965 results for "harlequin"

Triangle Chair by Nazara Lazaro Dimensions: D 43 x W 60 x H 70 cm Materials: Steel Technique: Powder-Coated. It can be customized and ordered in stainless steel, rust, or powder coated in any RAL color. The Triangle Chair is part of the Steel Collection, a series inspired by Joan Miró’s paintings...

A charming vintage Afghani Turkmen prayer rug with a geometric pattern woven in crimson, black, and white, and surrounded by a border composed with three thin geometric pattered stri...

A pale tone-on-tone palette with a lozenge lattice displaying a random harlequin pattern, all in earthy, abrashed shades. Borderless and size-adjustable. Flat, tapestry weave.

Description: Silver bell with bows, garlands, pen holder, mechanism inside and harlequin standing on a ball. Metal: Silver. Origin: Portuguese. Brand: boar II Title. Weight: 318.29 g...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

This now distressed piece has a small harlequin polychrome pattern highlighted by lozenges in dark red, celadon, straw, beige and light rust, randomly scattered about. There is a nar...

Halo Hanging Rack by Nazara Lazaro Dimensions: D 5 x W 90 x H 117 cm Materials: Steel. Natural rust. Technique: Clear lacquer finish. It can be customized and ordered in stainl...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

These ear cuff are handmade in 18-karat gold and sterling silver. It is set with .90 carats ruby and.73 carats diamonds. FOLLOW MEGHNA JEWELS storefront to view the latest collecti...

From the ‘Harlequin' range in the WW collection, a contemporary limited edition, designed in London,handmade in Paris - these chic and elegant, articulated, signed drop earrings in c...

A refined pair of earrings from the JĀDORA collection, where glowing South Sea pearls meet the serene beauty of natural jade. The twinleaf motif evokes balance and renewal, while the...

Porcelain figure "Pierrette with a poodle", Rosenthal, Constantin Holzer-Defanti, Germany, 1921 - 1922 Additional Information: Materials: Porcelain, Underglaze hand painting V...

**Save this ring ❤️ to receive price updates** A magnificent diamond ring featuring a stunning emerald center stone, weighing an impressive 4.63 and boasting a flawless J and VS1. Th...

A dramatic original oil on canvas by listed Greek / American artist Alain Scordilis (1930-1997). The painting depicts a harlequin in a fitted rose colored outfit with a long cap and ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Other Details: Primary Stone: Diamond Center Diamond Weight: 1.50 Carats Total Center Diamond Cut: Brilliant Cut Center Diamond Color: H Color Center Diamond Clarity: VS1 Clarity J...

U.S. One-Sheet (27 × 41 in.), Orion Pictures. Directed by Susan Seidelman, starring Rosanna Arquette, Aidan Quinn, and Madonna. Iconic 1980s cult comedy, famous for Madonna’s breakou...

18K Yellow Gold Opal: 5.01ct total weight. Diamond: 0.72ct total weight. All diamonds are G-H/SI stones.

This painting was reproduced as the paperback cover for Love Lyrics by Mary Curtis, Silhouette Special Edition #424, Harlequin Books, 1987. Man hold...

14K Yellow Gold Pearl Drop French Hook Earrings These pearl drop earrings are set in 14K yellow old and feature a french hook setting. Pearl is approx. 10mm in diameter Stamped 14...

Inspired by the Mughal Era & Royal heritage these stunning earrings are handcrafted with 18-karat gold & sterling silver. They have a chandelier-style silhouette that's encrusted wi...

Hand cast from 18-karat gold and sterling silver, these earrings are set with 7.08 carats emerald, 9.05 carats pearl and 3.05 carats of glimmering diamonds. FOLLOW MEGHNA JEWELS s...

“French Rooster” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff). Image size (including signature): 24 x 19 in. Framed Size: 31 x 25 in. Edition 175/260. The artwork is framed. Signed by the artist on the bottom right corner. It is in excellent condition. Known as the “Father of Art Deco,” he created elegant decorative images that are timeless in their beauty and sophistication. Clean lines of his glamorous and evocative works resemble the geometry of Classical Greek pottery and Japanese art of woodblock prints. Erté’s artworks...

In this listing you will find an expressive watercolor and ink composition by Yugoslav artist Tomislav Spasić, created in 1971. The work presents a captivating carnival-like spectacl...

Sculpture in patinated bronze representing Pierro in the moonlight, signed Bouret, XXth century, Art Deco style. A patinated bronze sculpture of Pierro in the moonlight, signed Bour...

Clusters of rubies are surrounded by 6 cultured pearls in these festive 18 karat earrings. Omega backs. Signed with a name that looks like Zancan but with which I am not familiar.

Gen Paul French, 1895-1975 Harmonica Player Oil on board 13 by 21 ⅝ in, w/ frame 22 ¼ by 31 ½ in Signed upper left Eugene Paul, known as Gen Paul, was born in 1895 and raised in th...

Acrylic on canvas

Cover illustration for the Harlequin romance book Grounds for Marriage by Daphne Clair, published 1996. The story as described by the publisher: “‘Too handsome, too clever, too s...

Measures: 5'7 x 10'2 This vintage Turkish Oushak sets on a neutral sandy ground with a central medallion stylized with small details. The background is pale khaki color, while the border has a botanical pattern of vines and flowers with light brown and olive colors, with small accents in a rich chocolate color. Country of Origin: Turkey; Type; Oushak; Design: Diamond Medallion, Stylized Medallion; Keivan Woven Arts: rug TU-UGU-56; Vintage Turkish Stylized Medallion Oushak Rug in Sandy Neutrals and Earth Tones; Vintage Turkish Oushak, Turkish Medallion Oushak, Turkish Diamond Oushak, Neutral Oushak...

