Seattle - Mixed Media

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST. NOTE COLOR OF WOOD IS NOT QUITE AS YELLOW AS IIT APPEARS IN PHOTO AND IS IN KEEPING WITH OTHERS IN THIS SERIES: Jean Fein...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas Whimsical abstract composition by an unknown artist (20th Century). Lime green acrylic paint makes u...

Large, brightly saturated red color field abstract geometric painting in various shades of bright green, blue, purple and deep red. "Memory Wall #12" made by Hudson Valley artist, Vi...

oil stick, acrylic, & charcoal on raw linen

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Large, brightly colored abstract geometric painting in various shades of red, pink, and with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #9" made by Hud...

Large, brightly saturated red color field abstract geometric painting in various shades of bright green, blue, purple and deep red. "Memory Wall #10" made by Hudson Valley artist, Vi...

oil stick, acrylic, charcoal on raw linen canvas

"Manet" by Sam Gilliam was created in 1998, it is a Mixed-media work on Handmade paper with hand painting, relief painting, screen printing, cutouts, collage and stitching, making ea...

Sam Gilliam Greater Grand Rapids, 1978 Signed and dated in pencil lower center; signed, titled, dated in pencil verso Mixed media and collage, with various fabrics, burlap, and handm...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with subtle gold accents and an iridescent quality. Concentric circles of varying sizes overlap one a...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...