994 results for "aspen"

Artist Comments
"Whether it's fall, winter, spring, or summer it's always time for some colorful birch!" exclaims artist Lisa Elley. Golden yellow leaves leap off the canvas ...

Artist Comments
In her signature deep impasto style, artist Lisa Elley paints an emerald birch forest emerging in the sunshine. With marked palette knife work, she imparts ge...

Artist: De La Nuez, Nelson Title: This Is Not A Drill Date: 2026 Medium: Mixed Media on Paper Unframed Dimensions: 33.5" x 33.5" Framed Dimensions: 44" x 42" Signature: Signed...

Stunning geometric metal and red paint sculpture by the well-known American artist Betty Gold. This work is an edition, signed and marked 23/50. Similar work, large size, as shown in...

A lovely chest of drawers or dresser by Robert W. Irwin Furniture Company. Crafted from French Walnut in Louis XV styling. Features a rectangular form with burled walnut front, four drawers, cabriole legs and ormolu mounts. Circa 1928-1940 As a young man Robert Irwin started working for Grand Rapids School Furniture Co. He started as an office clerk and then became plant superintendent. He later purchased Royal Furniture Co with some colleagues, which eventually became Irwin. Irwin specialized in high end furniture using European and ancient American...

AUTHOR: MELVILLE, Herman. TITLE: Moby-Dick. PUBLISHER: New York: United States Book Company, 1892. DESCRIPTION: SECOND EDITION. 1 vol., 7-1/2" x 5-3/8", 545pp., complete with the...

Antique satinwood buffet / cabinet / sideboard / console / Credenza / Huntboard featuring Adams Style Neoclassical design with inlaid sunburst / starburst veneer surrounded by hand p...

Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Original Diptych Landscape Painting on Panel, 2021 Two panels of 30" x 30" for a dimensional total of 30" x 60" (HxW) UV protected and sealed. Ready ...

Hadley Rampton's (US based) "Fugue in Blue" is an oil painting that depicts a grouping of leafless trees, the light shining through their branches creating shadows and patterns on th...

