Spain - More Art

Jean-Michel Basquiat - PopBox PEZ Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 28 x 35 x 4 cm Condition: B...

Dollar Sign YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 29 cm Condition: Brand n...

PEZ Dispenser YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 50 cm Condition: Brand...

The Crown YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 30 cm Condition: Brand new...

Yoshitomo Nara - We are punks Mug Small Date of creation: 2011 Medium: Porcelain Edition: Open Size: 65 x Φ85 mm (200ml) Condition: Brand new, inside its custom box Description: A small porcelain mug based on Yoshitomo Nara's We Are Punks (2011), a colour-pencil drawing of a defiant, round-headed child whose expression falls somewhere between a lullaby and a battle cry. The piece belongs to a body of work where Nara channels the raw energy of the punk and folk records he grew up listening to on U.S. Armed Forces radio in rural Aomori, a thread that runs from his earliest sketchbooks to his large-scale canvases and limited editions. Crafted in Hasami ware from Nagasaki Prefecture, the mug is dishwasher and microwave safe. The clay is fired and glazed in Japan using techniques passed down through four centuries of potters in the hills above Nagasaki. The result is a clean white body, light but solid in the hand, with a matte finish that lets the illustration sit naturally on the surface rather than floating under a layer of gloss. Peek inside once you have finished your espresso and you will find one of Nara's girls staring back at you from the bottom of the cup, as if she got there first and has no intention of leaving. It is a small, private encounter: exactly the kind of moment Nara builds into his work. His figures never perform for a crowd; they address you one-on-one, and finding one at the bottom of a coffee cup is about as intimate as it gets. ABOUT THE ARTIST Yoshitomo Nara (奈良美智, b. 1959, Hirosaki) is one of the most influential Japanese artists working today. Round-headed children with piercing gazes populate his canvases and sculptures, images that have gone well beyond the art world to become a broader cultural phenomenon. Childhood in Aomori: Solitude, Nature, and Radio Waves Nara grew up in Hirosaki, a small city in Aomori Prefecture at the northern tip of Honshū. Both parents worked long hours, leaving young Yoshitomo to fend for himself after school. The Japanese have a word for children like him, kagikko, latchkey kids who come home to an empty house and learn to keep their own company. That early acquaintance with solitude runs through every painting. Look at any of Nara's figures and you will find a self-contained being who meets your eye with a steadiness that could be courage or could just as easily be vulnerability. During those solitary years, Western music reached him through the Far East Network (FEN), the U.S. Armed Forces radio station. Rock, folk, and later punk gave him a way to feel before painting ever did. As a young boy he bought his first record, Suzie Q, and has often said that album covers were his earliest art gallery. Later, he would design covers for Shonen Knife, R.E.M., and Bloodthirsty Butchers, and every exhibition he puts on is accompanied by a playlist of his own making. Education: Aichi and the Kunstakademie Düsseldorf After earning a BFA (1985) and MFA (1987) at the Aichi Prefectural University of Fine Arts and Music, Nara relocated to Germany to enrol at the Kunstakademie Düsseldorf, the same school that had shaped Joseph Beuys and Gerhard Richter. Under Neo-Expressionist painter A.R. Penck (1991–1993), he received one piece of advice that stuck: "Paint on the canvas as if you are drawing." Bold, pared-back figures, large rounded heads set against bare backgrounds, began to take shape on his canvases. At the Kunstakademie's annual student show in 1992, visitors saw The Girl with the Knife in Her Hand (1991), a painting that crystallised the tension running through all of Nara's work: an apparently innocent girl holding a tiny knife, a gesture he reads not as aggression but as self-defence against a threatening adult world. Once finished with his studies, Nara settled in Cologne in 1994 and set up in a former cotton mill. Cut off by the language barrier, he turned painting into a conversation with himself, and it was in that solitude that the gaze people remember long after leaving the gallery first appeared. Return to Japan and International Acclaim Twelve years later, Nara came back to Japan. I DON'T MIND, IF YOU FORGET ME. opened at the Yokohama Museum of Art in 2001 and toured five Japanese venues, including Hirosaki. MoMA New York acquired 130 of his drawings around the same time, and the travelling retrospective Nothing Ever Happens (2003–2005) cemented his reputation in the United States. Within the Japanese "New Pop" wave, he shared the stage with artists such as Takashi Murakami, Makoto Aida, and Mariko Mori...

Brillo Box YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: 500 Size: 62 x 60 cm Condition: Brand new...

Barking Dog YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 30 cm Condition: Brand ...

Synthesis A2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, stainless steel and LED, dimensions are 42 × 109 × 21 cm (16...

Jean-Michel Basquiat - Both Poles Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and n...

Banana YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 62 x 26.5 cm Condition: Brand new ...

