355 results for "sampler"

71940 Vintage Egyptian Serapi Rug, 05'09 x 07'07. Timeless elegance and nostalgia converge in this vintage Egyptian Serapi rug, meticulously hand-knotted...

Kirstin Lamb creates intricate paintings that blur the line between textile and image. Working with thousands of small, carefully placed brushmarks, she builds compositions that evok...

This early 19th century Chinese inset leg wine table is characterized by the lightness of its proportions, its finely executed detailing and the lustrous...

Artist Comments
A modern abstract recalling the colors and shapes of a snowy day. Artist Margriet Hogue layered paint and various types of paper...

Artist Comments
Artist Margriet Hogue's process involves layering handmade papers and acrylic paint, which she then sands and scrapes giving the work a rich aged surface. In...

“Village Breakfast”, circa 1950s. Oil on canvas, initials the lower right. Condition is good. Measures: 36” H x 28” W.  

Mid-century Chinese Silk Embroidered Tapestry of Children Playing, which symbolizes innocence and joy. Tapestry features multiple ch...

The pristine, symmetrical and orderly landscape brings an unnatural stillness to John Hrehov's painting entitled "Glean". The rabbits are central to the sparse landscape, feasting on a freshly sown field. Straight lines and geometric patterns are used to compose a glossy concept of reality. The drawing is matted and framed in a simple black wooden frame measuring 26 x 30 inches. John Hrehov Glean graphite on archival paper 25h x 29w in 63.50h x 73.66w cm JHR003 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery...

This painting is John Hrehov’s Tangent, an oil on panel from 2025. In it, a modern red sofa runs straight across the back of the room, set against a grid of tall windows that open on...

The automaton has been completely overhauled and tuned. The spring housing has been adjusted. Comb has been completely tuned. The case has been overhauled. 10 plates are included. Or...

Richly colored Wild Goose Chase quilt (aka Geese in Flight) from the early 19th century. Abutting the triangles gives a terrific up and down movement to the "geese". Streak of Lightn...

In this series, the artist takes Inspiration from ancient Italian frescos originally found at the Villa di Livia outside of Rome. The frescos are from the subterranean room used for dining. The lush gardens gave the dinner guests the illusion of dining alfresco. This exploration of the past and its connection to the present is a central theme running through Pylant's work. Here Pylant takes particular notice of the flora and fauna which was also present at her then North Carolina studio. This work is framed and measures 14.75h x 14w inches. Carol S. Pylant La Villa di Livia V oil on paper 6h x 6w in 15.24h x 15.24w cm CSP010 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore, Wisconsin State Journal, Madison, Wisconsin, November 18 1990 "Artists Bring New Visions", by Ina Pasch, Wisconsin State Journal, Madison, Wisconsin, October 7 1990 "Madison's Wisconsin Triennial Makes a Statement in Many Ways", by James Auer, The Milwaukee Journal, October 7 1990 "Wisconsin Artists Represented at Triennial", by Kirsten Simonsen, The Daily Cardinal, University of Wisconsin, Madison, September 28 1990 "Wisconsin Triennial Art Show", by Kevin Lynch, The Capital Times, Madison, Wisconsin, September 22 1990 "School of Art & Design opens photo exhibit" The Intelligencer Journal, Lancaster, Penn., September 1990 "Art courts drama at PSA&D" Lancaster, Pennsylvania, September 1990 "Windows on an Artist", by Larry Mallak, Research Sampler ,The Graduate School, University of Wisconsin, Madison 1989 "Upward Mobility and Disposable Imagery", by Edgar Allen Beem, Maine Times, September 24 1989 "Award Winning Pylant Displays Realism", The Bowdoin Orient, Brunswick, Maine, September 8 1989 "Art Exhibit Opens at University Art Gallery", The Daily Star Journal, Warrensburg, Missouri, September l 1989 "Arts Calendar has Variety /Pylant Paintings in Bowdoin Show", The Times Record, Brunswick, Maine, August 1989 "Amerikanerinnen im Oberpfalzer Kuntslerhaus, Gegenseitiges Lernen", by Harold Raab, Die Woche, West Germany, July l3 1989 "American Spirits im Oberpfalzer Kunstlerhaus, Mittelbayerische Zeitung, West Germany, July 6 1989 "Zum Abscheid eine Ausstellung Arrangiert", Mittlebayerische Zeitung, West Germany, July 5 1989 "Amerikanerinnen in der Kebbel Villa", Mittelbayerische Zeitung, West Germany June 9 1989 "A Day With Carol Pylant", by Jackie Michard, On Wisconsin, University of Wisconsin- Madison, July 1989 "VCCA Artists in Germany", The News and Daily Advance, Lynchburg, Virginia, May 28 1989 "City Notes-Dear Diaries", by Paul Gerard...

Magnolia, No. 10, by artist Jeri Eisenberg is a soft pink, and green contemporary triptych made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 34 and is priced at $3,150. Magnolia, No. 10 Edition: 4/12, 2010 *Price differs with top bars only $3000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

John Hrehov’s Tempest: a large cobalt-blue vase bearing the image of a Baltimore clipper, encircled by sunflowers. Hrehov calls his approach “allegorical realism”: precisely rendered...

This extraordinary American folk art quilt is a rare and expressive example of the Victorian Crazy Quilt movement interpreted through the eyes of a rural maker. Dating to the mid-to-...

Portnoo by Carol Pylant is a quiet, atmospheric watercolor that captures the stillness of a coastal landscape through restrained color and gentle modulation. Soft washes of blue and ...

Sampler of rug "vaghireh" for collection. The nomadic weaver did'nt have a drawing on paper millimeter as done in an important workshop, but they used a small carpet as a sample with...

A full moon illuminates the landscape just enough to allow this gardener to tend his night shade plants in this illustrative painting by John Hrehov. Fireflies dot the scene adding to the playfulness of the tableau. This piece is floated in a white wooden frame measuring 32h x 26w x 2d inches. John Hrehov Night Garden oil on canvas 30h x 24w in 76.20h x 60.96w cm JHR023 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street...

Inspired by the ancient trompe l'oeil roman frescos of the Villa di Livia, this gardenscapes by artist Carol Pylant focuses on the most deteriorated and weathered sections of the fre...

Sampler of rug "Vaghireh" for collection. The nomadic weaver did'nt have a drawing on paper millimeter as done in an important workship, but they used a small carpet as a sample with...

Satsuma ceramic lobed bowl adorned with raised enamels and fine gold details, depicting a vibrant landscape within. Characters and traditional Japanese home...

69th Battery Royal Field Artillery Framed Commemorative Embroidery A stunning piece, in fine detail applied and embroidered tapestry, showing the counties and campaigns from 1855 ...

Very elegant two doors and two drawers mahagony cabinet with inlay decoration Danemark 1940 keys included Beautiful condition.

Sampler of rug "vaghireh" for collection. In an important workshop the weaver has a drawing on paper millimeter, but he used usually a small carpet as a sample, with varous drawings ...

Utterly charming marriage Fraktur for John Elder and Rebecca Graffan, l who were married in 1781. This form of artwork was often used to document major life events like births, marri...

A charming and beautifully made set of 4 Antique Sterling Silver Sauce Tureens, made by the silversmith John Robins, and hallmarked in London 1789. Each tureen has a detachable lid, ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning 1860 Silk Embroidery based on the 1598 Annibale Carracci oil painting of "The Three Mary's Waiting At The Tomb" I will include the full history of the original art work below, this silk sampler can be see as displayed in the National Trust (Picture included) its is a super fine example of this type of work. The frame has exhibition glass which refracts the light, its the reason the colours have stayed so vibrant The condition is as you can see in the pictures which is sublime, it was complete by the hand of a master for sure, the frame has some small losses but otherwise its exquisite Just to confirm, the pictures included of the oil painting and print are not included in the sale, they are for reference only Dimensions Height:- 61.5cm Width:- 71.5cm Depth:- 5.5cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask DETAILS OF THE ORIGINALS WORKS The Three Marys at the Tomb, The Three Marys or The Pious Women at Christ's Tomb is a 1598 oil-on-canvas painting by the Italian Baroque artist Annibale Carracci, now in the Hermitage Museum in Saint Petersburg, which acquired it in 1836. The painting was commissioned by Lelio Pasqualini (1549–1611), a native of Bologna then resident in Rome, where he was a canon at Santa Maria Maggiore. Its unusual composition may be linked to Pasqualini's antiquarian interests – he owned one of the most notable collections of the time. It is one of the best examples of Annibale's synthesis of the artists then active in Rome, as also seen in The Loves of the Gods frescoes around 1600 In this work we specifically see the influence of classical sculpture and Raphael, particularly the latter's cartoons for the Vatican tapestries. It is typical of Annibale's style in Rome but still linked to his early style – Mary Magdalene's red and gold dress...

A charming early 19th Century Swedish Rococo open armchair, Circa 1800. With an elegant pierced splat and shaped back framed by sweeping open arms. The painted frame retains a beauti...

Richard Smith 1931-2016 Horizon II (Grey and Orange), 1970 lithograph 33 x 71 cm 13 x 28 in signed and numbered from the edition of 75 in pencil Charles Richard "Dick" Smith was an ...

These are a wonderful example of the fine artistry of Derby Porcelain. What is especially amazing is that all 12 have survived for almost 200 years! The lovely floral centers are sur...

In an important workshop the weaver has a drawing on paper millimeter , but he used usually a small carpet as a sample , with various drawings handed down by his ancestors. He shows...

12 Magnificent Limoges Gold & Platinum Encrusted Operatic Service plates France, 1920s, Pre WWII A stunning set of transitional design from Belle Epoqu...

This early 20th century Turkish Anatolian Wagireh rug, measuring 2' 6" x 3' 9", is a vibrant sampler piece traditionally woven to showcase a variety of motifs, borders, and design el...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

Sample of important oriental carpet for collection, named "vaghireh". Not every oriental weaver has a drawing on paper millimeter, but when the customer is important the weaver prepa...

A wood side table attributed to Elias Barup for Gärsnäs, Sweden, c. 1930s. Dimensions: 22.2” H x 37.4” W x 19.8” D

Add a touch of elegance to your dining table with this exquisite set of eight vintage mother-of-pearl knife rests, dating back to the 1960s. The set includes four larger rests (14 cm...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a leaf lattice pattern taken from the border of the MAK Museum’s rug...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets w...

This rug’s design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to ...

Authentic Roman coin stud earrings in 14K yellow gold bezel settings featuring antique bronze coins with lever back closures. Each earring measure...

Bronze inkwell dated circa 1880, angels subject supported by feline paws. Ink bowl in glass with bronze profile and "alla ruota" engraved base.

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

This late 19th century miniature 3-drawer dresser with original mirror mounted above, was likely used as a salesman's sample by an itinerant sales person who traveled the countryside promoting his articles, usually by seeking out merchants to take orders based on this scaled down miniature bureau, or by leaving it on display in a merchant's establishment to take orders from that merchant's customers. This American bureau...

Vintage pottery bowl and ice bucket from the series Tenera by Inge-Lise Koefoed for Aluminia of Denmark. In great vintage condition with no crac...

This geometric lattice pattern rug has the impression that it is only part of a larger scheme-designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have o...

Turkish rug sample for collection, named "vaghireh". Not every oriental weaver has a frawing on paper millimeter, but when the customer is important the weaver prepares a model to s...

A rare and visually striking framed antique European embroidered silk panel. Exquisitely hand-crafted in Continental Europe in the 19th ...

This antique 11x13 IndoChinese Samarkand rug is a rare new addition to Rug & Kilim’s prized classic curations. Hand-knotted in wool, it originates circa 1920-1930. Further on t...

80454 New Modern Oushak High-Low Wagireh Rug, 01'07 x 02'01. Contemporary Oushak sampler wagireh rugs from Pakistan represent a modern interpretation of the traditional technique, we...

A charming early 19th century needlepoint sampler by Ann Mills, aged 9, depicting a passage from the Bible and various foliate and floral motifs to the bottom. Signed. Beautifully pr...

The source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Maml...

English Country style (19/20th Century) maple framed "woolie" embroidery with flags and floral trim with crown top.

76724 Small Moroccan Wagireh Rug, 01'08 x 03'00. Effortless tranquility meets cohesive coziness in this hand knotted wool modern Moroccan wagireh rug. It features soothing blue hues ...

This 4x6 antique Chinese tapestry is a rare and special new curation from Rug & Kilim featuring dragon and phoenix pictorials — hand woven i...

This elegant pillow features a luxurious down insert encased in a cream-colored velvet cover. The front panel showcases an exquisite 19th century French metallic and chenille embroid...

This antique bird print from the Vienna edition of Bertuch's Bilderbuch shows five colourful exotic birds, an original hand coloured copperplate engraving headed Voegel LXXIV. The sp...

American Victorian (19th Century) horizontal embroidered \"I Need Thee Every Hour\" sampler.

Pair of antique Japanese quality Imari plates having scalloped edges with wonderful hand painted panels in red, blue, green, white and gold colours In perfect original condition ...

This Early 20th century Caucasian Karabagh sampler rug beautifully reflects the region’s distinctive blend of bold coloration and expressive floral design. Woven in a vertically orie...