5,337 results for "cubism"

This exquisite collotype after Georges Braque (1882–1963), titled Sans titre (Untitled), from the album Birds, Saint-John Perse, originates from the 1966 edition published by the Bol...

Pablo Picasso's Guernica painting inspired, great colors, acrylic and spray on canvas, great artwork, exhibitions in the best Art Galleries in France...

Yellow Landscape signed by Lucien Gondret (French 1941-2023) signed oil on canvas, unframed canvas: 18 x 24 inches provenance: the artists estate, Franc...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tribu de Levi (The Tribe of Levi), from the special issue of the XXe Siecle Review, Chagall in Jerusalem, originat...

Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Still Life of Flowers by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 23.5 inches Provenance: all the paintings we have by this art...

The Artists Model, female nude reclining in chair by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 29 inches Provenance: all the pai...

This exquisite lithograph and pochoir by Marc Chagall (1887–1985), titled L'ecuyere au cheval rouge (The Horsewoman with the Red Horse), from the album XXe Siecle, Nouvelle serie No....

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 11 x...

Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued uns...

You don't have to be a Catholic, or a medievalist, or a Catholic medievalist (Tolkien?) to appreciate this striking image of St. George taking on the dragon. In style it falls somewhere between Cubism and Guernica, to my eye. The limited color palette, with the bold red, gives it the energy of early 20th-century Russian poster...

This reproduction lithograph, titled Le Jeu by Fernand Léger, is a beautifully crafted piece printed on high-quality ARCHES paper. Originally created in 1948, this lithograph capture...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Offrende (The Offering), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

Artist: Marisol Escobar (known mononymously as Marisol) Offset lithograph postcard Published by the Whitney Museum of American Art, 1964 Hand signed and dated 1977 by Marisol in ink ...

Yvonne Canu 1921 – 2008 Painting Size: 24 x 29" (61 x 74cm) Outside Frame Size: 31 x 36" (79 x 91cm) Yvonne Canu is currently one of the most in demand exponents of Pointillism w...

James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed...

Still Life of Flowers by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, framed framed: 29 x 24 inches canvas: 28 x 23 inches Provenance: all the paintings ...

This artwork titled "venus Noir" from the suite "The Mujeres File" 1969 is an original colors lithograph on BFK Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is h...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

Menton by Constantin 1960 vintage French TRAVEL POSTER By Terechkovitch Georges Terechkovitch (1908-1993) was a French artist of Russi...

Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects. This bold and evocative 1970s painting by English artist Colin Ruffell captures a nosta...

Beautiful exhibition poster for the Maison de la pensée française by Pablo Picasso in 1954. Works from 1900 to 1914 from the museums of Leningrad and Moscow and some Parisian collect...

Dancer Tying Her Shoes, executed around 1916, stands as one of the most important works within Dick Beer’s oeuvre. Created during a pivotal moment in his life, shortly after the trau...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculpture...

XXe Siecle-Hommage a Marc Chagall Color lithograph, 1969 Unsigned as issued by XXe Siecle From: XXe Siecle, Volume, Special Issue Marc Chagall Published by G. di San Lazzaro for A. M...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages (Figures), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), originates from...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10.5...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - D Year: circa 1980 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

This artwork titled "Nino Con Pajaros" Variant, 1976, is a color etching on Guarro paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 40/75 in black crayon by the artist. Published by Ediciones Poligrafa, Barcelona, Spain. The artwork (sheet) size is 29.5 x 22 inches, framed size is 41.25 x 33.75 inches. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #199 page 169. Custom framed in a wooden black frame, with light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 8 x ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Romeo et Juliette (Romeo and Juliet), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This romantic and luminous composition pays homage to Charles Gounod’s opera Romeo et Juliette, one of the works celebrated in Chagall’s magnificent ceiling design for the Palais Garnier. Romeo et Juliette radiates with the tenderness, tragedy, and transcendent beauty of Shakespeare’s tale, reimagined through Chagall’s poetic symbolism and vivid color. Floating lovers, celestial forms, and musical motifs intertwine in a lyrical vision of eternal love and harmony, reflecting the artist’s lifelong fascination with the union of art, music, and emotion. The composition captures the very spirit of Gounod’s music—lyrical, passionate, and filled with grace. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Romeo et Juliette (Romeo and Juliet), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Romeo...

This exquisite silkscreen after Paul Klee (1879–1940), titled Ein Genius serviert ein kleines Fruhstuck (A Guardian Angel Serves a Small Breakfast), from the album Paul Klee, Paintin...

Very impressive signed 1967 abstract landscape. Appears to be an abstract coastal scene. Framed.

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

A vibrant 1950s Modern watercolor of a standing male bather in red & orange tones by notable French artist Andre Delfau. Painted in the south of France along the Cote d' azure (...

Peccatum Originis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 47' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Accordeoniste (The Accordionist), from the album Chagall, originates from the 1957 edition published by Maeght Editeur...

CHARLES LEVIER – UNTITLED STREET SCENE Oil on Board ⚜ Signed Lower Right ⚜ Original Gilt Frame A VIBRANT MIDCENTURY CITYSCAPE BY A MODERN MASTER This original oil on board by Charle...

Inspirational This graphite pencil drawing ‘Neo Deco – 05-07-25’ shows Ukrainian model Assia Granatouroff once more. After my last drawing of her I felt inspired to do anoth...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Painting on burlap by Jose Maria de Servin of an Abstract Naive Lion animal using bright colors and geometric patterns. In this piece the artist simplifies the representation of the ...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Baigneuse (Bather), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Je...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau devant le solei (Bird Before the Sun), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1961. The composition exemplifies Miro’s poetic use of symbolic imagery, where the bird and sun function as elemental forces within his visual language. Through gestural line, saturated color, and spatial freedom, the work reflects Miro’s fusion of cosmic imagery, instinctive mark making, and lyrical abstraction. Executed on velin paper, this lithograph measures 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued. Unsigned and unnumbered as issued. The edition reflects the refined technical standards and craftsmanship of Imprimerie Arte, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau devant le solei (Bird Before the Sun), from Derriere le Miroir, No. 125-126, April 1961 Medium: Lithograph on velin paper Dimensions: 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued Inscription: Unsigned and unnumbered as issued Date: 1961 Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 1722 Condition: Well preserved, consistent with age and medium Provenance: From the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys, London, on June 19, 2012. Joan Miro Oiseau...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. VII, n°2, D...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf von vorn, nach rechts gewandt (Male Head Facing Right)" Portfolio: Das Spiel Christa vom Schmerz der Schönhe...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Dan, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre...

Third Drawing This graphite pencil drawing ‘Neo Deco – 29-08-23’ is a co-production with someone who calls himself ‘CapitalistTools’. A true enigmatic name! His profile ...

Female nude, mid century oil painting of the artist's wife by Georges Gonthier. Though not signed it is extensively annotated to the back board with subject, artist and dedication. P...

This exquisite lithograph by Joan Miro (1893–1983), titled Graphismes (Graphisms), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, ...

This exquisite lithograph by Joan Miro (1893–1983), titled La danseuse espagnole (The Spanish Dancer), from the folio Derriere le miroir, No. 139–140, originates from the 1963 editio...