New Arrivals

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude XII (Nu Bleu XII) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26....

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude X (Nu Bleu X) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 c...

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude VII (Nu Bleu VII) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26....

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude IV (Nu Bleu IV) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67...

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude III (Nu Bleu III) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26....

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude II (Nu Bleu II) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67...

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude I (Nu Bleu I) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 c...

Artist: Henri Matisse (1869–1954) (after) Title: Ivy (Lierre) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Conditio...

Artist: Henri Matisse (1869–1954) (after) Title: Vine (Vigne) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Conditio...

Artist: Henri Matisse (1869–1954) (after) Title: Christmas Night (Nuit de Noel) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Notes: Excerpted from the album (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. Additional notes: This exquisite lithograph after Henri Matisse (1869–1954), titled Nuit de Noel (Christmas Night), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully rendering Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. HENRI MATISSE (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Nuit de Noel...

Artist: Henri Matisse (1869–1954) (after) Title: Vegetation (Vegetaux) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm)...

Artist: Henri Matisse (1869–1954) (after) Title: Zulma (Zulma) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Conditi...

Artist: Henri Matisse (1869–1954) (after) Title: Creole Dancer (Creole Dancer) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Notes: Excerpted from the album (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. Additional notes: This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Creole (Creole Dancer), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully rendering Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. HENRI MATISSE (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

A stylish example of a fine pair of Bohemian Crystal ground gilt heightened white enamel hand cut full lead crystal lustres of outstanding quality and of good size proportions. Third...

Elevate your jewelry collection with this breathtaking pendant, expertly crafted in luxurious 14 yellow gold. At its heart lies a blue green emerald from Zambia, known for its breath...

Rich in architectural detail and ceremonial atmosphere, this large antique oil painting depicts the Corpus Christi procession passing through the heart of Seville, Spain. Crafted cir...

Grouping of Sascha Brastoff porcelain dinnerware and tea service in Apollo pattern. (74) total. (10) teacups, (12) serving bowls, (10) saucers, (14) dessert plates, (2) salad bowls, ...

This elegant decorative bowl is carved from a solid block of white and goldtone marble, showcasing the stone's distinctive veining and soft, nuanced coloration. The sculptural form h...

A sculptural ceramic table lamp produced by Kaiser Leuchten, distinguished by a vertically composed sequence of three rounded forms, rendered in a richly variegated tobacco-brown and...

Color lithograph on wove paper realized by Enrico Benaglia in 1980s. Edition of 99. Hand signed and numbered in pencil. This imaginative lithograph by Enrico Benaglia exudes both ...

Colored lithograph on wove paper realized by Enrico Benaglia in 1980s. Edition of 130. Hand signed and numbered in pencil. Very good condition. This expressive lithograph by Enri...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Etching and aquatint on wove paper. Artist Proof, hand signed in pencil lower right. Excellent condition.

Lithograph on paper realized in 1960s. Hand signed and numbered in pencil. Edition of 300. Excellent condition.

Lithograph on paper. Hand-signed by the artist in pencil in the lower right. Numbered in pencil in the lower left. Edition of 300.  Excellent condition. 

Vintage offset poster realized in occasion of Mimmo Jodice's exhibitions at Galleria Rondanini, Rome. Excellent condition.

In The Colorful Bouquet of Flowers, Walasse Ting presents a vibrant explosion of multicolored flowers, bursting upwards like fireworks on the 4th of July. Set against a soft light bl...

Tréteaux réglables en hauteur, bois, vers 1930 mesures : Hauteur de 55 cm à 83 cm Largeur 90 cm Profondeur 27 cm.

The sculpture “Cleopatra” is an embodiment of feminine beauty, inner strength, and mystery. The figure of a woman kneeling with her face raised conveys a state of deep emotion, freed...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

The bracelet: Designed as an oval bangle in highly polished eighteen karat yellow gold, displaying the collection's iconic screw motifs throughout. This classic model is a size 27, t...

Black asymmetrical coton flair skirt with white ribbon appliqué. Front lenght = 55cm Back lenght = 73cm Invisible zip closure on the middl back + hook&eye. SIZE 38 on tag but fit...

Rare huge 33 inch diameter size- with a pleasant resonating sound guaranteed to please you Here's a handsome and awesome hand hammered early 20th century bronze gong which was foun...

Plateau en bois laqué de style Courrèges, vers 1970

We delight to offer for sale this stunning pair of R.E.H. Kennedy for Harrods military campaign-style nightstands. Handcrafted in England from high-quality cherry wood, these vintage...

Signed open edition, 8” x 10” archival print of David Bowie and William Burroughs by Terry O'Neill, featuring Terry O’Neill’s embossed studio stamp On 28 February 1974, Rolling Ston...

Mary Marley's "Gallivant" is a mixed media collage created with cut paper and acrylic paint on 300 lb. watercolor paper. The artist signature is on the back and it is unframed, measu...

