989 results for "aspen"

A minimal contemporary cibachrome titled “Accidental Tourism (30th Parallel)” by American artist Lee Stoetzel. Created in 2002. Edition 2/8. Gallery tag on verso from Mixed Green Gal...

The Inout 707 armchair by Gervasoni, designed by Paola Navone, expresses the relaxed and tactile language of the Inout collection through a compact and comfortable seating piece, sui...

"Desire" Abstract Sculpture 84" x 13" x 13" in by Shawn Kolodny Medium: Steel and Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, large-scale ins...

Friedel Dzubas Untitled, 1984 Signed and dated lower right Acrylic on paper 30 x 30 inches Provenance Kenworth Moffet and Lucy Baker, Connecticut Private Collection, Connecticut (ac...

Coffee table in patinated oak decorated with brown tiles. Stamped by manufacturer Nissen Langaa. Designed by Jens Harald Quistgaard.

Zola Zaugg (American, 1890–1983) Untitled (Colorado Mountain Landscape) Circa 1950 Oil on masonite Image: 18 × 24 inches Framed: 22¼ × 28¼ × ½ inches A beautiful example of mid-cent...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist Comments
Artist Melissa Gannon paints a vibrant landscape of autumnal aspens. Melissa draws inspiration from her adventure of a trip thro...

A theatrical celebration of alpine excess, “Cloud 9, Aspen” captures the spirit of high-altitude glamour with wit and precision. Amid towering champagne bottles, vintage skis and sno...

Snowmass Picnic, Colorado, Estate Edition, Portrait Photograph This late 1960s winter landscape photograph, captured by society photographer Slim Aarons, features a stand-up fondue...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Ardea, Nycticorax (Black-crowned Night Heron)" (Plate 78) Portfolio: Nederlandsche Vogelen (Dutch Bird...

Magnificent large format painting of a herd of elephants. "Giant Tuskers". By 20th-21st c. American artist Tom Taylor (b. 1941), also known as Thomas Taylor, Thoss Taylor and the P...

This beautiful original oil painting is framed at 36 x 32 inches in an ornate frame, wired and ready to hang Artist Bio/Statement: Michael W. Vacchiano is a Denver-based artist wit...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

This crisp wintry contemporary landscape scene is signed 'Berdard' with the artist name and title 'Autumne Au Village' verso. Painted with acrylic on canvas in the mid 20th century,...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Blue Sky, Beetle Kill

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In this dream-based series, water becomes a metaphor for sky. The invitational image, Bourrée, depicts a woman suspended in soft hues of blue, floating upward as if ascending into the heavens. In Arabesque, the model seems to tumble gracefully through clouds, arms outstretched. Olson’s color images are surreal and mysterious. In most of the images there are refractions of light and bits of clouds that blend together, leaving us feeling as if we are looking at watercolor paintings. Olson describes Rapture as, “a biography of my dreams.” This series represents, for her, the world that lies just beyond consciousness—where “time shifts, gravity loosens and we slip into another realm.” Through the images she conveys the dreams she’s had since childhood of floating weightless in the sky. In reality, Olson photographed them from above in swimming pools in Seattle, Washington combining images with clouds photographed mostly in North Dakota, where she grew up and visits each summer. The effect is ethereal. Her models could be construed as angels. Olson’s entrancement with the medium spans over 30 years, starting in 1980 when she did a series of swimmer images while in graduate school at the University of Oregon. In the Rapture series, despite each image’s balanced composition, Olson claims the process of photographing women...

Originally designed in 2005 by Jean-Marie Massuad, the Aspen sofa is a sleek and sophisticated piece of modern design. Upholstered in red leather, the so...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Artist: Samuel Rush Meyrick (English, 1783-1848) Title: "John Duke of Somerset" (Vol. 2, Plate XLIX - 49) Portfolio: A Critical Inquiry into Antient Armour Year: 1824 (First edition)...

"Breath Sequence" Abstract Sculpture 90" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, larg...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

A refined Tuscan Italian Neoclassical walnut armchair, having arched horseshoe crest rail centered by a finely pierced lyre splat, flanked by elegant outscrolled arms that terminate ...

Friedel Dzubas Untitled, 1981 Hand-painted monotype on pulp paper 30 1/4 x 24 3/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field p...

