315 results for "verni"

Louis Vuitton Conte De Fees Pochette in extremely nice condition. Marc Jacobs and Julie Verhoeven collaborated on a limited-edition collection based on...

Straight lines and subtle curves flow together seamlessly in this elegant mid-19th century table made in Shanxi province. We love the way its humpback curves and rounded aprons sweep into simple stretcher bars and round legs, invoking the classic style and aesthetic restraint of Ming-dynasty design. Made for sharing and offering wine and spirits...

Dans cette œuvre, j'ai capturé l'esprit de la course, l'effervescence autour des Ferrari rouges flamboyants, symboles de passion et de vitesse. L'utilisation de l'huile donne une...

Presenting a fabulous mint green Louis Vuitton Vernis phone holder bag. From the Spring/Summer 1999 collection by Marc Jacobs, this fantastic mini bag...

Chest of drawers by Louis Foureau, Paris, circa 1760 This exquisite chest of drawers was crafted around 1760 by the renowned cabinetmaker Louis Foureau and exemplifies the elegant Fr...

Spectacular vintage hand oil painted panel depicting a Chinese outdoor scenery with a man carrying a bird cage over his shoulder, a fanning man sitting down and a boy letting a bird out of its cage. All three surrounded by tree branches, leafs, roses, peonies and other flowers and greens. The detailed and very skillfully painted chinoiserie used...

René DROUET ( attribué à ) élégant secrétaire art déco en loupe de tuya 1930 intérieur en sycomore bronzes originaux entièrement restauré finition vernis tampon

Authentic Louis Vuitton Vernis Monogram Hot Springs Backpack in Black and White. Features black patent leather, with white and black monogram coated canvas front flap closure with bu...

An exceptional and rare late 19th century gilt bronze mounted Louis XV Style Bureau Plat Attributed to Zwiener Attributed to Joseph Zwiener The serpentine case with a rectangular top with gilt-tooled leather writing-surface within a molded border above a quarter-veneered frieze, three drawers to the front and three simulated drawers to the reverse each flanked by a large putto, the sides centered with a fine bronze Apollo mask, the cabriole legs mounted with sea shell bronze designs with foliate-cast sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A Fantastic Late 19th Century Gilt Bronze Mounted Louis XV Style Kingwood Center Table By François Linke François Linke With serpentine-grey and yellow marble top, above a frieze ...

Etching, drypoint and soft-ground (vernis mou) printed in sanguine ink on Japan paper. Most probably 3rd state on 7. Not signed nor numbered, as issued. Ref. Masca 610; Ramiro 143....

An Exceptionally Fine Late 19th Century Louis XVI Style Gilt Bronze Mounted Mahogany Center Table By Joseph Zwiener Joseph Zwiener The rectangular marble top above a spring loaded ...

Très belle table à manger scandinave rectangulaire vintage des années 60, en teck, magnifique design danois attribué à Dyrlund Møbelfabrik, plateau rectangle aux bords en teck massif...

GOOD CONDITION (7/10 or B) Retail $1160 (Outside) Some rubs on the edges (Outside) partially stains (Inside) partially rubs (Inside) minor stains in the note compartments (zipper...

Medium: original etching and drypoint with vernis mou. Printed in 1910 and published in Paris by Gazette des Beaux-Arts. Plate size: 8 1/4 x 5 1/4 inches (220 x 135 mm). Signed in th...

A pair of French gilt-bronze mounted and ebonised meubles d'appui, by Mathieu Béfort dit Béfort Jeune. Each has a vert maurin marble top above a cup...

A Rare set of Four Petite Louis XV Painted & Parcel Gilt Side Chairs Stamped Tillard Circa 1750 Height 33 ½ in. Width 19 in. Depth 17 in. Jean-Baptiste ...

Paire de tables de nuit à une porte et tiroir, époque Napoléon III, seconde moitié du XIXe siècle, en noyer massif sculpté. Chaque meuble présente en façade un panneau central en ...

This Louis Vuitton Damier Azur Pochette was made in the USA in 2017 and it is crafted of the classic Louis Vuitton Monogram coated canvas exterior with leather trimming and gold-tone...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Grande table basse ronde style scandinave vintage des années 60, attribuée à la marque allemande Ilse Möbel, dite “monte et baisse”, elle est modulable en table à manger en se soulev...

This unusual cabinet, though plainly Art Nouveau, pays homage to Louis XV. It is bombe, with gently swelling sides and front. This ebeniste really knew his trade, the drawer fronts a...

Georges Meunier Montmartre café, 1897 Original lithograph Printed signature in the plate Printed on paper vélin Size 40 x 29 cm (c. 15.7 x 11.4") INFORMATION : Plate 62 of "Les Ma...

Petite enfilade basse vintage style scandinave des années 60, en teck, beau piètement aérien, pieds compas, 2 tiroirs et 1 porte abattante avec jolis boutons, intérieur en bois et mé...

A Very Important and Palatial Late 19th Century Gilt Bronze Mounted Louis XVI Style Vernis Martin Vitrine by Joseph Zwiener Joseph Zwiener The excellent quality vitrine with an upp...

Table basse scandinave vintage des années 60, attribuée au designer danois Bernhard Pedersen & Son, en teck, plateau rond, joli pied central à 3 branches, très bon état général, plat...

