624 results for "mick jagger"

Thomas Hoving and John Lindsay at a benefit party 1/18/1967 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Thomas Pearsall Field Hoving was an American museum executive and consultant and the director of the Metropolitan Museum of Art. He was born in New York City to Walter Hoving, the head of Tiffany & Company, and his wife, Mary Osgood Field, a descendant of Samuel Osgood. Hoving grew up surrounded by New York's upper social strata. As recounted in his memoir, Making the Mummies Dance, these early experiences would be invaluable in his later dealings with the Met's donors and trustees. He edited Connoisseur Magazine from 1981 to 1991; along with his memoirs of his time at the Met, he is also the author of books on a number of art-related subjects, including art forgeries, Grant Wood, Andrew Wyeth, Tutankhamun, and the 12th-century walrus ivory crucifix...

Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. signed in ink and with photographer stamp verso and hand written title. Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Village Voice Greenwich Village old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others have all been shot by him. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Smithson was born in Passaic, New Jersey. He studied painting and drawing in New York City at the Art Students League of New York from 1955 to 1956 and then briefly at the Brooklyn Museum School. His early exhibited artworks were collage works influenced by "homoerotic drawings and clippings from beefcake magazines", science fiction, and early Pop Art. He primarily identified himself as a painter during this time, but after a three-year rest from the art world, Smithson emerged in 1964 as a proponent of the emerging minimalist movement. His new work abandoned the preoccupation with the body that had been common in his earlier work. Instead he began to use glass sheet...

Unique Artwork, framed on american black wood box Caroline Limousin (French, b.1985) also known as Cali is a mixed media artist born in Nantes, France. From a young age, she devoted...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Andy Warhol Jean-Michel Basquiat Bearbrick Figure: (1000%): A unique, timeless & well-sized Warhol Basquiat statue figure (27 in heigh), trademarked & licensed by the Estates of Jea...

Signed by the photographer One of less than 30 prints made in this size and signed

Andy Warhol, Jean-Michel 1000% BE@RBRICK Figure: A unique, timeless collectible trademarked & licensed by the Estate of Andy Warhol and the Estate of Jean-Michel Basquiat. The partne...

The funeral of Malcolm XFred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the...

Allen Ginsberg reading Howl and other poems at Living Theater in 1959. signed in ink and with photographer stamp verso and hand written title. Irwin Allen ...

Photograph signed in ink and with photographer stamp verso and hand written title. Richard Milhous Nixon (January 9, 1913 – April 22, 1994) was the 37th president of the United Stat...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Flowers in Hand. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Pine Tree. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Manager of the Ad Lib made it for a time the most successful nightclub in the world! Art Sz: 14"H x 12"W Frame Sz: 19 1/2"H x 17 1/2"W in bespoke lavender mat w/ Brit racing green ...

Well Heeled by Arthur Steel WELL HEELED WESTMINSTER BRIDGE LONDON, 1973 “I’d just acquired a 19mm lens for my Leica flex SL9 and was keen to explore it’s ability to focus very ...

Peter Orlovsky reads poem disrobed at Judson Memorial Church. Behind him is Allen Ginsberg - December 6th, 1964. (by Washington Square Park in Greenwich Village, New York City.) Phot...

Andy Warhol Hammer & Sickle, 1976 Acetate negative acquired directly from Chromacomp, inc. Andy Warhol's printer in the 1970s. accompanied by a signed letter of provenance from t...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Flowers. This one is not hand signed although the rest in the portfolio were. ...

The Upper Glasses by Arthur Steel Royal Ascot members enclosure 1977 Ascot Racecourse is a British racecourse, located in Ascot, Berkshire, England, which is used for thoroughbr...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fruits. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leopards. This one is hand signed and dated verso. Seasons explores the season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Rocket ship and (toy) soldier. This one is hand signed and dated verso. Season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Children in water. This one is not hand signed although the rest in the portfolio wer...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Butterfly. This one is hand signed and dated verso. Seasons explores the seaso...

Pete Townshend of the Who Madison Square Garden New York 1979 Large limited Estate edition (ed size 50 only this size) silver gelatin print. numbered and signed by the Estate on reverse stamped with blond embossed Archive stamp on front paper size 20x16" inches / 51 x 31 cm Certificate of authenticity supplied. unframed Framing available on request Ships securely from London England OTHER SIZES AVAILABLE pls enquire About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Toy Snake. This one is hand signed and dated verso. Seasons explores the seaso...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: TV Gyroscope. This one is hand signed and dated verso. Seasons explores the se...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Woman (with Chinese Fan). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Man in Profile. This one is not hand signed although the rest in the portfolio were. (it might just have been an oversight and been missed) Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Jewels. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Beachball. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Star. This one is hand signed and dated verso. Seasons explores the seasons of Man, W...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fish Bowl. This one is hand signed and dated verso. Seasons explores the seaso...

