547 results for "mickey mouse"

Vintage tie Walt Disney, Goofy, green comics tie. Show off your fun-loving Mickey Mouse spirit in this funny tie featuring scenes from Goofy surfing and swimming. An exclusive combi...

In 1990, TeNeues Publishing in Kempen, Germany, released an offset lithograph reproduction of Keith Haring's "Andy Mouse Dollar Bill," with the approval of the Keith Haring Foundatio...

Keith Haring Andy Mouse Bearbrick: 400%: A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's 'Andy M...

An older reproduction of this porcelain sign plaque of the Rat Fink character by Ed Roth, c.1980s. W 4.5 x H 8 in Showing chips, wear to porcelain, and oxidat...

In this striking mixed-media work, Mickey Mouse is reimagined not as a sanitized corporate mascot, but as a timeworn icon—faded, cracked, and resolutely present. His crooked smile an...

And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...

Andy Mouse is a significant work by Keith Haring, created in 1986 as both a homage to Andy Warhol and a bold commentary on consumer culture. Blending Warhol’s iconic image with Micke...

One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for his signature “Superflat” aesthetic: a colorful, two-dimensional style that straddles th...

Introduction by Ralph Lauren, Foreword by Ken Burns, Afterword by David Lauren Embodying a chic casualness that is uniquely American, the Polo shirt is a cultural symbol, worn by everyone from movie stars and presidents to athletes and artists. The Polo shirt is to Ralph Lauren what Mickey Mous...

Original Vintage 1990's Moschino knot tie fasten crop top, featuring Graffiti style pattern throughout, with references to Elvis Presley, Mickey Mouse, Superman & So on... MADE IN I...

Tipp & Co. Toy Clockwork Tinplate Motorcycle. A rare, desirable, tinplate wind-up motorcycle by the renowned German manufacturer, Tipp & Co or TippCo. The original tin windup motorbike with a civilian male rider and female pillion passenger. The clockwork toy...

Collector’s Edition of 1.000 numbered copies. Hardcover with an aluminum print cover tipped into a leatherette-bound spine, foil embossing, and housed in a slipcase, 11 x 15.6 in., 1...

Keith Haring Andy Mouse art toy: This rare vintage, limited edition Keith Haring Andy Mouse art toy was published in 2005 & is licensed by the Estate of Keith Haring. The collectible...

Keith Haring Bearbrick 400% (set of 2 works): Unique, timeless collectibles trademarked & licensed by the Estate of Keith Haring. This Bearbrick set reveals Keith Haring's iconic art...

Keith Haring, Andy Warhol, Basquiat Bearbrick 400%: set of 3 works (c. 2019-2021): Unique, timeless Keith Haring, Andy Warhol, and Jean-Michel Basquiat collectibles, each trademarked...

Gucci x Disney limited edition flora Mickey Mouse 100% silk ascot. Comes with original box and tag.

Fantastic chaise longue 111 Wink by Toshiyuki Kita for Cassina, Italy 80s in the most perfect purple suede textile. This is a majorly cool version of the C...

Massimo Vignelli x Supreme x Heller Bowls, Red, White, 1964, Spring 2023. New in original boxes. Set of 12. 6 red + 6 white (as pictured). Made exclusively for Supreme. Spring Summer 2023. This iconic dinnerware design was originally released in 1964 by designer Massimo Vignelli in Italy and won that year’s Compasso d’Oro award for good design. It swiftly became a touchstone of modern design and has been called an “icon of sixties utilitarian chic.” It was introduced to the United States in 1971 and has never been out of production, with the manufacturer still using its original molds. According to Vignelli, the inspiration for Hellerware came from seeing a client using plastic molds...

Alexander Kosolapov (Russian/American, b. 1943) "Mickey Lenin Malevich" Bronze sculpture and wood base ( inspired by Malevich Arkhitektons) Provenance : Galerie Vallois Expo sept/oct. 2010 Model Presented at the exhibition 'Alexander Kosolapov: Lenin and Coca-Cola' at the Moscow Museum of Modern Art. (29 Nov 2017/11 Feb 2018 Bronze with a golden brown patina, height 39 cm,H with “Malevich base” 132 cm Signed "A. KOSOLAPOV" and numbered ? on the bronze base on the reverse, title provided by the artist Condition: Bronze perfect, small dirt on the base (certificate of authenticity provided) N.B. Alexander Kosolapov's sculptures, paintings, and prints provoke harsh criticism, sometimes censorship, and often humor. His jokes are not partisan—they poke at both Russia and the United States. He appropriates imagery from Soviet history, pop culture, religion, and art history that he combines in often subversive ways. Taking a cue from Andy Warhol, Kosolapov delights in iconic symbols of American consumerist culture. For Kosolapov, these include Mickey Mouse, Marlboro, and Coca-Cola, images of which he links with political and religious figures central to Russian culture, including Stalin, Lenin, and Christ. He never forgets his place in the continuum of art history, often including some nod to artists who preceded him. In Mickey-Lenin, the major players are obvious: Mickey Mouse and Vladimir Lenin, and the connotations come easily: East-West, Russia-United States, communism-capitalism, good-evil, and high-low. Kosolapov modeled the figure's body after statues of Lenin by the Soviet sculptor Nikolai Tomsky, and its pose is that of a classical Roman figure sculpted in the traditional medium of bronze. Kosolapov developed the idea for Mickey-Lenin shortly after immigrating to the United States in 1975. He found the discarded plastic head of a Mickey Mouse toy, took it home, and placed it atop a small sculpture of Lenin that he kept on his desk. Kosolapov identifies with a movement known as Sots Art. Developed in Moscow in the 1970s by the art duo Komar and Melamid, Sots Art (an abbreviation of "socialist pop art") reacted against the conformist...

Vintage 1990s Keith Haring exhibition poster published on the occasion of: “Keith Haring: Apocalypse” November 4–December 31, 1999; Deitch Pro...

KAWS Grey Companion, 2016. New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The...

John Lennon & Yoko Ono lithograph poster from the legendary ICONS Exhibit after a work by Mr. Brainwash, circa 2010. The piece, which is unframed measures 23" x 35" and is signed in ...

Keith Haring at Tony Shafrazi Gallery, 2005: Vintage folding exhibition announcement published on the occasion of Keith Haring “Paintings, Scul...

Beautiful carpet representing Andy Wharol in the shape of Mickey Mouse after a Keith Haring's work. Edited by Editions Studio in 20 pieces, this one carries the number 2/20.

Disney and Mickey Mouse inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :...

Mickey Mouse and Wall Street inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-...

KAWS Brown Companion, 2016. New and sealed in its original packaging. This classic KAWS figurative sculpture was published by Medicom Japan in conjunction with the exhibition, KAWS: ...

A photograph done about the classic watches of Mickey Mouse, it shows the natural aging of the watch and the mouse. There is the possibility of a custom made diptych, with particular...

Once my Austrian comrade came to visit me. He asked me if I know who Augustus Gruber is ? At the time, I had no idea about this character. It turned out that August Gruber was a supp...

Wood hand 2016 walnut 7 h × 4¼ w × 4 d in (18 × 11 × 10 cm) Engraved signature and inscription to underside Kaws: Giswil 12 June-26 August More Gallery This work is from an edition...

MEDIUM: Giclée Canvas Limited Edition SIZE: 24" x 36" EDITION SIZE: 395 ARTIST: Peter Ellenshaw SKU: DFA-LE-MICKEYSDREAM ABOUT THE IMAGE: Inspired by Walt Disney’s Animated Classics and features Mickey Mouse. ABOUT THE MEDIUM: Each piece is on hand-numbered canvas and includes a Certificate of Authenticity. ABOUT THE ARTIST: William Samuel Cook “Peter” Ellensaw was an English matte designer, special effects creator and master painter. He mentored under Percy Pop Day who played a pivotal role and mentored him on painting on canvas and glass, which was to create matte background form film. After serving his country as an RAF pilot in World War II, Ellenshaw returned to work for Mr. Day at the studios. After a brief yearlong stint at MGM, Ellenshaw left in 1947 upon receiving a call to work for Walt Disney Studios on the film, Treasure Island. As it turned out, his partnership with Disney would last over thirty years and earn him five Oscar nominations. For his work on "Mary Poppins" in which he recreated scenes of Edwardian London in 102 different mattes, he won an Academy Award. Walt Disney became Ellenshaw's mentor and friend, spurring him on continually to perfect his craft and push the creative envelope. ABOUT THE FILM: Fantasia is a 1940 American animated film produced by Walt Disney and released by Walt Disney Productions. With story direction by Joe Grant and Dick Huemer, and production supervision by Ben Sharpsteen, it is the third Disney animated feature film. The film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski...

