Pasadena - Landscape Paintings

Acquired by the gallery directly from the artist UNFRAMED: 30" x 40" FRAMED: 39" x 49" x 2.5" Signed "Ray Roberts" on lower right Artist Statement "In Golden Foothills, I explore...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 17.75" x 21.75" x 1.25" Signed "K Dempwolf" on lower left Artist Statement "When heading north on Hwy...

Provenance Consigned to the gallery; from the private collection of the Katherine A. Norris Legacy Collection, Huntington Beach, California, by descent; acquired in 2003 by Katherine...

Acquired by the gallery directly from the artist UNFRAMED: 14" x 18" FRAMED: 20.25" x 24.25" x 1.5" Signed "K Dempwolf" on lower right Artist Statement "This is a movie ranch whe...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 11" x 14" FRAMED: 17.5" x 20.5" x 1.375" Signed "Obermeyer" on lower left

Provenance Acquired by the gallery directly from the artist UNFRAMED: 11" x 14" FRAMED: 17.5" x 20.5" x 1.5" Signed "Obermeyer" on lower right

Provenance: Acquired by the gallery directly from the artist Signed "McVicker" on lower right Unframed: 16" x 12"; Framed:18.5" x 22.5" x 1"

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

Provenance Consigned to the gallery by private collectors Signed "Marion Kavanagh Wachtel" lower right Description Marion Kavanagh was a pupil of William Keith in San Francisco who, upon learning of her move to Southern California, urged her to contact Pasadena artist Elmer Wachtel. A romance blossomed and the two were married in 1904. During their marriage, out of respect for her husband, Marion Wachtel painted in watercolor, giving Elmer Wachtel the honor of painting in the more “serious” medium of oil. After the untimely passing of her husband and a period of grieving, Marion took up oil painting in 1930, working both en plein air and in the studio. This masterful plein air painting is a poetic interpretation of the snow-capped mountains in Grand Teton National Park...

Acquired by the gallery directly from the artist Signed "Peter Adams" on lower right UNFRAMED: 20" x 24" FRAMED: 26.75" x 30.75" x 1.75" Artist Statement "The last rays of the su...

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

Provenance Consigned to the gallery by private collectors Signed "Jack Wilkinson Smith" lower left Description Jack Wilkinson Smith was a New York-based illustrator before moving o...

Provenance Acquired by a Private Collector, Encino, California from American Legacy Fine Arts in 2005 American Legacy Fine Arts acquired the work directly from the artist in 2004 Si...

Consigned to the gallery; By descent to the Katherine A. Norris Legacy Collection, Huntington Beach, California; Acquired by Katherine A. Norris, Newport Beach, California; From John...

Acquired by a private collector, Palo Alto, San Carlos and Oceanside, California, from Bingham Gallery in the Fairmont Hotel, San Jose, California; By descent to a private collector,...

Provenance Acquired by the gallery directly from the artist Painted en plein air in the San Gabriel Mountains near the artist's home in the early summer of 2013. Signed "T. Solliday...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "I painted this work on location above Luffenholtz Beach in Trinidad Ca...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto and Oceanside, California; From Joan Irvine Smith Fine Arts, Inc., Laguna Beach, California. Signed "A. Espoy" on lower left Description In California Lupines and Poppies, Angel De Service Espoy captures the vibrant splendor of California’s springtime wildflowers with lyrical brushwork and atmospheric sensitivity. A hillside awash in blooming blue lupines and golden poppies slopes gently toward a distant view of rolling hills beneath a soft, clouded sky. Espoy’s confident handling of color and texture brings the landscape to life, evoking the fleeting beauty of the state’s native flora and the delicate transitions of light across the land. This intimate composition reflects the artist’s deep affection for California’s rural countryside and his enduring legacy as a painter of its most poetic vistas. Based on the painting’s style, subject matter, and scale, California Lupines and Poppies was most likely created between 1925 and 1940—a period when Espoy was actively painting California’s coastal and inland landscapes, particularly in the Monterey Peninsula and Carmel Highlands regions. The composition, with its gently rolling hills, distant haze, and vivid display of native wildflowers, closely aligns with Espoy’s known plein air works of the Central Coast. The loose yet confident brushwork, naturalistic light, and spontaneous floral groupings all support the likelihood that this piece was painted en plein air. Espoy often created small-format oils like this one outdoors as finished works in their own right or as preparatory studies for larger studio paintings. His style blends Realism and Impressionism, drawing upon the influences of his training under Joaquín Sorolla (1863–1923) and the French Barbizon School, resulting in works that balance truthful representation with a painterly, light-filled immediacy. Historical Significance Born in Spain and trained in Barcelona, Angel Espoy immigrated to the United States in the early 20th century, eventually settling in California, where he became known for his floral landscapes, maritime scenes, and depictions of the Pacific coastline. Espoy’s lupine and poppy paintings are among his most beloved subjects, reflecting the natural beauty of the state and the influence of California Impressionism. In the 1920s–1930s, Espoy’s work gained popularity among collectors who sought colorful, uplifting views of the West, particularly during the Depression era. His florals not only document California’s seasonal splendor but also contribute to the legacy of artists who elevated regional wildflowers to a fine art subject—following in the tradition of Granville Redmond, William Wendt, and Guy Rose. Today, Espoy’s flower-filled landscapes remain a favorite among collectors of early California art...