Series: Layered Desert Oil and encaustic Size: 36" x 36" with silver floater frame Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, en...

Secession tripod chairs no.81 by Thonet with new secession fabric.

Pink Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pape...

Ivan Chermayeff (1932-2017): Butterfly Mouth Mixed media collage, 2002, hand signed 'Ivan Chermayeff' and dated lower right, titled lower left. Bears label from David Findlay Jr. Ga...

Snowmass Picnic - Slim Aarons Estate Stamped A stand-up fondue picnic for fashionable skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields....

Richard Smith 1931-2016 Horizon II (Grey and Orange), 1970 lithograph 33 x 71 cm 13 x 28 in signed and numbered from the edition of 75 in pencil Charles Richard "Dick" Smith was an ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Mid summer memory, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

Landscape with birches. Oil on canvas, 52x62 cm

Artist: (after) Anthony van Dyck (Dutch, 1599-1641) Title: "Dominus Nicolaus Vander Borcht" Year: 1703 (first or second state of three) Medium: Original Engraving on laid paper Limi...

Snipes Vessel, Ceramic vase Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

Artist Comments
Golden leaves cling to slender trees, their white trunks standing out against a blue backdrop. Red, yellow, and orange foliage blankets the ground, capturing ...

A luminous early 20th-century Western mountain landscape by Elsie Haddon Haynes depicting Silver Plume, Colorado, a historic mining town nestled within t...

The Panda 03 sofa by Gervasoni, designed by Paola Navone, is a statement piece defined by its generous proportions and distinctive woven texture, combining comfort with a relaxed, co...

The Inout 81 daybed by Gervasoni, designed by Paola Navone, is a sculptural outdoor lounger that combines the natural strength of teak wood with soft upholstered elements, expressing...

Snowmass Picnic 1967 Chromogenic Lambda Print Estate edition of 150 1967: A stand-up fondue picnic for skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields. The village was opened in 1967. The ski picnic was organized by Holiday magazine, with the helicopter being used to bring up hot food. The guest list included Howard Head (1914 - 1991) of the Head Ski...

The Panda 19 bergère armchair by Gervasoni, designed by Paola Navone, is defined by its important proportions and enveloping silhouette, featuring oversized armrests and a high, scul...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Larus, Cinereus (European Herring Gull)" (Plate 101) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Origi...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Corvus, Cornix (Hooded Crow)" (Plate 106) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Original Hand-Co...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Snowmass Village 1967 Chromogenic Lambda Print Estate edition of 150 Women in colourful hats at an apres ski party in Snowmass Village, in Pitkin Cou...

Artist Comments
Whether it's fall, winter, spring or summer it's always time for some colorful birch! This painting is done with a palette knife, and resonates with a poetic ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

"Pulse of the Earth" Abstract Sculpture 56" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, l...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

From The Jon Gould Collection of Andy Warhol Photographs Photograph of an unknown male model, possibly in Paris, 1980 This work is not signed by the artist, however, each photo is...

Jörgen Fogelqvist Lithography on Van Gelder Zonen paper Number 88/150 This work is signed by the artist and has an individual number Working dimensions 65/5...

Arne Jacobsen dining chair new upholstered with nubuck semi aniline leather. Base of chrome steel tube. Model 3107 Syveren, made by Fritz Hansen.

Jack Balas Grid Study, Appaloosa Oil and Enamel on Board Inscribed verso, dated 1997-99 and hand signed l.l. Sight: 24 x 48 in. (61 x 121.9 cm.), Frame: 26 x 50 x 2 in. (65.4 x 127 ...

Nelson De La Nuez is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of ...

Keep cozy on all your snowy Alps getaway's with this great AAllard De Megeve set ! Featured in Gorsuch catalogue Aspen and Vail. Circa 1980s, this jacket and pant set are crafted from leather and feature an all-over animal print pattern with black leather pipping. Jacket features a motorcycle style with dolman sleeves, a notched fur collar, diagonal zipper pockets and zipper cuffs. Pants feature a cigarette silhouette with stirrups(how amazing) Both jacket and pants are lined with wool for extra warmth. Funky and timeless, this set looks great together or separate and will pair perfectly with your favorite Chanel ski boots...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane ...