Victoria

'Calceolaria' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Simple but stylish Dark Green torchiere floor lamp from IKEA, circa 1985. Construction is light and economical as you would expect from IKEA. Molded plastic cream colored shade, meta...

A Large and Impressive Louis XV period carved beech and tapestry canape, French circa 1750 Height: 109 cm Width: 202 cm Depth: 72 cm Provenance: Private Australian Collection acqui...

A French Figural Bronze Inkwell Desk Lamp with Tole Shade, Late 19th / Early 20th Century French double inkwell figural bronze desk lamp, comprised of a central winged bronze cherub...

A rare table lamp by Paul Secon. His lights are more commonly found as pendants. It had lost is internal fixtures so we had our master craftsman make an appropriate white and chrom...

A Bronze Figure of a 1st Century CE Roman ‘Narcissus’, 20th Century Description: The contrapposto male figure modelled from the So-Called Narcissus uncovered in Pompeii in 1862. Th...

A Pair of Chinese Black Lacquered Polychrome Wedding Cabinets, Early 20th Century Description: Feature intricate hand-painted designs depicting scenes of courtly life, floral motifs, and auspicious symbols like vases and pomegranates, which represent fertility and blessing. Provenance: Private Australian Collection. Dimensions: Height: 188.5cm. Width: 118cm. Depth: 50cm. Significance: Traditionally, such cabinets were given as part of a bride's dowry and were used to store valuable items like fabrics and silks. Construction: Made from solid wood, finished with a durable lacquer, these cabinets showcase the skilled craftsmanship prevalent in Chinese furniture making during that era. Symbolism: The painted motifs, such as plum blossom and peony, carry symbolic meanings within Chinese culture, adding to the cultural richness of these pieces. Collectibility: Antique Chinese wedding cabinets...

Prada’s Fall/Winter 2012 collection offered a surrealist reimagining of retro classics, and these runway Mary Janes remain one of its most iconic silhouettes. Expertly crafted in Ita...

A Pair of French Empire Style Ormolu and Bronze Candelabra, Late 19th Century Provenance: ...

A Pair of Japanese Imari Beaker Vases, 19th Century Provenance: Private Brisbane Collection. Description: Each decorated with alternating panels of garden pavilio...

'Anti-Vivisection' Vanity Fair portrait of The Hon. Stephen Coleridge Hentschel-Colourtype. 1910. Stephen William Buchanan Coleridge (1854-1936) was an English author, barrister,...

Formation Linear pendant is a sleek, luxurious aluminum and marble fixture ideally suited to hang above Kitchen islands, dining tables, works ...

An Italian Painted Bookcase, Late 19th Century Home decor and Interior design. Provenance: Private Australian Collection. Dimension: Height...

'Sealyham and Setter' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of...

A Spanish 17th Century Style Walnut Side Table, 19th Century Provenance: Private Australian Collection. Description: With plank top over frieze of single drawer, centred by turned timber...

A Roman Marble Sculpture of Hercules, Circa 1st / 2nd Century AD The sculpture is nude except for the draped Nemean lion skin. Provenance: Sotheby's London, December 14, 1981, lot ...

A unique piece from Louis Vuitton’s archive, these chocolate brown patent heels are the perfect combination of cosy and stylish. Designed in glossy patent leather, the slightly point...

Celebrate love and sophistication with this exquisite Graduated Heart Diamond Tennis Necklace, an extraordinary 36.80-carat masterpiece crafted in 18K white gold. Designed for those ...

A Japanese Fluted and Covered Imari Baluster Vase, 19th Century Provenance: Private Australian Collection. Description: The domed co...

This magnificent handmade piece of jewellery is from Art-Deco period, yet is in immaculate condition Crafted in Platinum, with exceptional attention to details, the brooch is high...

A Chinese Bronze Seated Guanyin, 19th Century Guanyin is the Buddhist bodhisattva associated with compassion. In the East Asian world, Guanyin is the equivalent term for Avalokitesv...

The "Presidential" lounge armchair stands as an iconic masterpiece of Brazilian modern design, crafted during the 1960s by the renowned Polish-Brazilian architect and designer, Jorge...

This Rare Art-Deco c1940’s Unisex Rolex wristwatch features: 9K Rose Gold 29mm Case, well-proportioned, signed & stamped to the back Rare Dial that aged beautifully with charmin...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

A Flemish Faux Tortoiseshell and Repousse Mirror, 19th Century Description: The bevelled glass held within a triple frame, the central frame of faux tortoiseshell with repousse flor...

Cartier Love Bracelet in 18ct white gold size 17 weight - 33 grams In great condition and screws work well. Comes with tool and pouch

This vintage gents’ Seiko SQ100 is featuring: a striking & desirable Champagne Dial, adorned with luminescent hands & baton numerals & day-date aperture at 3 o’clock 38mm Gold-Pl...

A large platter, bearing commemorative portraits of Naser al din Shah Qajar, painted in cobalt and parcel gilt. This beautiful portrait platter was purc...