Provenance Acquired by the gallery directly from the artist Signed "Alexey Steele' on lower left corner FRAMED: 15" x 18" x 1.5" UNFRAMED: 9" x 12" Exhibitions California Highlights; A Collection of Curated Favorites Showcasing Quintessential California Inspired Subjects, American Legacy Fine Arts...

Consigned to American Legacy Fine Arts by H&N Fine Art as part of the Katherine A. Norris Legacy Collection, Newport Beach, California; Bonham’s California, April 11, 2005, lot 205, sold for $7,000; Estate of Sam Harris Signed "Sam Hyde Harris...

Provenance Acquired by the gallery directly from the artist Signed " J. PAQUET" on lower right corner. Artist Statement "This unique vantage point could only be accessed by jeep. I...

Provenance Acquired by the gallery directly from the artist Artist Statement "Lookout Drive is a hidden little road below Dodger Stadium, a spot that I originally saw from the stadi...

Provenance Acquired by the gallery directly from the artist Signed "J.Paquet" on lower left corner. Artist Statement “Any day at Shark Harbor is a good day.” — Joseph Paquet EXHIBITIONS California Art Club's 103th Annual Gold Medal Exhibition at Autry National Center, March 30- April 20, 2016 Santa Catalina Island...

Provenance Acquired by the gallery directly from the artist Signed "Mirich" on lower left Exhibited A Collector's Feast, American Legacy Fine Arts, November 16 – December 15, 2018 ...

Consigned to the gallery By Decent H&N Fine Art, Newport Beach, CA; From Katherine A. Norris Legacy Collection, Newport Beach, California; Rick Hill, San Diego, California by descent from his mother a former pupil of Alfred Mitchell...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Signed "Obermeyer" on lower right Artist Statement "This is a view that is very familiar to me. I see this as I drive home from my studio in the late afternoons and evenings, the fading light on the walls of Laguna Canyon...

Consigned to American Legacy Fine Arts, Pasadena, California; Private Collection, Pasadena, California; Mutual Savings, Pasadena, California — acquired presumably from the artist via an art consultant; Displayed at Mutual Savings headquarters, Colorado Boulevard, Pasadena, California, c. 1965–1993 A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena can be seen through the online resource at Pasadena Digital History Label on Verso Mutual Savings No. 3107 Description This luminous desert landscape, painted in rich yet delicately modulated tones, depicts California’s Palm Springs Desert with a scattering of smoke trees...

Provenance Acquired by the gallery directly from the artist Signed "R. Humphrey" on lower left Artist Statement "The glassy surface of the river almost seems calm. Below the gentle ripples though, is a swift and powerful current that moves anything in its way. A mile or so farther down the river, the elevation drops and the river turns into a wild, tumultuous force as it moves toward the falls." —Richard Humphrey...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto, San Carlos, and Oceanside, ...

Acquired by the gallery directly from the artist UNFRAMED: 20" x 30" FRAMED: 26" x 36" x 2" Signed "Jove Wang 22" on lower left

Acquired by the gallery from a private collector in Alaska who acquired the work in 2012 from Bingham Gallery, Mount Carmel, Utah Signed "D. W. Pinkham" ...

Consigned to the gallery, Pasadena, California; H&N Fine Art, from the Katherine A. Norris Legacy Collection; John Moran Auctioneers, Altadena, CA, February 17, 2004, lot 104A. Sign...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "R Humphrey" on lower left Artist Statement "A red bougainvillea marks a small memorial near the top of the trail. A warm spring breeze moves through the newly flowered grass." — Richard Humphrey...

Provenance Consigned to the gallery by private collectors Signed "Phil Paradise" on lower left Description A prominent watercolorist during the Depress...

Provenance Acquired by the gallery directly from the artist Signed "Moses" lower left Frame: 18.5" x 15.5" x 1"; Unframed: 14" x 11"

Provenance Acquired by the gallery directly from the artist Signed "Budicin" on lower left Artist Statement "While painting by the river a swarm of children came to see what I was ...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower right FRAMED:18" x 21.25" x 1.875" UNFRAMED: 11" x 14" Artist Statement "This beautiful open space in South Orange County...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "This pastoral scene was painted on site over several days at a locatio...

Acquired by the gallery directly from the artist Signed " Ray Roberts" on lower right UNFRAMED: 24" x 30" FRAMED: 30.75" x 36.625" x 1.5" Artist Statem...