Etching in Brown and Black "Théogonie I" by Georges Braque from 1949. The edition comprises approx. 30 copies. The present copy is numbered in pencil below the platemark on the l...

A sparkling natural cut cushion modified diamond in a 0.7 carat D IF with excellent cut. This diamond has the highest possible color and clari...

Barbie is Pop Art doing what it does with a toy that already is an icon. Febo splits the doll down the middle in two pinks, parks silver glitter cat-eyes on the face, and lets the ha...

Date: 1926 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Left Liberty magazine cover, November 6, 1926

Cast from 14-karat gold, these exquisite earrings are handset with 4.46 carats Ruby and 1.16 carats of sparkling diamonds. FOLLOW SPECTRUM JEWELS storefront to view the latest colle...

Robert Ritter (American b. 1949) Mid-Century Surrealist oil painting of a figure in interior. The nude figure stands beside an open door with draped fabric. Lemons are scattered on a...

Timeless and elegant, these diamond drop stud earrings go from day to night with ease. This earring is beautifully designed and studded with 110 natural brilliant cut round diamond a...

MARINO MARINI 1901-1980 Pistoia, Italy 1901-1980 Viareggio, Italy (Italian) Title: Graphic Work / Opera Grafica, 1972 1. Impressions/ Impressioni, 1959 2. Emotion of the Scene / Mo...

Gino Serverini exprints Commedia dell'arte 64 x 46 cm about 1962 signature dans la planche 190 euros

A lustrous and unique pair of earrings showcasing 5.52 carats total of 170 pieces of brilliant round diamonds, micro-pavé set in a cushion shape design. Made of 18K white gold. Omega...

10" x 8" Unframed Mixed Media on Paper Hand Signed by Rachel Isadora

Date: 1987 Medium: Acrylic on Board Dimensions: 20.00" x 24.50" Signature: Signed Lower Center This painting was reproduced as the paperback cover for...

This simplicity of the black onyx together with sapphire and diamond works so well. The earrings a center blue sapphire. The shiny black onyx surrounds the sapphire and forms marquis...

Pair of 18k gold cocktail earrings, with faceted amethysts, faceted and cabochon citrines and approx. 1.00ctw in diamonds. Earrings measure 2 3/8" x 0.75". Weight - 37 grams.

This gorgeous pair of diamond hoop earrings is set with a whopping 7.00ct of round brilliant cut diamonds set in a 14k white gold, "U-prong" sharing setting style for minimal metal s...

Auction catalog with outstanding works of Latin America: Modern Art. Ideal for collectors, galleries and art lovers. Illustrated editions, reference piece for collectors.

It comes with the Gemological Appraisal by GIA GG/AJP All Gemstones are Natural Treatment: None 2 Opals = 1.68 Carats 46 Diamonds = 0.23 Carats Metal: 24K Yellow Gold Plated Sterling...

Date: 1987 Medium: Oil on Canvas Dimensions: 22.00" x 16.00" Signature: Signed Lower Left Harlequin book cover Robert Berran has been a prolific romance and historical book co...

Kaija Table by Elina Ulvio. Dimensions: W 40 x D 40 x H 53 cm. Materials: Solid Birch, Bronze Mirror, Birch Thin Plywood. Available in Size S (W 40 D 40 H 53 cm) and Size M (W 60 D ...

Vintage Turkish Rug 4291, Country of Origin: Turkish Rugs, Circa Date: 1950 – This stunning Turkish rug is more than just a piece of decor – it is a work of art. It was woven in the ...

Plankton Light Sculpture by Elina Ulvio. Dimensions: W 64 x D 4 x H 64 cm. Materials: Perforated aluminium, LED tube string light. All our lamps can be wired according to each count...

Gaby Herbstein uses photography as a means to raise awareness. Her art projects reflect her concern for the wellbeing of the universe and the preservation of nature and the planet. S...

Cast from 18-karat gold, these beautiful drop earrings are set in 3.43 carats of sparkling diamonds. FOLLOW MEGHNA JEWELS storefront to view the latest collection & exclusive piec...

These modern, edgy and fiercely gorgeous drop earrings are handcrafted in 18K gold, sterling silver, 24.84 carat green chalcedony and .68 carat of sparkling diamonds. Exquisitely fra...

Signed and Dated "Hannes Bok 1960" Lower Left

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Animaniacs, Hercule Yakko SKU: IFA9256 ABOUT THE IMAGE: Blending wit, slapstick and pop ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Leger's bold geometric visual language and his celebration of modernity, distilling mechanical rhythm and sculptural clarity into a composition emblematic of his innovative machine-age aesthetic. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., is a landmark example of mid-century French printmaking, bringing together leading modern artists in a unified portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a substantial edition of numbered and non-commerce impressions, the publication reflects the vitality of postwar Parisian art and the technical excellence of Daniel Jacomet, whose workshop played a central role in the preservation and dissemination of twentieth-century modernist imagery. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism's fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christies New York for Contraste de formes (1913). Fernand Leger print...

This exquisite lithograph after Clarke Hutton (1898–1984), titled Harlequinade, S.P.13., originates from the School Prints Ltd. series, published by School Prints Ltd., London, under...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 9 (Series L, Variation 9), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...