532 results for "sol lewitt"

Patrick Dintino paints vertical bands of glowing color in a horizontal or rectangular format that read as both a scientific representation of the spectrum and an emotional landscape ...

Patrick Dintino paints abstract vertical bands of glowing color in a horizontal or rectangular format that read as both a scientific representation of the spectrum and an emotional l...

Patrick Dintino paints vertical bands of glowing color in a horizontal or rectangular format that read as both a scientific representation of the spectrum and an emotional landscape of pure color. Painted with oil on canvas mounted on wood board, the softly undulating stripes of light and dark generate their own kind of perceptual space, one that incorporates the naturally horizontal field of human vision. The titles of Dintino’s works; Eventide, Mirage, Ecstasy, allude to the subtle way remembered color is translated into an abstract configuration. Born in San Francisco, California, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University. He moved back to the Bay Area and earned a Masters of Fine Art degree at the California College of Arts and Crafts (CCA) in San Francisco and Oakland in 2001. Dintino was invited as a guest artist to work with Sol LeWitt to create “Sol LeWitt: A Retrospective” at SFMOMA. Since this time he was a finalist for SFMOMA’s SECA emerging artist award, and a Pollock/Krasner Foundation Grant recipient. His work is in numerous prominent private and corporate collections in the US and abroad. He currently teaches painting at California College of the Arts (Oakland/San Francisco, CA). Patrick Dintino "Vapor Trail...

Dennis Oppenheim (1938 - 2011) Pencil and colored pencil drawing on paper, 'Memory Generator Receiver; Transmitter project for ACE Gallery Los Angeles' (possibly with watercolor pai...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

Joe Zucker The Relocation of Property by Natural Forces Rubber stamp print on Arches 88 paper Stamp made by Unity Engraving Company, Inc. Printed by Aaron Arnow Paper size: 8 x 8 in...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

In this contemporary abstract painting by Elizabeth Gourlay in acrylic on linen mounted on a shaped panel, carefully ordered horizontal blocks of color in pale gray blue lavender, gr...

Attributed to: Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 22 3/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

In this contemporary geometric abstract painting in acrylic on canvas mounted onto a shaped panel, carefully ordered horizontal blocks of color in yellow ochre, light lilac and light blue frame sections of gray with light lilac in the center. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

In this contemporary abstract painting in acrylic on linen mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in salmon, peach and mauve are luminous a...

In this painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in orange, green, yellow, red and brown are warm and vibrant against the soft ...

Clean and precise, carefully ordered stripes and lines with orange and ochre stripes in a square shape against the neutral beige lined background. This contemporary abstract painting...

In this contemporary painting in acrylic on linen mounted on a shaped panel, two vertical blocks of color in dark lapis blue and soft, mottled orange are luminous against thinner neutral sections of exposed linen. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Clean and precise hand-painted stripes and blocks of color in yellow, orange, light blue and dark gray are warm and vibrant against the soft beige background. Signed, dated and title...

Clean and precise, carefully ordered stripes and blocks of color in orange, gray blue, pale yellow, blue and brown are lively and vibrant against the soft beige background. Signed, d...

In this contemporary abstract painting in colored pencil and gouache on Fabriano paper by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of light p...

In this abstract painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in gray, light green, red orange and blue are lively and vibrant agai...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

Gelatin silver print Signed, titled, dated, and numbered, verso 10 x 8 inches, sheet 5 x 5 inches, image This artwork is offered by ClampArt, located in New York City. Robert Vizz...

Carefully ordered blocks of color in a warm, golden shade of yellow and a deep shade of gray are vibrant against the neutral, earthy beige linen mounted on a shaped panel. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

In this contemporary geometric abstract painting in acrylic on linen mounted on a shaped panel, carefully ordered horizontal blocks of color in pale green, light teal blue and soft sage are luminous against thinner neutral sections of exposed beige linen. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue, purple and brown are lively and vibrant against the soft beige backg...

In this contemporary abstract painting in acrylic on linen mounted on panel, carefully ordered horizontal blocks of color along the edge of the composition in pink, orange and light ...

