1,526 results for "lisbon"

This minimalist table is crafted from a single material — high-quality Red Travertine. It features a softly curved-edge top resting on four cylindrical columns that taper slightly, g...

SIGNED J.J.B.L.M - 16 a 22 RN Desterro Lisbon to face, this barometer is a very Rare and unusual mid-19th century polished brass marine barometer mounted on a gimble, the steel face ...

When it comes to Luc bar stool, the playing field is the cross-section where functional design and craftsmanship of the highest quality meet art. This chair is made of solid oakwood ...

The iconic miami armchair combines clean lines with soft upholstery resulting in an effortless Modern classic that is perfectly proportioned. Here seen in an Orange Faux leather back...

Lisbon #21 Triptych 2022 Available Sizes: Edition of 5: 80 x 240 cm or 3 parts x 80 x 80 cm For additional sizes and pricing details, please contact the gallery. This dynamic tri...

A brass and off-white resin coated fabric pendant light attributed to Josef Frank for Svenskt Tenn, Sweden, c. 1960s. Patina brass. Moderate to heavy wear to parchment consistent w...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

A very fine and large French 19th century Louis XV style ormolu mounted (gilt bronze) kingwood and walnut bureau plat by H. Conquet after a model by Charles Cressent. The shaped rect...

Catus dinner table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Like a warm embrace, Charlie armchair welcomes you to stay within and relax. An elevated homage to postmodern design that radiates through its unusual proportions and strong curves w...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dram...

Carved from a limited edition Verde Viana marble — a very rare Portuguese stone sourced from a now-closed quarry. Our Kora Bath is conceived as a singular, immersive object, somewher...

Large Museum Scale Surrealist Composition Dalí Circle Catalan Painting 1987 Artist: Antoni Pitxot Birth–death: Figueres, 1934–2015 Title: Battle of Constantine Series Date: 1987 Technique: Oil on canvas Dimensions: 100 × 100 cm (39.4 × 39.4 in) Signature: Signed and dated “pitxot 87” lower right Condition: Excellent overall condition Frame: Unframed Provenance: Private collection, Barcelona DESCRIPTION Important large-scale surrealist oil painting executed in 1987 by Antoni Pitxot, one of the closest artistic collaborators of Salvador Dalí and a central figure within the visual universe of the Dalí Theatre-Museum in Figueres. This powerful 100 × 100 cm composition belongs to Pitxot’s Battle of Constantine series, one of the artist’s most ambitious narrative cycles. In this work, his unmistakable geological figuration becomes a theatrical surrealist battlefield, where mineral forms, latent human presences, fossil memory and Mediterranean landscape merge into a monumental symbolic construction. Pitxot’s mature paintings are instantly recognizable for their transformation of stones into anthropomorphic figures and metaphysical architectures. Rather than depicting a conventional landscape, the artist creates a stage of petrified forms, suspended between archaeology, sculpture, mythology and dream imagery. The work is especially strong for its museum-scale square format, its dramatic vertical construction and its direct connection with the Dalí circle. Large paintings by Pitxot with this level of compositional complexity are considerably less common than his smaller cabinet-format works and are particularly attractive for collectors of Spanish surrealism, Catalan modernism, European surrealism and artists connected to Salvador Dalí. A major statement piece with exceptional wall presence, ideal for an important private collection, curated interior or collector focused on late twentieth-century European surrealism. ARTIST BIO Antoni Pitxot (Figueres, 1934 – Cadaqués, 2015) was a Catalan painter and one of the most significant artists associated with Salvador Dalí’s late artistic environment. Born into the historic Pichot family, closely linked to the artistic life of Cadaqués, Pitxot studied drawing in San Sebastián under Juan Núñez, who had also been Dalí’s teacher. During the 1950s and early 1960s he exhibited in Barcelona, Madrid, Bilbao and Lisbon before settling permanently in Cadaqués in 1966. From that moment, he developed his mature and highly distinctive pictorial language based on the rock formations of Cap de Creus. Pitxot collected stones from the coast, arranged them in his studio as sculptural constructions, and then transformed them into oil paintings populated by anthropomorphic mineral figures. His friendship and artistic collaboration with Salvador Dalí became central to his career. Dalí dedicated a permanent gallery to Pitxot’s work inside the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Choux armchair is proportional and sculptural, perfectly made to the human scale. It gathers strong upholstered shapes lightly supported on elegant stan...

