Seattle - Art

"Archaic Fluxations" by Rya Wu carries a playful yet tentative energy, alive with motion and curiosity. It draws on a sense of whimsy and quiet structure, where intuitive forms feel ...

Rather Be by Allison Rohland is a richly layered abstract mixed-media painting on canvas with a quiet, atmospheric intensity. Muted mauves, dusty pinks, olive greens, and charcoal to...

Cups “G” by Nancy Mintz is a one-of-a-kind, hand-crafted wall sculpture that has a quiet, ethereal presence, formed from fine brass wire that moves across the wall like drawn lines. ...

Cups "B" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

In “Daydreaming”, Christy Hopkins allows the painting to unfold intuitively—built through layers of gesture, revision, and response. Without a fixed roadmap, the composition evolves ...

Flora by Guinevere Johnson is a mixed-media oil painting that radiates a rich, expressive energy. The composition feels abundant and immersive, with bold, gestural marks creating mov...

Dānsa by Rubeena Ratcliffe is a bold abstract painting layered with geometric forms, float-framed in light wood. The overlapping shapes and subtle hand-drawn line textures create a s...

Untitled I by Rubeena Ratcliffe is an abstract painting layered with geometric forms, float-framed in light wood. Subtle linear textures appear throughout the shapes, adding gentle r...

What I Wouldn't Do by Allison Rohland is a light, airy abstract composition with soft, gestural marks floating across a pale ground. Creamy whites, blush pinks, muted greens, and ear...

Flux by Rubeena Ratcliffe is an abstract painting featuring bold, interlocking shapes that create a lively, contemporary composition, float-framed in light wood. Repeating linear tex...

Carrying a Big Thing by Zachary Schomburg feels bold yet contemplative. A large, organic red form dominates the canvas, its edges soft and irregular, with subtle tonal variations tha...

The Field Beyond by Guinevere Johnson is a richly rendered Impressionist mixed-media painting. Deep indigos shine through an array of warm, earth tones, creating a field of depth and...

Fragmented by Jeni Nelson Andries radiates vibrant, expressive energy with bold, sculptural brushstrokes and rich impasto texture. Lush greens, warm creams, soft blush tones, and bur...

Bodies at Rest #30, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart (in metallic gold glaze) is a small scale sculpture that add class and personality to h...

Cups "F" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Archival photo print under acrylic glass. Three prints 3 x 48x48" (each) Height: 48 in Width: 48 in Depth: 1/8 in Signed & Numbered by the artist Edition of 3 Total: 156 in ...

Passage by Guinevere Johnson is a richly textured mixed-media painting. Layered jewel tones are interwoven in a soft, dreamlike composition. The surface feels atmospheric and immersi...

Archival photo print under museum acrylic. Dimensions: 48 x 48 in. Depth: 1/4 in. Edition of 5 Montreal-based artist and photographer Paul-Émile Rioux has been creating virtual wor...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Afternoon Nap Under the Lilac Tree by Jeni Nelson Andries is a delicate, light-filled abstract composed of layered ivory, blush, and lilac tones. Short, rhythmic brushstrokes create ...

Cups "D" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Blue Bridge by Zachary Schomburg feels quiet, restrained, and contemplative. A soft, neutral field fills most of the canvas, its surface subtly animated by delicate, almost ghostlike...

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a bright hopeful dawn over a darkened but luminous pasture. The softness of the wash creat...

“Jule” by Ash Oaksmith presents a soft, atmospheric abstraction that feels both ethereal and immersive, with billowing, cloud-like forms unfolding across the canvas. The layered brus...

Archival photo print under acrylic glass. Signed and Numbered by the artist. Edition of 3. Dimensions: 18x 15 x 15 in. Depth: 1 in. Total Dimensions: 48in X 97.4 in Artist and pho...

Pink Moon by Ericka Wolf is an abstract oil painting on wood with a soft, minimal gradient, shifting from warm off-white at the top to muted blue tones near the bottom. It feels quie...

