523 results for "donald judd"

Martin Visser One-Off Boomerang Sofa in Solid Wengé and Black Leather The Netherlands 1970 A very special and one-off boomerang style sofa by Martin Visser, one of the most renowned...

Historic, institutional quality unique Rauschenberg signed work on paper, with storied provenance: a real gem: Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collec...

Made from folded metal, this light creates a precisely focused effect, shielded from the eye. Designed initially for the bedroom, it is today offered in a wide range to create many d...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sol...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Not a Cube is a geometric composition that follows the reductionist tendencies of Minimal Art, emerged in the United States in the mid-1960s. Particularly i...

Marfa ( Donald Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in his home town Marfa, Texas 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183m edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

John Baker’s “A Meeting in Rome I”, an acrylic painting on canvas with collage 36 x 26 inches, in Cardinal red, pink and greens, is from the artist’s “divided self” series. A figure,...

Bench made from mirror polished aluminium extrusions and woven cane seating 400mm x 1450mm x 450mm (W x L x H). Originally realised for the Hepworth Gallery in Wakefield and inspire...

Painted bronze sculpture by Yayoi Kusama. Original mould executed in 1976; casted in 1994. This work is number 12 from a limited edition of 30. Incised with the artist's signature an...

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

John Baker’s “Foot Feel” is a contemporary acrylic painting on canvas with collage 48.5 x 36 inches in pastel pinks and blues, and cream whites and lemon yellows. The toes of the gen...

John Baker’s “Cabinet Secretary in his Office” is an acrylic painting on canvas 36 x 42 inches in pinks, blues, reds, whites and greys. The secretary’s energies are depicted as both ...

These early year 'Zig Zag' chairs by Gerrit Rietveld for Cassina are the holy grail of collectors pieces. Rare and coveted, original 'Zig Zag' chairs are a part of design history, re...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

This listing is a special edition realised in collaboration fashion brand Zilver with a mirror polished aluminium structure and a vegan apple leather beige upholstery. Originally re...

John Baker’s “The Ego and the Mechanism’s of Defense” is an acrylic painting on canvas with collage 20 x 16 inches in beige, blues, greens and ochres. The painting borrows its title from Anna Freud...

The Black Ice ballot box invokes the spirit of minimalist artist Donald Judd. Crisp lines unify to create a steel box with a sleek sunken spandrel glass top. The table is constructed...

Ottoman made from peach anodised aluminium extrusions and flax webbing. Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Ano...

John Baker’s “Shooting the Rapids” is an acrylic painting on canvas with collage 48.5 x 36 inches in rich blues with auburn and red counterpoints and highlights. The young woman’s mood of contemplative reverie contrasts with the pleased and excited feelings of the helmeted crew. Obviously relieved, they float in their white water raft...

John Baker’s “Her Beautiful Thoughts” is a 23.5 x 19.5 x 1.5 inches acrylic painting with collage on canvas in light pinks and blues and deep russets. The active dispersion of small ...

John Baker’s “Madman I” is an acrylic painting on canvas with collage, 27.25 x 23 inches, an imaginary portrait in muted tones of brown and grey. From the artist’s “Insanity” series,...

Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd Marfa ( Texas ) by ...

John Baker's "Garden Temple" is an acrylic painting on canvas with collage 29 13/16 x 23 7/8 inches in greens and blues. The temple alludes to the veneration of nature, while the col...

John Baker’s “Heavyweight Executives” is an acrylic painting on canvas with collage 24 x 30 inches in dark greens, deep silver greys, and flesh tones. The two executives have put on ...

John Baker’s “A Treat for Sasha” is an acrylic painting on canvas with collage 36 x 24 x 1.5 inches in oranges, greens, browns and reds. The twirling hands of the pet owner manipulat...

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

John Baker’s “Maternal Love” is a 18 x 13 ¾ x 2 ¼ inch acrylic on canvas with collage in pinks, greens and blues. The nurturing mother gently kisses her near adolescent daughter; inn...

John Baker’s “Light of my Life” is a 58 x 45 inch acrylic painting on canvas with collage in harmonized sky blues, yellow greens and radiant whites with pa...

