Seattle - Art

Blue Bridge by Zachary Schomburg feels quiet, restrained, and contemplative. A soft, neutral field fills most of the canvas, its surface subtly animated by delicate, almost ghostlike...

Rather Be by Allison Rohland is a richly layered abstract mixed-media painting on canvas with a quiet, atmospheric intensity. Muted mauves, dusty pinks, olive greens, and charcoal to...

This atmospheric landscape framed monotype print by Kris Ekstrand, depicts marshland, mountains and sky in the Pacific Northwest. Preserved in a custom frame with archival matte, sig...

What I Wouldn't Do by Allison Rohland is a light, airy abstract composition with soft, gestural marks floating across a pale ground. Creamy whites, blush pinks, muted greens, and ear...

Bodies at Rest #30, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart (in metallic gold glaze) is a small scale sculpture that add class and personality to h...

Mushaboom by Allison Rohland is an abstract mixed-media painting composed of thick, textured layers and scraped marks, forming a loosely architectural vertical composition. Muted ear...

Long After Midnight by Allison Rohland is a compact, abstract composition built from thick, layered strokes arranged in a loose grid. Earthy greens, ochres, mauves, and slate blues s...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Carrying a Big Thing by Zachary Schomburg feels bold yet contemplative. A large, organic red form dominates the canvas, its edges soft and irregular, with subtle tonal variations tha...

You Send Me by Allison Rohland is an energetic abstract painting set against a deep, mossy green field, animated by bold, gestural strokes and layered marks. Vibrant pinks, yellows, ...

The history of photography is replete with examples of image capture without a camera. My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Ins...

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a bright hopeful dawn over a darkened but luminous pasture. The softness of the wash creat...

You're an Ocean by Allison Rohland is a tall, expressive abstract composition with layered, gestural marks forming a loose vertical structure. Soft pastels, earthy greens, and creamy...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

“Bodies at Rest” #22 is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart (in bronze metallic glaze) is a small scale sculpture that add class and personality t...

Cups "C" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Non Dual Form #32 by Paige Stewart is a small abstract ceramic sculpture that feels elemental and powerful, with a smooth, monolithic form punctuated by a central hollow. The metalli...

Cups "F" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Cups “J” by Nancy Mintz is an abstract wall sculpture that feels airy and luminous, with translucent Japanese paper softly diffusing light across delicate radial sections. The dark b...

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a stormy sky with a vibrant light reflecting off a pasture filled with wildflowers in Fran...

Passages by Ben Schwab presents a crisp, contemporary cityscape with a striking sense of clarity and momentum. The architecture is rendered in clean, geometric blocks of color, cool ...

This floral relief sculpture by Maggie Ramirez-Burns uses vintage and handmade paper to create a cascade of un-natural beauty. It's expertly framed in an acrylic box to protect the d...

Red Flower Study by Dawn Basset, a Tadelakt plaster on wood panel, is part of a minimalist series debuted at the 2025 Seattle Art Fair. A superb example of what can be accomplished...

Flower Color Study by Dawn Basset, a Tadelakt plaster on wood panel with wax accent, is part of a minimalist series debuted at the 2025 Seattle Art Fair. A superb example of what ca...

Flower Pinwheel Study by Dawn Basset, a Tadelakt plaster on wood panel, with wax and pigment accents, is part of a minimalist series debuted at the 2025 Seattle Art Fair. A superb e...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

The painting is part of my The Edge of Passion series. Palette is daffodil and white. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signe...

Archival pigment print under a 1" thick diamond acrylic block. Dimensions: 9 15 in x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 48 in. With ...

Archival photo print under museum acrylic. Dimensions: 48 x 48 in. Depth: 1/4 in. Edition of 5 Montreal-based artist and photographer Paul-Émile Rioux has been creating virtual wor...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...

Flower Study White by Dawn Basset, a Tadelakt plaster on wood panel with wax accents, is part of a minimalist series debuted at the 2025 Seattle Art Fair. A superb example of what c...

