Tri-State Area - Clocks

"L'amour Non Partagé" or "Unrequited Love", an allegorical timepiece by Max Blondat. The base of the clock is stamped with the artist name "Max Blondat", and carries a Valsuani found...

Clock Mantle Gilt Bronze Neoclassical Empire French 19th Century France. A French mantle in gilt bronze decorated with neoclassical symbols ...

The central decoration of two lovers in a landscape. The base with a freely painted floral bouquet within a rococo cartouche. The arcuated top with a landscape.

The enamel dial signed 'GALLE RUE VIVIENNE A PARIS’ Movement: Claude Galle (1759-1815) Origin: French Date: 19th century Size: Height 14 x 12 x 4 3/4 inches Claude Galle ...

A fabulous ormolu-mounted and patinated bronze white and blue turquin marble three-piece clock set of putti. Comprising a mantel clock and a pair of five-light candelabras molded wit...

A fine quality Napoleon III Ormolu pink porcelain clockset Origin: French Date: Late 19th century Dimension: clock: 19 1/2 x 16 1/2 x 6 3/4 in...

Attractive antique Edwardian inlaid mahogany balloon shaped mantle clock. Quality mahogany case with decorative foliage inlay and a white enamel dial raised on four bun feet. Circa...

An Marvelous Signed Caldwell 19th Century Patinated and Dore Bronze Hercules Clock on a Marble Mount. The clock features a Roman Numeral ormolu dial wi...

A Magnificent and Rare French 18th-Century Doré Bronze Mantel Clock Attributed to Robert Osmond. The clock is designed in the form of an urn, supported by a central pedestal and a re...

3-Piece French Louis XVI-style (19th Century) mahogany clock set with Pair of candelabra with fluted design and bronze dore cupids and trim, Candelabra 14" high. (PRICED AS SET)

An Impressive and very large French Gilt Dore Bronze Clock with Arab Prince and Princess made for the Oriental Market. With the European market entranced w...

A gorgeous and very unusual 19th century French dore bronze mounted Sevres white porcelain three-piece clock and three-light candelabra garniture set. The Lyre shaped clock and cande...

A very unusual 19th century antique French orientalist/Moorish silvered bronze, gilt bronze and champleve enamel figural clock, signed Boulez, marks on movement ROBLIN & FILS FRERES,...

A Large and Important Late 19th Century Gilt and Patinated Bronze, French Champlevé Enamel and Wood Mantle Clock The top figure is of Nike of Samothrace...

A Very Fine Unusually Large Louis XVI Period antique French, Patinated and Dore bronze Mounted Figural Clock. A pair of maidens are mounted on either side of the clock, which rests o...

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

An Exceptional Late 19th Century Gilt Bronze Cartel Clock and Companion Barometer By Henry Vian after Jean-Charles Delafosse Henry Vian after Jean-Charles Delafosse The tops with a...

An elegant French gilt-bronze and glass clock garniture. Urn shaped gilt bronze mounted crystal clock with enamel chapter ring with Roman numerals, decorated with a pair of female t...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...

Unusual pair of Gustavian corner clock cabinets, origin: Mora, Sweden, circa 1780 Each cabinet with matching working, tall case clocks decorated with four fluted diamond patterns an...