Mercedes and Herbert Matter at Jasper Johns Exhibition nov 21 1978 Whitney Museum photographer Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generatio...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest backstage at the Palladium in April, 1979. In an explosive interpretation of the rock icons that left their indelible mark on our generation, Joester's unique mixed media works transcend his photography. Using an unconventional mixture of materials on his canvases, he echoes the raw energy of Rock & Roll with his own Interpretation of the emotion and power of the live performances. Joester was the first mixed media artist to be represented by the Morrison Hotel Gallery, and his work is included in collections internationally. COLLECTED BY JOHN VARVATOS RALPH LAUREN E. AZRAK; NYC, MIAMI CESARE OLIVETI; ITALY RICKY BIRD; NYC N. ZWAIL; CA FRANCOISE BEVY; NYC TERRY FORD; ISLAMORADA G. KAUFMAN; GERMANY JOHN HOCKMAN; NYC BRIAN COANTROPO; NYC E. SHEMESH; OREGON C.JEHASSI; NYC JEN BROWN...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest backstage at the Palladium in April, 1979. In an explosive interpretation of the rock icons that left their indelible mark on our generation, Joester's unique mixed media works transcend his photography. Using an unconventional mixture of materials on his canvases, he echoes the raw energy of Rock & Roll with his own Interpretation of the emotion and power of the live performances. Joester was the first mixed media artist to be represented by the Morrison Hotel Gallery, and his work is included in collections internationally. COLLECTED BY JOHN VARVATOS RALPH LAUREN E. AZRAK; NYC, MIAMI CESARE OLIVETI; ITALY RICKY BIRD; NYC N. ZWAIL; CA FRANCOISE BEVY; NYC TERRY FORD; ISLAMORADA G. KAUFMAN; GERMANY JOHN HOCKMAN; NYC BRIAN COANTROPO; NYC E. SHEMESH; OREGON C.JEHASSI; NYC JEN BROWN...

Abstract art. Strong colors. Red. Black. White. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest backstage at the Palladium in April, 1979. In an explosive interpretation of the rock icons that left their indelible mark on our generation, Joester's unique mixed media works transcend his photography. Using an unconventional mixture of materials on his canvases, he echoes the raw energy of Rock & Roll with his own Interpretation of the emotion and power of the live performances. Joester was the first mixed media artist to be represented by the Morrison Hotel Gallery, and his work is included in collections internationally. COLLECTED BY JOHN VARVATOS RALPH LAUREN E. AZRAK; NYC, MIAMI CESARE OLIVETI; ITALY RICKY BIRD; NYC N. ZWAIL; CA FRANCOISE BEVY; NYC TERRY FORD; ISLAMORADA G. KAUFMAN; GERMANY JOHN HOCKMAN; NYC BRIAN COANTROPO; NYC E. SHEMESH; OREGON C.JEHASSI; NYC JEN BROWN...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest...

Mercedes Matter née Carles (1913 – December 2001) was an American painter and draughtswoman. Her father was the American modernist painter Arthur Beecher Carles who had studied with ...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Merce Cunningham - Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of the American modern dance ...

Bob Grant - Radio Personality at WOR NYC march 10, 1994 Photographer Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Robert Ciro Gigante, known as Bob Grant (March 14, 1929 – December 31, 2013), was an American radio host. A veteran of broadcasting in New York City, Grant is considered a pioneer of the conservative talk radio format. Grant was widely termed a political conservative, and personally considered himself to be a conservative with some libertarian leanings. On September 15, 1991, a roast honoring Grant for twenty one years of radio in New York City was held in West Orange, New Jersey. Freddie Roman was the Master of Ceremonies, and Grant was roasted by New York Senator Al D'Amato, comedian Pat Cooper, Soupy Sales, Rush Limbaugh, comedian Joe Piscopo and Lynn Samuels, among others. Over the years, national radio talk personality Howard Stern has made differing remarks on his admiration for Grant as an early influence. Stern said, "I consider him to be the best broadcaster I've ever heard." Radio & Records had planned to issue a Lifetime Achievement Award to Grant during its annual convention in March 2008; however, the nomination was revoked. Sean Hannity, Opie and Anthony, comedian Jim Norton, Lars Larson...

signed in ink and with photographer stamp verso and hand written title. Sidney Janis (July 8, 1896 – November 23, 1989) was a wealthy clothing manufacturer and art collector who ope...

Untitled 01 (Blue Through), Oil on Board Painting by Barry Daniels, 1960s Additional information: Medium: Enamel paint on board 70 x 89 cm 27 1/2 x 35 in Barry Daniels was a member...

Mixed Media on Canvas featuring the inimitable Bob Marley.. Canvas tacked onto one inch wood frame. Purposefully left raw. Photographed by Joester. About the Artist: Steve J...

Mixed Media on Canvas featuring the infamous Andy Warhol. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media ar...

Mixed Media on Canvas featuring the inimitable Sid Vicious from the famed punk rock band The Sex Pistols. Photographed by the artist himself. About the Artist: Steve Joester is...

Bruce Springsteen Photograph by Fernando Natalici A rare, striking photo of Bruce Springsteen at the age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll." Dimensions: 13 x 19 inches Medium: Archival Inkjet Print Hand signed & titled in ink from a limited edition of 25 Excellent condition Seller is a primary dealer rep of Fernando Natalici As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Mixed Media using the photos of the infamous Sid Vicious of the famed punk rock band, The Sex Pistols. Shot in London. Photographed by Joester himself. Spray paint and oils ad...

'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print. 18 x 24 inches (including borders). Hand signed & numbered from an edition of 10. Provenance: Nick Taylor. Shipped flat using protective materials. Sold unframed. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Recent Exhibitions featuring Taylor's work: Basquiat: Boom For Real, The Barbican, London, 2017/2018. New York, New Music 1980-86: Museum of the City of New York (2021). Nicholas Taylor: Further Background: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

From The Jon Gould Collection of Andy Warhol Photographs. It's extremely rare to see a photo larger than 8 x 10 inches printed by Warhol, making this 11 x 14 inch photograph impressi...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Artist: Denny Dent Title: Jim Morrison Medium: Original Oil Painting on Paper Size: 48" x 36" Inscription: Stamped with Denny Dent insignia Year: ca. 1990 Condition: Several small te...