A handsome and sophisticated mixed media on canvas by American artist John Rigsby. Found in a original state of preservation. His works are few and far between. The following biography was submitted by John David Rigsby, Jr., son of the artist. The author is Lisa Rigsby Peterson, daughter of the artist, and owner of the copyright of the biography. John David Rigsby was born on October 10, 1934, the seventh child of an Alabama Depression-era sharecropper's son. He and his family moved frequently, from one one-room structure to another, often with no running water, no plumbing, no heat but the stove. His father was killed in a car accident when Rigsby was just 9 years old. Life for the remaining eight family members proved tumultuous and difficult -- food wasn't plentiful, nor money. The family moved from place to place, following work -- Rigsby attended 30 different schools before graduating from high school. Despite living in poverty, Rigsby demonstrated academic and artistic aptitude at a young age. Two oil paintings on covers ripped off of old books that he painted when he was eight years old show the promise of an imaginative and gifted eye. Rigsby was drafted by the U.S. Army in 1953. As he later wrote, "When basic training at Fort Jackson, South Carolina, was over, I was told to go out and find a job. Jasper Johns was painting visual aids for the 28th Regimental Headquarters. He suggested the Band Training Unit." Rigsby played the clarinet in that unit, and after 2 years of service, he enrolled at the University of Alabama on the G.I. Bill to study art. After just two years, he left school and followed his mentor (and one of the greatest and longest-lasting influences on his art), Japanese artist and U of A art instructor Tatsu Heima, to New York City. Heima introduced him to Isamu Noguchi and suggested that Rigsby work as Noguchi's assistant. Instead, Rigsby chose a job as a guard at the Metropolitan Museum of Art, since "the notion of seeing all of that art appealed more to me than the boring task of studio assistant." The opportunity was a rich one for Rigsby. He had a chance to study the masters, and cited Rembrandt with his simplicity and elegance as another of the most important influences on his work. In the years between 1957 and 1963, when Rigsby eventually earned his BFA in sculpture, the artist traveled back and forth between New York and Tuscaloosa, alternating study with forays into the fertile New York art scene. Rigsby exhibited some of his early sculpture work in 1958 at a small New York gallery, which was also exhibiting the work of Willem and Elaine de Kooning and Theodore Stamos. Shortly thereafter, searching for an educational venue closer to New York City, Rigsby visited New Haven, Connecticut, and spent an afternoon speaking with Josef Albers at Yale. Albers agreed to accept Rigsby into the Yale program on the condition that he take freshman drawing all over again. A brilliant opportunity, but, in Rigsby's words, "When it was time to register, I was hitchhiking back to Alabama, looking for food and shelter." Rigsby had his first one-man show at the University of Alabama in 1959. A visiting critic from New York, J.F. Goosen, reviewed the show and wrote "here is a talent which produces art because that is the thing for a gifted person to do. In his effortless ease of conception and execution, he has already achieved a goal that eludes many artists for a lifetime." Finally, in 1963, Rigsby received his degree in sculpture, dissolved a short-lived marriage, visited his family, packed up his car and headed permanently for New York. That year, his work was included in a group show at the Delgado Museum in New Orleans - which led to a one-man exhibit at the Delgado in 1964. During 1964, Rigsby took drawing classes at Columbia University, and worked at the General Post Office at night. He met his future wife, Linda Palmieri, and married. In 1965, his daughter Lisa was born, followed in 1966 by the birth of his son, John David Jr. In 1966, Rigsby had a successful one-man show at the Pietrantonio Gallery in New York. Shortly thereafter, he and the family moved to Tunis, Tunisia at the suggestion of a colleague, who urged him to "come paint by the light of Klee." Rigsby worked for the United States Information Agency as a teacher, and he spent the next year and a half painting over ninety paintings inspired by the smells, light, and Phoenician and Roman art surrounding him. He also executed a number of character and landscape drawings, capturing the Tunisian way of life. During his time in Tunisia, Rigsby's work was shown there in two major exhibits. Upon the family's return to the U.S. in 1968, Rigsby once again exhibited at the Pietrantonio Gallery. Later that year, Rigsby enrolled in Southern Connecticut State College's Urban Studies program, earning a master's degree in 1970. During his time at SCSU, Rigsby worked as the city of Bridgeport's Curator of Exhibits, driving a mobile art gallery from schools to neighborhood fairs and housing projects. After completing his degree, Rigsby had an exhibit at the Telfair Museum in Savannah, Georgia. This exhibit caught the attention of a member of the search committee looking to hire an artist for a newly-developed program in neighboring South Carolina. In 1970, Rigsby was selected as the first Artist-in-Residence in the state of South Carolina for the National Endowment for the Arts Artists in Schools program. His work with the newly-integrated students at Beaufort (SC) High School over the term of his residency precluded substantial work on his own art. He did, however, set up a studio in downtown Beaufort, and was able to create a modest number of paintings, which were included in exhibits at the Columbia Museum in South Carolina in 1971 and Yale University in 1973. At the end of his residency in 1974, Rigsby was named the National Visual Arts Coordinator of the Artists in Schools program for the NEA, a post he held for two years. In this position, Rigsby traveled the country, reviewing grant applications, meeting with state leaders in government, education and the arts to promote program concepts and explore local opportunities. The message he repeated over and over again echoed that of one of the other major influences on Rigsby as an artist - Ruth Asawa Lanier, whose words taught him that all of the work that the artist does is the artist's work, not simply the paintings he creates. In his capacity as National Coordinator, as well as many times in the future, Rigsby stressed that artists function in the same way as any other person in society, and deserved the same respect and place for their work as did all other professions. After two years traveling the country, Rigsby was ready for a change, saying "for the first time in my adult life, there was not a body of paintings to show for the years put into my work." In 1976, a summer retreat to the mountain community of Central City, Colorado, led to a permanent relocation. Eventually settling in the small town of Evergreen, Rigsby followed his own advice about artists becoming actively involved in their communities, and he established the Evergreen Visual Arts Center. The Center provided working space for artists, classes for adults and children, and, most importantly, a place for Rigsby to create his own work. Buoyed by the opportunity to concentrate once again on his art, and inspired by his new surroundings, Rigsby entered an extremely prolific period in his career. In 1977, he organized a traveling exhibition of his paintings, which showed at the Kimball Arts Center in Utah, the Kennedy Center in Washington, D.C., and the Arvada Center in Colorado. 1978 brought more exhibits, notably in Aspen and Denver, as Rigsby's work continued. He took an extended trip to visit his mentor, Tatsu Heima, in Japan, where he climbed Mt. Fuji, followed by travels to Tehran, Delhi, and several European countries. He chronicled his impressions from his travels in a small collection of paintings upon his return to the U.S. - the beginning of a practice which would continue through the rest of his life. In 1979, Rigsby's marriage failed, and at the same time he lost the lease to his Evergreen studio to redevelopment plans. In response to the personal chaos around him, Rigsby began a series of what he called "hard-nosed process paintings," the watercolor paintings of dots which marked his work from this period. The paintings gained him an NEA Individual Artist grant in 1980, as well as a Yaddo fellowship in 1981. The polka dot paintings were followed by a series of cupcake-like images, again examining space and color. During the early 1980s, Rigsby lived in a suite of old dentists' offices in a rundown part of Denver, with a studio in an area that reminded him of the Bowery in New York. In 1984, Rigsby founded the Progreso Gallery in the building where he lived, using the space both to show his own work and also to mount shows of the work of many Colorado artists. The gallery also served as a focal point for Denver's local arts community, hosting weekly discussion groups and classes. In 1984, Rigsby traveled to the Baja Peninsula and then in 1985 to Yugoslavia. After each sojourn, Rigsby returned to create vibrant and explosive paintings based on his experiences, showing them at his Progreso gallery and another alternative gallery in Denver, the Edge Gallery. The economic recession of the mid-eighties hit the art market and Rigsby hard, however, and although he continued to create new works of art, major exhibitions were difficult to come by. In 1987, Rigsby decided to leave Denver and spent six months in Barcelona, Spain. It was an electrifying trip for him. Rigsby wrote of that time: "The streets alone are a visual feast, and the additions of museums from Saarinen, Picasso and Miro to 12th century icons produced artistic indigestion. My paintings are always about the way things look and feel. Barcelona was a time machine extending those sensory and emotional concerns back to the Middle Ages. I felt the need to reduce my work to essential elements of color, scale, drawing and format. The [resulting] color studies speak eloquently for themselves, and in doing so, redefine all of the work I've done in the past 35 years of painting." Rigsby completed over a hundred paintings while in Barcelona - color studies, street portraits of the characters he encountered on a daily basis, and a number of dark landscape paintings. He found time to run with the bulls in Pamplona, and began writing stories about his adventures that were later published. Upon his return to Denver in 1988, Rigsby continued to explore the alter egos of the color studies - he concentrated on a series of dark paintings, all prominently featuring back. He commented about these black paintings that he " decided it was time to explore the perception of the eye and physical space as defined by low -light conditions…I find these paintings elegant, joyous and light-filled, with no feeling of heaviness at all." In mid-1988, Rigsby moved permanently to Houston, Texas, where he would spend the last five years of his life. Once in Houston, Rigsby made a discovery that would serve as the inspiration and material for some of the last works of his career. In 1989, he discovered a salvage yard filled with scrap rubber, and he began working on black rubber sculptures, as well as paintings with rubber elements incorporated. He made strong connections in the Houston alternative arts scene, and became a regular contributor and art critic for a local weekly newspaper, The Public News. From 1989 through 1992, he exhibited his sculptures and paintings at Houston's Brent Gallery, Fountainhead Gallery, and Blaffer Gallery. He also produced an installation of his rubber sculptures on the roof of the Diverse Works Gallery in Houston. 1992 also marked Rigsby's return to Denver when he exhibited his sculptures at the Payton-Rule Gallery in Denver, leading to an Absolut Rigsby commission by Carillon Importers. The 1990s were a tremendous struggle for Rigsby, with financial crises compounded by physical trauma (he accidentally sawed off the top joint of the index finger of his left hand while working in his studio). Although his work was being shown, it wasn't selling, and the tremendous financial pressure he felt weighed heavily upon him. He spent an increasing proportion of his time going to flea markets and garage sales, rehabilitating and repairing the things he bought there, and then re-selling them simply to raise enough money to keep a roof over his head. He had little time to paint or sculpt, the things in life that had always, no matter what the circumstances, brought him joy. Rigsby's final works were a series of intricate paintings and drawings on used books that he purchased at the flea market. Most of these drawings, which he referred to as sculptural form drawings, were executed on page after page of science texts, music books, and a Korean bible and fill hundreds of pages. Additionally, Rigsby created an exquisite book he titled 28 de los Angeles, in which his twenty-eight simple and elegant drawings of angels resonated with the influence of Rembrandt he had so admired in his early days. In a sense, Rigsby's final works, art created on used books which were the only materials he could afford, brought his work and life full circle from his childhood days. Rigsby's life, though begun and ended in adversity, was nonetheless illuminated and enriched by the irresistible impulse he had to create art and beauty. John David Rigsby was killed in a one-car accident in Colorado in August, 1993. Biography from the Archives of askART Following is a review by Michael Paglia of the artist's July 2004 retrospective at the Denver Museum of Contemporary Art. It was submitted by John Rigsby, Jr., son of the artist. There's a magnificent retrospective at Denver's Museum of Contemporary Art devoted to the work of the late John David Rigsby, who was a major powerhouse in Colorado's art scene. "Dots, Blobs and Angels" surveys more than forty years' worth of the remarkable artist's paintings and sculptures. The year 1993 was strange, and by that I mean terrible. Many of the city's galleries closed because of bad economic times, and then the artists started dying. In a matter of a few months, Denver lost three significant artists: Rigsby, experimental photographer Wes Kennedy...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Hadley Rampton's (US based) "Glissando" is an oil painting that depicts the snow dusted rolling hills, with patches of brown and orange grass peeking th...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Spring in Aspen (Colour) Aspen, Colorado - 2026 Also available in B&W. Available Sizes: Standard Edition of 12 Image Size: 37" x 62" Framed Size (with a 5" mat): 52" x 77" Large ...

