1,524 results for "lisbon"

Catus console is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the marbl...

Art Deco Odeonesque Old Mine cut diamond geometric ring in 18 karat white gold, signed, Portugal, 1940s. Designed as a three-dimensional rectangular plaque that resembles a picture in a frame, this beautiful geometric ring features two Old Mine-cut diamonds set to the center within a border of 18 smaller similarly-cut diamonds, all stones to an open-back grain setting with a closed gallery, flowing through to a polished white gold shank. Odeonesque rings...

Arbit Blatas (1908 – 1999) Hand signed and numbered to lower edge Ecole de Paris Portrait Printed on Arches French deckle edged art paper 1962 Arbit Blatas (1908 – 1999), born Nicol...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

A contemporary royal blue Ceylon sapphire and diamond cocktail or dress ring in 19.2kt white gold, Portugal, 2010s. This ring features a 4.60ct oval mixed-cut sapphire of a vivid roy...

Shot on a dramatic plateau high above the Atlantic Ocean north of Lisbon, Portugal. Available in a wide variety of size, mount, printing and framing options.

An Art Deco period cocktail table featuring a beautifully veneered recessed top. The tables stands on four heavily carved "S" curved legs joined by a central disc, extending to fou...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

This artwork titled "Windmill" 2009, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed, date...

A 19th century center table with mahogany veneer. The pietra dura top with highly contrasted marble pieces depicting the van Wedekind family coat of arms with the motto "Nil Differre...

The clean and sensual lines of the Moulin chair make this piece a comfortable and exuberant one, adorned with piping and a bent wood structure which frames a perfectly round seat. Mo...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

NEW Sideboard Bella, inspired on the movie " Poor Things " by Yorgos Lanthimos, this piece mixes styles and is visually striking like the movie. The side...

Waterway Charcoal on paper Float framed in white behind anti-reflection museum quality glass. Artwork: 46 x 57.5 inches / 117 x 131 cm Framed size: 51.5 x 58 inches / 131 x 147 cm T...

Alcove Verde Wall Lamp by Violaine d'Harcourt Dimensions: D 7 x W 12 x H 33 cm. Materials: Ceramic. Wall light made in Portugal, bulb included: LED E14 1W non-dimmable. Available in...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Yellow Moreto Sofa by Dovain Studio. Dimensions: H 84 x W 240 x D 96 x SH 39 cm. Materials: Fabric, Wood. Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-de...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Transform your dining space with this extendable oak table, minimalist modern design, handcrafted in Portugal. Designed as part of the versatile Cast collection, this 220 × 110 cm o...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

Mid-Century Diamond Ballerina Cocktail Ring in Platinum, by master jeweler Claudino de Oliveira, 1950s–1960s. An extraordinary expression of Mid-Century theatricality, this sculptura...

"Tansy and Yarrow III" is an Impressionist painting of a meadow of yellow and white wildflowers. Artist Statement: Even as a child of 2, I had a strong affinity for using a pencil ...

Maker: Style of Joseph-Emmanuel Zwiener Date: Late 19th Century Dimension: 39(H) x 62(W) x 24(D) inches Inspired by Charles Cressent, this darling rosewood commode showcases the increasingly favored theme of hilarious monkey antics. Named "commode aux enfants balançant un singe," the style is beloved by many. One is showcased in the Rothschild Collection at Waddesdon Manor, and another located within the Linsky Collection at the Metropolitan Museum of Art; two reside in the Gulbenkian Museum in Lisbon, and another is part of the collection at the Louvre. Singerie — from the French for "Monkey Trick" — is a genre of art in which monkeys are depicted apeing human behaviour. Adorned with cast gilt bronze, the commode features a delightful scene on its front and sides where two children playfully swing a monkey on a rope amidst a lavish display of cast acanthus leaves. The central monkey ornament...

Arbit Blatas (1908 – 1999) Hand signed and numbered to lower edge Ecole de Paris Portrait Printed on Arches French deckle edged art paper 1962 Arbit Blatas (1908 – 1999), born Nicol...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Jean tall side table with Nero Marquina top (black marble), Nero Marquina middle part (blackmarble) and Nero Marquina (bottom). Made to Order. Open since...