A sculptural dining table designed and made by My Habitat Design, a Lisbon and Amsterdam–based studio, carved from a very rare green, grey, blue and cream veined marble. Defined by i...

The Bloom Chandelier renders an abstract Banana blossom in hand blown glass. An elongated teardrop is topped by three glass leaves in varied colors and capped by a crown of stacked ...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Vintage cognac leather Pangolin Sofa by Egg Designs care of Greg and Roche Dry. While the company is originally from South Africa, all production is overseen in Lisbon, Portugal. Thi...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Frame Miroir Small Wall Lamp by Violaine d'Harcourt Dimensions: D 11 x W 24 x H 35 cm. Materials: Lacquered steel and paper. Wall light in lacquered steel, made in Portugal, bulb in...

Kipp Soldwedel (American 1913-1999) "Operation Sail" oil on canvas Very rare painting depicting the arrival of all tall ships taking part of the New York Harbor Event in 1964 and Celebrating the Birth of America. Framed with brass nameplates for all the vessels / ships. President John F. Kennedy coined the name for the event. The name 'Operation Sail', was to be used again in 1976, 1989, 1992 & 2000. The painting is a water-level view of the International fleet, USS Forrestal aircraft carrier in background, and Statue of Liberty to the right. This was painted in 1976. Signed lower right. Verso signed, inscribed with artist's copyrights and dedicated lower right. Please note this painting hung in the Rotunda of the Statue of Liberty Monument on Liberty Island, New York Harbor on July 4, 1988. Without frame measuring 48" high by 70" wide. With frame: 58" high x 80" wide Marine artist Kipp Soldwedel studied fine arts at Yale University and was awarded four Beaux Arts medals. He received a scholarship to the American Academy in Rome. During World War II, he was a flight instructor and meteorologist for the United States Air Force. Kipp Soldwedel is most well known for his maritime battle scenes though he did paint over 150 portraits of celebrities. His illustrations appeared in magazines such as National Geographic, Time, Life, and Town and Country. Many of his paintings depicted the tall ships. He was the known as one of the greatest modren masters of Marine Paintings. 1964 The first Operation Sail event, a tie-in with the New York World's Fair, brought tall ships from around the world to New York Harbor for a grand parade of sail up the Hudson, led by the USCGC Eagle as the host ship. Many of the vessels raced from Plymouth, England, to Lisbon, Portugal, before setting off on a 3,000-mile transatlantic journey to Bermuda and then a 630-mile northwest run to New York. The event also featured lifeboat races, a ticker-tape parade up Broadway honoring seamen of every participating nation, and two grand balls. Mayor Robert Wagner proclaimed that week in July to be "Operation Sail Week," and Secretary of...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

NEW Sideboard Bella, inspired on the movie " Poor Things " by Yorgos Lanthimos, this piece mixes styles and is visually striking like the movie. The side...

About this work: “Mascara (Mask), 2000” by Justino Alves (Portuguese, 1940-2015). A magnetic work by one of Portugal’s most distinguished postwar painters. This painting has all of ...

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

Antique map Portugal titled 'A Map of the Kingdom of Portugal'. Detailed map of Portugal, published for the 'Gentleman's Magazine'. Artist...

The Traditional Portuguese Queen Earrings in Yellow Gold are a splendid example of the intricate art of filigree, a technique highly esteemed in Portugu...

This artwork titled "The Provocateur, Chicago" 2014, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is h...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 17th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

This minimalist desk is crafted entirely from natural travertine, designed to make a bold yet refined statement in any space. The organic, flowing shape of the desktop is balanced by...

