1,713 results for "lisbon"

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

'Schwarzenegger Is My Idol 10' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. Large 20 x 24" inches paper size. by Sergey Melnitchenko 2012-2013 “Schwarzenegger Is My Idol” is the story about the young guys from Nikolayev (Ukraine) who are united by one thing – it’s a goal to become the best of the best and they will do everything possible to achieve it. The photos show the young people who engage in athletics, acrobatics, fitness, and bodybuilding. I asked one of the boys to tell me what role his hobby plays in his life. Here’s what he told me: “For me, my sport is what I live for. Daily control and hard work – that leads me to success. Sport disciplines a man, enables him to understand the value of labor, the value of choice. I always wanted to be something more than an ordinary man in the street, more colossal than an ordinary representative of the society, so in my sport I do all the best I can, because I want to reach the top”. Why are my 'models' naked on photos? I think it adds them a kind of courage and naturalness. Of course it also looks funny and ironic. About Sergey Melnitchenko : SERGEY MELNITCHENKO Born in 1991 in Mykolayiv, Ukraine. Member of UPHA – Ukrainian Photographic Alternative. Started photography in 2009 and for less than 10 years participated in more than 70 solo and group exhibitions around the world. Winner of Ukrainian and International competitions, including the “Photographer of the year” 2012, 2013 and 2016 (Kiev, Ukraine), “Golden Camera 2012” (Kyiv, Ukraine), one of 10 finalists of the Showoff section within the month of photography in Krakow 2013, shortlist of “Pinchuk Art Center Prize 2015”. “Leica Oskar Barnack...

A brass and off-white resin coated fabric pendant light attributed to Josef Frank for Svenskt Tenn, Sweden, c. 1960s. Patina brass. Moderate to heavy wear to parchment consistent w...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

Art Deco / midcentury large DC3 desk aviation model. Pan-Am wooden airplane model. It was in an office of the company in South America. Very good restored conditions. Slight age wear. History Pan American Airways began the first transatlantic passenger service on this day in 1939. Pan American World Airways, as it was to be known, commonly known as Pan Am, was the principal United States international air carrier from the late 1920s until its collapse on December 4, 1991. Founded in 1927 as a scheduled air mail and passenger service operating between Key West, Florida, and Havana, Cuba, the airline became a major company credited with many innovations that shaped the international airline industry, including the widespread use of jet aircraft, jumbo jets, and computerized reservation systems. The history of Pan American Airways is inextricably linked to the expansive vision and singular effort of one man – Juan Trippe. An avid flying enthusiast and pilot, Trippe, only 28 years old when he founded the airline, lined up wealthy investors and powerful government officials from his personal acquaintances in the high-society of the 1920s. However, Pan Am’s first flight was an inauspicious start to its epic saga. In 1927, facing a Post Office deadline for the commencement of mail carriage, Pan Am had no working equipment for its sole airmail contract between Key West and Havana. Fortunately for Pan Am, a pilot with his Fairchild seaplane arrived at Key West and was willing to carry the mail to Cuba for the start up operation. It is fitting that Pan Am’s first flight would be over water, since the airline would Pioneer overseas routes throughout its history. Pan Am’s fortunes took a turn for the better in the fall of 1927. Through the heavy lobbying efforts of Juan Trippe, Pan Am was selected by the United States government to be its “chosen instrument” for overseas operations. Pan Am would enjoy a near monopoly on international routes. Added to Pan Am’s Cuba route were lines serving Mexico, Central America, the Dominican Republic, Haiti and Puerto Rico. Most of these destinations were port cities, which could be reached only by landing on water. Therefore Pan Am made good use of its “flying boats,” the Sikorsky S-38 and S-40. Flights were eventually expanded to serve much of South America as well. EnlargePan Am’s fleet of Clippers allowed the airline to conquer the Pacific in the mid-1930s. The flying boats would later be put to military use in WWII. Just a few years later, Pan Am launched its effort to cross the world’s largest oceans. Survey flights across the Pacific were conducted with the Sikorsky S-42 in 1935, but passenger service required bigger and better aircraft. Accompanied by much fanfare, the Martin M-130 was introduced in 1936, followed by the Boeing 314...

Artist: Antoni Pitxot Soler (Figueres, 1934 – 2015) Title: The Stone Lovers Date: 1968 Medium: Oil on canvas Dimensions: 61 × 50 cm — 24.0 × 19.7 in Signature: Signed and dated lower...