Synthesis S is a sculpture by the English artist Tom Price. Resin, tar, steel, acrylic, LED. 200.5 cm × 40 cm × 40 cm (Dimensions include the stand). In the Synthesis series, Tom Pr...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Carbon M is a unique sculpture by contemporary artist Tom Price. This sculpture is made of coal, Jesmonite, wood, steel, dimensions are 45 cm × 220 cm × 35 cm (17.7 × 86.6 × 13.8 in)...

Synthesis L1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, acrylic and LED, dimensions are 85 cm × 117.5 cm × 40 cm (33...

Synthesis B is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 200 × 8 × 9 cm (78.7 × 3.1 × 3.5 in). This artw...

Original art by Daria Kusto. Acrylic , acrylic spray on canvas Shipped rolled in a tube, From Spain.

PABLO PICASSO (1881-1973) "Chouette" (A.R. 543) stamped, marked and numbered "Madoura Plein Feu / Edition Picasso / Edition Picasso / 37/500 / Madoura" (underneath) white earthenware...

Expressive ceramic figure with iron hook and porcelain head, this high-fire ceramic sculpture explores material play and intuitive form. This expressive ceramic sculpture, part of the Extravagantes series, brings together high-fire ceramic, vanadium glaze, manganese metallic glaze, crystalline-glazed porcelain and a forged-iron hook. The work reflects Óscar Aldonza Torres...

PABLO PICASSO (1881-1973) QUATRE PROFILS ENLACÉS (A.R. 88) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (underneath) white earth...

ROMAN MARBLE MOSAIC PANEL, 4TH CENTURY A.D. Tiger chasing its prey 40-1/4 x 84 inches (102 x 213 cm.) Within an iron metal frame PROVENANCE Private Collection, Germany Spanish Colle...

One of a kind work or art with a unique, somber, and overwhelming atmosphere. It recalls the legacy of the great Giorgio De Chirico (1888-1978), the foremost representative of the ...

Trumpet Painting YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Br...

after Andy Warhol Colored Campbell's Soup - Beige Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

Roy Lichtenstein - Finger Pointing Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never display...

This circular portrait combines vibrant green and violet tones with conceptual text intervention to explore identity, legibility, and symbolic erasure. Painted in acrylic on a round ...

This inverted monochrome Moldovan portrait by Natasha Lelenco, part of her ongoing Exchange Currencies series (I’m Sorry, I’m Not From Here), is an acrylic painting on a circular pin...

after Andy Warhol Colored Campbell's Soup - Peach Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

Mark Ryden - BABY BOS - BLUSH Date of creation: 2022 Medium: Vinyl figure Edition: 500 Size: 15.25 cm height Condition: In mint conditions, brand new inside its original package Desc...

PABLO PICASSO (1881-1973) Mains au poisson (A.R. 214) stamped and numbered “Madoura Plein Feu / Empreinte Originale de Picasso / I. 117 / 150/250' (on the reverse) terracotta plate w...

PABLO PICASSO (1881-1973) Pichet espagnol (A.R. 244) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 97/300 / Mad...

PABLO PICASSO (1881-1973) Femme au chapeau fleuri (A.R. 521) stamped and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / 97/100' (on the reverse) terracotta plaque, pa...

Frida Kahlo - Self-Portrait as a Tehuana Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never d...

Roy Lichtenstein - Varoom!, 1963 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displayed...

Jean-Michel Basquiat - In Italian Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and n...

Reflexio Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

Frida Kahlo - Self-Portrait with Thorn Necklace and Hummingbird Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condi...

PABLO PICASSO (1881-1973) LE BARBU (A.R. 217) stamped and marked 'Edition Picasso/Madoura Plein Feu/Edition Picasso/Madoura' (underneath) white earthenware ceramic pitcher, partially engraved, with colored engobe and glaze Height: 12¾ in. (31.5 cm.) Conceived in 1953 and executed in an edition of 500 LITERATURE: - Ramié, Alain: Picasso, Catalogue of the Edited...

Love People YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand ...

Untitled (Head) YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 58 cm Condition: Bra...

Contemporary hand built ceramic figurative sculpture inspired by the harlequin archetype, combining theatrical gesture, gold accents, and vertical sculptural form. Extravagant Harle...