Grand bureau type bureau de direction vintage des années 60 70, en bois de pin, pieds traîneau, un bloc 3 tiroirs et un bloc avec 1 porte, design incroyable, très jolies poignées. Tr...

Jean Marais (1913 - 1998) Portrait of my Friend Jean Cocteau Original lithograph Signed with the stamp of the artist Bears also a printed signature in the plate Numbered /100 On vel...

Platform sandal in bicolore green lezard. leather lining. Platform height: 5 cm Heels height: 13 cm Shoes size 38 It ( 39 fr) Gently worn.

Table à manger rectangulaire vintage des années 50 60, en palissandre, plateau rectangle avec 2 bords incurvés, avec deux rallonges en bois peint en noir non intégrées à placer aux e...

Enfilade vintage des années 60, en bois de chêne blond doré, très beau design moderniste avec poignées asymétriques en métal noir et pieds compas. Bea...

Louis Vuitton Le Catalogue Reference Book 1997. From the Louis Vuitton store in Rodeo Drive Beverly Hills in California. Master suitcase mak...

Grande table basse ronde scandinave vintage des années 60, modulable en table à manger ovale en se soulevant avec une rallonge centrale, modèle Smorrebrod attribué au designer danois...

Enfilade vintage des années 60, en bois de chêne blond doré, très beau design moderniste avec poignées asymétriques en métal noir et pieds compas. Bea...

A Fine Pair of French 19th-20th Century Louis XV Style Ormolu Mounted Mahogany and Stained Fruitwood Marquetry Circular End or Side Tables en Chiffoniere, Joseph Emmanuel Zwiener - J...

Duo de tables basses modernistes vintage des années 60, design italien de marque Isa (estampille Isa Ponte S. Pietro), plateau en teck rectangulaire pour la première table, plateau en teck de forme carrée pour la deuxième, piétement en métal noir, elles peuvent être disposées librement selon l’envie du moment ou la configuration de la pièce, très bon état général, plateaux poncés et vernis. Ref 221 035 Table rectangulaire...

Chaise basse en chêne massif et cordes tressées dans le goût de Charles Duduouyt, France, années 1950. Chaise solide et stable en bon état tant au niveau de la structure et de l'assi...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui - Side-Cabinet attributed to either Joseph-Emmanuel Z...

French gilt carved wood and gesso wall mirror with exterior rope and beaded molded edge, red lacquer, and interior carved floral motif. Mirror retains the original glass and wood bac...

19th Century Still Life on Copper – Flemish School Tradition Oil on copper, 15.3 × 20.3 cm A finely executed 19th century still life, painted in the manner of the Flemish Baroque ma...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Extremely rare early work by “The Father of the Poster,” Jules Chéret: Lithograph announcing Charles Dickens’s David Copperfield, printed on Imperial...

Grande bergère de style Louis XV, dite « coin de feu », à larges joues enveloppantes formant oreillettes et accoudoirs sculptés en volutes. Structure en bois sculpté présentant un...

Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...

A Rare and Special Late 19th Century Louis XV Style Gilt Bronze Mounted Double Door Vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped fleur de pecher marble top above ...

verné rug, verné also spelled verni or verneh, handmade Caucasian floor covering that was formerly termed a sileh. It is usually woven in two pieces joined a...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

An exquisite French 19th century Louis XV st. mahogany and ormolu hand painted cabinet. The cabinet is raised by cabriole legs with ormolu sabots and chutes finished with finely chas...

Jupiter and Sacred Eagle On Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Pignatari in the 18th Century. Signed on the plate. Good conditions...

This is a fine and unusual 19th century French ormolu mounted mahogany "Vernis Martin" decorated, marble top corner vitrine cabinet, circa 1880 Dimensions: Height 63" (160 cm)...

The Caucasian carpets are from the areas south, east and north of the mountain chain of the Caucasus. Carpets, made before 1925, can be divided into five groups namely; Kazak, Karabach, Sjirvan, Kuba and Dagestan carpets...

Buffet bas de style Régence, ouvrant à deux portes, réalisé en chêne massif teinté brun foncé, reposant sur une large plinthe moulurée. La façade présente deux larges portes à pan...

A fine Louis XVI style gilt-bronze mounted cabinet with a Vernis martin panel, in the manner of Paul Sormani. This elegant cabinet has a rectangular Seravezza marble top with cant...

Small Elegant Pair of Antique French Cut Crystal & Gold Bronze Candelabras, Circa 1875-1895. Clear and Multi-Colored Crystals

Paire de tables de chevet en chêne massif, époque Art Déco, années 1930, teintées dans la masse en noir et vernies au tampon, laissant apparaître les veines naturelles du bois sous l...

Originale table basse composée de deux ours sculptés supportant un plateau en frêne massif, réalisation française du XXᵉ siècle. Cette création décorative se distingue par son carac...

An Interesting Late 19th Century Louis XV Style Gilt Bronze Mounted Lamp Table By Joseph Zwiener Joseph Zwiener With a wonderful veneered “Sunburst” top, each of the four sides cen...

Genre: Judaica Subject: People Medium: Print Surface: Paper size: 13.5 X 10.5, 17.5 X 13.75 with mat. on the Haifa Museum website this piece is described as a vernis-mou, aquatint et...

An unusual French 19th century kingwood, vernis martin vitrine in the style of a Sedan chair. Having serpentine glass to the front and sides. Bombe fronted painted panels, ormolu mou...