USA - Art

Original vintage World War I poster. U.S.A. bonds: Third Liberty Loan campaign: Boy Scouts of America. Depicted: Boy Scout handing a sword inscribed "Be prepared" to a stylized warri...

Kawase Hasui, 'Rain at Shinagawa, Ryoshimachi' from the series 'Selection of Views of the Tokaido', woodblock print, 1931. A very fine, atmospheric impression, with fresh colors; the...

This is an authentic and official poster, not a third-party unauthorized version. Designed for a Roy Lichtenstein retrospective in Brussels, Belgium, in 1994-1995, it includes art re...

Brown earth tone contemporary figurative painting of 3 femail figures by Moroccan artist Said Housbane. Acrylic on canvas. Size: 56 x 60 inches. Offered unframed & unstretched. Ships...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 10.3.59. VIII, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 ed...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger. Museum-quality archival pigment print on archival paper, personally signed by th...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Acquired by the gallery directly from the artist UNFRAMED: 14" x 18" FRAMED: 20.25" x 24.25" x 1.5" Signed "K Dempwolf" on lower right Artist Statement "This is a movie ranch whe...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Signed and dated indistinctly, lower left, and painted circa 1850. Framed dimensions: 39 W x 4 D x 34.5 W inches Displayed in a fine and substantial, late 19th Century, carved giltwo...

This exquisite lithograph after Andre Derain (1880–1954), titled Les deux hangars (The Two Hangars), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and ...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

So Still (Sidewinder) - 2005 Edition 1/5 or 2/5, 150x128cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, mounted on Aluminum with matte UV-Pr...

The inaugural issue of VERVE, the influential modernist magazine – original lithographs - texts in English. Teriade, E. (director), André Gide, Georges Bataille, Henri Michaux, Andr...

This high-quality reproduction of Henri Matisse’s Le Buisson (The Bush) has been meticulously printed in close cooperation with Les Héritiers Matisse, ensuring that the original inte...

Title: Blue Cat Medium: Oil on canvas Size: 19.25 x 19.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

'Cradle' part of the series 'Hands down' - 2019 50x50cm, Edition 5/7. archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2019-505. Not...

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Medium: original lithograph. Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 14 3/4 x 11 inches (377 x 277 mm). ...

Hockney returned to his native Yorkshire in the 1990s and was inspired by the countryside he found there. Interpreting it through the lens of early 20th century artists such as Matis...

A charming vintage oil painting on canvas signed F. Berthy, depicting a serene spring countryside scene with a rustic cottage surrounded by blossoming trees and lush greenery. A smal...

Beautifully rendered large-scale contemporary figurative painting of two African American women. Oil and mixed media on canvas. Size: 76 × 60 in 193 × 152.4 cm Through a mode of po...

"BRAT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual sh...

"""Mundari's Pride"" Portrait of a long-horned cow looking toward the camera in South Sudan Long-horned cow looking towards the camera with a black & white coat in the cattle camp...

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 55.25 x 44 inches Miguel Condé is a Mexican figurative painter, draughtsman, and print m...

5-3365 Oil on artist board of on enchanted lily pond Set in an ornate hand painted wood frame Image size 12.5x15.5"

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Seemingly disparate cultures inspire Kallweit; the streng...

Portrait of an Edwardian Dandy Gentleman, 2003. Acrylic on canvas, 16 x 20 inches. Signed with monogram and dated lower right.

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 28 x 36 Frame Size: 38 x 46 Medium: Oil on Canvas Signed Front & Signed & Titled on Verso Newcomb Macklin Frame Circa Late 1930s "Blue Heaven" Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

Torso is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print. This striking work reflects Warhol's ongoing fascination with the h...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Ocean View Size: 15.5" x 21" x 0.8''...

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Silkscreen VIII from Apocalypse is a 1988 vintage offset lithograph postcard, published by Art Unlimited Amsterdam and printed in Holland. The postcard is framed in a black wood fram...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). Not signed. This original Andre Brasilier lithograph...

Artist: Slonem, Hunt Title: Pink Tulip Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...

A landscape mountain hillside oil painting on panel by artist Roy Henry Brown possible western scene. Painting is under glass signed lower right. The image measures sight size 10 x 1...

Skiers in Zermatt, Switzerland, March 1968. Slim Aarons Zermatt Skiing 1968 C print (Printed later) Estate signature stamped and hand numbered edition of 150 with certificate of au...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

3795 Impressionist vase of flower Signed on verso Gelant Set in a carved gilt wood frame Image size 19.75 x15.75"

Pair of Porphyry Marble Columns with Gilt Bronze Capitals, 19th Century Porphyry marble & gilt bronze 20 x 4.25 x 4.25 inches Porphyry is an igneous rock, not marble, known for its...

Male Nude (29 Palms, CA) - 1999 20x20cm, Edition 4/10. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 293. Not mounted THE GREA...

This exquisite lithograph by Marc Chagall (1887–1985), titled Soleil sur la ville (Sun Over the City), from the album Chagall Monumental Works, Special Issue of the XXe Siecle Review...

Artist: Slonem, Hunt Title: Migration Monarchs & Swallowtails Date: 2025 Medium: Oil on canvas Unframed Dimensions: 40" x 30" Signature: Signed by Artist on Verso Edition: Uni...

Robin Hextrum's "Lord of the Wild Things" is an original oil painting on stretched canvas. Artist Statement: This painting is part of my "Magical Realism" series. This painting is b...

'Sherburne Hotel' (Strange Love) - 2010 98x96cm each, 4 pieces, installed with gaps 430x96cm, Edition of 5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist...

Artist: Vahe Yeremyan Title: Montecito View Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 34" x 34" x 1" inch (87 x 87 x 3cm) Presentation: Unframed, Gallery Wrap...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Pablo Picasso (after) "Tete De Mort, Lampe, Cruches Et Poireaux" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 318/500 lower left Fr...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

This celestial underwater nude photograph captures a naked female figure suspended in deep indigo waters, surrounded by cascading silver bubbles that evoke the mythological shower of...

John Beerman, American (1958 - ) - Sunset, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: CTP #3, Image Size: 18 x 30 inches, Size: 25.5 x 37 in. (64.7...

Why don't you find out for yourself (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. A...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 9 1/4 x 6 1/4 inches (237 x 1...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Contemporary graphite drawing on Bristol paper of a rabbit surrounded by floating bits of dandelions gone to seed against a dark black background. Fox's excellent use of material all...