Yoshitomo Nara - Let's talk about "Glory" Date of creation: 2011 Medium: Porcelain Edition: Open Size: Φ22 mm Condition: Brand new, inside its custom box Description: A Hasami ware porcelain plate reproducing Yoshitomo Nara's Let's Talk About "Glory" (2012), an acrylic-on-canvas painting where one of the artist's trademark children stares out with brow slightly furrowed and mouth set in a line that says she has heard what glory is and remains unconvinced. The original work, measuring roughly life-size, belongs to the period following the 2011 Great East Japan Earthquake, when Nara's palette softened, his paint layers multiplied, and the angry scowls of his earlier figures gave way to a different register: heavy-lidded, searching, charged. "I was so depressed that I couldn't help feeling that what I'd been doing was totally meaningless," he later recalled. When the brushes finally came back out, the defiant scowls had gone. What replaced them was a gaze that holds more weight precisely because it asks for less. No raised fist, no bared fangs — just a pair of eyes that have seen something and are still deciding what to make of it. Like the rest of Nara's Hasami porcelain series, this plate is crafted in Nagasaki Prefecture, home to one of Japan's oldest ceramic traditions. Smooth and surprisingly heavy for its size, the body holds a print sharp enough to preserve the layered, almost translucent quality of Nara's post-2011 palette — the soft greens and muted flesh tones that replaced the flat, punchy colours of his earlier work. ABOUT THE ARTIST Yoshitomo Nara (奈良美智, b. 1959, Hirosaki) is one of the most influential Japanese artists working today. Round-headed children with piercing gazes populate his canvases and sculptures, images that have gone well beyond the art world to become a broader cultural phenomenon. Childhood in Aomori: Solitude, Nature, and Radio Waves Nara grew up in Hirosaki, a small city in Aomori Prefecture at the northern tip of Honshū. Both parents worked long hours, leaving young Yoshitomo to fend for himself after school. The Japanese have a word for children like him, kagikko, latchkey kids who come home to an empty house and learn to keep their own company. That early acquaintance with solitude runs through every painting. Look at any of Nara's figures and you will find a self-contained being who meets your eye with a steadiness that could be courage or could just as easily be vulnerability. During those solitary years, Western music reached him through the Far East Network (FEN), the U.S. Armed Forces radio station. Rock, folk, and later punk gave him a way to feel before painting ever did. As a young boy he bought his first record, Suzie Q, and has often said that album covers were his earliest art gallery. Later, he would design covers for Shonen Knife, R.E.M., and Bloodthirsty Butchers, and every exhibition he puts on is accompanied by a playlist of his own making. Education: Aichi and the Kunstakademie Düsseldorf After earning a BFA (1985) and MFA (1987) at the Aichi Prefectural University of Fine Arts and Music, Nara relocated to Germany to enrol at the Kunstakademie Düsseldorf, the same school that had shaped Joseph Beuys and Gerhard Richter. Under Neo-Expressionist painter A.R. Penck (1991–1993), he received one piece of advice that stuck: "Paint on the canvas as if you are drawing." Bold, pared-back figures, large rounded heads set against bare backgrounds, began to take shape on his canvases. At the Kunstakademie's annual student show in 1992, visitors saw The Girl with the Knife in Her Hand (1991), a painting that crystallised the tension running through all of Nara's work: an apparently innocent girl holding a tiny knife, a gesture he reads not as aggression but as self-defence against a threatening adult world. Once finished with his studies, Nara settled in Cologne in 1994 and set up in a former cotton mill. Cut off by the language barrier, he turned painting into a conversation with himself, and it was in that solitude that the gaze people remember long after leaving the gallery first appeared. Return to Japan and International Acclaim Twelve years later, Nara came back to Japan. I DON'T MIND, IF YOU FORGET ME. opened at the Yokohama Museum of Art in 2001 and toured five Japanese venues, including Hirosaki. MoMA New York acquired 130 of his drawings around the same time, and the travelling retrospective Nothing Ever Happens (2003–2005) cemented his reputation in the United States. Within the Japanese "New Pop" wave, he shared the stage with artists such as Takashi Murakami, Makoto Aida, and Mariko Mori...

BEARBRICK - Andy Warhol x JM Basquiat #4 400% & 100% Date of creation: 2021 Medium: Vinyl figure Edition: Open Size: 28 x 10 x 10 cm Condition: In mint conditions, inside its ori...

Triple Eyes YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 51 x 52 cm Condition: Brand ...

Roy Lichtenstein - Girl in Mirror, c. 1964 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never...

Andy Warhol - PopBox Banana Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 35 x 15.5 x 4 cm Condition: Brand...

New York YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand new...

Equals Pi YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand new...

Frida Kahlo - The Wounded Deer Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displayed S...

JOHN BALDESSARI - Two Figures and Two Figures (Masked) with Blue Shape Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: 30 Size: 80 x 20 cm (each skate) ...

Jean-Michel Basquiat - Six Fifty Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and ne...

