Seattle - Art

“Red and Grey Sublimation” is a raw, atmospheric portrait of a young figure, her long dark hair merging with the turbulent ground around her as if she is simultaneously emerging from...

“Passage in Between” by Mark Russell Jones is a moody, atmospheric seascape dominated by a vast, brooding sky; this painting captures a moment of ra...

“Veil” is a raw, close-up study of draped fabric that pushes toward abstraction without fully leaving the physical world behind. Angular brushstrokes and scraped whites carve out the...

Artist Commentary: Robert Schoenfeld is a master Color-Field Artist from Seattle and a graduate of the Kansas City Art Institute. Robert’s large Color-Field paintings can be viewed ...

“Star Vineyard” by Guinevere Johnson is a luminous abstract mixed-media painting that evokes the feeling of light filtering through mist at dawn. Layers of soft celadon, sky blue, la...

"Woodland Temple" by Teresa Smith looks upward through a grove of ancient redwoods — their massive trunks rendered in deep, saturated orange-red rising from a dense, exuberant ground...

Cups "F" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

"Form, Entangled with the Spirit I" moves through a duskier register — mauve, plum, and warm grey-brown blending into a deep, smoky base, with faint vertical striations of coral bleeding up from beneath the surface like an underlying pulse. The orange-red edge intensifies the painting's warmth even as its center holds a cooler, more contemplative shadow. True to its title, the piece feels caught between material and immaterial, form dissolving into something less fixed the longer it's observed. Mark Russell...

Cool slate blue anchors the left edge of this canvas, dissolving into warm bands of copper, rust, and glowing amber that shift and pool across the surface like light passing through ...

The history of photography is replete with examples of image capture without a camera. My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Ins...

Rata by Rubeena Ratcliffe is a striking abstract painting that layers bold geometric shapes, float-framed in light wood. The interlocking forms create a sense of structure and quiet ...

In “Daydreams, and Bach”, Christy Hopkins’ intuitive process unfolds through bold contrast, layered gesture, and an unmistakable sense of rhythm. Working without a fixed roadmap, she...

"Non-Dual Reflective Form XVI" is a one-of-a-kind ceramic sculpture by Paige Stewart, finished in a matte white glaze, whose tall, elongated form rises with quiet authority to an arc...

“New Moons 6” is an intimate work on paper in which Myers arranges collaged strips of painted and repurposed material into a luminous circle against a clean white ground. This iterat...

Yellow Abstract is a bright, sunny, handmade, and vintage paper collage of whimsical flora by Pacific Northwest artist Maggie Ramirez-Burns. The ...

"Road to Hana" moves like a journey through dense, tropical color — teal, cobalt, and jade give way to hits of fiery red and gold, all threaded together with loose, calligraphic line...

Digital still life pinhole photograph :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes...

"Echoes in Color II" builds from a pale, warm khaki at the top into a deep, smoky umber at the base, the coral-red edge of the canvas pulsing faintly against the muted interior. A soft gold glow surfaces at the upper right, as though caught in the last moment of sunset before the color fully recedes. The painting's quiet drama lives entirely in its gradations — warmth and shadow negotiating a slow, wordless exchange across the surface. Mark Russell...

In “Sugar Mountain”, Christy Hopkins unfolds a rich interplay of gesture and color across a generously scaled canvas. Energetic layers of acrylic build...

Confetti by Guinevere Johnson is a vibrant, ethereal mixed-media painting. The textured surface and richly built-up brushwork create depth and a sense of gentle movement, evoking the...

Bodies At Rest #5 by Paige Stewart is a sculptural ceramic form that feels balanced and quietly powerful, with rounded, architectural volumes connected by a gentle central curve. Its...

"Non-Dual Black Squat" is a one-of-a-kind ceramic sculpture by Paige Stewart, finished in a smooth matte black glaze, whose wide, low-slung form departs from the vertical orientation...

This Ash Oaksmith oil painting, English Fields depicts a faraway horizon of Northern European countryside and the soft light of afternoon light in a wide expanse of sky. The textures...

"Echoes in Color I" moves through a warm khaki-to-umber descent, the light pooling insistently in the lower left, a soft gold warmth breaking through the surrounding haze. The coral edge underlines the composition like a held breath, framing a field that seems to shift depending on the light in the room. Jones' hand is felt throughout in the subtlety of the transition — nothing abrupt, everything arriving by degrees. Mark Russell...

Lavender Sky by Erika Wolf is an abstract oil painting on canvas with a soft, muted gradient, transitioning from cool blue-gray at the top to pale cream and earthy beige tones below....

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a stormy sky with a vibrant light reflecting off a pasture filled with wildflowers in Fran...

"Non-Dual Absorptive Form IX" is a one-of-a-kind ceramic sculpture by Paige Stewart, finished in a matte black glaze, whose smooth, rounded mass draws the eye inward toward a deep co...

