399 results for "gobelins"

An antique 17th century Brussels mythological tapestry, size 11'6 H x 10'8 W, from the workshop of the renowned weaver, Jan Leyniers, after cartoons by Charles Le Brun...

Signed oil on canvas seascape circa 1935 by French post impressionist painter Achille-Emile Othon Friesz. The piece depicts a view of La Grand Bé, an uninhabited tidal island located...

This is a beautiful antique French Louis XV Revival ormolu mounted king wood, burr walnut and floral marquetry shaped rectangular console / card table, circa 1870 in date. The shape...

Louis XVI Style, Canape or Settee, Tapestry, Walnut, France, 20th c. A walnut salon settee from 20th century France in the Louis XVI style. A canape en corbeille settee having figur...

Introducing the latest creation from Vintola Studio, the stunning chair designed by Ola Szewczul in 2024. This chair is a masterpiece of modern design, combining elegance with except...

Roger Lersy, French (1920 - 2004) Painting on paper (not sure if this is watercolor, acrylic or oil, the paper has a velvet finish and texture to it and there is some texture to the ...

Monumental Museum tapestry/Gobelein 17th century Battle scene Alexander the Great and Darius III Persian King The characters are depicted in life size. An absolute museum unique. Dimension: 530x320 cm Description: Monumental tapestry...

This is a wonderful antique French Gonçalo Alves marquetry and ormolu mounted casket, circa 1860 in date. The casket of bureau form has a lift up top and is inlaid with a marquetry ...

A charming example of refined French decorative art, this petite cut crystal vase with gilt bronze mounts beautifully captures the elegance of 19th-century craftsmanship. The vase fe...

Aubusson tapestry is tapestry manufactured at Aubusson, in the upper valley of the Creuse in central France. The term often covers the similar products made in the nearby town of Felletin, whose products are often treated as "Aubusson". The industry had probably developed since soon after 1300 in looms in family workshops, perhaps already run by the Flemings that are noted in documents from the 16th century. Aubusson tapestry of the 19th century managed to compete with the royal manufacture of Gobelins tapestry and the privileged position of Beauvais tapestry, although generally regarded as not their equal. As with Flemish and Parisian tapestries...

This is a superb antique Victorian ormolu mounted burr walnut and wood floral marquetry inlaid credenza, circa 1860 in date. The shaped top above a pair of panel doors inlaid with f...

Pierre Adrien Chabal-DUSSURGEY (1819-1902) Designer - BEAUVAIS TAPESTRY MANUFACTORY Maker - Important Antique Louis XVI style floral tapestry settee back fragment - the floral tapestry finely woven in wool and silk threads with garlands and swags and tassels - all centered by a powder blue ground cartouche with white roses within an oval frame - suitable for framing - France - circa 1855. Excellent antique condition - minor fading and loss - areas of wear/thinning - no apparent restoration - minor stains and soiling with signs of age and use. Size/dimensions - 35" (91.5 cm.) wide x 24" (61 cm.) high. Pierre Adrien Chabal-DUSSURGEY - born Pierre Adrien Chabal in 1819 in Charlieu and adopting the professional name of CHABAL-DUSSURGEY - well known for his paintings and studies of flowers in gouache and oils - attended the School of Fine Arts in Lyon - exhibited at the Paris and Lyon salons - he worked with the Gobelins Tapestry Manufactory and the Beauvais Tapestry Manufactory after 1849 designing tapestries, rugs and tapestry covers for seating - he designed tapestries for the Élysée Palace and worked with Empress Eugenie on furnishings for the small salon at the Élysée Palace and two salons in the palace of the Empress in Biarritz - tapestry covered furniture...

This is a wonderful antique late 18th century Dutch burr walnut and marquetry bombe' bureau. It has been accomplished in burr walnut, with exquisite hand cut floral marquetry typica...

Museum-Scale Sand-Etched Glass Wall Plate by Jean Picart Le Doux, France, 1950s. Exceptional museum-quality sand-etched glass wall panel by Jean Picart Le Doux, created in France du...

72780 Late 19th Century Antique French Aubusson tapestry wall hanging. This antique French Aubusson tapestry with French Romanticism is a work of art. The historic worth far exceeds ...

This is a gorgeous antique Victorian burr walnut and marquetry inlaid enclosed Canterbury circa 1870 in date. The grain of the burr walnut is truly beautiful. It features a hinged...

WEISBUCH, Claude. Oil on Canvas Framed size: 39” H x 28” W Canvas, without frame: 32” high x 21 ¼” wide. Carved wooden frame with antique gold-leaf finish Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

77024, this opulent antique Turkish silk and gold Hereke tapestry with flower of the seven mountains. Featuring a central medallion of cinnamon-red floating in a cut out medallion of...

Jean Lurcat,New York, France, 1892-1966 Depicts a highly stylized, expressionist owl bird figure hidden in leaves surrounded by bright, vibrant, vivid blue, yellow, and orange colors...

This is a stunning antique walnut, marquetry and ormolu mounted Louis Revival serpentine fronted commode, circa 1880 in date. The chest has a gonzalo alves cross banded top with d...

