186 results for ""albert einstein""

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 84/200 on lower right (there are also 30 APs, 5 PPs, and 3 HCs). Artwork size: 40 x 32 in...

Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up a...

This classic elegant and beautiful historical symbol born of the Seal of Solomon, or Ring of Solomon worn by millions at the darkest times in history, ...

A Lovely Life Sized Sculpture of Albert Einstein sitting on a Bench This is a Really Stunning Statue that would enhance Any Garden The Attention to Detail is Second To None with The...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, anger, anticipation, fear, loneliness, jealousy, disgust, trust, greed, joy, racism, and shame. In these images, the artist works with various fragments of colored glass and other debris that he collected from the streets near his home in Atlanta during the COVID-19 quarantine and political protests. Zoltan assembles these pieces in his studio and re-photographs them to symbolize the current crisis of political and environmental problems. At this moment, the most pressing issues of our time concern ourselves and the future of our culture and our planet. In a sense, the artist takes the pieces and puts them back together to reconstruct a fragmented world. “The world is a dangerous place to live, not because of the people who are evil, but because of the people who do nothing about it.” -Albert Einstein Zoltan Gerliczki...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, anger, anticipation, fear, loneliness, jealousy, disgust, trust, greed, joy, racism, and shame. In these images, the artist works with various fragments of colored glass and other debris that he collected from the streets near his home in Atlanta during the COVID-19 quarantine and political protests. Zoltan assembles these pieces in his studio and re-photographs them to symbolize the current crisis of political and environmental problems. At this moment, the most pressing issues of our time concern ourselves and the future of our culture and our planet. In a sense, the artist takes the pieces and puts them back together to reconstruct a fragmented world. “The world is a dangerous place to live, not because of the people who are evil, but because of the people who do nothing about it.” -Albert Einstein Zoltan Gerliczki...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman and used as the cover proof for the "Dali Mustache Book". Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

Marion Maas (American, b. 1930) In The Attic, c. 1970s Oil on canvas Framed: 30 1/2 x 24 1/2 x 1 1/2 in. Signed lower left Titled verso on stretcher bar 19...

Emil Orlik (1870 Prague - 1932 Berlin), Love Scene Under a Tree, 1912. Mixed media on paper, 14.5 cm x 25 cm (sheet size), 35.5 cm x 46 cm (frame), signed “ORLIK.” lower right and da...

“Time (8)” is one of the most explicitly conceptual works in the series, referencing Albert Einstein’s Block Spacetime Theory, in which past, present, and future coexist simultaneous...

Original gelatin silver print made later in the artist's career from the original negative and signed by the artist on the front of the mount. Yousuf Karsh was a Canadian photographe...

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 13.9x10.8in Signed in the print Lotte Jacobi Copyright Annotation lower left, recto Ref.: 924802-1355 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost, and May Sarton; philosopher Martin Buber; writer J.D. Salinger; writer and activist W. E. B. Du Bois; scientist Max Planck; artist Käthe Kollwitz; the actress and singer Lotte Lenya; the singer and activist Paul Robeson...

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 8.75x7.25in Annotated by hand on verso in pencil Ref.: 924802-1353 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost...

This one includes Albert Einstein amongst other drawing. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does...

Vintage 1960's Lithograph poster for Vancouver Canada art show. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police...

shipped in roll The journey inward lasts a lifetime. It leads us through years of living, through loss and joy, fear and love, mistakes and discoveries. Every experience leaves its ...

Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lord Frederic Leighton. He began his a...

Audrey Flack A Course in Miracles, 1984 Kodachrome 35mm Color Dye Transfer Print Dry mounted to 4 ply 100% cotton fiber board Hand signed and titled by Audrey Flack on the front 20 ×...

Marion Maas (American, b. 1930) Peggy - Brown + Gray, c. 1980s Oil on canvas Framed: 24 1/8 x 30 1/8 x 1 1/2 in. Signed lower right Titled verso on stretch...

Genre: Judaica Subject: People Medium: Print Surface: Paper size: 13.5 X 10.5, 17.5 X 13.75 with mat. on the Haifa Museum website this piece is described as a vernis-mou, aquatint et...

"Hey Did We Scratch?" - Abstract Expressionist Composition Detailed and layered composition by Leroy W. Parker (American, 1941). This piece is divided into a checkerboard, with a variety of overlaid patterns and textures. There are several types of handmade paper applied to the canvas, likely made by Parker himself. Signed "Leroy Wheeler Parker" in the lower right corner. "#1" and an up arrow are written on verso. Tag on verso with artist info, title, media, and date. No frame, but the edges of the canvas are painted for a frame-less display. Leroy W. Parker (American, b. 1941) is an artist from Oklahoma who now resides in Lafayette, California. Parker earned his BFA in painting from the California College of Arts and Crafts in 1966, and then went on to earn his MFA in 1968 from the same institution. He is a Professor of Art at San Jose State University. He has taught classes in fine arts, life drawing, ceramics, paper making (which he instituted in 1984), and sculpture since 1969. Parker has also served on the State Art Commission for sculptural grants. One of his pieces is held in the San Jose Museum of Art. Selected Exhibitions: Drawings and Paintings - ACCI Gallery, Berkeley, CA - 1974 “Artistry in Clay” - Forge Patio Art Gallery, Lafayette, CA - 1980 “A Most Elegant Show” - Sunshine Art Gallery, Fair Oaks, CA - 1982 “Flora” - Harcourts Contemporary, San Francisco, CA - 1983 Idea Gallery, Sacramento, CA - 1985 “Multi-Media Man” - Sacramento Center for Textile Arts, Sacramento, CA - 1994 “The Art of the Family” - Works Gallery, San Jose, CA - 1999 Artist’s Statement: I was born in Eagletown, Oklahoma to Southern Baptist parents, and my father was a preacher. We were two boys and six girls in the family. The most mundane things were magical and special to me. I liked to draw, color, make things, and plant things. I loved the woods and the earth, and watching storms with thunder and lightning. We moved from Oklahoma when I was 11. In the late 1950s, I attended Oakland Technical High School where I met artist Sam Richardson...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1956. This work comes in an archival frame presentation. The image alone is approximately 9 x 13. The work was acquired directly from the artist and comes with a COA and lifetime guarantee. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

This classic elegant and beautiful historical symbol born of the Seal of Solomon, or Ring of Solomon worn by millions at the darkest times in history, ...

“Red Head” is a portrait that puts dynamic and powerful to shame. This woman from the 1970s at the height of the Feminist movement is an Amazon. Though you cannot see her body her powerful and determined gaze is that of an individual who knows where she is going and what she wants. Best if you get out of her way. Nonetheless, the aura she creates is hypnotizing and the viewer must struggle to break the spell or be absorbed into her presence. This spell-binding piece of Linder’s is unique in its ability to exude a physical push and pull upon its audience. Richard Linder...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, anger, anticipation, fear, loneliness, jealousy, disgust, trust, greed, joy, racism, and shame. In these images, the artist works with various fragments of colored glass and other debris that he collected from the streets near his home in Atlanta during the COVID-19 quarantine and political protests. Zoltan assembles these pieces in his studio and re-photographs them to symbolize the current crisis of political and environmental problems. At this moment, the most pressing issues of our time concern ourselves and the future of our culture and our planet. In a sense, the artist takes the pieces and puts them back together to reconstruct a fragmented world. “The world is a dangerous place to live, not because of the people who are evil, but because of the people who do nothing about it.” -Albert Einstein Zoltan Gerliczki...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, anger, anticipation, fear, loneliness, jealousy, disgust, trust, greed, joy, racism, and shame. In these images, the artist works with various fragments of colored glass and other debris that he collected from the streets near his home in Atlanta during the COVID-19 quarantine and political protests. Zoltan assembles these pieces in his studio and re-photographs them to symbolize the current crisis of political and environmental problems. At this moment, the most pressing issues of our time concern ourselves and the future of our culture and our planet. In a sense, the artist takes the pieces and puts them back together to reconstruct a fragmented world. “The world is a dangerous place to live, not because of the people who are evil, but because of the people who do nothing about it.” -Albert Einstein Zoltan Gerliczki...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

In his series entitled “Broken Planet,” Zoltan depicts a broken planet alongside 13 other “planets” based on the most common human feelings or behaviors, such as happiness, sadness, ...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

Preliminary Study for Cretan Dancer Bronze Graphite on tracing paper, 1930 Unsigned Note: The bronze sculpture measures 24 1/2 x 33 5/8 inches and is signed and dated 1930 on the bas...

Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany. The ...

William Meyerowitz (1887 - 1981) Oil painting on canvas Depicting a still life scene with fruit bowl, bananas, flowers and quilt. Post Impressionist oil painting. Hand signed low...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

Yemenite or Moroccan Sefardic rabbi portrait. Framed 11 X 9 sight 6 X 4.5 Hermann Struck (6 March 1876 – 11 January 1944) was a German Jewish artist known for his etchings. Hermann...

Sculptural bust created entirely out of recycled books of Albert Einstein. Long-Bin Chen is a self-taught artist from Taiwan who gathers discarded books and magazines for his sculpt...

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 11.5x9.5in Annotated by hand on verso in pencil Ref.: 924802-1354 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

A smart Morrell bound set of the collected works of Bishop George Berkeley, alongside a life of the Bishop, and a selection of his letters. Complete in four volumes. Bound by Morrell. The collected works of George Berkeley, alongside a short biographical account of his life, and a selection of his letters. George Berkeley was an Anglo-Irish philosopher and Bishop, who advanced the theory of immaterialism through his writings, and also critiqued abstraction. These volumes include the most important writings of Berkeley, such as 'A Treatise Concerning the Principles of Human Knowledge', 'Three Dialogues Between Hylas and Philonous', 'An Essay Towards a New Theory of Vision', and 'De Motu', in which he argues against Isaac Newton's theories on absolute space, time, and motion. The views expressed in 'De Motu' were a precursor to the views of Albert Einstein. This edition was collected and edited, with prefaces and annotations, by Alexander Campbell...

Plate signed and dated, offset lithograph. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police...

Genre: Judaica Subject: People Medium: Print Surface: Paper Dimensions w/Frame: 15" x 11" Hermann Struck (6 March 1876 – 11 January 1944) was a German Jewish artist known for his e...

"Albert Einstein once said that mystery is the source of all true art and science. As I found myself looking into the eyes of this incredible animal, I realized I was seeing both. My...

"Albert Einstein once said that mystery is the source of all true art and science. As I found myself looking into the eyes of this incredible animal, I realized I was seeing both. My...

Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 19...

Preliminary Study for a Sculpture Project Graphite, charcoal and wash on tracing paper, c. 1930-1940 Signed upper left and lower left (see both photos) Created while the artist was l...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpt...

Margaret Frances "Peggy" Bacon (May 2, 1895 – January 4, 1987) was an American printmaker, illustrator, painter and writer. Bacon was known for her humorous and ironic etchings and d...