Tri-State Area - Drawings

A set of five original antique etchings depicting horses by Antonio Tempesta, Italian, 1555 to 1630. Engraved circa 1590. Antonio Tempesta, also called il Tempestino, was an Italian ...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

This is a beautiful ink on paper post-modernist drawing by Peter Drake (b. 1957). An incredibly unique and fascinating work of art. The manipulated dimensions and ephemeral quality o...

This early 19th-century watercolor portrait is signed “Painted by Mr. King” and dated 1829. It shows the sitter, Hanah Tichbon, dressed as a proper young woman of the period, wearin...

Drawing of a naked man in the academic hot seat 1910 France. This young man poses in a relaxed manner, leaning on a harness. His raised foot rests on a bar of furniture. The model's...

Framed Gio Ponti drawing Accompanied by Gio Ponti Archive certificate attached to verso.

An elegant 18th-century red crayon drawing depicting a muscular male arm grasping a staff, executed with fine hatching, subtle shading, and anatomical precision indicative of academi...

This charming drawing is a preliminary study for the larger drawing, Trois etudes de femme assise, coiffee d'une fontange, in the British Museum. This little gem comes from Brooke A...

Joe Bradley Etching, Untitled. This piece is signed, dated, and numbered to verso '21/100 Joe Bradley 18'. This work is number 21 from the edition of 100 published by Paupers Press, ...

Watercolor Landscape Study of the Palazzo Andrea Doria, Genoa. Antique French architectural study of the plan and gardens of the Doria Palace in Genoa, en...

Etched Portrait of Dr. Theodor Herzl by Saul Raskin – Early 20th Century Evocative Etching of the Father of Modern Zionism This powerful and meticulously etched portrait of Dr. Theo...

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

Very interesting drawing of two soldiers in uniform one most likely French holding a rifle with bayonet and the other, Swiss, dressed in a fancy red outfit with codpiece and odd hat holding a menacing looking mace. Behind them on either side are burning castles...

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

Original Ted Key Hazel sketch " Who Gets The Squirrel Whiskey " signed by Ted Key and many others in a farewell to Glenn Gundell. Ted Key best known as the creator of HAZEL, the stro...

Santa Maria della Salute drawing by Hercules Brabazon Brabazon (1821-1906). Crayon and pencil on tinted paper in water-gilt frame. Signed wi...

Tim Folzenlogen (American, b. 1952), "New Beginning", pastel drawing of New York streetscape, signed Tim Folzenlogen and dated '99 at lower right. A g...

American School (20th c.), Interior scene, watercolor on paper, signed and dated "Wisner, '81" lower right. A charming, colorful and detailed representation of a beautiful room-scape. It makes me want to grab a good book and snuggle up by the fire. The framing is by The House of Heydenryk...

An exceptional French oil on canvas, "Feeding the Doves", Signed and Dated by E. Munier, 1890. Émile Munier is one of the most sought after and most talented French artists of the 18...

1880s Paul Albert Besnard pencil drawing of a sitting woman. In a gold gilt frame. From a celebrity’s Southampton, NY oceanfront estate.

A wonderfully whimsical concept drawing of two vases. Authentication papers from the Gio Ponti archives provided with drawing.

A wonderfully whimsical concept drawing of a vase. Authentication papers from the Gio Ponti archives provided with drawing.

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

Charcoal abstract of geometric forms on paper (1959 signed: MICHAEL LOEW).      Though the painter Michael Loew is today best known for his colorful and gestural Abstract Expression...

18th century Italian drawing, "The Theological Virtues" in pen and brow ink, blue washes. By Fidele Fischetti, Naples 1732 - 1792. A good size drawing in an 18th century gilt wood f...

An antique Megillah The Book of Esther, hand written on parchment by an expert Sephardi scribe and richly decorated with hand painted illustrations. The text panels are surrounded by...

Pen, ink and gouache on paper, painting "The Temple of Dendur' by Eugene Berman. Signed and dated, 1964. Framed size is 28.25 x 22.25.

Eugene Berman (1899–1972) An untitled stage design, ink and wash on paper. French, circa 1950. Signed lower right: EB.

Mixed Media Figure Sketch on Paper

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Oliver Gaiger was born in 1972 in Uganda and lives and...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

Emilio Terry -- architect, interior, and furniture designer -- was the inventor and sole-practitioner of what was drolly referred to as his “Louis XVII style...