1968 Oil on canvas, signed and dated « Mathieu 68 » lower right and titled « Sator » on the stretcher. The artwork is accompanied by a certificate by the Association “Archives Jean-M...

76744 Vintage Aubusson French Provincial Chintz Style Area Rug with Rocaille Design 07'11 x 10'02. Drawing inspiration from Mario Buatta and Chintz style, you can bring the elegance ...

A rare and charming study of cows by 18th Century French painter, engraver and designer Jean-Baptiste Huet. The details are: Jean Baptiste Huet (French, 1745 – 1811) Study of cows P...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Lion on nude figure of wo,man. Bezem was born in Essen, Germany, in 1924. H...

76928 Late 19th-Century Antique French Aubusson Verdure Tapestry, 04'02 x 06'10. This hand-woven silk and wool late 19th-century French Aubusson verdure tapestry captures the cultivated serenity of the French countryside, rendered with a softness reserved for aristocratic interiors and grand maisons. Created during a period when Aubusson ateliers mastered the art of pictorial storytelling, this extraordinary masterpiece feels less like décor and more like a window into a gentler world. Its presence carries quiet authority, the kind associated with salons, libraries, and country estates curated with confidence and restraint. The central landscape unfolds as a layered pastoral scene—rolling ground punctuated by dense foliage, flowering shrubs, and roaming fauna nestled among trees and grasses. Birds and animals appear not as focal declarations, but as integral elements of a balanced ecosystem, reinforcing the verdure tradition’s devotion to harmony between nature and human contemplation. The scene invites stillness, offering visual depth that rewards prolonged viewing rather than immediate impact. Encircling the exceptional composition, an elegant floral scroll and bird border flows seamlessly into the pictorial field, dissolving the boundary between frame and landscape. This integration is a hallmark of refined Aubusson design, where ornamentation enhances narrative rather than competing with it. Beyond this, an outer zigzag chevron border introduces rhythm and contrast, adding a subtle architectural cadence that enlivens the overall composition without disturbing its tranquility. The palette is exquisitely nuanced—variegated browns moving from deep chocolate to sun-warmed sand, softened by ecru, taupe, pale green, sage, slate blue, old gold, and muted florals of rose, lavender, and red. These tones evoke the shifting light of late summer and early autumn, lending the exquisite work of art an atmospheric richness that feels both grounded and poetic. To own this Aubusson verdure is to claim a piece of European decorative history—an object of prestige, rarity, and cultivated taste that transforms any interior into a sanctuary of timeless elegance. With its commitment to tradition and heart full of whimsy, this antique Aubusson wall hanging...

A large French 19th century oil on canvas laid on board painting in the manner of François Boucher (French, 1703-1770). The oval framed canvas depicting a version of Boucher's "Venus...

Fine tall German late 17th century Baroque walnut throne armchair with a rectangular arched padded back and seat covered in 17th century Gobelin depicting ‘Susanna and the Elders’ wi...

Mary Dambiermont (Belgian, 1932-1983) Rythme Solaire Hand woven wool tapestry Woven at Ateliers Chaudoir et marque de Bruxelles Mounted in a wood frame Mary Dambiermont (Belgian,...

Roger Lersy, French (1920 - 2004) Painting on paper (not sure if this is watercolor, acrylic or oil, the paper has a velvet finish and texture to it and there is some texture to the ...

The tapestry shown here is a magnificent example of 17th-century European artistry, likely influenced by the grand tradition of tapestry weaving that flourished in France and Flander...

77314 Vintage French Aubusson Savonnerie Design Area Rug with Regal Louis XV Style 10'00 x 14'00. Reminisce of the ceiling in the dining roo...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent ...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

This beautiful set of twelve napkins were realized in Morocco in Northern Africa. They feature hand embroidery in pale crimson with black accents depicting stylized gargoyles, sugges...

21st Century Filippo Feroldi Suspension 13 lamps Murano Glass and Brass Various Colors. Designed by Filippo Feroldi for Purho and Colleoni Arte, Magus 13 is a chandelier composed of ...

74030 Rare Antique French Aubusson Tapestry, 04’04 x 10’02. Evoking the splendor of France’s Rococo age, this handwoven wool antique French tapestry is an exquisite vision of romance, artistry, and timeless grace. Woven in the late 19th century, it draws inspiration from the pastoral tableaux of François Boucher, whose idyllic depictions of courtly leisure and bucolic charm defined the spirit of the era. Here, a young woman strolls behind a gallant flutist along a sun-dappled woodland path—an intimate moment caught in silk and wool, imbued with the tender lyricism of a love song whispered through the French countryside. Every thread speaks of heritage, mastery, and the kind of effortless elegance that only centuries of refinement could produce. The tranquil scene is a study in pastoral poetry: soft foliage, muted sunlight filtering through trees, and the rustling quiet of a timeless afternoon. The dreamlike color palette—dusty rose, celadon, gold, and faded umber—conveys the patina of history while radiating a romantic luminosity that feels alive even today. This is not simply an artifact of French décor; it is a living artwork, woven with emotion, movement, and musicality. The one-of-a-kind composition unfolds like a painting by Watteau or Fragonard—an ode to the pleasures of nature, beauty, and human connection. The craftsmanship reveals the hand of a master weaver trained in the grand Aubusson and Gobelins tradition, where textile art transcended function to become a mark of nobility. Each precious weave captures tonal nuance and painterly shading with breathtaking precision—a feat achieved only by ateliers devoted to the highest standards of European artistry. This tapestry once would have graced the walls of aristocratic salons and manors, its presence signaling sophistication, education, and cultured taste. Today, its survival stands as a testament to both its quality and its enduring charm. To own such an exquisite work of art is to inherit a fragment of France’s artistic legacy—a portal to a world of refinement and reverie. This antique pastoral tapestry...