Lyman Kipp Untitled Minimalist painting on paper, 1981 Oil paint on paper Signed and dated 1981 on the front Floated and framed in the original vintage frame under UV plexiglass Meas...

Robert Indiana (1928-2018) was a pre-eminent figure of American Pop art best known for his masterpiece, the iconic "LOVE". Inspired by the mythology of the American dream, Indiana e...

In this contemporary abstract painting in acrylic on linen, carefully ordered horizontal blocks of color in salmon, peachy orange, lilac, mauve, gray and light purple are vibrant aga...

In this painting in acrylic on canvas mounted on a shaped panel, carefully ordered blocks of color in a deep shade of dark cobalt blue with a thinner block in purple are vibrant agai...

Carlos Garcia De La Nuez (Cuba, 1959) 'Pausas', 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 99 Unframed ID: GAR1649-006-104 ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

In this contemporary painting in gouache on paper by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of navy blue, purple, light green, beige and br...

In this abstract painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in blue gray and light sage green are liv...

In this abstract painting in acrylic on linen mounted on panel by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of magenta pink and green with hin...

Jay Walker's latest series, "Inner Space," analyzes a single motif built from repeating parallel lines that is commonly found in his work. In this series of...

Jay Walker's "Inner Space" series analyzes a single motif built from repeating parallel lines that is commonly found in his work. In this series of 12 paintings on paper, Walker expl...

Jay Walker's Luminescent Polygons, painted on archival artist's paper with deckled edges, are infused with an internal light or glow, in much the same way that gems glow. Walker crea...

Jay Walker's latest series, "Inner Space," analyzes a single motif built from repeating parallel lines that is commonly found in his work. In this series of...

Richard Milhous Nixon was the 37th President of the United States, serving from 1969 to 1974 when he became the only U.S. president to resign the office, as a result of the Watergate...

Josef Albers Album Art circa late 1950s: A set of 2 vinyl record covers (containing their records) brilliantly designed by Josef Albers circa 1959 and 196...

George Mauersberger (American, 20th Century) Veg 4, 2004 Watercolor on paper 9 x 12 inches 13 x 16 inches, framed George Mauersberger completed th...

George Mauersberger (American, 20th Century) Veg 3, 2004 Watercolor on paper 9 x 12 inches 13 x 16 inches, framed George Mauersberger completed th...

George Mauersberger (American, 20th Century) Veg 7, 2004 Watercolor on paper 9 x 12 inches 13 x 16 inches, framed George Mauersberger completed th...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

Jay Walker's Luminescent Polygons, painted on archival artist's paper with deckled edges, are infused with an internal light or glow, in much the same way that gems glow. Walker crea...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is...

Jay Walker's "Prismatic Polygon" paintings on archival artist's paper are signed and dated on the back. Walker's paintings work particularly well in a pair or series -- see photo gal...

Jay Walker's "Prismatic Polygon" paintings on archival artist's paper are signed and dated on the back. Walker's paintings work particularly well in groupings -- see photo gallery f...

Jay Walker's "Prismatic Polygon" paintings on archival artist's paper are signed and dated on the back. Walker's paintings work particularly well in a pair or series -- see photo gal...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with subtle gold accents and an iridescent quality. Concentric circles of varying sizes overlap one a...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

"Carlos Garcia De La Nuez (Cuba, 1959) 'Caracoles nocturnos', 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 104 ID: GAR1649-007-104" ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

In this contemporary abstract painting in acrylic and graphite on linen mounted on a shaped panel by Elizabeth Gourlay, a pale pink stripe of color is warm against neutral beige gray...

Contemporary abstract painting in acrylic and graphite on panel of geometric shapes and blocks of color. Signed on verso. Elizabeth Gourlay’s work is a meditation on color and form,...

Clean and precise, carefully ordered stripes and blocks of color in pale mint green, light blue, brown, beige and burnt orange complement the soft gray and beige background. Signed, ...

In this abstract painting in flashe and ink on canvas by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in soft blue, pale sage green, beige and ...