Meriden Britannia company Victorian silver plate coffee set with coffee pot cream, sugar, and matching jar with lid. Measures: Coffee: 6.5 x 9.5 x 11.5 Jar with Lid: 7 x 6 x 8.5 Cream: 6x 2.5 x 6.5 Sugar: 6 x 3.5 x 5 The Meriden Britannia company was formed in 1852 in Meriden, Connecticut[1] as a manufacturing company focused on producing wares in Britannia metal. By 1876, the Meriden Britannia company had grown a great deal and the company made significant efforts at the Centennial Exposition in Philadelphia in that year. The company won the First Place medal for plated wares. According to Sotheby's in New York, "The publicity of the award and the impression the firm made on the fair's 8 million visitors was continued by the catalogues and other intensive marketing; by the end of the 1870s Meriden Britannia Co. was considered the largest silverware company in the world."[2] By 1891, Meriden Britannia had warerooms in New York (46 East 14th Street, Union Square); Chicago (47 State Street); San Francisco (134 Sutter Street); London, England (7 Cripplegate Buildings, Wood Street, E.C.); and Paris, France (26 Avenue De' L'Opera). The main factories were in Meriden and a branch factory was in Hamilton, Ontario, Canada.[3] By 1893, the company had expanded production with its floor surface covering over eight acres of space in Downtown Meriden.[1] In 1898, the Meriden Britannia company became part of the larger International Silver company corporation headquartered in Meriden.[4] Afterwards, while part of ISC, many designs were produced under the Meriden Britannia brand with design trade catalogues specifying Meriden Britannia wares. Meriden Britannia company designs are included in many museum collections, including the Brooklyn Museum, New York; Dallas Museum of Art; Davis Museum at Wellesley College, MA; Jewish Museum, New York; Wadsworth Atheneum, Hartford, CT; Mint Museum, Charlotte, NC; Victoria and Albert Museum, London, England; Wolfsonian FIU, Miami Beach, FL; Yale University Art Gallery, New Haven, CT.[5] Recent museum exhibitions featuring Meriden Britannia designs...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Brad Davis, pencil signed, titled and dated, Provenance Shearson Lehman Brothers collection, overall: 32.375''h x 39.375''w Brad Davis has exhibited at The Museum of Modern Art in N...

Jean side tables are unique in their conception. The combination of three different marbles make them a sign of unconformity and originality. The combination in the picture is in Est...

Console made from high-quality Viola Veined Marble. This console can be customised in your requested dimensions. The Bellini style pedestals are a sculptures in themselves. Honed V...

This extraordinary and sophisticated piece is part of Lyla’s Bow, the first collection designed by Vania Leles. This is a timeless piece, a must have for jewellery lovers, and the pe...

"Corpus Of Christ (indo-portuguese, Circa 1660–1700)" Corpus of Christ (Indo-Portuguese, ca. 1660–1700) Corpus of Christ in Polychromed Wood Goa, Indo-Portuguese, late 17th century C...

Claudino de Oliveira Art Deco Diamond Clip Pin Brooches in Platinum, Portugal, 1940s. An exceptional pair of Art Deco double clip brooches by Portuguese jeweller Claudino de Oliveira...

An exquisite Mid-Century citrine and pearl necklace and earrings demi-parure, crafted in silver and gold, and housed in a fitted presentation case. Designed in the 18th-century Georg...

Baixo Sofa Chaise by Wentz Dimensions: D 110 x W 300 x H 59 cm Materials: Wood, Upholstery. Upholstered sofa with wooden structure, multi-laminate, elastic straps and foam. Exclusi...

