539 results for "donald judd"

One of a kind bronze sculpture on rough wood base. Created in the style of Constantin Brancusi, this extra heavy piece is ultra-striking. Constantin Brancusi (1876–1957) fundamental...

John Baker’s “Studio Sketch of Valerie” is an acrylic painting on canvas with collage 18 x 14 inches in pinks, greys and browns. When Valerie visited my studio she at first stayed ve...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 128 Materials: Resin and brass All our lamps can be wired according to each country. If sol...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

Drawing inspiration from minimalism, Jud lamps pay tribute to artist Donald Judd. The various shades of translucent glass and resin filters have been melded together to create a cohe...

The Marfa Bar by MICHAEL HILAL. In an ode to the artist Donald Judd, whose reductionist forms alluded only to their own physical presence, Hilal crafted the floating, minimal Marfa b...

MEL BOCHNER Kick Against the Pricks (Blah..Blah...Blah...), 2018 Two color silkscreen on boutique silk fair paper with blue-colored back, 350 gsm paper Signed, dated, and numbered 29...

John Baker's "Upstate" is an acrylic painting on canvas with collage 20 x 16 inches in greens, reds and tans. The organization of space and surface brings order to farm and town, whi...

The Road by Frank Schott country road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 27 x 40 inches / ...

John Baker’s “Abstraction” is an acrylic painting on canvas with collage 36 x 48 inches. A full and vibrant color symphony, the image depicts a large abstract painting being created ...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sold to ...

Andrea continues Tacchini’s captivating narrative on lighting, combining craftsmanship and materiality in a decorative and functional lamp that knows how to make an impression. The w...

John Baker’s “A Treat for Sasha” is an acrylic painting on canvas with collage 36 x 24 x 1.5 inches in oranges, greens, browns and reds. The twirling hands of the pet owner manipulat...

John Baker’s “The Book Mark” is an acrylic painting on canvas with collage 30 x 24 inches in maroon, orange, white and blue. A young woman, dressed in prim fashion, has looked up fro...

John Baker's "Extensive Park in Springtime" is an acrylic painting on canvas with collage 20 x 16 inches in saturated light and mid-range greens and tans with pale pink accents. The ...

John Baker’s “The Post-Truth Era VI” is an acrylic painting on canvas with collage 17 7/8 x 13 7/8 inches in pinks, yellows and greens. In the Post-Truth Era facial expressions have ...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

Made from folded metal, this light creates a precisely focused effect, shielded from the eye. Designed initially for the bedroom, it is today offered in a wide range to create many ...

John Baker’s “The Judge and his Laws” is an acrylic painting on canvas with collage 40 x 30 inches in reds, yellows, greys and browns. The judge is festooned with fragments of appare...

John Baker's "Studio Sketch of Arthur" is an acrylic painting on canvas with collage 20 x 16 inches in tans and browns with pink, yellow and blue accents. Part of the "Studio Visitor...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in 1973. Hand-signed in pencil on the lower right marg...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Waters Visit Marfa, the Jonestown of Minimalism (Donald Judd, Carl Andre, John Chamberlain), 2003 Offset lithograph Pencil signed and numbered 9/100 on the back; there is a die-...

John Baker’s “The Post-Truth Era IX” is an acrylic painting on canvas with collage 13 7/8 x 11 inches in greys and browns with red highlights. In the post-truth era straightforward, ...

These early year 'Zig Zag' chairs by Gerrit Rietveld for Cassina are the holy grail of collectors pieces. Rare and coveted, original 'Zig Zag' chairs are a part of design history, re...

Marfa ( Donald Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in his home town Marfa, Texas 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183m edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Josef Albers (1888-1976) is affiliated with numerous defining movements of 20th century art. Historians credit Albers with fusing elements of American and European abstraction while ...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Baker’s “Shotgun Wedding” is an acrylic painting on canvas with collage 56 x 30 x 1.5 inches in greens, whites, flesh tones and yellows. The bride is radiant on her wedding day,...

John Baker’s “Self-Chaperone” is an acrylic painting on canvas with collage 28 x 22 inches in flesh tones, yellows and greys. The portrait depicts the inner conflict between uninhibi...

The Black Ice ballot box invokes the spirit of minimalist artist Donald Judd. Crisp lines unify to create a steel box with a sleek sunken spandrel glass top. The table is constructed...

