Washington D.C.

Artist: Alexander Calder Title: Waves (Derriere le Miroir 156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Date: 1966 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Shee...

Artist: Ossip Zadkine Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature:...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Catalogue of a postumous retrospective in 2008 at the American University Museum Ka...

Vintage Gabbeh Rug 5'11'' x 5'11''. This charmingly na•ve SW Persian tribal scatter shows a borderless, heavily abrashed teal field with two small ecru quadrupeds. The abrash varies ...

CJULS102MIR11 CAT. V MIRABILIS 11 SOFT VERSION WITH CAL 117 FR FOAM Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant Gar...

Antique Bakhshayesh Rug 13’0" x 18’9”. A type of Heriz, generally in squarish sizes, allover patterns and coarse to moderate weaves, wool or mixed constructions; woven before 1900. T...

Antique Persian Mohtasham Kashan Rug 7’3" x 9’11". The Revival Period rugs woven by two generations of Mohtashams, from 1880 to WWI, with imported Manchester-spun, Australian merino ...

Antique Serapi rug 3'11'' x 4'3''.

Artist: Alexander Calder Medium: Original lithograph Title: Derriere le Miroir #141 (Plate 4) Portfolio: Derriere le Miroir #141 (Stabiles) Year: 1963 Edition: Unnumbered Framed Size...

Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...

The present work is from the artist’s “Becoming” series, which consists of 147 photographs documenting the transformation of a green field into Beijing’s new national airport, the la...

Vintage European Shag Wool Rug 5’6" x 7’9". A generic, general term referring to French, English, Spanish, Austrian and other origins, from the 16th century onward, in styles that fo...

Alexander Calder Card Players (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Card Players Portfolio: Derriere le Miroir #212 Year: 1...

Vintage Morrocan Rug 8'4'' x 8'4''. Comprising both the nomadic Berber rugs of the Atlas Mountains, with very thick piles, coarse knotting and limited palettes, and the more colorful...

Vintage Persian Tabriz Rug 8'3'' x 10'8''. The enormous output of carpets and scatters in virtually every style: medallion, centralized, directional or allover, trein a variety of de...

A small Louis XVI buffet or sideboard in natural pine.

Artist: Jean Arp Title: Constellations Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature...

Double sided page produced as part of a special art insert from a well respected art publication

Signed and numbered from an edition of 300 Comes framed and ready to hang

An Italian oval dining table with rose marble top with carved mahogany dolphin motif decoration base.

French Artistic Rug by Albert Gleizes 11’6” x 14’7”. A generic, general term referring to French, English, Spanish, Austrian and other origins, from the 16th century onward, in styl...

"RADIANT BABY" DRAWING on the catalogue endpaper executed the evening of the Los Angeles gallery exhibition of ten paintings on canvas, thirty bl...

Love Forever set of 2

Vintage Swedish Rug 4'1'' x 4'10''. A six by eight orthogonal lattice in orange-rust is set on a slate field generating rough squares, a long, nearly shaggy, pile. Cotton warp with f...

Turkish Oushak Rug 10'0" x 14'0". Town in Western Anatolia, weaving mostly room sizes, in coarse to moderate weave, high pile. Antiques are all wool, changing to cotton foundations i...

Antique Cloudband Kazak Rug 4’3" x 5’7”. SW Caucasus/Armenia. Boldly patterned, strongly colored, totally geometric, all wool, coarse to moderate weave, medium to long pile, scatter ...

Artist: Salvador Dali Medium: Woodblock engraving Title: Paradise: Canto 3 Portfolio: The Divine Comedy: Paradise Year: 1963 Edition: 4765 Framed Siz...

In collaboration with Real Mad Hectic, and produced by Bounty Hunter, this piece depicts KAWS’s signature figure, Companion, in Black. This human/animal/cartoon hybrid has a Mickey Mouse body, complete with gloves, shorts, and clown-like shoes...

UPHOLSTERED IN RICINUS 05 CAT. V Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simpl...

