New Arrivals

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th century. A trained apothecary, Curtis devoted his career to the study and documentation of plants, insects, and the natural world. He grew over 6000 species in his own garden! His commitment to making botanical knowledge accessible to both scholars and enthusiasts helped transform botanical illustration into a discipline valued equally for its scientific accuracy and artistic beauty. Published in 1777, these engravings represent the earliest edition of Curtis’s work and reflect the growing fascination with horticulture, exploration, and scientific discovery that characterized the Georgian era. Curtis's publications were celebrated for their meticulous detail and faithful representation of plant specimens, establishing standards that influenced generations of botanical artists and researchers. The rarity and significance of Curtis’s work are underscored by its presence in some of the most notable libraries of the period. Historical records indicate that George Washington owned a later edition of one of Curtis’s botanical publications, demonstrating the esteem these works commanded among prominent collectors on both sides of the Atlantic. The engravings offered here predate those later editions and were issued during Curtis’s lifetime, making them particularly desirable examples for collectors of early botanical works. Today, Curtis engravings...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th century. A trained apothecary, Curtis devoted his career to the study and documentation of plants, insects, and the natural world. He grew over 6000 species in his own garden! His commitment to making botanical knowledge accessible to both scholars and enthusiasts helped transform botanical illustration into a discipline valued equally for its scientific accuracy and artistic beauty. Published in 1777, these engravings represent the earliest edition of Curtis’s work and reflect the growing fascination with horticulture, exploration, and scientific discovery that characterized the Georgian era. Curtis's publications were celebrated for their meticulous detail and faithful representation of plant specimens, establishing standards that influenced generations of botanical artists and researchers. The rarity and significance of Curtis’s work are underscored by its presence in some of the most notable libraries of the period. Historical records indicate that George Washington owned a later edition of one of Curtis’s botanical publications, demonstrating the esteem these works commanded among prominent collectors on both sides of the Atlantic. The engravings offered here predate those later editions and were issued during Curtis’s lifetime, making them particularly desirable examples for collectors of early botanical works. Today, Curtis engravings...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th ...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th century. A trained apothecary, Curtis devoted his career to the study and documentation of plants, insects, and the natural world. He grew over 6000 species in his own garden! His commitment to making botanical knowledge accessible to both scholars and enthusiasts helped transform botanical illustration into a discipline valued equally for its scientific accuracy and artistic beauty. Published in 1777, these engravings represent the earliest edition of Curtis’s work and reflect the growing fascination with horticulture, exploration, and scientific discovery that characterized the Georgian era. Curtis's publications were celebrated for their meticulous detail and faithful representation of plant specimens, establishing standards that influenced generations of botanical artists and researchers. The rarity and significance of Curtis’s work are underscored by its presence in some of the most notable libraries of the period. Historical records indicate that George Washington owned a later edition of one of Curtis’s botanical publications, demonstrating the esteem these works commanded among prominent collectors on both sides of the Atlantic. The engravings offered here predate those later editions and were issued during Curtis’s lifetime, making them particularly desirable examples for collectors of early botanical works. Today, Curtis engravings...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th century. A trained apothecary, Curtis devoted his career to the study and documentation of plants, insects, and the natural world. He grew over 6000 species in his own garden! His commitment to making botanical knowledge accessible to both scholars and enthusiasts helped transform botanical illustration into a discipline valued equally for its scientific accuracy and artistic beauty. Published in 1777, these engravings represent the earliest edition of Curtis’s work and reflect the growing fascination with horticulture, exploration, and scientific discovery that characterized the Georgian era. Curtis's publications were celebrated for their meticulous detail and faithful representation of plant specimens, establishing standards that influenced generations of botanical artists and researchers. The rarity and significance of Curtis’s work are underscored by its presence in some of the most notable libraries of the period. Historical records indicate that George Washington owned a later edition of one of Curtis’s botanical publications, demonstrating the esteem these works commanded among prominent collectors on both sides of the Atlantic. The engravings offered here predate those later editions and were issued during Curtis’s lifetime, making them particularly desirable examples for collectors of early botanical works. Today, Curtis engravings...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th ...

These rare first-edition botanical engravings originate from the work of William Curtis (1746–1799), one of the most important botanists and natural history illustrators of the 18th century. A trained apothecary, Curtis devoted his career to the study and documentation of plants, insects, and the natural world. He grew over 6000 species in his own garden! His commitment to making botanical knowledge accessible to both scholars and enthusiasts helped transform botanical illustration into a discipline valued equally for its scientific accuracy and artistic beauty. Published in 1777, these engravings represent the earliest edition of Curtis’s work and reflect the growing fascination with horticulture, exploration, and scientific discovery that characterized the Georgian era. Curtis's publications were celebrated for their meticulous detail and faithful representation of plant specimens, establishing standards that influenced generations of botanical artists and researchers. The rarity and significance of Curtis’s work are underscored by its presence in some of the most notable libraries of the period. Historical records indicate that George Washington owned a later edition of one of Curtis’s botanical publications, demonstrating the esteem these works commanded among prominent collectors on both sides of the Atlantic. The engravings offered here predate those later editions and were issued during Curtis’s lifetime, making them particularly desirable examples for collectors of early botanical works. Today, Curtis engravings...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

A vintage Boucheron Paris statement ring crafted in 18-karat yellow gold and designed as a dramatic dimensional flower. The sculptural blossom is composed of overlapping curled gold ...

This captivating vintage abstract oil painting on canvas embodies raw energy and movement, presenting a striking large-scale composition designed to anchor any contemporary or eclect...

"Van Gogh Artless" Pop Art Painting 47 x 47 in by John Paul Fauves ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic j...

Weight 8.00 carat Dimensions 12.5x9.7x7.4mm Treatment None Origin Pakistan Clarity VVS Shape Cut Emerald AG257 This magnificent 8.00-carat natural light golden topaz captiva...

Rejoice measures 36 x 24 inches and is professionally framed in 22kt white gold with an outer measurement of 26 x 38 inches. An original oil on linen paitning created for the exhibit...

Color Archival Pigment Print

Color Archival Pigment Print

Color Archival Pigment Print

Color Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Archival Pigment Print

Edition of 11 Each photograph is hand printed on Canson Baryta Paper Signed and editioned by the artist. Available framed and in larger and smaller sizes. The artist's work has be...

Peter Basch . ( 1921 - 2004 ) " Jean Cocteau in New York " silver print Vintage original circa 1955 . framed: 52 x 42 cm photo : 35 x 27 cm

One of the 2 pairs Mid-Century Modern Space Age metal chrome of wall lights lamps lightning sconces by Aldo Nason for the manufacture Mazzega. Blown bubble Murano glass. Truly a bea...

Midnight Blue, Nain with All Over Floral Pattern, Hand Knotted, Wool and Silk, Soft Pile, 250 KPSI, Runner, Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 I...

Pearl White, Nain with Flower Medallion Design, Wool and Silk, Hand Knotted, 250 KPSI, Soft Pile, Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 Inches Styl...

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....