194 results for "maki-e lacquer"

Japanese, Taisho period. A very fine quality Japanese lacquer tray. The tray is heavily decorated with a traditional Maki-e gold, black & red surface. Done by an expert craftsman - this round tray appears to depict a pagoda atop Mount. Fuji. The verso is adorned with 3 iron mounts and hand woven cloth...

The Design & Impact: This highly refined writing box (suzuribako) beautifully captures a lyrical Japanese aesthetic. The cover features a flowing, rhythmic composition of finely...

The Design & Impact: This exquisite antique writing box (suzuribako) beautifully illustrates an elegant, highly decorative floral composition. The exterior and the interior lid (...

A Japanese four-case inro stringed together with a silk cord of a carved wood Ojime and a carved ivory netsuke circa 19th century of Edo period. This fine piece was made in collabora...

The Design & Impact: This exceptional writing box, known as a suzuribako, captures the elegant spirit of traditional Japanese court culture. The cover features a stunning "Momiji...

A very fine Japanese lacquer tebako, box for personal accessories, in the form of rolled bolts of brocade fabric, Meiji Period, late 19th century, Japan. The box is whimsically shap...

The Design & Impact: This elegant writing box (suzuribako) beautifully captures a tranquil, naturalistic scene of water birds resting among delicate reeds and blooming flowers. T...

A large rectangular tray with scalloped corners and slightly raised gallery rim circa late 19th century to early 20th century (end of Meiji period). The center image showcases a live...

The Design & Impact: This majestic writing box (suzuribako) showcases a breathtaking, classical Yamato-e style composition. The design features elegant chrysanthemums and flowing...

A simple and elegant Japanese lacquer hibachi stand with imperial chrysanthemum mon and copper liner, now modified as an usubata, late Meiji Period, ci...

The Design & Impact: This exquisite writing box (suzuribako) captures the breathtaking beauty of wild cherry blossoms (sakura) blooming across a mountainous landscape. The lid fe...

The Design & Impact: This extraordinary antique incense box (kobako) is a breathtaking example of aristocratic Japanese aesthetics. The lid feature...

The Design & Impact:This magnificent antique writing box (suzuribako) beautifully illustrates an auspicious scene of mandarin ducks resting by a stream beneath an ancient plum tr...

This exquisite Meiji-period lacquer document box known as a ryoshibako showcases the meticulous artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vi...

The Design & Impact: This elegant Wajima lacquer chōshi features a dramatic composition of crashing waves striking against rocky forms, rendered in raised maki-e. The sweeping curve...

The Design & Impact: This extraordinary mid Edo period writing box (suzuribako) represents the absolute pinnacle of aristocratic samurai aesthetics. The cover is masterfully deco...

The Design & Impact: This exquisite Edo-period writing box (suzuribako) beautifully illustrates a lively and heartwarming natural scene. The cover features a dynamic composition ...

The Design & Impact: This striking round writing box (suzuribako) immediately commands attention with its vibrant red lacquer canvas. The exterior and interior are beautifully de...

Japanese Meiji Miniature Gold Maki-e Ceremonial Sake and Dining Set An unusually detailed miniature Japanese ceremonial sake and dining service from the Meiji period, circa 1880–190...

The Design & Impact: This incredibly rare, multi-layered writing box (kasane suzuribako) perfectly encapsulates the deep sense of ceremony and refined aestheticism of the tradit...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

The Design & Impact: This extraordinary matched set of a document box (ryoshi-bako) and a writing box (suzuribako) exemplifies the restrained, aristocratic elegance of Kyoto lacq...

A large maki-e presentation tray from the Meiji period. This is an extraordinary presentation rectangular tray created in the Imperial Japan period during the pinnacle of the Meiji ...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

Suzuribako (writing box) in black lacquer, rectangular in shape, with a gold lacquer (maki-e) decoration of a pavilion by the edge of a waterfall and a mountain river surrounded by v...

This Meiji period kashiki candy dish presents a graceful and dignified presence. The rounded form is finished in two deep red lacquers arranged in a radiant pattern, accented with el...

