11,534 results for "science"

Sandra Cohen’s “I’m not here (2)” is a 10 x 10 x 1 inch acrylic painting on cradled wood, in green, blue, and yellow. An experiment in abstraction based o...

PRESENTING A ‘FANTASTICALLY’ RARE, EXCEPTIONAL QUALITY and MUSEUM QUALITY Pair of Regency Shell Art Floral Bouquets under Glass Domes. Made in Englan...

A fabulous investment quality antique George III Flame mahogany & gilt bronze eight day movement tall case grandfather clock, by Robert & Peter Higgs & David Evans, made for the Span...

Artist Comments
A bright harvest moon illuminates the edges of gray and blue clouds, casting its glow over a small house with an orange door. Birch trees in autumn colors sta...

Todd Carpenter's (US based) "Above Plain" is an oil painting that depicts a black and white mountainous landscape. Bio/artist statement: Todd Carpenter is a Los Angeles based artis...

AFTER PAUL EVANS MID CENTURY MODERN MONUMENTAL BRUTALIST FINE ART DIRECT METAL SCULPTURE! MAGNIFICENT TOWER STRUCTURE! IRON, BRASS, BRONZE & WOOD BASE CIRCA 1956 Similar to Diego Giacometi Approximate Dimensions: Large 34" Tower/ 13" Wide & Deep This is the Holy Grail for Mid Century abstract...

The first monograph dedicated to acclaimed American industrial designer, Todd Bracher, this book showcases his collaborations with leading international brands such as Georg Jensen, ...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. David Chapple has portrayed this piece in a most intimate, yet energetic way, and has packed much ...

Fly Agaric & Chanterelle Mushrooms – Antique Botanical Lithograph Set, 1885 This refined set of three large-format botanical lithographs illustrates a celebrated selection of Europe...

A pair of turned walnut candlesticks by Rude Osolnik, ca' 1970's. "Osolnik was widely admired as one of the finest wood turners in America and his workshops and seminars were in dema...

This is an antique scientist's field microscope. An English, brass, pocket instrument, dating to the Edwardian period, circa 1910. Appealing brass ...

Brass Candelabra, Gardens Of India Small in Brass, Viya by Vikram Goyal. Candelabra in brass. Handmade in India. Welcome to the captivating realm of the Enchanting Indian Garden, w...

Katherine Bello Title: Defining Moments Medium: oil on canvas Year: 2020 Size: 40" x 30" x 1.5" Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

This textured, Modern Abstract Expressionist painting Stanley Bate features a neutral palette with both warm and cool undertones. Muted blues and reds seem to be incorporated into a ...

Linda Connor: Lick Observatory These celestial images are made from glass plate negatives that belong to the archive of the Lick Observatory in San Francisco. These images were mad...

Artist Comments
This contemporary abstract combines paint and paper collage to create a textured linear pattern in the lower portion of the artwork. The top section features ...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

This piece is talking about time and the journey of mankind, which no one knows and is unpredictable. That is why the clock he is holding is not speaking about certainty or a specifi...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Katherine Bello About Time Acrylic and oil stick on canvas 2023 Size: 52x42x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1874 *on stretcher frame - ready to hang...

Whitney Myron Hubbard's wife in the garden Signed in pencil lower left Whitney M. Hubbard. Framed in a contemporary gold leaf frame 16 by 13.75 inches. A seventy year resident of G...

Ignazio Gardella for Azucena, set of ten armchairs, model P10 / R63, faux leather, nickel-plated brass, Italy, design 1963 A rare set of armchairs by Milanese architect Ignazio Gard...

Katherine Bello Title: Two Vases Oil on canvas Year: 2021 Dimensions: 30"x24"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy Sillman...

Black silk and polyester wrinkled effect with pettycoat. Size S Hook& eye and zip. SIZE S

Tatiana said following about this artwork. "In this work, I explore the idea that a familiar place can suddenly feel different. The composition developed freely, through layers of c...

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

This striking work explores African cultural identity as both personal and collective memory. Through the interplay of concealment and adornment, it presents the African body as a sa...

A beautiful early 20th century French impressionist oil on canvas depicting a Pyrenees landscape, by Georges Pacouil. The work is signed lower left and inscribed with artist's name...

Path Oil on Canvas 2021 Size: 28 x 22 x 1.25 inches (71.1 × 55.9 × 3.2 cm) Signed in front on lower right Signed, dated and titled verso COA provided *On Stretcher Frame, Gallery-w...