Acquired by the gallery directly from the artist Signed "Alexey Steele" on lower left UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5" Landscape painting with apple orchards Art...

2024 Consigned to American Legacy Fine Arts, Pasadena, California; 2005 Private Collector Encino, California; 2005 Ota House, Marina Del Rey;...

Provenance Acquired by the gallery directly from the artist. UNFRAMED: 30" x 40" FRAMED: 39" x 48.5" x 3" Artist Statement “For this large painting I did a number of preparatory ...

Acquired by the gallery directly from the artist Signed "Ray Roberts" on lower right UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "...

Provenance Acquired by the gallery directly from the artist Signed "g gallo" on lower right corner. Artist Statement “Here, the earth is quietly awakening as the first moments of l...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From William A. Karges Fine Art, Carmel, California Signed "Jesse Arms Botke" on lower right Description This charming watercolor captures a sweeping view of Bodega Bay, California, rendered with the refined draftsmanship and decorative sensibility for which Jessie Arms Botke is renowned. While best known for her gilded avian compositions, Botke’s landscapes are comparatively rare and reveal a more personal side of her artistic vision. Here, the viewer peers over the distinctive red turret of a Victorian home toward the curving estuary, where land meets sea beneath a soft blue sky. Delicate washes and crisp detailing convey the texture of the shoreline, the undulating water, and the surrounding structures, evoking the calm yet lively spirit of a coastal fishing village in the early 20th century. The warm terracotta tones of the foreground architecture contrast beautifully with the cool blues of the water and the distant hills, creating a balanced, harmonious scene. Although no journal entry or record confirms a specific trip to Bodega Bay, Botke may have painted this work, circa 1906, during the period when she was offered a round-trip passage from the Atchison, Topeka & Santa Fe Railway to travel from Chicago to Arizona and California in exchange for paintings depicting scenes of the West. The style and vantage point suggest direct observation, making it likely that she visited the town and painted the scene en plein air. With its architectural detail, vibrant palette, and compositional harmony, this work stands as a significant example of Botke’s lesser seen yet highly collectible works on paper. Jessie Arms Botke is recognized as one of the most important women artists in the early California art...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 6" x 12" FRAMED: 9.875" x 15.875" x 1.375" Artist Statement “In a vast horizontal stretch of land open to sky...

Provenance Acquired by the gallery directly from the artist Signed "T. Solliday" on lower left. Exhibited California Art Club’s 107th Annual Gold Medal Exhibition, Natural History...

Consigned to the gallery by H&N Fine Art as part of the Katherine A. Norris Legacy Collection Signed "WM Stout 2019" on lower left FRAMED: 25.75" x 29.5" x 1.125 UNFRAMED: 19.5" x...

Provenance Acquired by the gallery directly from the artist. Signed Calvin Liang on lower left Description An impressionist, plein air oil painting, depicting back-lit (contre jour) sycamore trees in Pasadena's Arroyo Seco. The tranquil scene displays a play of dappled light and shadows projected...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 16" x 12" FRAMED: 17.5" x 21.5" x 1.25" Signed "Al. Orlov" on lower left corner. Description Barney's Beaner...

Provenance Acquired by the gallery directly from the artist Signed "Calvin Liang" on lower left Exhibited A Collector's Feast, American Legacy Fine Arts, November 16 – December 15,...

Acquired by the gallery directly from the artist Signed "Jove Wang 2016" on lower right UNFRAMED: 11" x 14" FRAMED: 16.375" x 19.375" x 1.875" Artist Statement “This Sycamore tre...

Provenance Acquired by the gallery directly from the artist. UNFRAMED: 18" x 24" FRAMED: 24" x 30" x 2" Signed "Calvin Liang" on lower left Artist Statement "As much as I love co...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower left Artist Statement "During a recent stay in San Francisco, I had this gorgeous view of this beautiful city from my room. Mason Street glows as it heads up to Nob Hill...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "Alexey Steele' on lower right UNFRAMED: 9" x 12" FRAMED: 13.5" x 16.5" x 1.25" Exhibited Explora...

Consigned to the gallery Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1999 by a private collector (Palo Alto, San Carlos, and Oceanside, C...

Provenance Acquired by the gallery directly from the artist Signed "Alexey Steel" on lower left UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

Provenance Acquired by American Legacy Fine Arts from a Los Angeles collector who acquired the painting directly from the Timkov Family in Russia. UNFRAMED: 6.75" x 9.88" FRAMED: 12...

Artist Statement "Painting in Hawaii is always a challenge because the weather and atmospheric conditions are constantly changing. This scene of the Kalalau Lookout had it been paint...

Provenance Acquired by the gallery directly from the artist. Signed "Michael Godfrey" on lower left FRAMED: 30.75" x 42.75" x 1.375" UNFRAMED: 24" ...