The Row Mel Black Crepe Wool Wrap Jacket Size: US 2 (Adjustable wrap fit, can comfortably fit sizes XS-M) Whether you’re building a high-end capsule wardrobe, styling a sharp offi...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. The three-volume work included 81 richly colored plates illustrating parrots, parakeets, cockatoos, macaws and related species. The illustrations were drawn by British artist Alexander Francis Lydon (1836–1917) and produced by renowned English wood engraver and printer Benjamin Fawcett (1808–1893). These antique bird prints were created using chromoxylography, a sophisticated Victorian process of color printing from wood blocks, with examples also described as hand finished and sometimes heightened with gum arabic. Each antique parrot print...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. The three-volume work included 81 richly colored plates illustrating parrots, parakeets, cockatoos, macaws and related species. The illustrations were drawn by British artist Alexander Francis Lydon (1836–1917) and produced by renowned English wood engraver and printer Benjamin Fawcett (1808–1893). These antique bird prints were created using chromoxylography, a sophisticated Victorian process of color printing from wood blocks, with examples also described as hand finished and sometimes heightened with gum arabic. Each antique parrot print...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. The three-volume work included 81 richly colored plates illustrating parrots, parakeets, cockatoos, macaws and related species. The illustrations were drawn by British artist Alexander Francis Lydon (1836–1917) and produced by renowned English wood engraver and printer Benjamin Fawcett (1808–1893). These antique bird prints were created using chromoxylography, a sophisticated Victorian process of color printing from wood blocks, with examples also described as hand finished and sometimes heightened with gum arabic. Each antique parrot print...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. T...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. The three-volume work included 81 richly colored plates illustrating parrots, parakeets, cockatoos, macaws and related species. The illustrations were drawn by British artist Alexander Francis Lydon (1836–1917) and produced by renowned English wood engraver and printer Benjamin Fawcett (1808–1893). These antique bird prints were created using chromoxylography, a sophisticated Victorian process of color printing from wood blocks, with examples also described as hand finished and sometimes heightened with gum arabic. Each antique parrot print...

An original 18th-century French hand-colored engraving depicting butterflies and moths, from the *Histoire Naturelle* series published in Paris circa 1778. These elegant natural-hist...

An original 18th-century French hand-colored engraving depicting butterflies and moths, from the *Histoire Naturelle* series published in Paris circa 1778. These elegant natural-hist...

White cotton dress with blue check pattern . Button and buttonhole closure on the front and on the back. Pocket on both side. SIZE S

c. 1900s-1910s Antique quarter-sawn oak rocker with a carved panel splat. This unique piece depicts a scene wherein two monks appear to be soliciting at a woman's door. This panel ...

Vintage Multiple Club Or Country HouseTennis Racket Press. Early 20th-century multiple lawn tennis racket press of Tunmer patent type. This impressive adjustable racket press is designed to hold up to sixteen lawn tennis rackets and features a tennis ball rack beneath. Constructed in oak, it remains in very good condition with an attractive colour and patina developed through years of use. The rackets are stored between shaped wooden dividers and compressed using the cast-iron flywheel mechanism, helping to maintain their shape and prevent warping. The sliding compression block, which houses the wheel mechanism, is fitted with locating holes that correspond with a series of drilled holes in the steel guide bar. This allows the block to be repositioned according to the number of rackets being stored. Its size and capacity suggest that it was originally intended for use in a tennis club, country house, school, or other institutional setting. Although unbranded, it is believed to be of Alfred Adrien Tunmer design. Surviving examples of the Tunmer patent press were manufactured by F.H. Ayres Ltd., London, under Patent No. 16,439 of 1907. On the rear of the press are the remains of a paper trade label, possibly from a sporting goods retailer or manufacturer. Visible fragments include the words or letters "WHIT…..DO", "ngton", "ctu", "Footba", and "of e", together with part of a tennis racket head showing the stringing pattern. Unfortunately, insufficient survives to permit a positive identification of the retailer or maker. The dimensions given exclude the cast-iron flywheel handle, which projects approximately 15 cm beyond the body of the press when fully tightened. The base incorporating the tennis ball rack is a later addition, but it complements the press well and transforms it into an attractive free-standing piece of period tennis equipment...

Pearl White, Hand Knotted, Tabriz Mahi with Fish Medallion Design, 100% Wool, 175 KPSI, Oriental RugPrimary materials: Wool Latex: No Pile height: 0.25 Inches Style: Traditional Pri...

Rare French Art Deco sculptural lamp by Charles Harva, dating from the 1920s. This highly decorative piece combines crackle-glazed ceramic, brass, and glass in a refined composition ...

Discover timeless elegance with these exquisite 3 carat diamond hoop earrings, meticulously crafted in radiant 14k white gold. Designed with a captivating 'inside out' setting, these...

This is a digitally remastered Framed Print of the American White Pelican referenced from an Audubon Birds of America hand coloured print, originally from the 1800's. The American w...

Thunder Italian floor lamp featuring two sculptural discs in Venetian “Murano” blown glass combined with chrome stainless steel. A goldish silk shade completes the design, creating a...

Céramique de Sejer Keramik, années 1960.

oil on canvas one-of-a-kind unique hand signed The canvas will be shipped STRETCHED, framed, if requested All custom charges are included in the final price agreed

Oscar Heyman Emerald Diamond Ring Cluster 18K Yellow Gold & Platinum This Oscar Heyman ring centers on a 1.32-carat rectangular emerald, framed by an arrangement of oval-cut diamond...

Artist Comments
A colorful interior scene features a blue armchair beside a small orange side table topped with a vase of flowers. Tall windows...

Artist Comments
Inspired by the interior works of Henri Matisse and by a personal photo of artist Robert Hofherr, the painting reduces the space to its essence. It eliminates u...

Artist Comments
Artist Hugh Masterson arranges five bottles of varying sizes in this still life. The amber, green, and red glass create a striking color contrast. Dramatic morn...

Artist Comments
Inspired by Matisse's interior studies, artist Robert Hofherr transforms a bohemian-style living room into a study of decorative shapes and bold color. A vivid ...