Palm Springs - Art

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Remembrance (for Teddy and Arnie) is one of ten silkscreen prints included in Homombre, a portfolio that examines the experiences, identities, and cultural realities of gay Latino me...

Signed and titled by the artist from the edition of 69. This print feature a small a small Jewish Shul in the Boyle Heights area of Los Angeles where Romero grew up, Romero was fea...

One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...

This enchanting mixed-media collage by Rodolfo Morales—one of the defining figures of the Oaxacan School—embodies the artist’s celebrated blend of magical realism, folk tradition, and dreamlike symbolism. Morales frequently returned to the motif of La Novia (The Bride), a solitary and iconic presence that evokes themes of ritual, memory, and spiritual passage within village life. In this intimate yet visually rich composition, the central figure is constructed from layered painted papers and dimensional materials. Morales incorporates actual lace for the veil and dress, giving the bride a tactile, almost reliquary presence. Surrounding her is a vibrant mosaic of cut paper bells, floral forms, and geometric patterns in jewel tones of magenta, cobalt, and emerald. The figure’s stylized face—rendered in the artist’s distinctive palette of pinks and reds—adds to the surreal, suspended quality that characterizes Morales’ finest works. The collage is set within its original punched-tin (hojalata) frame, with glass glazing. These frames were often conceptual extensions of the artwork itself, produced in collaboration with Oaxacan art...

Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the f...

In Trois Plants, François Houtin envisions a fantastical botanical specimen rising like an ornate tower of intertwined foliage and blossoms. Each element—stem, leaf, and tendril—is r...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

Signed, titled and numbered by the artist, edition of 30. This Imaginary building shows the move toward more elaborate landscape images Houtin started doing in the early 1980's. Fr...

This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...

Signed, titled and numbered by the artist, edition of 30. This Imaginary topiary and garden scene is the smallest size that Houtin created . François Houtin was born in Craon en Ma...

A print from his series titled "Submerged". The Three Graces is a richly colored etching with aquatint by Art Werger, depicting three female figures moving beneath the surface of wat...

Medium: Digital archival print Image Size: 13.5 x 35 inches Year: 2024 Edition: 500 This is a unusual item from Romero, a project completed for a movie. The Pleasantville Color Car...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century are evident in the palette of greens and grays, with additional touches of violet, eggplant and ochre. The suite of...

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Undocumented immigrants scaling the wall to enter the United States, against a backdrop of butterflies flying ...

atmospheric diptych by celebrated Latvian printmaker Guntars Sietiņš, executed in mezzotint and aquatint. This richly dark composition juxtaposes a dense field of smoke or vapor wit...

Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Abstract "doodle" design in blue. Signed, titled and numbered in pencil, Edition of 3. Charles Eckart was born in Oakland, California and grew up in Yosemite Valley. He is a painte...

Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching. François Houtin was born in Craon en Mayenne, France...

Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...

This finely crafted black-on-buff geometric olla by Juan Quezada Celado features interlocking stepped and square-grid motifs that wrap around the vessel in a precise, rhythmic patter...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Medium: Lithograph Edition Size: 100 Image Size: 25.6 × 20 inches Nahum Zenil’s Otro Sueño (“Another Dream”) merges autobiography, myth, and desire into a powerful symbolic composit...

Medium: mezzotin Year: 2022 Edition: 50 Image Size: 17.75 x 23.5 inches Signed, titled and numbered in pencil by the artist Dramatic image of the streets of New York from the air. ....

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

Medium:  Aquatint, Drypoint, Etching Year: 2010 Image Size:  9.84 x 7.9 inches Edition Size: 85 A dramatic canyon landscape with cascading light breakin...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Signed on the front, and signed, titled and numbered a/p cvII (blue/green variant) on the reverse, This is an artist proof, unique color variant, aside from the edition of 15. An abs...

Arrest of the Palateros is one of Frank Romero’s most compelling social-commentary images, depicting the arrest of palateros—ice-cream vendors—in Echo Park for operating without perm...

Medium: Serigraph Image Size: 22 x 32 inches Year: 2022 Edition: 100 This is a reworking of an early work by Romero, featuring the view of cars on an overpass at night, against the ...

The Next Wave relates to The Endless Summer by John Van Hamersveld, an illustration of a cresting wave in the bright colors synonymous with his work. In 1963, Van Hamersveld was hire...

Peter Milton’s Mary’s Turn reimagines a scene where Mary Cassatt and Edgar Degas engage in a game of billiards, reflecting their real-life friendship and rivalry. Cassatt leans forwa...

Abstract print in earth tones from a series inspired by ground cover and vegetation. Signed, titled and numbered in pencil, this is #2 of 4. Charles Eckart was born in Oakland, Cal...