This listing is a special edition realised in collaboration fashion brand Zilver with a mirror polished aluminium structure and a vegan apple leather beige upholstery. Originally re...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Baker’s “Siblings: An Imaginary Portrait” is an acrylic painting on canvas with collage 11 x 9 x 1.5 inches in pinks, blues and whites. A quintessential image of gender, the pai...

Andrea continues Tacchini’s captivating narrative on lighting, combining craftsmanship and materiality in a decorative and functional lamp that knows how to make an impression. The w...

John Baker’s “Poetry and Painting” is an acrylic painting on canvas with collage 21 x 18.75 inches in reds, blues, greys and pinks. In this image the sister arts of poetry and painti...

In the late nineties, and after traveling to regions as diverse as the Amazon basin and the Chihuahua desert, Ríos began to develop a body of work through which he addressed the mean...

John Baker’s “A Meeting in Rome I”, an acrylic painting on canvas with collage 36 x 26 inches, in Cardinal red, pink and greens, is from the artist’s “divided self” series. A figure,...

John Baker's "Garden Temple" is an acrylic painting on canvas with collage 29 13/16 x 23 7/8 inches in greens and blues. The temple alludes to the veneration of nature, while the col...

Josef Albers (1888-1976) is affiliated with numerous movements that have defined 20th century art. Historians credit Albers with fusing elements of American and European abstraction ...

John Baker’s “Studio Sketch of Dmitri” is an acrylic painting on canvas with collage 20 x 16 inches in tans, greys, blues and whites. When he arrived at the studio Dmitri was immedia...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 46 x 72 i...

John Baker’s “The Post-Truth Era VII” is an acrylic painting on canvas with collage 14 x 10 7/8 inches in whites, yellows, greys and green. The post-truth era has seen a resurgence o...

Martin Visser One-Off Boomerang Sofa in Solid Wengé and Black Leather The Netherlands 1970 A very special and one-off boomerang style sofa by Martin Visser, one of the most renowned...

John Baker’s “The Ego and the Mechanism’s of Defense” is an acrylic painting on canvas with collage 20 x 16 inches in beige, blues, greens and ochres. The painting borrows its title from Anna Freud...

John Baker’s “Cabinet Secretary in his Office” is an acrylic painting on canvas 36 x 42 inches in pinks, blues, reds, whites and greys. The secretary’s energies are depicted as both ...

John Baker’s “Heavyweight Executives” is an acrylic painting on canvas with collage 24 x 30 inches in dark greens, deep silver greys, and flesh tones. The two executives have put on ...

John Baker’s “Shooting the Rapids” is an acrylic painting on canvas with collage 48.5 x 36 inches in rich blues with auburn and red counterpoints and highlights. The young woman’s mood of contemplative reverie contrasts with the pleased and excited feelings of the helmeted crew. Obviously relieved, they float in their white water raft...

John Baker’s “Foot Feel” is a contemporary acrylic painting on canvas with collage 48.5 x 36 inches in pastel pinks and blues, and cream whites and lemon yellows. The toes of the gen...

John Baker’s “Old Man Releasing a Caged Bird” is an imaginary portrait painting, acrylic on canvas with collage, 24 x 18 x 1.5 inches in browns, blues and f...

John Baker’s “The Post-Truth Era VIII” is an acrylic painting on canvas with collage 20 x 14 inches in blues, yellows, pinks and whites. In the post-truth era normal interpersonal in...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of two Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

John Baker’s “AI Takes Over” is a 20 x 16 x 1.5 inch acrylic painting on canvas with collage in greys, blacks, browns and pinks. The impending excessive reliance on AI (for informati...

John Baker’s “Light of my Life” is a 58 x 45 inch acrylic painting on canvas with collage in harmonized sky blues, yellow greens and radiant whites with pa...

John Baker’s “At the Easel” is a 36 x 30 inch acrylic on canvas with collage in midnight blue, lobster red and flesh tones. Calculated ambiguities and imp...

John Baker’s "Song" is a 59 x 47 x 1.5 inch acrylic painting with collage on canvas whose multi-colored brushstrokes-mostly reds, blues and oranges-give intricate visual form to the music and spirit of an enraptured female singer...

This steel sculpture by Dutch artist Cor van Dijk (b. 1952, Pernis) reflects his minimalist design language and geometric abstraction. Measuring 15 x 30 x 18 cm, the piece showcases ...

John Baker’s “Studio Sketch of Ella” is an acrylic painting on canvas with collage 20 x 16 inches in creams and browns. The painting is from the “Studio Visitors” series. When Ella a...