John Baker’s “Lifelong Priorities of a Priest” is an acrylic painting on canvas with collage 20 x 16 inches in maroon, flesh tones and blacks. Bedecked with official awards from his superiors, but also wearing a bird badge...

Andrea continues Tacchini’s captivating narrative on lighting, combining craftsmanship and materiality in a decorative and functional lamp that knows how to make an impression. The w...

John Baker’s “The Post-Truth Era VI” is an acrylic painting on canvas with collage 17 7/8 x 13 7/8 inches in pinks, yellows and greens. In the Post-Truth Era facial expressions have ...

Beautiful and super 'Isocele' étagère by French sculptor and artist Max Sauze. This 'Isocele' étagère designed in 1970 is certainly one of the rarest forms created by Sauze and is...

John Baker’s “Old Man Releasing a Caged Bird” is an imaginary portrait painting, acrylic on canvas with collage, 24 x 18 x 1.5 inches in browns, blues and f...

Ultra Minimalist pair of hard-wired sconces in alabaster. Created in Spain, in a clean, über Modernist design, which reads as deep glowing rectangles once installed. The internal f...

John Baker’s “Studio Sketch of Valerie” is an acrylic painting on canvas with collage 18 x 14 inches in pinks, greys and browns. When Valerie visited my studio she at first stayed ve...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches,...

This exquisite lithograph by Jasper Johns (born 1930), titled Summer Green, State II, originates from the 1991 publication Jasper Johns, The Se...

This exquisite lithograph and pochoir after Piet Mondrian (1872–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957, originates fro...

Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...

Exceptional design by Bryan Hunt (American, b. 1947) featuring a substantial 7'10" hardwood top in a honey tone medium brown finish with thick 2" gently rounded edges. The top is rai...

Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-end condos and ritzy commercial establishments. Shrubs, bushes and trees are transf...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot ...

John Baker’s “Target Practice” is an acrylic painting on canvas with collage 32 x 26 inches in rich browns and blacks complementing the buff color of the collaged paper. The merciles...

Pierre Chapo “B40” Desk for Atelier Pierre Chapo, elm, France, 1970 Designed in the early 1970s by Pierre Chapo, the B40 desk exemplifies the sculptu...

John Baker’s “Imaginary Portrait of Empress Maria Theresa”, Eighteenth Century Empress of Austria, is an acrylic painting on canvas with collage 40 ...

The Ballot Box invokes the spirit of minimalist artist Donald Judd. Crisp lines unify to create a steel box, and a sleek sunken lumber top is punctuated with a rectangular cut out. T...

Bael, Snow, 2024 Acrylic on canvas 90 x 60 cm (35.43 x 23.62 in) Hand-signed on the reverse Michael James Bell is a contemporary artist who goes under the alias ‘Bael’. He lives ...

John Baker’s “Down he Goes V,” an acrylic painting on collage with collage 20 x 16 inches in yellow and red ochres with black and greys, is from the artist’s new “Fall of the White M...

John Baker’s “Eating and Drinking I” is an acrylic painting on canvas with collage 24 x 30 inches in reds, greens and yellows against a neutral background. What at first glance appea...

John Baker’s “Down he Goes IV,” an acrylic painting on canvas with collage 20 x 16 inches in yellow and red ochres with blacks and greys, is from the artist’s “Fall of the White Male...

John Baker’s “Down he Goes III,” an acrylic painting on canvas with collage 20 x 16 inches in silver greys and yellows, is from the artist’s new “Fall of the White Male Series.” The ...

John Baker’s “Eating and Drinking II” is an acrylic painting on canvas with collage 24 x 30 inches in yellows, reds and greens on a neutral background. In one sense an illustration o...

John Baker’s “Down he Goes I,” an acrylic painting on canvas with collage 20 x 16 inches in greys, greens and earth tones, is from the artist’s new “Fall of the White Male Series.” T...

Martha Sturdy bent steel stools, powder coated in red. We have offered these same stools in natural steel and can remove the red by buyer request to bring this set to natural steel. ...