A Double-sided Drawing: Studies of a Man Holding a Horn Madonna and Child with Saint John the Baptist, and study for an Ecce Homo Black chalk on buff paper 14 3/4″ high x 10 3/8″ wi...

William P. Katz, American (1926-2003). "The Lady of the Forest", mixed media gouache and pastel on paper, 1991. Signed/dated "W.P. Katz '91" bottom right, inscribed on verso: "To Ruthie 4/6/92; Happy birthday from 'The Lady of the Forest'". Presented in a gold-painted wooden frame. A lovely and whimsical painting in pastel colors by respected sculptor/artist William P. Katz, depicting the face of a woman...

Gorgeous collage of layered paper resembling bundles of falling textile but in two dimensions. A great melding of the figural and the completely abstract as well as various media. Si...

Portraits pair Danish early 19th century, Denmark mahogany Frame. A pair of portraits of Queen Frederikke and King Christian VIII. In original mahogany frames.

Abstract expressionist still life drawing on paper by Salvatore Grippi, 1960s. Gorgeous colored graphite still-life on paper. Signed and dated. From artist’s estate.

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

Burton Stanley Hasen (New York City, 1921 - 2007) abstract expressionist mixed media (watercolor and ink) on paper. A New York native, Hasen relocated to Paris to study art at the Ac...

Each hand-colored sheet depicts a distinct section of the city, together composing one large, detailed cartographic view. Featuring rivers, streets, fortifications, and surrounding c...

Rare Yves Saint Laurent Original Pencil Croquis from the 1960's. Gifted to an American business partner who help to launch YSL Rive Gauche ...

An original framed Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond" page 137 Stamped: Jansen, 9 Rue Royale Paris 8e. This is one of a series of six...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

This 17th-century French School drawing of a hand is a masterful work of art, presented in an elegant silver gilt frame. Measuring 20.75 inches by 20.75 inches, the drawing showcases...

5125 Antique charcoal drawing of a landscape as viewed from the Charles river in Boston from 1927 Signed J.G.Berry

Drawing of a nude woman in 1898. Only the standing woman is available. Only the standing woman is available.

Study of a Foot, Charcoal on Paper, 19th Century. A compelling academic study of a human foot rendered in charcoal, demonstrating confident draftsmanship and refined tonal modeling c...

Ivan Alexandrovich Gerassimoff, 1885-1954, was active in the 30s in Shanghai and Harbin, moving to Tashkent after WWII. His style was strongly influenced by Alexander Yakovlev, a not...

Giuseppe Casciaro, Venetian figure study. Framed ink drawing of a Venetian gondolier with a hand and head study; with inscription and date on reverse ...

John Lennon & Yoko Ono Seals Art Poster Print. Hardware for hanging. Seascape / Nautical drawing. Taken from the personal sketchbook of John Lennon.  

Monica Perez "Yes" Original Charcoal on Canvas, 2023. W 80" x H 48" Monica Perez’s works are expressions of emotion—impulsive, spontaneous gestures of h...

Hercules Brabazon Brabazon watercolor of Venetian view. Signed with initials HBB inscribed in artist's hand. Dimension: Frame: 12.5" x 16" ...

The title of this original illustration by the artist George Venson is "Jumping Ship: An Illustration of the Way I See Things Right Now". It is a...

A. Licola. Italian Dove Sketches. Charming annotated studies of Italian doves/pigeons newly framed. Italy, 20th Century. Dimensions: 13.5" W x 16.5" H x 1'D; sight:  7.5" x 10.5"

Bruno Pasquiier Desvignes (1930- ) In Cyclo Melodia, 1992. Ink on paper original Surreal style drawing in vintage cream and gold bead frame. France, 1992. Dimensions: 18" W x 14.25...

An original Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond Louis XIV" page 136 Stamped: Jansen, 9 Rue Royale Paris 8e.

A rare and complete suite of four original 19th-century etchings by renowned American artist William Goodrich Beal. These works capture the serene coastal and village landscapes of l...

A fine charcoal and chalk reclining nude study of a handsome young man. Soft lines with charcoal and contrasting chalk.

Title: Untitled (Ledger) Artist: Al (Alvern) Lostetter (American, b. 1941) Date: 2001 Medium: Watercolor and colored pencil on paper (mixed media) A visually dynamic and symbolicall...

A fantastic gouache on paper from 2008 by Michael Glier, a recipient of a National Endowment Fellowship in drawing and a Guggenheim Fellowship in painting. The drawing "Wall Street,...