This impressive royal sedan chair, dating to the 18th century, was designed for transporting royalty and high-ranking nobility in Portugal. Constructed from finely carved wood, it is...

The Bloom Chandelier renders an abstract Banana blossom in hand blown glass. An elongated teardrop is topped by three glass leaves in varied colors and capped by a crown of stacked ...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

Scandia Nett Swivel / Easy Chair by Hans Brattrud Swivel chair in laminated lacquered oak or walnut, fully coloured veneer or with light edges. Satin chrome or black swivel base. M...

Cassina, sculptural walnut rocking lounge chairs model 572 with ivory Kalgan lambskin channeled cushions on Pirelli webbing, Italy, 1955. These exquisite modernist rocking chairs ha...

Genre: Contemporary Subject: Abstract Medium: Mixed Media, Collage Surface: Paper Country: Spain Dimensions: 14" x 11" Dimensions w/Frame: 15" x 12" Alejandra Icaza Born in Bilbao,...

Tiles Line Cream Ceramic Decorative Wall Lamp by Violaine d'Harcourt Dimensions: D 5,4 x W 14 x H 29 cm. Materials: Ceramic. Wall light made in Portugal in collaboration with Dutch ...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

This chest on chest is of rectangular form in two sections. The upper section has twelve similar drawers in four registers and carrying handles on the sides. The base has a pair of frieze drawers above a single deep drawer, disguised as a pair, with four handles and flanked by carved Nagini whose monopodia scroll supports are raised on blocks to form the feet. The whole piece is decorated with an overall pattern of interlaced stars and circles embellished with ebony and ivory dots and is applied with brass handles and lock escutcheons. Goanese, circa 1800. This contador blends the traditional form of Western...

Watercolor on paper, sheet measures 12 x 17.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri worked...

S2 Coffee Table in Brushed Aluminium by Giotto Pagani. Dimensions: W 110 x D 110 x H 30 cm Materials: Non directional brushed finish aluminium. Belonging to the Subversive Angles se...

Coolest Isabel Marant Beslay ankle boots. Unworn. Made from taupe punched suede, they have zip back with tassel trims and lightly distressed rubber soles and signature hidden wedge h...

Rafael Duran Benet (1931-2015) - Sevilla - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, n...