The Design & Impact: This extraordinary writing box (suzuribako) exudes the dignified elegance of classical Imperial commissions. The cover features a highly refined, classical c...

The Design & Impact: This elegant round writing box (suzuribako) presents a breathtaking vision of Horai, the mythological utopian realm of eternal joy. The cover features a highly complex, balanced circular composition of intertwining hosoge (imaginary auspicious Buddhist flowers...

A Japanese lacquered tea caddy (known as Natsume) with fine Maki-e decoration circa 18-19th century Edo to Meiji period. The large-sized nat...

The Design & Impact: This elegant document box (fubako) beautifully captures a dynamic and poetic natural landscape. The cover features a sophisticated diagonal composition depi...

The Design & Impact: This exquisite set of four antique rectangular plates (meimeizara) features an elegant, elongated silhouette and a beautifully cohesive composition. The desi...

Inrô in gilded lacquer according to the takamaki-e, hiramaki-e and kirigane techniques, with five squares of a mountain lake landscape. On the first side, there is a man on horsebac...

The Design & Impact: This extraordinary set of ten plates (meimeizara) presents a breathtaking journey through the traditional Japanese seasons. Each plate features a unique, hig...

One of the finest Japanese Maki-e Suzuribakos (ink box) we have on offer, the roiro color box showcases an ambient nocturnal scene in which two shakudo inlaid crows perched on the ha...

Suzuribako, or writing box, of rectangular shape, decorated with an imposing architecture realized in hira maki-e lacquer, probably a palatial structure, situated beside a waterfall...

Set of bundai, ryoshibako and fudebako in wakasa lacquer with an old rose background and black traditional Japanese patterns. The saya pattern (or sayagata) is composed by Chinese svastikas. This symbol linked to Buddhism, mean intelligence, power and peace. It is a good omen sign. The kanoko pattern reminds stains on fawn back. The sakura (cherry blossom) pattern is emblematic of Japan. The blossoming in a short time marks spring beginning and is a symbol of renewal and ephemeral beauty. There are also traces of calligraphy brush, in reference to the function of the objects. Bundai is a low table used to put books or scrolls and, later, to write. Rectangular ryoshibako (letter and document box) with a slightly domed Fudebako (pencil case) of rectangular format very narrow in its length with two rounded corners, flat cover. Wakasa lacquerware...

This magnificent hibachi (charcoal brazier), likely custom-made to order, exemplifies the pinnacle of Japanese lacquer artistry of the 19th century. Carved from solid wood with a ric...

A large circular plate with a short stem base in Vermillion lacquer color from Late Meiji Period circa end of 19th century to early 20th century. ...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

This Japanese antique low table features a scattered fan motif and is a type of zataku (low table), historically used for meals, tea ceremonies, and other seated activities. Lacque...

Set of bundai, ryōshibako and fudebako in wakasa lacquer with an old rose background and black traditional Japanese patterns. The saya pattern (or sayagata) is composed by Chinese svastikas. This symbol linked to Buddhism, mean intelligence, power and peace. It is a good omen sign. The kanoko pattern reminds stains on fawn back. The sakura (cherry blossom) pattern is emblematic of Japan. The blossoming in a short time marks spring beginning and is a symbol of renewal and ephemeral beauty. There are also traces of calligraphy brush, in reference to the function of the objects. Bundai is a low table used to put books or scrolls and, later, to write. Rectangular ryōshibako (letter and document box) with a slightly domed Fudebako (pencil case) of rectangular format very narrow in its length with two rounded corners, flat cover. Wakasa lacquerware...

A large circular plate with a short stem base in Vermillion lacquer color. The surface was decorated with a stunning maki-e picture that depicts a...

An assemble of four lacquerware sake cups from Meiji period Japan circa late 19th century. The shadow cups on an elevated stem were used by the nobles during ...