Based on the simple lines traced by children when asked to draw a house, the Corner Collection is a series of seats reminiscent of gable roofed houses. The Corner Lounge is the larg...

Roberto Cavalli’s Maxi Sequin Gown is an unforgettable showpiece from the designer’s 2007 collection. Cut from soft cupro fabric and densely embellished with paillettes, it creates a...

Beginning as a collection of doodles of creatures, Bright Things evolved into objects that are big enough to become their own character, open a small porthole into the fantasy world ...

'Cheval Barbe - Cheval Normand' French engraving with original hand-colouring by Madame Fournier after Edouard Travies. 260mm by 155mm (sheet)

Exquisite 9-12mm Oval Australian South Sea Pearl Necklace Crafted with rare, high-quality oval-shaped Australian South Sea pearl...

A striking and sophisticated statement piece, this exquisite ring features a dazzling 5.05-carat round brilliant cut diamond, graded H color and VS2 clarity, and certified by GIA. Th...

A timeless symbol of sophistication, this Alder Fine Jewellery Emerald-Cut Diamond Tennis Bracelet is a dazzling statement of refined luxury. Crafted in 18k white gold, it features e...

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Discover the elegance of fluidity with the Alder FJ Oval Diamond Tennis Bracelet, a breathtaking masterpiece designed to gracefully embrac...

A Pair of Japanese Lidded Imari Vases, 19th Century Provenance: Private Melbourne Co...

Designed to captivate, this spectacular pavé solitaire engagement ring is a true statement of refined elegance. At its heart, a GIA-certified 5.03ct radiant-cut diamond (H/SI2) radia...

The Pear Diamond Tennis Necklace is a testament to extraordinary craftsmanship, designed for those who seek the pinnacle of luxury. Meticu...

A Chinese QINGBAI BOWL, Song Dynasty Height: 6.5 cm Diameter: 17.5 cm Provenance: Sotheby's, London, Oriental Ceramics and Works of Art, Lot 77, 06/02/1979

Antique 9ct Rose Gold Victorian Bamboo Bangle A beautiful original Victorian-era hinged bamboo bangle crafted in 9ct rose gold, measuring 7mm wide with a 61mm internal diameter. This...

A Large English Victorian Cast Iron Painted Doorstops, 19th Century Provenance: Private Australian Collection. Dimensions: Height: 41.5cm. Width: 20cm. Depth: 9cm.

An Irish Crystal Standing Fruit/Salad Bowl Attributed to Waterford, 18th Century The bowl cut with tiers of festoons below an inverted scallop rim, standing on a pedestal with a cen...

A George II Lacquered-Brass and Chinese Coromandel Cabinet on Stand, Cabinet and stand mid 18th Century, the panels early 18th Century Provenance: Walter, 5th Duke of Buccleuch...

Statement lighting perfectly on trend? Look no further than the Dome. This new design is modern, cool and anything but a chandelier. Its simple shape exudes warmth to any interio...

Antique 19th century fern lithograph with original hand-colouring , 1859, after Walter Hood Fitch. 310mm by 250mm (sheet) Walter Hood Fitch was one of the...

A Chinese Wucai Lidded Porcelain Ginger Jar, 19th Century Provenance: Private Western Australian Collection. Dimensions: Height: 10.5cm. Diameter: 10cm.

A three-tiered, modern chandelier with an optional swishy tail. The Swish is our new clay beaded pendant and is like jewelry for your home! A unique take on a chandelier and stand...

A pair of 12.8mm near round south sea pearl, in 18k yellow gold. It is a very classical design and is perfect for any occasions. The south sea pearls are white in colour with pin...

An English Charles II Style Armada Chest, 18th Century Provenance: Private UK Collection. Description: The flat-topped chest bound in iron, with iron strap work punct...

Statement clay beaded lighting, that can be suspended as a single, or in a cluster for maximum impact. The klaylife Barrel Pendant has been specially crea...

A Japanese Imari Vase, 19th Century Provenance: Private Australian Collection. Description: The body embellished with a repeating design of flowers and dragon cartouches united by ...

'Honesty' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand a...

Artist  Leonetto Cappiello Year 1930 Dimensions 137x198cm Condition Good    

Fun with beautiful colours, this is a very clever poster by Bellenger from 1936. Artist Bellenger Year 1936 Dimensions 130 x 200 cm Condition Good Format Linen backed

A Faience Glazed Ceramic Canopic Jar of Imsety, Early 20th Century Provenance: Private Australian Collection. Description: The sturdy ovoid jar with mottled faience glaze throughou...

A Large Bronze Torso A Bronze cast after original marble 4th Century BC Greek sculpture of Lysippian type, possibly depicting Agias. Including pedestal. Provenance: Private Austral...

'Badminton' Chromolithograph. 1897. Vanity Fair portrait of Alfred Edward Thomas Watson (1849-1922) who was a Music and Drama Critic. He wrote for the Saturday Review and occasion...