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a moody sky over a luminous wheat field. The softness of the wash creates a feeling of bei...

"Magic in the Air" by Sharon Habib compresses its energy into the upper portion of the canvas — a collision of bright blue, chartreuse-yellow, pale cream, and deep burgundy-red in br...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

An Unreachable Distance by Mark Russel Jones is an atmospheric abstract painting that evokes a quiet, misty landscape. Soft layers of warm browns, rust, and muted earth tones blend with a pale band of sky-like blue, creating the impression of an emerging horizon. The diffused edges and subtle tonal transitions give the work a calm, contemplative mood, inviting the viewer to linger in its depth. Its earthy palette and serene presence make it well-suited for an interior space where a warm, meditative atmosphere is desired. Mark Russell Jones...

"Behind Me" is a study in monochromatic depth, its surface of Moroccan Tadelakt plaster working entirely within a range of charcoal, graphite, and deep black to create a world of sur...

White Lily by Jeni Nelson Andries is a floral acrylic painting that feels soft, airy, and quietly luminous. Layered white and cream petals float across a warm, neutral background, wi...

Afternoon Nap Under the Lilac Tree by Jeni Nelson Andries is a delicate, light-filled abstract composed of layered ivory, blush, and lilac tones. Short, rhythmic brushstrokes create ...

"Scent" is an exercise in the beauty of near-invisibility, its pale Tadelakt plaster surface carved with large, overlapping floral forms that reveal themselves slowly — petals, fans,...

“Stacked Against” by Rebecca Stern is a mixed-media composition that presents a refined interplay of movement and restraint, layering gestural markings with architectural blocks of c...

"Random Acts" by Sharon Habib is one of her most layered and narratively rich works — a pale upper ground carries a block of handwritten numbers and letters in the upper right, half-...

The painting is part of my The Edge of Passion series. Palette is daffodil and white. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signe...

Bodies at Rest #25, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart in a matte soft green glaze, with an earthy texture, is an abstracted figural form that...

Artist Commentary: Robert Schoenfeld is a master Color-Field Artist from Seattle and a graduate of the Kansas City Art Institute. Robert’s large Color-Field paintings can be viewed ...

“Courtney” is a luminous abstract acrylic on canvas that embodies Christy Hopkins’s intuitive and expressive approach to painting. Through layered brus...

"Electric with Anticipation" by Sharon Habib builds its composition in horizontal registers — an airy, pale upper field threaded with loosely drawn circles in white and amber gives w...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

Offshore by Ericka Wolf is an abstract oil painting on wood with a soft, misty appearance, with pale light tones fading into deeper blue-gray near the bottom. It feels quiet, atmosph...

“Kurt” is a dynamic, expressive acrylic on canvas that showcases Christy Hopkins’s signature intuitive approach. Through layered gestures and bold, rhythmic color, the composition fe...

“Partially Frozen” by Rebecca Stern is a mixed-media painting that offers a calm yet dynamic composition, where sweeping, curved forms and layered geometric blocks create a sense of ...

Archival photo print under museum acrylic. Dimensions: 48 x 48 in. Depth: 1/4 in. Edition of 5 Montreal-based artist and photographer Paul-Émile Rioux has been creating virtual wor...

“New Moons 9” is an intimate work on paper in which collaged strips of painted and repurposed material are layered into a softly glowing circle against a white ground. This iteration...

“Soft Shadows 1” is a quiet, meditative work on paper that marks a striking departure from Myers' vibrant color fields — here, rows of small hand-rendered oval forms fill the surface...

Blue Color Study I is part painting, part handmade and vintage paper collage of whimsical and textural flora by Pacific Northwest artist Maggie R...

“New Moons 3” is an intimate work on paper in which Myers gathers her language of layered, horizontal striations into a single glowing circle set against a clean white field. Bands o...

Abstract depiction of a bird's nest. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Ye...

“New Moons 1” is an intimate work on paper in which Myers contains her signature language of layered, striating color fields within a single luminous circle — cool blues and silvers ...

“Soft Shadows 2” is a meditative work on paper built from rows of small, hand-rendered oval forms in a near-monochromatic palette of white, silver, and soft black. This iteration fee...

The Alm Hill Farm series began in 2008 when I relocated to Seattle and began shopping at the Pike Place market. Alm Hill Farm is a local farmer growing flow...

Flora by Guinevere Johnson is a mixed-media oil painting that radiates a rich, expressive energy. The composition feels abundant and immersive, with bold, gestural marks creating mov...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

“Float 5” by Lydia Bassis is a study in openness, this piece uses negative space as much as line. The form floats gently across the surface, never fully landing, giving the work an a...

This is a description“In The Distance B” by Ash Oaksmith is an atmospheric landscape painting dominated by a vast, expressive sky. This painting captures the quiet drama of shifting ...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...