This vibrant artwork captures a charming village scene, characterized by its distinctive red-roofed buildings. The artist uses bold, expressive brushstrokes to convey a lively atmosp...

Signed and numbered on over matte. Artist's label back of mount with title, dates, medium, edition number and copyright. Available in a number of sizes. Please contact the gallery. P...

Contemporary realistic Texas landscape nature painting by Houston based artist Jerry Greenberg. The work features a path winding through a stand of lush trees. Signed in the front lo...

Taos Pueblo Screen print in colors, c. 1945 Signed and titled in pencil by the artist Printed in Taos Taos is the oldest continually inhabited city/village in North America. How old ...

Timothy Berry (b.1948). Savage Garden, 1996. Oil on canvas, 34 x 32 inches. Sigh on verso. Original gallery label affixed on verso. Canvas stretched over...

Sofa and canopy in colonial style of exotic inspiration, Jeko 07 has a structure made of ECOTeak, a material coming from the reuse of recovered beams and teak elements that have been repaired with recycled wood, assembled and polished to highlight the original veins. It is characterised by a wide and low seat, with removable cushion to which loose cushions can be added to increase its comfort. Starting from the four corners of the sofa arise 4 wooden columns that go on to build the canopy, upon which a white curtain is laid for greater privacy and intimacy. Canopy sofa...

Paul Soldner (1921-2010) abstract expressionist pottery vase. Glaze in black and brown, partly unglazed. Excellent design, mint condition. Signed Soldner on the bottom. Measures: 10" H x 8 3/4" W. Paul Soldner (1921-2011) was an American ceramic artist, noted for his experimentation with the 16th...

Tracy Wall's (Colorado, US based) "Kenosha Colors" is an original, handmade, mixed media painting that depicts Colorado aspen trees in autumn. As an artist, Tracy Wall sheds new light on everyday life, inviting the viewer to see the familiar as if for the very first time. Working with a variety of subjects, Tracy paints interesting viewpoints with compelling value, color, and shapes. Appealing compositions are everywhere, and they make strong impressions from afar even before the subject matter is recognized. She loves to balance representational impressions with more abstracted compositions. Tracy has studied at the Art Students League of Denver under such influential artists as Michelle Torrez, Ken Velastro, Kevin Weckbach, John Lencicki, and Rob Gratiot while also participated in additional workshops from Sally Strand, Carol Marine...

Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric ...

The Mining Town Aspen, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard ...

The Tera Sconce is Ceramicah’s signature wall sconce. Its compact size and clean proportions make it perfect for use in any space. The Unglazed Tera Sconce is fired without any glaze...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

"Sasha’s Marshall Basin" by Bruce A. Gomez (US based) is an original pastel featuring a mountain landscape with aspen trees changing color in the foreground. Artist Statement I've been working in pastel full-time for the last twenty-nine years and have been teaching workshops for the past fifteen. My artistic influences range from Paleolithic art...