50213 Vintage Turkish Oushak Rug with with French Chalet Style. Disarming and bursting with floral beauty, this hand-knotted wool vintage Turkish Oushak ...

La Tapisserie Gothique, par Manufacture Nationale des Gobelins, by E. Planès, Directeur de la Manufacture Nationale des Gobelins. Published by Albert Morancé...

51138-51139, pair of vintage Turkish Oushak runners with romantic French Chateau style. Disarming and bursting with floral beauty, this pair of vintage Turkish Oushak runners feature...

76922 Round Vintage Indian Rug, 08'00 x 08'01. This exceptional hand-knotted wool vintage Indian round rug is a study in refined balance, where classical Persian influence is reimagi...

A large scale and very high quality French 18th century Aubusson tapestry likely depicting Alexander the Great, circa 1750. The ...

Signed oil on canvas landscape circa 1930 by Gaston Balande. The piece depicts a meandering river in a green landscape. Signature: Signed lower right Dimensions: Framed: 27"x34.5" ...

Louis XV tapestry / tapestry suite, Napoleon III, circa 1880. Genuine gold leaf on solid wood. Hand-carved wooden body. Very old and decorative French sofa set...

Louis XVI Style, Salon Suite, Tapestry, Walnut, France, 20th c. A walnut salon suite from 20th century France comprising of a sofa and four armchairs in the Louis XVI style. Five pi...

Rectangular tabletop with marbles and hard stones. Inspired by Italian models of the XVI-XVII centuries. The vein of a particular stone has been highlighted by placing it in the cent...

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

Jean Lurcat ( 1892-1966 ) “LE BOUC BLEU” Aubusson tapestry Mid-century polychrome hand wool woven tapestry represents a Goat in foliage surmounted by a flying insect. Jean Lurçat...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.  ...

Signed oil on board landscape circa 1902 by French Post Impressionist painter Maximilien Luce. The work depicts a view of Mereville, a former commune in the Essonne department in Île...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent ...

This superb German Old Master still life oil painting is attributed to circle of Johann Amandus Winck and also shows the influences of the Dutch Old Masters. Painted circa 1780 the p...

Signed and dated oil on canvas seascape by French post impressionist painter Achille-Emile Othon Friesz. The piece depicts a view of Le Havre, a port city in Normandy, France, locate...

Vintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts two women in a garden in Gisors - a commune in the French depar...

Maurice Brianchon (French 1899-1979) Interior scene (backstage at the theater) Watercolor and gouache on paper Signed lower right “Brianchon” Frame measures 16 X 17.5. Sight Size 8.5...

Louis XVI Style, Four Armchairs, Tapestry, Walnut, France, 20th c. Four walnut salon suite armchairs in the Louis XVI taste. Each fauteuil features figural tapestry upholstery in th...

French Art Deco low table, circa 1938, designed by Jean-Charles Moreux and executed in cerused oak with travertine marble top. 31” wide x 19” deep x 20” high. JEAN-CHARLES MOREUX (1889-1956) French architect and designer Jean-Charles Moreux was born in 1889 at the Chateau de Joncy in Saone-et-Loire. He studied at l’Ecole de Beaux-Arts in Paris (1914-22) where he spent the period during World War I working on the preservation of works of art. While attending l’Ecole he became friends with the architect Jean Lurcat and his brothers, Andre and Paul Vera. In 1924 he exhibited his first pieces of furniture at the Salon d’Automne. He had a preference for poetic living spaces and felt that people deserved better than Corbusier’s “machines for living in”. He was anxious to introduce aspects of the marvelous into architecture and living spaces. His creations drew upon the classical, baroque, and rococo styles. Moreux’s well-known clients included the Baron Robert de Rothschild and Bolette Natanson...

Poster project for the "XVe Salon des Artistes Décorateurs" by Jean DUPAS (1882-1964) Original drawing Pencil, with highlights of gouache Signed "Jean Dupas" Dated "1924" Dedicated ...

Early 18th Century Louis XIV/Régence Carved Oak stool or Tabouret Square and upholstered seat resting on a shaped apron with c-scrolls, leafs and central shell motifs. The four legs are carved as square balusters decorated with flower garland carving and joined by a x-shaped stretcher with curvy braces and a central square with a paterae motif. Carved oak. Upholstered with modern gobelin fabric...

André Arbus (1903–1969), French cabinetmaker and decorator, is renowned for his refined neoclassical style that blends elegance and tradition. Trained at the École des Beaux-Arts and...