Pasadena - Prints

A charming late 17th century French map with a very decorative title cartouche showing trumpet-blowing cherubs, by Allain Manneson Mallet (1630-1706), a well traveled military engine...

Charming group on nine hand colored botanical prints taken from a book or folio with Latin genius and species. Presented under glass in gilt wood frames.

Vintage Lithograph Johnny Friedlaender: 1912 - 1992 circa 1968 Very nicely framed with gold frame and linen mat. Ready to hang. Frame Size: 21" W x 23 3/4" H Visible Image Size: 14" W x 17" H "Johnny Gotthard Friedlaender (1912-1992), printmaker and painter, was born in Pless, Prussian Silesia (Germany) on June 21, 1912, the son of a pharmacist. He moved to Breslau in 1921 and, in 1928, he enrolled at the Breslau Art Academy where he attended master classes taught by Otto Mueller, a member of Die Brücke. During his academy years Friedlaender worked in lithography and etching. In 1930, he moved to Dresden, where his work was included in group exhibitions at Galerie J. Sandel and, in 1936, he traveled to Czechoslovakia, Switzerland, Austria, France, and Belgium. Friedlaender and his young wife fled the Nazi regime in 1937 settling in Paris as political refugees. In 1938 and 1939, Friedlaender worked at the literary weekly magazine Marianne on Paul Chadourne's recommendation. From 1939 to 1943 he was interned in a series of concentration camps. After the war, the Friedlaenders returned to Paris in 1945, in 1947 he became a member of the Salon de Mai, and in 1950 he became a French citizen. "Friedlaender worked for various journals and focused on etching as his main medium of expression. He became one of the great innovators in color printmaking and a school formed in Paris around his work as a painter and printmaker. From his Paris atelier Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Vintage Lithograph Roger Bezombes: 1913-1994, French pencil signed and numbered circa 1950's Frame Size: 25 1/2" x 31 1/2" Visible Image Size: 20" x 26 1/2" " Painter, printmaker,...

Bring the allure of the English countryside into your home with this remarkable pair of antique equestrian prints. These hand-colored engravi...

This vintage hand-colored lithograph by artist Swankar Hanumann depicts a traditional Kachina (Katsina) doll, a central figure in Hopi and Pueblo ceremonial traditions. The doll is s...

Sandwich-Eilanders – Antique Hand-Colored Engraving of Hawaiian Figures (c.1800) Description: An early 19th-century hand-colored ethnographic engraving titled “Sandwich-Eilanders,” ...

A mesmerizing abstract by artist Jim Dine from 1970 that incorporates elements of pop art and abstract expressionism. Offset lithograph on metallic paper. “Hearts'' shows off a patt...

One is 27.25 x25 and other 28.63 x25. Image 16.5 x 20. With birds eye maple frames. Features horse winners at Doncaster races in England.

Antique Engraving Cocos Island, Maritime Scene, Manesson Mallet, 1683 Description: A highly atmospheric and finely engraved 17th-century maritime scene depicting the island of Cocos...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

Copperplate engraving printed on paper, after the portrait by John Jarvis of Commodore Stephen Decatur. Framed in a Rosewood veneered molding with gilt bezel. Circa 1825.