Xanadu Aspen, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available Framed Sizes: 52 x 63 inches 71 x 88 inches "There is no doubt that Aspen is the most notorious, scandal ridden ski resort in the world. Its mere name evokes imagery of heavy partying, glamour and celebrities, which is a little unfair on all those that go up the hill from Glenwood Springs simply to ski. Good things have happened in the town, but so have many bad things, which makes it delicious material for the Storyteller. 70 years after the silver market burst at the turn of the century, Aspen boomed bigger and louder than it ever had before. It was a freewheeling bohemian paradise with rock and roll as important to its very essence as skiing itself. The question was not as much which area to ski, but whether to hang with The Eagles, John Denver or Jimmy Buffett. By the early 70s The J Bar at the storied Jerome Hotel was firmly established as a drinking venue and I have heard stories of bartenders turning a blind eye to high profile figures brazenly doing lines of coke off the counter in broad daylight. It was in keeping with the vibe of the era that Hunter Thompson...

Melanie Sherman Vintage Peacock III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 5.5x4x0.25in Signed by hand COA provided Ref.: 924802-1333 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

The Inout 703 sofa by Gervasoni, designed by Paola Navone, is a generous and comfortable seating element that combines the solidity of natural materials with the softness of removabl...

Elegant glass vase designed by Nils Landberg for Orrefors executed in "Sommerso" technique. Etched signing on bottom.

As one of the world’s most collected, significant pop artists today, Nelson De La Nuez is a born iconoclast. Using his unique juxtaposition of pop culture and surrealism, blended with America’s rich culture and history, De La Nuez has created works of art that are considered timeless. Listed on the “Who’s Who List of the Most Collected Artists of Our Time,” his works are original, bold and outspoken. De La Nuez is known for his distinctive, trademarked style called “Art on the Edge,” which is creating art on all sides of the canvas and wood. This unique painting measures 48 inches high by 40 inches wide. It is signed on the front and the back by the artist. This artwork is framed in a black wood frame. Size and price include frame. It is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and global shipping options available. A certificate of authenticity issued by the art gallery is included. De La Nuez’s artwork is hanging in some of the most prominent, private collections of movie stars, directors, producers, comedians, corporations and art connoisseurs, as well as purchased recently for future auctions by Sotheby’s. His art has been featured on countless television shows, including: VH1: Fabulous Life of: “The Latest in Billionaire Home Décor,” “Inside Edition,” MTV “Cribs,” HGTV “Designer’s Challenge,” E! “Celebrity Favorites,” “America’s Next Top Model”, HGTV’s “Extreme Homes,” countless Bravo TV shows and “TMZ: Michael Jackson’s Final Art Purchase.” His works have been in high demand at international art shows and galleries. His works are represented by Artplex Gallery, Los Angeles. Nelson De La Nuez was born in 1959 in Havana, Cuba and came to the US at age seven. He was raised in Glendale, CA. De La Nuez studied art history at Boston University. He sees life as a “backwards ride on a Ferris wheel while sitting in an enlightening philosophy course.” His images become performances – his characters the source of laughter and enjoyment. Nelson tries to create a new generation of art lovers, drawing upon icons and art history to entice younger minds, in turn provoking the interest of the generation above them. De La Nuez is an innovative artist who captivates people with his outlandish juxtaposed art. He is constantly creating new, thought-provoking images, which have been collected worldwide. The L.A. Times called De La Nuez “the comedic da Vinci of our times.” His ability to use these non-related images to achieve a whole new and stimulating outlook on life has brought him many awards and published features. The artist continues to challenge himself to incorporate new and exciting ideas into his art and his style. He believes he is a success if his art inspires people to think beyond the norm. Artplex Gallery has been representing and exhibiting Nelson de la Nuez's original artworks since 2016. Artplex Gallery is a partner gallery of Artspace Warehouse. Artspace Warehouse has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse and Artplex Gallery are known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artplex Gallery, Los Angeles, California, USA EXHIBITIONS 2023 "Perspectives on Street Art", Artplex Gallery, Los Angeles, CA 2022 "Freestyle Iconography", Artplex Gallery, Los Angeles, CA 2021 Hamptons Market Art & Design. The Bridgehampton Museum 2021 Beach Life, DTR Modern Gallery, Nantucket 2021 “Live It Up” De La Nuez, Jennifer Balcos Gallery, Buckhead, ATL 2021 “Winter Wonderland”, DTR Modern Gallery, Washington DC 2020 DTR Modern Gallery, New York 2020 White Room Gallery, Bridgehampton, NY 2020 A Style Gallery, Solo Show, Hong Kong 2020 DTR Modern Gallery, Boston 2019 Pop Art Then & Now, DTR Modern Gallery, Boston, MA 2019 Melbourne Art Fair, Royal Exhibition Building, Australia 2019 Hamptons Market Art & Design, the Bridgehampton Museum 2019 Art Fair Hong Kong 2018 Art Fair, New York, NY 2018 Baselworld, Basel, Switzerland 2018 Art Market San Francisco, CA 2018 LA Modern & Contemporary Art Show, CA 2018 Pop, Bang; De La Nuez, DTR Modern Palm Beach, FL 2017 Hong Kong, HK 2017 Corum Bubble Watch...

ABOUT THIS PIECE: I based Cloud 9 on the spectrum of colors found in nature at different times of the day and four seasons in Aspen, Colorado. Little Nell is a reflection of the cool...

Signed lower right, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Quiet Moment'. Paper dimensions: 22 H x 28 W inches Hessam Abrisha...

"Hunter S. Thompson" Aspen, Colorado - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 60" ...

This sculpture can also be made to order in the dimensions specified. Please contact the gallery for further details. At Escat Gallery we are committed to maintaining the highest s...

Tennis Player heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of​ the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 she won the first prize of a painting of the City of Castelldefels, and the following year she debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. He won the first prize of the International Painting Competition of Pollença (Mallorca) in 1985, and the following year he took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. Sabala continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 she debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks​, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Marilyn Minter Merry Merry: Limited Edition Large Christmas Stickers, 2007 One oversized sheet of die-cut vinyl stickers which rolls up and ships in a tube with original tube from ar...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Nelson De La Nuez is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of ...

"Light Warms the Cold" by Stephen Day is an original oil painting depicting evergreen and aspen trees on a spring morning, resting across the ridge of a mountainside river stream. St...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Sotheby's: The Collection of Craig Wright, New York Auction Catalog Sept. 2011. 234 lots on 151 pp., Illustrated in color and fully described. "Craig Wrig...

Gordon Brown's (US based) "Storm Swell" is an oil painting that depicts rolling, tumultuous waves crashing against a rocky shore with storming clouds over...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock II (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 6x4.25x0.5in Signed by hand COA provided Ref.: 924802-1331 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

Bertu Outdoor Dining Chair, Teak Outdoor Dining Chair, Solid Teak, Suelo® This Solid Teak Outdoor Dining Chair - The Suelo® is beautifully constructed ...

Bark painting of Two Fish, Northern Territory, Australia A wonderful "x-ray" bark painting of two fish, probably Barrumundi. This is painted in a the traditional style and with the ...

Contemporary realistic Texas landscape nature painting by Houston based artist Jerry Greenberg. The work features a pair of trees casting shadows in an open field. Signed in the front lower right corner as well as titled on the reverse. Currently hung in a gold frame. Dimensions Without Frame: H 24 in. x W 30 in. Artist Biography: I have a deep appreciation for nature. In my work I seek to convey the landscape as I experience it emotionally as well as visually. I travel frequently throughout the United States and Europe in search of new landscapes. Some of my favorite subjects include rivers and creeks in the Texas hill country; aspen trees in the Rocky Mountains; ponds in New England; and lush rolling hills in the English countryside. My influences include French and Russian Impressionists and early California landscape...

A richly atmospheric early–mid 20th century oil landscape by Raphael Lillywhite depicting the Colorado Rocky Mountains in full autumn color. The composition captures a sweeping Weste...

A hand-painted and whimsical table by Mackenzie-Childs. created by the company in its early days in Aurora, New York. retaining its original brass plaque. The table is both functioni...

Periwinkle painting inspired by aspen trees and rivers.

"Spring Finally" by Stephen Day is an original oil painting depicting evergreen and aspen trees on a spring morning. Stephen Day has roots that run deep in the West. He was born in Sheridan, Wyoming, and lived in Santa Fe, NM; Lovell, WY; Aspen, CO; and graduated from High School in Durango...

A set of four genuine Skookum dolls. Made with leather, real hair, wool, and fabric, these Native American dolls were the original American Girl....

The 1982 French Open was a tennis tournament that took place on the outdoor clay courts at the Stade Roland Garros in Paris, France. The tournament was held...