Abstract oil on canvas painting by Ivan Freitas. 25" x 31" inch canvas, framed to 30" x 36". It is signed at the lower right. Bearing a Barcinski Art Gallery label verso and a second label stating that the painting was sold in 1961 at a benefit auction for the Albert Einstein Hospital held at the Museum of San Paulo. Ivan Freitas was a Brazilian Postwar & Contemporary painter and Muralist (1932-2006) Son of muralist Severino Araújo, Ivan started painting as a self-taught artist. His first individual exhibition was at the Public Library, in 1957. With the success of the exhibition, he was able to move to Rio de Janeiro the following year, in 1958, where he came into contact with the work of artists such as Salvador Dali and Rene Magritte who influenced him. Between 1962 and 1963 he resided as a fellow in Paris. Between 1969 and 1972, he was on his second tour abroad, in New York City and commissioned by the International Telephone and Telegraph Corporation. Back in Brazil, he painted a mural of over a thousand square meters on the external wall of the National School of Music in Rio de Janeiro in 1984 - the first of the Arte nos Muros Project. Still in the 70s, he married Dalva Mendes Gall whom he left after his death in 200, an extensive collection where one can find all the best works of this renowned Paraiba artist in Brazil and abroad. The stay in New York, from 1969 to 1972, was perhaps the greatest turning point in Ivan's career. Until then, according to art critic Roberto Pontual, the plastic artist followed "a phase of abstraction close to the informal". In the United States , with so much technological influence around him, Ivan becomes interested in the machine and its movement mechanisms and inserts these perceptions in his works, as kinetic constructions with small motors hidden in boxes as Pontual defines, and also and triggering light patterns in cyclic and repeated series. (similar to the Op Art works of Julio le Parc and works by Yves Tinguely being shown at Rene Denis Gallery in Paris In 1968, the magazine Galeria de Arte Moderna (GAM), published an article entitled Ivan Freitas and the Cosmic Space. In the Brazilian Dictionary of Plastic Artists , the Italian art critic Giuseppe Marchiori refers to Ivan Frentas as someone who "controls and dominates each part of the painting with a desire to deepen the image that surprises and enchants". Still according to the critic, Ivan is someone who preserves the mystery in the harmony between lines and the colorful atmosphere, where he creates pauses and rhythms for the reading of his "secret structures". Arte Neo Concreta artists Lygia Clark, Helio Oiticica and Lygia Pape, were all contemporaries The poet Ferreira Gullar writes: "Freitas does not turn to the subjective world, does not inquire into the arcana of the unconscious; he inquires into the future and, in the solitude of his paintings, promises us a serene and orderly world. And, if in his landscapes man does not appear, it is not that this order excludes him - it is that he has not yet reached it. " Selec Solo Exhibitions 1957 - João Pessoa Public Library; João Pessoa, PB. 1960 - Ivan Freitas: Painting Exhibitions , at the Penguin Gallery; Rio de Janeiro - RJ. 1961 - MAM-BA , Salvador , BA. 1962 - Rubbers Gallery; Buenos Aires , Argentina . 1962 - La Cabana Galeria; Trieste , Italy . 1962 - Brazil-United States Cultural Institute; Rio de Janeiro - RJ. 1962 - Brazil-Uruguay Institute; Montevideo , Uruguay . 1962 - Barcinski Gallery; Rio de Janeiro - RJ. 1963 - Galleria Del Canale, Naples , Italy. 1963 - Ivan Freitas: Paris 1963, at the Barcinski Gallery ; Rio de Janeiro - RJ. 1964 - Barcinski Gallery; Rio de Janeiro - RJ. 1966 - Relief Gallery; Rio de Janeiro - RJ. 1968 - Relief Gallery; Rio de Janeiro - RJ. 1969 - Pan American Union; Washington , United States. 1971 - Miramar Gallery; New York, United States. 1971 - Bloomingdale's Art Gallery; New York, United States. 1973 - Individual, at Galeria Bonino; Rio de Janeiro - RJ. 1973 - Galeria Collection; São Paulo , SP. 1974 - Ivan Freitas: Paintings / Objectives , at the Rio de Janeiro Art Exchange; Rio de Janeiro - RJ. 1975 - Arte Global Gallery; São Paulo-SP. 1976 - Ivan Freitas: Paintings / Space / Movement , at Galeria Ipanema; Sao Paulo-SP. 1977 - Paulo Prado Gallery; Sao Paulo-SP. 1978 - Paraíba State Cultural Foundation; João Pessoa, PB. 1979 - Gallery B. 75 Concorde; Rio de Janeiro - RJ. 1980 - Individual, at Galeria do Sesi; Sao Paulo-SP. 1980 - Paulo Prado Gallery; Sao Paulo-SP. 1986 - Ivan Freitas: The Reinvented Landscape , at Galeria Arte Aplicada; Sao Paulo-SP. 1987 - Applied Art Gallery; Sao Paulo-SP. 1989 - Evasion Arte Gallery; Sao Paulo-SP. 1994 - GB Arte Gallery; Rio de Janeiro - RJ. Select Group Exhibitions 1959 - 8th National Salon of Modern Art; Rio de Janeiro - RJ. 1960 - 9th National Salon of Modern Art; Rio de Janeiro - RJ. 1961 - 10th National Salon of Modern Art - jury exemption and critical award; Rio de Janeiro - RJ. 1961 - 6th São Paulo International Art Biennial , at the Ciccilo Matarazzo Pavilion; Sao Paulo-SP. 1963 - Art from America and Spain; Europe . 1963 - 2nd Youth Biennial; Paris, France. 1963 - 7th São Paulo International Art Biennial, at the Fundação Bienal; ; Sao Paulo-SP. 1964 - 2nd Art Summary of Jornal do Brasil, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Current Brazilian Art; Bonn , Germany . 1965 - Current Brazilian Art; London , England . 1965 - 1st Esso Young Artists Salon, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Opinion 65, at MAM / RJ; Rio de Janeiro - RJ. 1965 - 1st Esso Salon of Young Artists, at MAC / USP; Sao Paulo-SP. 1965 - 8th São Paulo International Art Biennial, at the Fundação Bienal; Sao Paulo-SP.* 1965 - Current Brazilian Art; Vienna , Austria . 1966 - 5 Contemporary Painters from Brazil; Buenos Aires, Argentina. 1966 - 5 Contemporary Painters from Brazil; Montevideo, Uruguay. 1966 - 1st National Biennial of Plastic Arts; Salvador BA. 1967 - 9th Bienal Internacional de Arte de São Paulo, at the Bienal Foundation; Sao Paulo-SP. 1968 - 2nd Esso Young Artists Salon, at MAM / RJ; Rio de Janeiro - RJ. 1969 - 7th JB Art Summary, at MAM-RJ ; Rio de Janeiro - RJ. Local de realização:(Brasil / Rio de Janeiro / Rio de Janeiro) Instituição de realização:Museu de Arte Moderna do Rio de Janeiro, Ficha Técnicado evento Resumo de Arte JB Artista participante: Anna Letycia, Darel, Farnese de Andrade, Fayga Ostrower, Flexor, Frans Krajcberg, Ione Saldanha...