This 3‑plate color piece beautifully captures the delicate interplay of raindrops rippling across water surfaces, giving rise to abstract reflections that evoke both movement and tra...

a quietly evocative abstract composition built from layered planes of muted color and finely worked surface texture. Broad fields of pale blue, warm brown, cream, and deep green are ...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...

"Meteor Rider" features a contemplative, angelic figure adorned with delicate wings, surrounded by celestial orbs and accompanied by a watchful owl, all rendered in Hiratsuka’s signa...

Reflections of clouds, masts and rigging dance in the local marina in Squalicum Harbor, Bellingham, WA. Signed, titled and numbered from edition of 120. Born in Berkeley, Californi...

Mixed polymers on hand tooled tin panel. Ready for hanging. Tribes exemplifies Nakamura’s distinctive ability to merge myth, symbolism, and meticulous craftsmanship into a single, m...

Medium:  Screenprint Year: 2025 ImageSize:  6.6 × 11.75 A woodland landscape with filtered light through trees and a quiet reflective atmosphere. Stephen Lawlor (born 1958 in Dubli...

Signed and titled and numbered AP #3/7. This is the last print available from the edition. Silkscreen print Created at Self Help Graphics in Los Angeles This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. It is one of the personal favorites of the artist, with a nod to Vincent Van gogh. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

A charming and characteristic mixed-media collage by Mexican master Rodolfo Morales (1925–2001), featuring a stylized black dog set against a shimmering silver ground and surrounded by hearts, flowers, and textile elements. Morales is celebrated for his dreamlike blend of folk tradition, magical realism, and Oaxacan village imagery, and dogs appear frequently among his recurring motifs. This work is constructed from layered papers, ribbon, foil, and applied decorative materials, all housed in its original hand-tooled tin frame. The frame is stamped “Tirso Cuevas”, identifying one of the well-known Oaxacan tinsmiths who collaborated with Morales during the 1980s–1990s on his collage-mounted works. Signed “Rodolfo Morales” at lower right. Medium: Mixed-media collage (paper, foil, ribbon, applied materials) Support: Artist’s original tin frame, stamped Tirso Cuevas Period: c. 1980s–1990s Signature: Signed lower right Condition: Very good, with expected minor surface irregularities inherent to Morales’ collage technique and original tinwork Provenance: Private collection, USA A delightful example of Morales’s playful, folk-surrealist sensibility — rich in color, texture, and the poetic spirit of Oaxaca. About the Artist Rodolfo Morales is widely regarded as a pillar of modern Mexican art, alongside Rufino Tamayo and Francisco Toledo. Born in Ocotlán de Morelos, Oaxaca, he developed a unique language of floating figures, vivid color, and architectural reminiscence grounded in Mexican folklore. His collages, in particular, display an extraordinary fusion of surrealist sensibility and vernacular craft traditions, incorporating lace, tin, antique paper, textiles, and devotional materials. Morales’ works are held in major private and public collections worldwide and continue to command strong interest among collectors of Latin American Modernism, Magical Realism, and Oaxacan art.

Pelicans by Stephen McMillan is a serene two-plate aquatint etching depicting a line of pelicans gliding across an expansive sky. Soft tonal gradations and layered blues create a sen...

Storm Wave III is a dynamic etching with aquatint by Art Werger, created in 2001. The composition focuses tightly on a breaking wave, capturing the moment where crest, spray, and und...

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

Signed, titled and numbered from the edition of 15. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more...

Medium: Mezzotint Year: 2023 Edition: 50 Image Size: 11.75 x 17.5 inches Pedestrians sheltering from the rain under umbrellas in an urban downtown setting, Art Werger’s prints show...

One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...

Frank Romero created this serigraph after learning that the original mural, completed on the 101 freeway in Los Angeles, 1984, had been painted over. The mural, which was done for the 1984 Los Angeles Olympics, has since been restored. Signed and numbered by the artist in black marker, in lower left corner of print on black background - hard to see except at an angle. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...

Spring Flowers on Mt Baker from Skyline Divide, Mt Baker Wilderness, WA. "The trail out Skyline Divide follows a ridge toward Mt Baker. This was the view from my campsite on the rid...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Medium: Screenprint Year: 2019 Image Size: 24 x 24 inches Edition Size: 10 Image of a native American woman in traditional garb and ceremonial dance. As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada...

Medium: Serigraph Image Size: 12 x 12 inches Edition size: 12 Year” 2001 Skulls and skeletons are a common theme in Chicano and Mexican art, especially in relation to the Day of the Dead celebrations. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha...