, the golden lines comes...

«Black swan» oil on canvas by Michael Andrew Phillips. A solitary black circle inhabits a white space layered on top of a dark yellow backgroun...

Inspired by the intersection between human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfuln...

«Red on black» wall relief by Hanne Øverland. intriguing and highly decorative wall relief. A red rectangle balances on the edge of a standing, black rectangle.

Large and unique print titled Can Not Be Pictured – OH NO OH NO! (The Sequoias). Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted o...

Digital print from drawing [2010] on 120 g paper, mounted on KAPAfix. Glass and solid ash frames. Approx. 60 x 90 cm / 23,62 x 35,43". Unique, 2012. Exhibited at Beers.Lambert Co...

Unique and large print titled CAN NOT BE PICTURED – OH NO OH NO! (The Sequoias) Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted on...

Decorative ceiling light with embossed glass shade and base in porcelain. Designed and made in Norway from circa 1950s first half. The lamp is fully working and in very good vintage ...

Wonderful and decorative pair of wall lights on a minimalist brass frame. Designed by Jonas Hidle for Høvik Lys AS, Norway, circa 1970s first half. Both lamps are fully working and i...