A fan shape black lacquer tray from Japan circa 1910-30s, late Meiji to early Showa era. Elaborated decorated with a bundle of yomogi blossom in a very fine Maki-e technique using both gold and silver powders. There is a Japanese symbol on the top left, which represents yomogiu, stemming from yomogi (蓬), a wild plant that belongs to the chrysanthemum family and widely grown in Japan. This name yomogui is from a scene in the Tale of Genji...

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

Suzuribako box (empty) in black lacquer. Gold maki-e decoration of a river bordered by peonies, one with red highlights. The edges of the lid are in gold lacquer. Nashi-ji interior.

A finely decorated set of 3 red lacquer sake cups, sakazuki, featuring views of Mt. Fuji, Meiji period, circa 1900, Japan. The lacquer sake cups, called sakazuki, of traditional p...

material: lacquer pain, metal frame with wood box The Kokkokai is a group of maki-e artists formed in 1931 around Matsuda Gonroku, a Living National Treasure and Japan's proud maste...

An antique Japanese table with inlaid mother-of-pearl (Raden) and gold maki-e over brown lacquer. Japan, late Edo period, possibly earlier. Raden (螺鈿) is a traditional Japanese dec...

Two compartments inrô in black lacquer, hira maki-e and mother-of-pearl inlay on a hirameiji background, decorated with a bouquet of chrysanthemums in a small purse, a hoe on the other side, and a fluttering butterfly which can be found on both sides. The interior is in hirameiji lacquer. The ojime is a drum made out of black lacquer and ivory with a mother-of-pearl inlay. The Manjû netsuke...

An impressive and unusually shaped Japanese lacquered box, bearing the gold crests of the prestigious Tachibana samurai clan. This elegant piece dates to the late Edo to early Meiji ...

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer. Maple leaves (Momiji) are celebrated in literatur...

The Design & Impact: This refined Wajima lacquer vessel by Kikuji Nakao combines a bold, contemporary composition with the elegance of traditional Japanese lacquer decoration. Across...

A Japanese roiro lacquer scholar combo box with an upper tier of inkstone box (Suzuribako) and a lower document box (Ryoshibako) circa 1910-30s (end of Meiji to Showa period). The high glossy box was beautifully decorated with an image of the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...

A Japanese lacquered wood sake ewer with maki-e design, circa late 19th century, Meiji period. The nicely decorated lacquerware is of a Classic sake ewer for...

Inrō with four boxes in black and gold lacquer, representing a person in a pavilion in a snowy landscape with mountain on the background. Realised in maki-e on black lacquer with sma...

Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...

Japanese Lacquer Rhino Sculpture by Someya Satoshi (1983-). A hand-molded lacquer sculpture that depicts a fantasy beast "Rhino". The artist uses century-old traditional techniques and symbols but with an innovative contemporary energy that borders mysticism, shamanism and surrealism. Found objects were equally treated as part of the meticulous designs as the elaborate Maki-e and shell inlays. According to the press of Honolulu Museum of Art: "Someya Satoshi has been described as “one of the most significant contemporary lacquer artists working in Japan today.” (Japan Times, 12 Dec. 2013) His work combines objects of daily use, such as bathing buckets, serving trays, and soup bowls, with a wide array of natural materials, including animal bones, horns and antlers, sand, stones, leaves and branches. In the process, he implements a range of traditional lacquer methods passed down from pre-modern eras, such as the kanshitsu or “dry lacquer” technique, the origins of which date to Japan’s Nara period (710–784). After creating his forms, he embellishes them with designs inspired by calligraphy, traditional Japanese textile patterns, and even contemporary manga or comic books. His work defies ordinary definitions of lacquer art and successfully challenges the perceived limits of this extremely difficult and, in some ways, most conservative of traditional Japanese art forms". His work was exhibited in US such as Honolulu Museum of Art, Minneapolis Institute of Art, Morikami Museum etc. For a complete resume of the artist, see the artist's page in Imura Art Gallery. Reference: For a very similar Bull Sculpture see Hard Bodies Contemporary Japanese Lacquer...

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

The Design & Impact: This refined four-tier round jubako from the Edo period is compact in scale yet exceptionally elegant in detail. Repeated crane crests are carefully arranged acr...