Reverie by Ben Schwab feels expansive, lyrical, and richly atmospheric, capturing a landscape in a state of gentle motion. Loose, layered brushstrokes sweep across the surface in war...

Archival photo print under acrylic glass. Dimensions: 36 x 72 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Expansion by Ben Schwab feels lush, luminous, and rhythmically alive, capturing a landscape through energetic, layered brushwork rather than fixed detail. Bold, gestural strokes scat...

Obscurity by Ben Schwab presents a vibrant, stylized cityscape that feels both expansive and energetic. The buildings are rendered in crisp, flattened planes of color, with bold blue...

Pink Moon by Ericka Wolf is an abstract oil painting on wood with a soft, minimal gradient, shifting from warm off-white at the top to muted blue tones near the bottom. It feels quie...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Bows vs Flowers by Trish Gilmore is an acrylic, mixed-media painting on canvas that brings an energetic, playful, and slightly unruly tone. Abstracted floral forms rise from a dark, ...

Archival photo print under museum acrylic. Dimensions: 48 x 48 in. Depth: 1/4 in. Edition of 5 Signed and numbered by the artist. Montreal-based artist and photographer Paul-Émil...

Girls Just Wanna Have Fun by Allison Rohland is a bold, lively abstract painting with sweeping gestures and layered marks that feel spontaneous and playful. Earthy browns, deep blues...

Blue Hour by Ericka Wolf is an abstract oil painting on wood with a soft, minimalist gradient, moving from warm cream tones at the top to cool, deep blue at the bottom. It feels calm...

Cups “G” by Nancy Mintz is a one-of-a-kind, hand-crafted wall sculpture that has a quiet, ethereal presence, formed from fine brass wire that moves across the wall like drawn lines. ...

Blue and Red Study II by Zachary Schomburg feels dense, tactile, and quietly charged. A broad field of layered blue dominates the surface, built up with rough textures, smudges, and ...

Blue and Red Study III by Zachary Schomburg feels introspective and heavy with atmosphere. A dense expanse of deep blue fills most of the canvas, layered and uneven, with variations ...

Saint Anita I by Zachary Schomburg feels playful, ordered, and quietly energetic. Two bands of vertical stripes are set against a warm, neutral ground, creating a sense of balance an...

Bodies at Rest #28, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart in a rich, coffee-colored, metallic glaze is an abstracted figural form that captures h...

Cups "K" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Archival pigment print under 1 inch acrylic glass. Fifteen prints, 15 x 15x15" (each) Depth: 1 in. Space in between each panel: 1.5 inch Total dimensions: 48 x 81 in. Signed & Num...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Liminal by Ericka Wolf is an abstract oil painting on wood that features a smooth, atmospheric gradient, moving from deep blue-gray at the top through pale light tones into warm sand...

Offshore by Ericka Wolf is an abstract oil painting on wood with a soft, misty appearance, with pale light tones fading into deeper blue-gray near the bottom. It feels quiet, atmosph...

Glow by Ericka Wolf is an abstract oil painting on wood that features a soft, blended gradient, moving from cool blue-gray tones at the top into warm peach hues at the bottom. It fee...

Blush by Ericka Wolf is an abstract oil painting on wood with a soft, pastel gradient, blending pale cream at the top into gentle peach and rosy pink tones below. It feels light, cal...

August Light by Ericka Wolf is an abstract oil painting on wood with a soft, minimal look, featuring a gentle gradient that fades from cool blue-gray at the top to pale light tones a...

Lavender Sky by Erika Wolf is an abstract oil painting on canvas with a soft, muted gradient, transitioning from cool blue-gray at the top to pale cream and earthy beige tones below....

Turbulence by Ericka Wolf is an abstract oil painting on wood that shows a soft, layered gradient, shifting from cool blue-gray at the top to gentle peach tones at the bottom. It fee...