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Sahara sofa by Noé Duchaufour Lawrance Sofa 3 seats + 2 tops Dimensions: W 416.3 x D 158.5 x H 83.8 cm Materials: Leather or fabric, black aluminium powder, coat structure, wood base, leather back panels. The design of the ‘Sahara’ sofa evokes the gorgeous interior of a desert nomad’s tent opening onto the starry sky. Leather, fabric and wood blend together into a warm combination. The seat and back cushions look like independent elements casually arranged on the supporting platform. The appealing base extends to one end to create a convenient side table available in a range of sophisticated finishes, from glossy marble to cool terrazzo. The platform and seat are joined only by a vertical element with rounded edges inspired by the curved lines of the Sahara nomad’s traditional khaima tents. Sahara is available in several configurations — three-seater, four-seater, daybed, etc. Designed for hospitality. Biography: Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design. Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the centre of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta.) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the IDEA of a total, multidisciplinary art is vital for contemporary creation. Education: 1992-1997 École nationale supérieure des arts décoratifs, Furniture Department, Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA, Paris Interior design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD Intérieurs exhibition, Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad, Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009-2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech, project cancelled, up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store, Via statuto Milan, Italy Senderens, Restaurant, ex-Lucas Carton for Alain Senderens, 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza, Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the Designers Days, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the Crystallized Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the Designers Days, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for Dior Maison Creation of furnitures and lights for Zaozuo editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for Hermes Maison, presented at Milan Salon "Mediterranea" Lamps for Petite Friture "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for Petite Friture 2014 "Market" Chair for Petite Friture "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for Tacchini "Arom" Armchair for Zanotta "Le Noé" Knife for Perceval "Ciel" Armchair for Tabisso " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for Petite Friture “Fluid” lamp for Forestier 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for Galerie Bsl: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for Marcel by “Monk” coffee table for PleyeL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for Forestier 2011 “Duales” tables for ST LUC “Plis” rug for Chevalier Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for Chevalier Editions Creation of the new women’s fragrance...

Contemporary Olival Marble Bar Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Olival marble bar cabinet draws inspiration from the sacred symb...

Volta Side Table 50 by Wentz Dimensions: D 50 x W 50 x H 55 cm Materials: Wood, Plywood, MDF, Veneer, Steel The Volta table references nature in its im...