A pop piece depicting Basquiat with Bazooka Gum. With impasto painting and silkscreening we are drawn to the movement, as the artist is able to engage his viewer with contrasting hig...

KAWS, born 1974 in New Jersey, is a multi- faceted New York based artist. KAWS began his career as a graffiti artist in Jersey City, taking to the streets at night and painting over ...

Claes Oldenburg’s 'Geometric Mouse, Scale C' (1971) exemplifies his playful yet thought-provoking approach to Pop Art by transforming an everyday object into a bold sculptural statem...

Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...

FACTORY / HOUSE: Robinhood STYLE / REFERENCE: Round METAL / MATERIAL: Base Metal CIRCA / YEAR: 1930's DIMENSIONS / SIZE: Length 32mm X Diameter 39mm MOVEMENT / CALIBER: Manual Winding DIAL / HANDS: Original Unrestored Dial with Original Hands ATTACHMENT / LENGTH: Canvas 17mm / Regular Length WARRANTY: 18 months on the movement LIFETIME SERVICE COMMITMENT This is the only example we have ever seen of this Robin Hood Watch. It is American made likely in the early 1930's. It came out around the same time as the Mickey Mouse Watch...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Original US film poster for Walt Disney's 1941 short animation. This is an exceptionally fare poster for the 1941 Mickey Mouse short. There are belived to be no more than five of t...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper mag...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Gallery announcement, offset lithograph in colors, on lightweight off-white wove paper. Hand signed by the artist. From the edition of unknown size. Published by Leo Castelli Gallery...

Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Ghosts and is the only studio album by t...

This is a Walt Disney, Minnie Mouse Cookie Jar. It depicts a hand painted glazed ceramic cookie jar shaped as a flirty seated Minnie Mouse. Bel...

A pop piece depicting New York City's iconic Times Square in Midtown Manhattan with taxis, cars and people in a bursting street scene filled with color and impasto paint, with quick ...

Raymond Pettibon Off! Off! band poster illustrated by Raymond Pettibon for the famed 2009 punk band co-founded by Pettibon’s friend, Black Flag’s, Keith ...

Clive Barker, British, b 1940 is a British Pop Artist. The bomb is one of my favourite pieces he has done. Its witty as if taken from a Popeye cartoon yet shiny and beautiful refle...

KAWS Companion 2016-2019: A curated set of 4 individual Brown KAWS Companions new & unopened in original packaging. KAWS Clean Slate, 2018: 14.25 x 8 x 8 inches. KAWS Brown Compan...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

This work has a lot of message. It's a series of 4 artworks in which I express a positive thought regarding situations in which we are not convinced. These character is using iconic...

"Smoke Break" is a visually striking and intellectually challenging painting that combines pop culture references with childhood nostalgia. At the center of the canvas, the phrase "T...

Mickey Mouse Takes a Dip, 1964 Burbank, California. 1964 Each of Lawrence Schiller's fine art photographs are available as signed, limited edition prints in several sizes ranging fr...

KAWS General Mills posters: complete set of 4 works (2022): These highly decorative KAWS posters feature the artist's rendition of iconic cereal characters, Boo-Berry, Count Chocula,...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.5 Dated August 5, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks ...

Nantawant "Mickey", 2010 hyperrealist drawing of Brazilian model and actress Alessandra Ambrosio wearing a Mickey Mouse ear hat. Dimensions with f...

Stunning limited edition signed stone lithograph entitled "Gambling Lady" by R.C. Gorman, circa 1978. The print is signed "R.C. Gorman 1978" in the right and is numbered 75/100 in th...

Artist: Jozza Title: "Cool Ride" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on the ve...

KAWS General Mills posters: complete set of 4 works (2022): These highly decorative KAWS posters feature the artist's rendition of iconic cereal characters...

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...