One of a kind and spectacular work by the renowned artist Julián Grau Santos, “a master of color in 20th-century Spain.” This is an interesting print on tapestry entitled “Bullfighting Arena,” depicting a bullfighting scene, very much in keeping with Spanish tradition. In the foreground, several bullfighters appear in their suits of lights, and in the background, in the stands, a group of women with mantillas and fans, as well as spectators wearing hats. Both planes are presented with equal importance and prominence, creating a powerful contrast between action and contemplation. This underscores the cultural dimension of the event. It portrays bullfighting and the festival as a social spectacle, which is very consistent with the overall style of his work, particularly interested in capturing everyday life and its traditions, always with a personal use of color and light. Also noteworthy is the fact that the focus is not on individual portraits, but on chromatic harmony and artistic expression itself. He does not seek realistic detail, but rather a festive atmosphere and dynamism. The scene unfolds through quick, fluid movements that reinforce the sense of bustle. Blue, red, and pink tones predominate against an ochre background. Beautifully framed with a wide wooden frame with an aged finish. A truly interesting work due to its subject matter, its exclusivity, and its authorship. A truly interesting work in every aspect.It,s signed Julián Grau Santos, heir to a family of artists Julián Grau Santos is one of the most outstanding painters and illustrators on the national scene. He was born in Canfranc (province of Huesca) in 1937. Heir to a family tradition, he is the son of the painter Emilio Grau Sala, a significant artist of the School of Paris, and of the equally extraordinary painter Ángeles Santos, a prominent member of the Surrealist group of painters of the 1920s and of the Las Sinsombrero (The Hatless Ones). In 1954, he moved with his family to Barcelona, ​​where he attended the Sant Jordi School of Fine Arts. In his early years, he was greatly influenced not only by Van Gogh, but also by Impressionists and Post-Impressionists such as Sisley, Cézanne, Renoir, Seurat, and Vuillard, whom he discovered during his first visits to Paris, the city where his father lived. In the 1960s, he was closely associated with Cuenca, where he lived temporarily. At that time, he was experiencing a period of intense artistic activity, and there he produced numerous works characterized by strong expressiveness and a highly textured brushstroke. In 1978, he settled permanently in Madrid, where he currently lives, working not only as a painter but also as an illustrator and draftsman, contributing to several magazines, including ABC Cultural, La Razón, and El Cultural of El Mundo, among others. Since 1980, he has been a member of the Société Nationale des Beaux-Arts. A painter not affiliated with any particular artistic movement, he has nevertheless contributed to the renewal of the figurative art tradition. He is considered by some to be a master of color in 20th-century Spain. Throughout his artistic career, he has participated in numerous solo exhibitions in various galleries both nationally and internationally, including Sala Parés, Galería Biosca, Galerie Saint Placide (Paris), Grand Palais (Paris), Justin Lester Gallery (Los Angeles), and Art Expo (New York). In 1993, the Mapfre Vida Cultural Foundation organized a retrospective exhibition of his work. Since 2004, he has exhibited permanently at the Beatriz Bálgoma Gallery, participating with them in several prestigious national and international art fairs such as Feriarte, the Lisbon...

Jean oval center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Jean center table is unique fea...

Elegant and simply described as the bastion of Portuguese luxury, the Cortez Modern dining table exhales the splendor of the uniqueness of the kings and queens’ era. Its timeless originality and imperial design were inspired by the Palace of Ajuda, a neoclassical monument in the civil parish of Ajuda, in Lisbon. This dining tabletop is made of wood finished with high gloss black varnish surrounded by a subtle line of gold leaf coated elements. The structure is supported by two shapely designed geometric feet in lacquered wood and gold leaf coated semi-spheres. This makes the Cortez dining table...

A STRIKING, MUSEUM QUALITY, BAROQUE, PORTUGUESE BRAZILIAN, ROSEWOOD & VINHÁTICO CONTADOR OR CABINET ON STAND WITH BRASS MOUNTS - Masterpiece of carved ornament, with tremidos or flut...

Sahara sofa by Noé Duchaufour Lawrance Sofa 3 seats + 2 tops Dimensions: W 416.3 x D 158.5 x H 83.8 cm Materials: Leather or fabric, black aluminium powder, coat structure, wood base, leather back panels. The design of the ‘Sahara’ sofa evokes the gorgeous interior of a desert nomad’s tent opening onto the starry sky. Leather, fabric and wood blend together into a warm combination. The seat and back cushions look like independent elements casually arranged on the supporting platform. The appealing base extends to one end to create a convenient side table available in a range of sophisticated finishes, from glossy marble to cool terrazzo. The platform and seat are joined only by a vertical element with rounded edges inspired by the curved lines of the Sahara nomad’s traditional khaima tents. Sahara is available in several configurations — three-seater, four-seater, daybed, etc. Designed for hospitality. Biography: Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design. Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the centre of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta.) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the IDEA of a total, multidisciplinary art is vital for contemporary creation. Education: 1992-1997 École nationale supérieure des arts décoratifs, Furniture Department, Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA, Paris Interior design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD Intérieurs exhibition, Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad, Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009-2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech, project cancelled, up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store, Via statuto Milan, Italy Senderens, Restaurant, ex-Lucas Carton for Alain Senderens, 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza, Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the Designers Days, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the Crystallized Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the Designers Days, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for Dior Maison Creation of furnitures and lights for Zaozuo editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for Hermes Maison, presented at Milan Salon "Mediterranea" Lamps for Petite Friture "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for Petite Friture 2014 "Market" Chair for Petite Friture "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for Tacchini "Arom" Armchair for Zanotta "Le Noé" Knife for Perceval "Ciel" Armchair for Tabisso " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for Petite Friture “Fluid” lamp for Forestier 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for Galerie Bsl: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for Marcel by “Monk” coffee table for PleyeL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for Forestier 2011 “Duales” tables for ST LUC “Plis” rug for Chevalier Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for Chevalier Editions Creation of the new women’s fragrance...

