Wyoming - Paintings

A painting by Jessie Arms Botke. "The White Peacock" is a wildlife impressionist painting, oil on canvas in a palette of whites, blues, and browns by...

"Venetian Boats at Sotto Marino" is a painting by Edgar Alwin Payne. The painting is signed lower left, "Edgar Payne". The framed piece measures 31 1/2 x...

"Waterfall" is an abstract landscape natural pigments and platinum on Japanese mulberry paper mounted on board painting by Hiroshi Senju in 2021. The artwork is 36 x 46 inches and 36...

acrylic on unprimed canvas

acrylic on unprimed canvas

Untitled 557 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64”. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

Untitled (#706) (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette kniv...

Untitled 559 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

A painting by Gertrude Partington Albright. "Below Twin Peaks" is a landscape painting, oil on canvas in an earth-tone palette by artist Gertrude Partington...

acrylic on unprimed canvas with maple frame

A unique painting and screenprint on canvas by Russell Young. "Knockin on Heavens Door" is a contemporary Pop Art acrylic paint, oil based paint, and enamel artwork by UK artist Ru...

A painting by Irving Norman. "American Street Scene" is a macabre social surrealism city scape, oil on canvas in a bold palette of reds, blues, and yellows by artist Irving Norman. T...

"Untitled" is a painting by American artist David Smith. David Smith’s paintings from the 1930s rarely come to market, and when Untitled (Billiard Players) surfaced at a Christie’s auction in 2018, it created quite a stir, realizing an impressive price of $1.15 million. Painted around the same time, Untitled shares many similarities with Untitled (Billiard Players). Both paintings affirm Smith’s place among the American artists when ideas and style began to intermingle and coalesce around Picasso’s innovations. Uniquely positioned in temperament and ability, Smith was a man of considerable ambition whose direct-metal configurations would have much to do with achieving new ideas about abstraction. Yet all along, he insisted he was a painter, not a sculptor who painted. Paintings by Smith...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

125,000 Snow Geese migrating, painted in thick strokes of vibrating color. The experience reminded me of a Jackson Pollack Painting. Triptyc...

A painting by Carl Morris. “Untitled” is an abstract expressionist painting, acrylic on canvas in reds and browns by American artist Carl Morris. The artwork is signed in the lower r...

A mixed media work by Mary Corse. "Untitled" is a mixed media, acrylic and diamond dust on canvas in a palette of white, black, and red by American Post-war, female artist Mary Corse...

A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...

Great Blue Herons and their offspring in a Rookery lit by the first morning light. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signe...

A painting by Paul Grimm. "Stately Eucalypti" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. The artwork is signed in the lower left, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

A painting by Fiona Rae. "Untitled (yellow, red + brown)" is a contemporary abstract painting, oil on canvas in a colorful palette of reds, blues, and browns by female artist Fiona R...

A painting by Nathan Oliveira. "Nude Stepping from the Carpet" is a contemporary painting, oil on canvas in a palette of reds, greens, and beiges by Bay Area figurative artist Nathan Oliveira. The artwork is signed in the lower right, "N Oliveira 62". During the early years, Oliveira’s lone figures often suggest an existential angst similar to that of Giacometti, but there is also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and drywall tools rather than brus...

acrylic on unprimed canvas

acrylic on unprimed canvas

acrylic on unprimed canvas

“Forrest Corridor” is an oil on canvas painting by Plein Air painter, Kathryn Mapes Turner. The work is a somber, atmospheric, and visually stirring painting showing the artist’s vir...

Untitled 559 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

acrylic on unprimed canvas

acrylic on unprimed canvas with maple frame

acrylic on unprimed canvas

Untitled 557 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Untitled 560 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Untitled (#705) (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette kniv...

Untitled 559 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Grizzly Bear and Raven :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: No :: :: Ca...

A mixed media piece by Donna Huanca. "Gatorade" is a contemporary plaster and 3D paint on canvas in a palette of white by process-oriented, American artis...

Untitled (#704) (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette kniv...

Andrew’s Refrain (Abstract painting) Acrylic on wood panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palett...

The Royal (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette k...

For Henry Hudson (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

The Big Spill (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

What I heard (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives...

Untitled 560 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

What I heard (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and drywall tools rather ...

A painting by Paul Grimm. "Rooted Silence" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. It is signed in the lower right, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A painting by Tony de los Reyes. "Border Compression #1" is an abstract colorfield painting, oil and dye on linen by artist Tony de los Reyes. The artwork is signed on the verso, "Bo...

A mixed media artwork by Jim Dine. A silverpoint and acrylic on 2 joined canvases, wood, knife, and string in artist's frame work by Post War artist Jim Dine. "Double Silver Point Robes" depicts the outline of two robes in silverpoint on a white acrylic painted ground. Jim Dine's use of his favorite bathrobe, a frequent image in his works, is a self portrait which connects an everyday object and imbues it with meaning. This Robe painting was part of the first exhibition of Robe paintings at Sidney Janis...

"In the Wheatfield (Girl Standing in a Wheat Field)" is a painting by Winslow Homer. The painting is signed, lower left, "Homer 1873". The framed piece measures 29 3/4 x 21 5/8 x 2 7/8 in. During the early 1870s, Winslow Homer frequently painted scenes of country living near a small farm hamlet renowned for generations for its remarkable stands of wheat, situated between the Hudson River and the Catskills in New York state. Today Hurley is far more famous for inspiring one of Homer’s greatest works, Snap the Whip...