Antique Botanical Prints Set, German Wildflowers Atlas Plates, Stuttgart 1890 This refined collection of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1885. Created during the late nineteenth century’s flourishing period of scientific illustration, these works combine botanical accuracy with a restrained decorative elegance that translates beautifully into contemporary interior design. The plates present a diverse survey of European wildflowers, medicinal herbs, and native field plants rendered with delicate color and precise draftsmanship. Species illustrated include nettle (*Urtica dioica*), hops (*Humulus lupulus*), plantain (*Plantago*), sorrel (*Rumex*), chickweed (*Stellaria*), buttercups (*Ranunculus*), pinks and campions (*Dianthus* and *Silene*), meadow herbs, flowering field plants, and various alpine and woodland flora. The compositions balance botanical specimens with airy spacing, allowing each plant form to stand clearly while contributing to an overall harmonious visual rhythm. The soft palette of sage greens, muted blush pinks, and warm paper tones creates a calm and organic aesthetic well suited to modern interiors. Unlike highly saturated botanical imagery, these plates function as sophisticated architectural wall elements — ideal for organic modern spaces, Scandinavian interiors, country houses, wellness environments, or hospitality settings seeking authenticity and quiet natural texture. Displayed together, the prints form a cohesive botanical narrative that introduces movement, refinement, and historical depth without visual heaviness. Produced as educational plates yet executed with notable artistic sensitivity, these works exemplify the German tradition of merging science and design. Their balanced compositions and timeless subject matter make them particularly attractive for designers creating layered, nature-inspired interiors. The prints are offered unframed, allowing collectors and designers full freedom to select framing appropriate to their interior schemes. Any framed examples shown are intended solely for visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains strong and stable, presenting attractively overall. Framing tips: These botanical plates benefit from generous ivory or soft cream matting to emphasize their delicate compositions and preserve visual balance. Natural oak, walnut, or subtle antique gilt frames enhance the historical character while remaining compatible with modern interiors. Hanging as a structured grid or salon-style botanical wall creates a refined, designer-led installation with strong visual cohesion. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European wildflowers art, botanical wall decor, vintage botanical plates...

This contemporary abstract black stone sculpture is by Jeremy Guy. A full time sculptor for more than two decades, Jeremy Guy’s superb sculptural work has attracted international pr...

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

Figure is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, mid-20th century. Very good conditions. Not sig...

Figure is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, mid-20th century. Very good conditions except f...

Vintage art glass paperweight features an abstract biomorphic central design element in blue glass with metallic pigments, raising from the bottom and forming a mountain-like shape....

Murano blown glass chandelier with 157 elements in crystal and amber, nickel finish structure and six lights E26 / E27. This fantastic work has 72 elements of cm 28 (inches 11,08) p...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

This painting depicts an impressionistic Plein Air scene of Brunch at Fanelli n Soho Manhattan. The thick brush strokes and fun marks creates an atmosphere reminiscent of city life. ...

An expansive and awe-inspiring visual survey celebrating the stunning beauty of butterflies and moths across art, history, science, and culture Butterflies have enchanted people for...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

JOSEP MARIA RIERA I ARAGÓ (Barcelona, 1954) Untitled. 1989. Mixed media and collage. Hand signed and dated by the artist. 1989. Measurements: 31 x 43.5 cm; 50.5 x 62.3 cm (frame). I...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

Vintage art glass paperweight features Op-Art design with dark, almost black Burgundy red glass circular structure, surrounded by striped glass ribbon in blue, white, and burnt oran...

Collection 100 Rocks, Teaching Material, Italy 1950s Geology teaching board "Minerals and Rocks" G.B. Paravia Scientific Collection - Turin The ...

An extraordinary find, both historically and artistically, this miniature Oscar statue was commissioned by Columbia Pictures in 1935 to celebrate its 15th anniversary as well as the ...

This large fossil plate is incredibly unique, featuring a long Diplomystus dentatus along with two Cockerellites (Priscacara) liops, fossilized in its natural matrix. The entire piec...

East Indonesian Exotic Butterflies Taxidermy Display Celebes Islands Good condition Free international shipping.

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Bocca, the original 1970 lips-shaped couch is only Gufram's. This sensual couch, which is ideal for a tête-à-tête, has entered the collective imagination on par with Andy Warhol's works, as well as other pop art masterpieces...

Salvador Dali (Spanish, 1904-1989) Alma del Quijote Bronze with marble base Edition: AB 52/100 Signed by Dalí This Surrealist sculpture depicts a dynamic and fragmented Don Quixote...

Original US International film poster for Star Wars 1977. The film was directed by George Lucas and starred Mark Hamill, Harrison Ford and Carrie Fisher. The artwork on this poster i...

Oval brass mirror, Gardens of India in brass, Viya by Vikram Goyal Mirror in brass with semi precious inserts. Handmade in India. Welcome to the captivating realm of the Enchanting...

A beautiful color block signature micro pleated maxi dress from Issey Miyake in vertical panels of green, chocolate brown and orange. It has a stand up collar, long sleeves and slips...

Genuine Muonionalusta Meteorite Slice from Norrbotten, Sweden. The Muonionalusta is a meteorite classified as fine octahedrite, type IVA (Of) which impacted in northern Scandinavia,...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Fun Day Size: 16" x 20" x 0.8'' inch...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Beautiful large vintage school map, school poster about the honey bee, paper on linen, by Jung Koch Quentell, dated 1968, Germany. Educational poster, which is also very decorative,...

This rare authentic Triceratops metatarsal fossil comes from the legendary Hell Creek Formation, one of the most important Late Cretaceous fossil beds in the world. Dating back appro...

Katherine Bello Title: Vessel Oil on canvas Year: 2021 Dimensions: 30"x24"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided --------------------------...