Artist: Slonem, Hunt Title: Mellow Yellow Date: 2024 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Verso Edition: Uniqu...

Collection by Sebastian Herkner Merwyn Armchairs Cat E-Seat: Velvet One chair has discoloration in the seat.

Mid Century French Tapestry Signed and Design by Robert Debieve 4’0" x 5’8".

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "That Day in Pompeii". Signed and dated in lower left. Gallery label on reverse. New York Time...

Antique Caucasian Akstafa Long Rug 4'2" x 9’3”.

made in conjunction with the Keith Haring Foundation

Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Artist: Salvador Dali Title: Inferno: Canto 7 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Size: 13...

French Aubusson Design Rug 9' x 12'.

Vintage Scandinavian Kilim Rug 5’4" x 7’2”. A generic, general term referring to French, English, Spanish, Austrian and other origins, from the 16th century onward, in styles that f...

French Aubusson Design Rug 10' x 14'. Usually English or French, often with repeating allover designs executed with wool cross-stitches. Larger carpets are workshop productions, smal...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Artist: Henri Matisse (after) Title: Nu bleu, la grenouille (Blue Nude, The Frog) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 195...

Antique Aubusson Rug 5'0'' x 5'0''.

Antique Caucasian Karachov Kazak Rug 6’4” x 7’0". SW Caucasus/Armenia. Boldly patterned, strongly colored, totally geometric, all wool, coarse to moderate weave, medium to long pile,...

Artist: Salvador Dali Medium: Woodblock engraving Title: Paradise: Canto 18 Portfolio: The Divine Comedy: Paradise Year: 1963 Edition: 4765 Framed Si...

Released as part of a portfolio in a limited edition of 400 on the occasion of George Condo's exhibition "Drawing Paintings" at Skarsketdt Gallery in 2011. Unsigned and unnumbered S...

Artist: Alexander Calder Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Medium: Lithograph Year: 1973 Edition: Unnumbered Sheet Size: 22" x 15" Image Size: 22" x 1...

Vintage Swedish Kilim rug 6'6'' x 9'11''. Ten eight point "Lesghi stars" in medium-dark blue and rust determine geometrically conforming str...

Extremely Fine Persian Silk Qum Rug 7'9" x 11’5”. Fine to very finely woven, silk and wool rugs, mostly scatters, from the central Persian religious capital. Industry began in the 19...

Indian Modern ikat Design Rug 6'0" x 9'0". Refers to a very wide range of Sub-Continental pieces, both pile and flatweave, in virtually any style and weave quality, from the 17th cen...

Artist: Salvador Dali Title: Inferno: Canto 9 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x...

Antique Savonnerie (One of pair) Rug 3'2'' x 5'2''. In the Louis XV style, with a straw-ecru field centred by a rose bouquet. Acanthus and rose volutes. Baskets of roses at the field...

It has makings of A jigsaw feel. And the shapes Are anonymous. :: Painting :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: R...

A beautifully fun Roberto Coin cocktail ring! The cabochon quartz displays golden colored rutile needles throughout the stone, bezel set atop a tapere...

Bokhara Rug 9'3'' x 11'11''. The red field exhibits a full four by 15 gul arrangement with lateral half gul columns, and similar, slightly smaller minor guls between. Red main border...

Antique Persian Serapi Rug 10’4” x 12’5”. A higher grade of Heriz carpets, usually in medallion designs, with crisp natural dyes, and primarily woven between 1900 and 1930. Red field...

Fine Mid Century Scandinavian Rug 4'0" x 6’4".

Ed Ruscha multiple published on the occasion of the Gala of the 30th Anniversary of the Museum of Contemporary Art in Los Angeles. Printed in an edition of approximately 1000 copies ...

Vintage Sarouk Rug 8'2'' x 12'5''. A rounded old gold sub medallion with palmette pendants is comfortably set with a red 16 point round medallion with crisp light blue accents, on an...

Mid Century Tapestry Signed Marc Petit 4'10'' x 6'10''.