Rene Lalique art deco vase Circa 1915 Origin France Art deco style Excellent condition with no chips or restorations Forested glass technique Signed on the...

The Bloom Chandelier renders an abstract Banana blossom in hand blown glass. An elongated teardrop is topped by three glass leaves in varied colors and capped by a crown of stacked ...

Cast from 18-karat gold, these exquisite earrings are handset with 4.67 carats Zambian emerald and 1.74 carats of sparkling diamonds. FOLLOW SPECTRUM JEWELS storefront to view the l...

Title: French Coastal Landscape with White Cottages and Rocky Shoreline by Fanch Lel (French b. 1930) Size: 6.25 inches (height) x 9.5 inches (width) Gouache painting on paper, unfra...

About this work: “Mascara (Mask)" 2000 by Justino Alves (Portuguese, 1940-2015). A magnetic work by one of Portugal’s most distinguished postwar painters. This painting has all of t...

Beautiful antique Mexican oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos. Framed with ...

A sculptural dining table designed and made by My Habitat Design, a Lisbon and Amsterdam–based studio, carved from a very rare green, grey, blue and cream veined marble. The stone re...

Arctic Circle Sculpture #1 in Glass and Driftwood by Aleksandra Zawistowska. One of a Kind. Dimensions: Available upon request. Materials: Hand-blown glass, driftwood. Coordinates: ...

Alcove Verde Wall Lamp by Violaine d'Harcourt Dimensions: D 7 x W 12 x H 33 cm. Materials: Ceramic. Wall light made in Portugal, bulb included: LED E14 1W non-dimmable. Available in...

Catus dinner table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

An exceptional 6ft solid stone slate bench, meticulously handcrafted for discerning interior and garden designers. This remarkable piece features a long, honed surface with a beautif...

An important Rene Lalique dragonfly pendant, the pendant set to the centre with a cushion-shaped aquamarine, within an open framework of four opposin...

Beautiful 1945 painting by American artist, Eve Peri. Watercolor on tissue paper, image measures 18 x 14 inches; 20.5 x 24.5 inches matted behind scratched plexiglass. Artwork and ma...

Two-faced drawing. Studies of characters and harbor scene. With an inscription stating it is from the sketchbook in the collection of Dr. Manuel de Espirito Santo in Lisbon. Ink a...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May...

7.-Jazz Quartet 100 x 80 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cos...

A particularly handsome set of six Model 3208 Lily or Seagull armchairs, designed by Arne Jacobsen in 1970 and produced by Fritz Hansen in 1973. The Model 3208 was developed from Ja...

Antique wardrobe dating from the 19th century, crafted from apricot wood and distinguished by its sturdy construction and richly detailed decorative workmanship. This period piece ha...

Antique 18th century “Minas Novas” rock crystal, colorless topaz and simulated-emerald doblet girandole earrings and pendant/brooch demi-parure, Portuguese...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Volta Side Table 50 by Wentz Dimensions: D 50 x W 50 x H 55 cm Materials: Wood, Plywood, MDF, Veneer, Steel The Volta table references nature in its im...

Assento Stool by Macheia Handmade In Portugal. Dimensions: D 55 x W 75 x H 40 cm. Materials: Natural dried bulrush and galvanized iron. Inspired by Tanho, the most iconic piece of the Bunho technique, Assento is a hybrid between a sitting stool and a side table. The bulrush spiral extends into a metal arc that embraces the wheel into the metal structure. The low seat’s organic shape represents a release from the spiraling motion of the wheel. The Collection zooms in the Bunho technique - a unique portuguese basketry technique that shapes the natural fiber Bulrush (Schoenoplectrus Palla), into a intricate mesh of knots and stitches. Nowadays, the Bunho technique is kept by the hands and know-how of only two artisans in Europe, One of them is Manuel Ferreira...