Blue and Red Study I by Zachary Schomburg feels raw, moody, and atmospheric. A deep, saturated blue field dominates the surface, layered with visible brushstrokes and scraped texture...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Bodies At Rest #29 by Paige Stewart is a one-of-a-kind ceramic sculpture that presents a tall, pared-down human form shaped by gravity and internal force. The slick bronze metallic g...

Cups "C" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Cups "K" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Non Dual Form #31 by Paige Stewart is a one-of-a-kind ceramic abstract sculpture featuring a compact, monolithic form finished in a sleek, luminous metallic glaze. Its smooth, weight...

Let Go by Guinevere Johnson is a luminous and fluid mixed-media painting. The composition contains a bright blue ground carrying clusters of warm rose, plum, and golden tones that dr...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Masterprint with NFT and Certificate of Authenticity Archival photo print under acrylic glass. Edition of 3 Masterprint + NFT Dimensions: 2x 60x40 in. Depth: 1/8 in. About the Mas...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Cups “J” by Nancy Mintz is an abstract wall sculpture that feels airy and luminous, with translucent Japanese paper softly diffusing light across delicate radial sections. The dark b...

Archival photo print under museum acrylic. Three prints, 3 x 24x24" (each) Signed & Numbered by the artist Edition of 5 Montreal-based artist and photographer Paul-Émile Rioux has...

“Passage in Between” by Mark Russell Jones is a moody, atmospheric seascape dominated by a vast, brooding sky; this painting captures a moment of ra...

Found It, Original Signed Contemporary Satirical Surrealist Painting, 2014 18" x 11" x 1.625" Gouache on Wood Panel Hand-signed by the artist. When socks go missing, this disarticulated human arm can find them! In this dream-like surrealistic painting by artist Megan Frazer a laundry basket full of blue, red, and yellow clothing...

Archival pigment print under a 1" thick diamond acrylic block. Dimensions: 9 15 in x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 48 in. Wit...

Archival pigment print under a 1" thick diamond acrylic block. Dimensions: 9 15 in x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 48 in. With ...

Archival photo print under acrylic glass. Three prints, 3 x 48x48" (each) Signed & Numbered by the artist Edition of 3 Artist and photographer Paul-Émile Rioux lives in Montréal, C...

Archival pigment print under 1 inch acrylic glass. Fifteen prints, 15 x 15x15" (each) Depth: 1 in. Space in between each panel: 1.5 inch Total dimensions: 48 x 81 in. Signed & Num...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...

Medium: Archival pigment print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Signed by the artist. Edition of 5. Artist and photographer Paul-Émile Rioux lives in Mo...

Cups "A" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Passages by Ben Schwab presents a crisp, contemporary cityscape with a striking sense of clarity and momentum. The architecture is rendered in clean, geometric blocks of color, cool ...

“Wind and Sky” by Teresa Smith is a vibrant, abstract oil painting that captures the sensation of looking up through a dense canopy, where interwoven branches and foliage dissolve in...

"Flying High" by Sharon Habib works in a cooler, more restrained palette than much of the series — a pale grey and off-white ground dominates the lower two-thirds, while bold black, ...

"Electric with Anticipation" by Sharon Habib builds its composition in horizontal registers — an airy, pale upper field threaded with loosely drawn circles in white and amber gives w...

"Random Acts" by Sharon Habib is one of her most layered and narratively rich works — a pale upper ground carries a block of handwritten numbers and letters in the upper right, half-...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Bodies at Rest, #7, is a one-of-a-kind, small ceramic abstract sculpture by Paige Stewart in a soft moss-green glaze with a distressed texture, is an abstracted figural form that cap...

“New Moons 9” is an intimate work on paper in which collaged strips of painted and repurposed material are layered into a softly glowing circle against a white ground. This iteration...

In “Valentine”, Christy Hopkins unfolds a luminous field of color with confident, layered brushwork that pulses with energy and emotion. The expansive ...

Bodies At Rest #6 by Paige Stewart is a minimalist ceramic sculpture that feels calm and architectural, with soft, flowing contours balanced by grounded, geometric forms. Its matte, ...