Yoshitomo Nara - We are punks Mug Large Date of creation: 2011 Medium: Porcelain Edition: Open Size: 95 x Φ85 mm (300ml) Condition: Brand new, inside its custom box Description: The big sibling in Yoshitomo Nara's We Are Punks porcelain series, this 300 cc mug features a vampire-fanged girl peering over a wall on its side with the quiet menace of someone who arrived first and has no intention of leaving. "We Are Punks" is printed on the exterior as both a title and a statement of intent. The image derives from Nara's 2011 colour-pencil drawing of the same name, part of a practice where childhood defiance and subcultural energy merge into a visual language recognisable across a room. Made in Hasami ware from Nagasaki Prefecture, the mug is fired, glazed and finished in Japan. Hasami potters developed their craft supplying everyday tableware to the domestic market, which means the porcelain is built to be used, not merely admired. It is microwave and dishwasher safe. The white ground is clean and unglazed on the outside where the illustration sits, giving the print a tactile, almost paper-like quality that feels closer to a drawing than to a mass-produced transfer. At 300 cc it holds enough coffee to start the morning with the same stubborn composure Nara's children have been modelling for over three decades. Pair it with the small mug: the two stack together and, like any well-conceived double act, gain from being seen as a set. That stacking detail is not accidental. Nara has long been interested in objects that nest inside one another. His room-sized installations are built as huts and cabins that shelter smaller works, creating a mise en abyme of intimacy. Two mugs sitting one inside the other carry a faint echo of that idea, scaled down to the kitchen shelf. ABOUT THE ARTIST Yoshitomo Nara (奈良美智, b. 1959, Hirosaki) is one of the most influential Japanese artists working today. Round-headed children with piercing gazes populate his canvases and sculptures, images that have gone well beyond the art world to become a broader cultural phenomenon. Childhood in Aomori: Solitude, Nature, and Radio Waves Nara grew up in Hirosaki, a small city in Aomori Prefecture at the northern tip of Honshū. Both parents worked long hours, leaving young Yoshitomo to fend for himself after school. The Japanese have a word for children like him, kagikko, latchkey kids who come home to an empty house and learn to keep their own company. That early acquaintance with solitude runs through every painting. Look at any of Nara's figures and you will find a self-contained being who meets your eye with a steadiness that could be courage or could just as easily be vulnerability. During those solitary years, Western music reached him through the Far East Network (FEN), the U.S. Armed Forces radio station. Rock, folk, and later punk gave him a way to feel before painting ever did. As a young boy he bought his first record, Suzie Q, and has often said that album covers were his earliest art gallery. Later, he would design covers for Shonen Knife, R.E.M., and Bloodthirsty Butchers, and every exhibition he puts on is accompanied by a playlist of his own making. Education: Aichi and the Kunstakademie Düsseldorf After earning a BFA (1985) and MFA (1987) at the Aichi Prefectural University of Fine Arts and Music, Nara relocated to Germany to enrol at the Kunstakademie Düsseldorf, the same school that had shaped Joseph Beuys and Gerhard Richter. Under Neo-Expressionist painter A.R. Penck (1991–1993), he received one piece of advice that stuck: "Paint on the canvas as if you are drawing." Bold, pared-back figures, large rounded heads set against bare backgrounds, began to take shape on his canvases. At the Kunstakademie's annual student show in 1992, visitors saw The Girl with the Knife in Her Hand (1991), a painting that crystallised the tension running through all of Nara's work: an apparently innocent girl holding a tiny knife, a gesture he reads not as aggression but as self-defence against a threatening adult world. Once finished with his studies, Nara settled in Cologne in 1994 and set up in a former cotton mill. Cut off by the language barrier, he turned painting into a conversation with himself, and it was in that solitude that the gaze people remember long after leaving the gallery first appeared. Return to Japan and International Acclaim Twelve years later, Nara came back to Japan. I DON'T MIND, IF YOU FORGET ME. opened at the Yokohama Museum of Art in 2001 and toured five Japanese venues, including Hirosaki. MoMA New York acquired 130 of his drawings around the same time, and the travelling retrospective Nothing Ever Happens (2003–2005) cemented his reputation in the United States. Within the Japanese "New Pop" wave, he shared the stage with artists such as Takashi Murakami, Makoto Aida, and Mariko Mori...

after Andy Warhol FLOWERS (DAWN) Date of creation: 2025 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never displayed This skate dec...

after Andy Warhol Colored Campbell's Soup - Eggplant Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never disp...

Radiant Heart YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 70 x 70 cm Condition: Bran...

BEARBRICK - Keith Haring "Special" 400% & 100% Date of creation: 2023 Medium: Vinyl figure Edition: Open Size: 28 x 10 x 10 cm Condition: In mint conditions, inside its original ...

Roy Lichtenstein - OH, JEFF... I LOVE YOU, TOO... BUT... Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: I...

Contemporary hand built ceramic figurative sculpture characterized by volcanic texture, earth-toned glaze, and vertical sculptural presence. Extravagant Volcano belongs to the serie...

The modern Wood Sculpture " Kootook ” is a unique piece made from a burnout mold by David Marshall in 2021, sand cast in aluminium, mounted on raw wood, in our foundry, handcrafted b...

Assegut a les Altes 3 Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” An...