1,711 results for "lisbon"

A blue and brown-glazed earthenware vase designed by Vicke Lindstrand and produced by Upsala Ekeby, Sweden, 1930s.

Lisbon #1 2012 Edition of 5: 70 9/10 × 47 1/5 × 1 1/5 in 180 × 120 × 3 cm Edition of 9: 23 3/5 × 15 7/10 × 1 1/5 in 60 × 40 × 3 cm For available sizes and pricing details, please...

Crafted from a single material, this sculptural coffee table features a 3 cm thick top with a soft bullnose edge, supported by three spherical stone legs. The legs are freestanding ...

This minimalist desk is crafted entirely from natural travertine, designed to make a bold yet refined statement in any space. The organic, flowing shape of the desktop is balanced by...

Lisbon #4 Triptych 2022 Available Sizes: Edition of 5 + 2 AP: 31 1/2 × 94 1/2 in 80 × 240 cm Edition of 6 + 2 AP: 23 3/5 × 70 9/10 in 60 × 180 cm For additional sizes and prici...

Jean side tables are unique in their conception. The combination of three different marbles make them a sign of unconformity and originality. The combination in the picture is in Estremoz white marble, Estremoz pink marble and Nero Marquina marble. The marbles can be combined differently. Made to Order. Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around the world while embracing the crafts heritage, creating contemporary pieces combining traditional Portuguese materials and handmade techniques producing original, high quality products. Mambo Unlimited Ideas is dedicated to furniture and upholstery. Its collection offers a comprehensive customizable furniture...

Lisbon #6 Triptych 2023 Available Sizes: Edition of 5: 80 x 240 cm or 3 parts x 80 x 80 cm For additional sizes and pricing details, please contact the gallery. In this triptych,...

A sculptural dining table designed and made by My Habitat Design, a Lisbon and Amsterdam–based studio, carved from a very rare green, grey, blue and cream veined marble. Defined by i...

Lisbon #4 2022 Available Sizes: 55 x 110 cm (21.7" x 43.3") Edition of 6 For additional sizes and pricing details, please contact the gallery. In this atmospheric triptych, Jaco...

SIGNED J.J.B.L.M - 16 a 22 RN Desterro Lisbon to face, this barometer is a very Rare and unusual mid-19th century polished brass marine barometer mounted on a gimble, the steel face ...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

A very nicely decorated plate, with an unusual combination of underglaze blue and overglaze enamels. Sharing with you this interesting and vividly painted dish, most probably from a...

The Botanica Chandelier combines a dramatically scaled floral bloom with an interlocking chain of glass leaves suspended from a single arc clad in hand woven leather. Inspired by ban...

Stunning pendant light by Hans Bergström, in a voluminous cage design. Lacquered white with decor of appliquéd brass swallows and garden birds. Light source shielded with white fabri...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

This rare Art Deco straw marquetry lidded box is attributed to French designer Jean Michel Frank. The piece was meticulously crafted in France circa 1930. The rectangular shape is st...

Lisbon #10 Triptych Available Sizes: Size: 31.5” x 31.5” x 3 (94.5" x 31.5" total) Edition of 5 Size: 24” x 24” x 3 (72" x 24" total) Edition of 9 Size: 39” x 39” x 3 (117" x 39"...

Each of Heriberto Mora's paintings has a story for the viewer to imagine. Heriberto Mora was born in Havana, Cuba. He graduated from the San Alejandro National Academy of Fine Arts ...

Comfortable and elegant, Ava chair is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings are chos...

Stunning vintage high quality gold-plated chandelier. Large, heavy with 156 multifaceted Swarovski crystal balls in seven-tiers. From a collection of a luxury hotel in Lisbon/Portuga...

The iconic miami armchair combines clean lines with soft upholstery resulting in an effortless Modern classic that is perfectly proportioned. Here seen in an Gilman fabric seat and b...

Lisbon #21 Triptych 2022 Available Sizes: Edition of 5: 80 x 240 cm or 3 parts x 80 x 80 cm For additional sizes and pricing details, please contact the gallery. This dynamic tri...

A very fine and large French 19th century Louis XV style ormolu mounted (gilt bronze) kingwood and walnut bureau plat by H. Conquet after a model by Charles Cressent. The shaped rect...

Abstract tapestry in modernist forms titled 'Passerc e Saisale' (passer and salt cellar), by Maria Flavia de Monsaraz, Postwar & Contemporary sculptor (1935-2019), Lisbon Portug...

Jean-Michel Folon was born in Brussels. He began to study architecture but abandoned it in favor of drawing, which allowed more expressive studies. His drawings have appeared in nume...

Jean oval center table is unique in its conception with Organic Modern inspiration. The combination of three different Natural Stone Marbles like Estremoz marble, Nero Marquina and Estremoz Pink marble makes this piece a sign of nonconformity and originality. Natural Stone is unrepeatable in its individuality, this way each Jean center table is unique featuring the marbles natural veins, textures and tone nuances. Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around the world while embracing the crafts heritage, creating contemporary pieces combining traditional Portuguese materials and handmade techniques producing original, high quality products. Mambo Unlimited Ideas is dedicated to furniture and upholstery. Its collection offers a comprehensive customizable furniture...

Untitled Mixed media on paper, 1981 Signed and dated 1981 lower left (see photo) Provenance: Knoedler Gallery, New York (label) Charles Cowles Gallery, New York The Collection of Jan...

Catus console is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the marbl...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

When it comes to Luc bar stool, the playing field is the cross-section where functional design and craftsmanship of the highest quality meet art. This chair is made of solid oakwood ...

Le Corbusier Fauteuil Grand Confort, Petit Modèle Armchair For Cassina A timeless style that has written its own chapter in design history, becoming an icon of global fame. Perfect ...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Georges LEMMERS (Ferdinand Georges) 1871 - 1944 Belgian School Picture Size: 16 x 13" (41 x 33cm) Framed Size: 22 x 19" (55 x 47.5cm) Oil on mahogany panel Signed bottom left Thi...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example of how we find elegance within the immediate flow of naturalism. Made to Order. Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around the world while embracing the crafts heritage, creating contemporary pieces combining traditional Portuguese materials and handmade techniques producing original, high quality products. Mambo Unlimited Ideas is dedicated to furniture and upholstery. Its collection offers a comprehensive customizable furniture...

Swooping curves, softly returning arms, and sculptural shape define the Bisou Armchair. The tight but soft seat and back along with clean seam detailing give this piece a clean, tail...

Antique 1750 Louis XV French hand-woven silk and wool tapestry, 4'9" x 8'6" (57 x 102 in). Condition: good, repaired. Refinished. Rewoven. Minor losses. Minor fading. A masterpiece ...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Exquisite sculpture of Saint Anthony of Padua, 18th century. Of exceptional craftsmanship, the iconography is typical of this saint. He is depicted as a young friar holding the Child...

Choux armchair is proportional and sculptural, perfectly made to the human scale. It gathers strong upholstered shapes lightly supported on elegant stan...

These unique lights, with a black enamel frame and gold leaf accents, have a real ostrich egg diffuser. The braided silk cord can be adjusted. Fixture uses one candelabra based socke...

Carved from solid honed and filled travertine, this sculptural coffee table is conceived as a quiet architectural volume. Its elongated oval silhouette softens the presence of ston...

Frame Miroir Small Wall Lamp by Violaine d'Harcourt Dimensions: D 11 x W 24 x H 35 cm. Materials: Lacquered steel and paper. Wall light in lacquered steel, made in Portugal, bulb in...

Modern Chiado Quartz Console Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado quartz console table draws inspiration from Lisbon’s historic quarter, capturing the essence of its artistic life and bohemian spirit. Seamlessly combining contemporary elegance with luxurious materials, Chiado features one leg upholstered in high-quality Italian leather, while the top is crafted from exquisite stone. Designed to exceed all expectations, the Chiado quartz console table accents any interior with its natural artistic expression. Designed by Rute Martins, Greenapple's Creative Director. The Chiado Console...

Stylish vintage emerald & diamond ring crafted in 19k yellow gold (circa 1980s). Crafted in Portuguese 19k yellow gold, the ring features beautiful vibrant green emeralds &...

Comfortable and elegant, Ava chair is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings are chosen and combined to produc...

Stylish vintage Portuguese diamond ring crafted in 19k yellow gold and platinum (circa 1940s to 1950s). Center set Old European cut diamond is estimated at 0.65 carats, accented wi...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Martyn Lawrence Bullard's custom Portuguese library table. The design taken from a table found in a quinta in Lisbon, the intricate turning a...

A rare example of a first edition Candide, published in Geneva by Cramer, 1759. 299pp. Woodcut ornaments and Voltaire's corrected pages (pp. 31...

Abstract geometric encaustic painting in patterned ochre on white "Centuries Spliced Open" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & monotype mounted on panel 30 x 41 x 2 inches, sides reveal raw wood sides Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with pattered ochre monotypes on an encaustic white background. The paper, which is adhered to a light wood Birch panel and layered with a subtle layer of encaustic, is arranged in a geometric motif that accentuates the play of negative space. The layered paper and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

The Bloom Chandelier renders an abstract Banana blossom in hand blown glass. An elongated teardrop is topped by three glass leaves in varied colors and capped by a crown of stacked ...