Davis Cone 1983 Variety Photo Plays Signed in pencil and marked 3/7 PP (Printers Proof) Lithograph in colors Paper Size 34½ x 26 inches Image Size 32½ x 23¼ inches Eleanor Ettinger G...

Contemporary 3.10ct Rhombus Modified Brilliant Cut Diamond Solitaire Engagement Ring in 19.2 Karat White Gold, Bespoke, circa 2010s. This handmade one-of-a-kind jewel features a beau...

Robert Cottingham is known for imagery that celebrates the history of communications in America, specifically neon signage on urban storefronts and signs on railroad cars. In 2008, Lincoln Center commissioned Robert Cottingham to commemorate the 46th anniversary of its Film Festival. Inspired by his earlier photographs of the Empire Theatre in Montgomery Alabama...

Lisbon #2 (B&W) Available Sizes: Size: 55” x 37” Edition of 6 Size: 89” x 59” Edition of 5 Size: 71” x 47” Edition of 5 Size: 43” x 29” Edition of 6 Size: 35” x 24” Edition...

Signed lower right, 'Bonorat' and painted circa 1980 An elegant, modernist figural painting and early work by this Sydney-based Mexican artist who studied at the National School of Fine Arts in Mexico City (1982-84) and, subsequently, at the Museum of Modern Art in Sao Paulo, Brazil (1986). STUDIES 1982-1984 Painting and Drawing Ateliers – National School of Fine Arts, Mexico City 1985-1986 Artistic Experimentation – Carrillo Hill Museum, Mexico City 1986 Metal Engraving – Museum of Modern Art Sao Paulo Brazil SOLO EXHIBITIONS 1986 Art Gallery of Santos Municipal Cultural Centre, Sao Paulo, Brazil 1988 Art Gallery of Porto Alegre Municipal centre, R.S. Brazil 1991 Gallery Casa de la Cultura, Morelia Mexico 1994 The Beatty Gallery, Sydney 1996 The Beatty Gallery, Sydney 1996 Michael Burke Gallery, Brisbane 1997 The Beatty Gallery, Sydney 2019 ‘Golden Trinity’, Thienny Lee Gallery, Sydney 2019 ‘Continuous Thread, GAFFA Gallery, Sydney GROUP EXHIBITIONS 1985 Mail Art Network Kyoto City Museum, Kyoto Japan 1987 Banespa Cultural Centre, Sao Paulo Brazil 1988 IV National Contest of Fine Arts, Cubatao Brazil 1992 NCA Gallery, Sydney 1994 The Beatty Gallery, Sydney 1994/5/6 Selected for the “Fisher’s Ghost” Art...

Drawing by Manuel Viana, lithography in black and white, limited edition 135/300 signed Handcrafted wooden frame with white gilt decoration, non-reflecting glass Biography: The art...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 16th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

Rafael Duran Benet (1931-2015) - Sevilla - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, n...

Large Dobra Sofa by Wentz Dimensions: D 110 x W 110 x H 70 cm Materials: Modular sofa with wood structure, elastic straps, hyper-soft foam and WE—KNIT covering (70% Recycled PET + 30...

Black Corda Pendant Lamp by Wentz Dimensions: D 20 x W 22 x H 55 cm Materials: Aluminum, Blown Glass. WEIGHT: 1,2kg / 2,6 lbs Colors: Black, White LIGH...

A limited edition sculptural dining table designed by My Habitat Design, a Lisbon and Amsterdam–based studio. Carved from our rare Verde Viana marble, the stone reveals fluid veining...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Alcove Tinto Wall Lamp by Violaine d'Harcourt Dimensions: D 7 x W 12 x H 33 cm. Materials: Ceramic. Wall light made in Portugal, bulb included: LED E14 1W non-dimmable. Available in...

A sculptural dining table carved entirely from solid travertine. Originally created as a bespoke commission for a private client, this piece is now available made to order. Characte...

Bowl Console Table by Wentz Dimensions: D 45 x W 165 x H 80 cm Materials: Steel, Ceramic, Stainless Steel. Coffee table with steel structure and top with textured electrostatic paint...