Poland - Paintings

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Signed to the verso Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heav...

This work explores the intimacy of everyday objects through a vibrant, expressive still‑life composition. By placing a patterned vase filled with bold, purple‑white blossoms at the c...

"Demeter", hand-woven painting, linen yarn, acrylic textile paint, 120 x 79 cm, 2022. This work are a symbiosis of two disciplines of art, Painting and Weaving. Handwoven Canvas is e...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

This work is framed. Unframed size: 90x120 cm, framed 95x125 cm Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicol...

This striking contemporary masterpiece is a profound exploration of human connection and the fragmented nature of identity. Employing a sophisticated palette of earthy ochre, charcoa...

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

In a symphony of pure emotion and vibrant energy, this magnificent painting bursts with an exuberant floral explosion. Thick, impasto strokes of crimson, sapphire, lavender, and gold...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

‘Horizon. Cabo Sardão’ 2020 Handwoven painting, linen, woollen, silk, cotton yarn, acrylic textile paint, 135 x 65 cm Handwoven painting from the series ‘Horizons’, based on a portuguese landscape...

Artist about his erotic painting series “Narcissus”: With Internet era and its widespread availability, young people have unlimited access to pornography. It is possible for them to...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Contemporary acrylic on canvas painting by Polish artist Tomek Mistak. Painting depicts landscape reflection on the water surface. Painting is almost an abstraction. Main colors are ...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

"The Beacon", from the Light series, handwoven abstract landscape, linen yarn, organic cotton, acrylic, linen cloth, gold leaves, 80 x 60 cm, 2025. This artwork also works as a di...

‚The Heat’, handwoven landscape, linen yarn, organic cotton, acrylic textile paint, 60 x 50 cm, 2021. This work are a symbiosis of two disciplines of art, Painting and Weaving. Handw...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Contemporary figurative nude oil on cardboard painting by Polish artist Agnieszka Staak-Janczarska. Painting depicts a woman sitting on a floor with her head resting on her knee. Art...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

SERGIUSZ POWALKA (born 1986) A graduate of the Art High School in Lublin and the Faculty of Painting at the Academy of Fine Arts in Gdansk, where in 2...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Abstract painting by Polish artist living in USA Monika Rossa. Painting in style of gestural abstraction with dynamic brush strokes and shapes. Main color is red balanced with yellow...

Contemporary acrylic on canvas painting depicting a nude by Polish artist Michal Bajsarowicz. The artwork is an artistic take on human body with abstract elements. Composition is ske...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in painting at the studio of prof. Janusz Matuszewski. Selected achievements: 2019 - Award of the Rector of the University of Rzeszów 2019 - Scholarship of the Rector of the Academy of Fine Arts in Krakow 2020 - Finalist of the Polish National Painting Competition Leon Wyczółkowski...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Two large, hand-woven canvases, works from 2016. The canvas is made of linen and hemp (thick) yarn. The warp of one of them, the silver one (the second on the right), is painted with...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

In the luminous embrace of gold and shadow, this commanding abstract composition unfolds as a symphony of form and emotion. Bold, sweeping curves intertwine with geometric precision,...

Abstract painting by Polish artist living in USA Monika Rossa. Painting depicts two horses running, it is in warm colors. The background is abstract and it is dynamic. MONIKA ROSSA ...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Artist about his work: BLOBS. THE CHARM OF DRIPPING PAINT Flowing peacefully in the slow current of a narrow trickle between the feeling of senselessness and some deeply hidden ho...

The painting on paper will be shipped rolled up in a tube. Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite –...

RAFAŁ GADOWSKI (born in 1973) Studied at The European Academy of Arts in Warsaw Faculty of Painting, as well as at the Faculty of Graphic Art at the Cracow Academy of Fine Arts. He...

Artist Statement: I paint imagined memories shaped by contradiction. In my practice, tenderness meets fear, humour coexists with melancholy, and beauty becomes inseparable from the g...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

The artwork is signed (see last photo) and will be shipped rolled in a tube. Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting...

Abstract painting by Polish artist living in USA Monika Rossa. Painting in style of gestural abstraction with dynamic brush strokes and shapes. Do to the composition, the artwork can...

Contemporary figurative floral still life oil on canvas painting by Polish artist Katarzyna Zwolinska. Painting is textured. Katarzyna Zwolinska is a Polish painter, she graduated ...

Contemporary acrylic on canvas painting depicting a nude by Polish artist Michal Bajsarowicz. The artwork is an artistic take on human body with abstract elements. Composition is ske...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Untitled, from the Horizon series, handwoven landscape, linen yarn, organic cotton, wool, 60 x 80 cm, 2024. Canvas is entirely constructed on a weaving loom. Each of the steps of t...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Big scale abstract oil painting by Polish artist Klaudia Lata. KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the stud...