The Botanica Chandelier combines a dramatically scaled floral bloom with an interlocking chain of glass leaves suspended from a single arc clad in hand woven leather. Inspired by ban...

'Schwarzenegger Is My Idol 10' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. Large 20 x 24" inches paper size. by Sergey Melnitchenko 2012-2013 “Schwarzenegger Is My Idol” is the story about the young guys from Nikolayev (Ukraine) who are united by one thing – it’s a goal to become the best of the best and they will do everything possible to achieve it. The photos show the young people who engage in athletics, acrobatics, fitness, and bodybuilding. I asked one of the boys to tell me what role his hobby plays in his life. Here’s what he told me: “For me, my sport is what I live for. Daily control and hard work – that leads me to success. Sport disciplines a man, enables him to understand the value of labor, the value of choice. I always wanted to be something more than an ordinary man in the street, more colossal than an ordinary representative of the society, so in my sport I do all the best I can, because I want to reach the top”. Why are my 'models' naked on photos? I think it adds them a kind of courage and naturalness. Of course it also looks funny and ironic. About Sergey Melnitchenko : SERGEY MELNITCHENKO Born in 1991 in Mykolayiv, Ukraine. Member of UPHA – Ukrainian Photographic Alternative. Started photography in 2009 and for less than 10 years participated in more than 70 solo and group exhibitions around the world. Winner of Ukrainian and International competitions, including the “Photographer of the year” 2012, 2013 and 2016 (Kiev, Ukraine), “Golden Camera 2012” (Kyiv, Ukraine), one of 10 finalists of the Showoff section within the month of photography in Krakow 2013, shortlist of “Pinchuk Art Center Prize 2015”. “Leica Oskar Barnack...

Choux armchair is proportional and sculptural, perfectly made to the human scale. It gathers strong upholstered shapes lightly supported on elegant stan...

The Traditional Portuguese Queen Earrings in Yellow Gold are a splendid example of the intricate art of filigree, a technique highly esteemed in Portugu...

A brass and off-white resin coated fabric pendant light attributed to Josef Frank for Svenskt Tenn, Sweden, c. 1960s. Patina brass. Moderate to heavy wear to parchment consistent w...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Art Deco / midcentury large DC3 desk aviation model. Pan-Am wooden airplane model. It was in an office of the company in South America. Very good restored conditions. Slight age wear. History Pan American Airways began the first transatlantic passenger service on this day in 1939. Pan American World Airways, as it was to be known, commonly known as Pan Am, was the principal United States international air carrier from the late 1920s until its collapse on December 4, 1991. Founded in 1927 as a scheduled air mail and passenger service operating between Key West, Florida, and Havana, Cuba, the airline became a major company credited with many innovations that shaped the international airline industry, including the widespread use of jet aircraft, jumbo jets, and computerized reservation systems. The history of Pan American Airways is inextricably linked to the expansive vision and singular effort of one man – Juan Trippe. An avid flying enthusiast and pilot, Trippe, only 28 years old when he founded the airline, lined up wealthy investors and powerful government officials from his personal acquaintances in the high-society of the 1920s. However, Pan Am’s first flight was an inauspicious start to its epic saga. In 1927, facing a Post Office deadline for the commencement of mail carriage, Pan Am had no working equipment for its sole airmail contract between Key West and Havana. Fortunately for Pan Am, a pilot with his Fairchild seaplane arrived at Key West and was willing to carry the mail to Cuba for the start up operation. It is fitting that Pan Am’s first flight would be over water, since the airline would Pioneer overseas routes throughout its history. Pan Am’s fortunes took a turn for the better in the fall of 1927. Through the heavy lobbying efforts of Juan Trippe, Pan Am was selected by the United States government to be its “chosen instrument” for overseas operations. Pan Am would enjoy a near monopoly on international routes. Added to Pan Am’s Cuba route were lines serving Mexico, Central America, the Dominican Republic, Haiti and Puerto Rico. Most of these destinations were port cities, which could be reached only by landing on water. Therefore Pan Am made good use of its “flying boats,” the Sikorsky S-38 and S-40. Flights were eventually expanded to serve much of South America as well. EnlargePan Am’s fleet of Clippers allowed the airline to conquer the Pacific in the mid-1930s. The flying boats would later be put to military use in WWII. Just a few years later, Pan Am launched its effort to cross the world’s largest oceans. Survey flights across the Pacific were conducted with the Sikorsky S-42 in 1935, but passenger service required bigger and better aircraft. Accompanied by much fanfare, the Martin M-130 was introduced in 1936, followed by the Boeing 314...