Artist Comments
Waves crash onto the shore of the Central California Coast. Soft purple hues from the distant hills create a beautiful backdrop against the sun-kissed cliffs,...

Jean console is unique in its conception. The combination of three different marbles makes it a sign of unconformity and originality. The combination in the picture is in Terrazzo to...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a ...

Bullfighting scene. Oil on canvas. Signed (lower left corner). GONZÁLEZ MARCOS, Ángel (Madrid, 1900 - 1978). Master of impressionist painting, Ángel González focused from his youth...

Transform your dining space with this extendable ash table, minimalist modern design, handcrafted in Portugal. Designed as part of the versatile Cast collection, this 220 × 110 cm As...

This bronze sculpture speaks to the nurturing of women with the small symbol of the home on the top of the women's head. Within the outline of the women is the complexity of women. T...

The iconic Miami armchair combines clean lines with soft upholstery resulting in an effortless Modern Classic that is perfectly proportioned. Here seen in an Orange Faux leather back...

A vintage solitaire 6.95 carat pear brilliant-cut diamond pendant-on-chain necklace in 19.2K white gold, 1980s/1990s. This jewel features a stunning pear brilliant-cut diamond double...

One of a kind painting by ROGER CHAPELAIN-MIDY (Paris, 1904-1992). "Still life" , Oil on canvas. Signed in the lower left corner. Size: 97 x 76 cm; 122 x 105 cm (framed) R. Chapelai...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

Sterling silver Ice Cream Hatchet in the Wave Edge pattern by Tiffany & Co with monogram Monogram appears to be SB The Wave Edge pattern is a marine motif designed by Charles T. Gr...

Art Deco Diamond Buckle Link Bracelet in Silver and Gold, Portugal, 1940s. Of geometric openwork design, this antique bracelet is composed of a sequence of five buckle shape links al...

In Machina Mundi, Claudio Edinger offers an aerial vision of the city that oscillates between photographic representation and pictorial abstraction. Captured with a large-format came...

Comfortable and elegant, Ava chair is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings are chosen and combined to produc...

A stunning, fine and impressive 6.25 carat Ceylon sapphire and 3.75 carat diamond, platinum cocktail ring; part of our diverse antique jewelry collections. This stunning antique sapphire cocktail ring has been crafted in platinum. The pierced decorated, cluster arrangement displays a stunning feature 6.25Ct cushion cut Ceylon* sapphire, bezel set in relief to the center of the design. The sapphire is encompassed with eighteen impressive individually claw set Old European round cut diamonds. The outer border of the surrounding setting is embellished with a further twenty claw set Old European cut diamonds, held within a scalloped edged design. The pierced scroll decorated, elevated ring shoulders blend with the main setting and meld with the plain ring shank at a subtle collared design. The outer surface of the shank is hallmarked with the Portuguese mark for platinum (seagull); this variation of mark denotes the piece was assayed in Lisbon. This stunning cluster ring is supplied with a sapphire report card and certificate supplied by the Gemmological Certification Services, London**, in addition to a diamond grading report card for the supporting diamonds. NOTES: * Ceylon sapphires (mined only in Sri Lanka) are known for their unique color, ranging from very pale blue to vibrant almost electric blue. The colors noted within Ceylon sapphires occur naturally and do not tend to be heat treated, the most sought after known as the cornflower blue. ** This documentation accredits the blue sapphire originating in Sri Lanka (Ceylon) and certifies that the gemstone shows no indications of heating; non-heated sapphires are a scarcity. Images do not always reflect the true color and brilliance of gemstones and diamonds. The video however provides a truer representation of the actual color and showcases each stone. Condition This stunning antique gemstone cluster...

Palmeira Fireplace by Studio Gameiro Dimensions: D 260 x W 116 x H 150 cm. Materials: Light travertine stone, red travertine stone, steel, and gas fireplace system. The weight and l...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

One-of-a-kind Sideboard. The object is made from a Metal Volume that has been spontaneously shaped by an explosion, and hand treated to reach a soft touch. Part of a series of three furniture pieces, Metal Volumes have been exploded at various energy levels in a sequence of crafted detonations. These elements have been treated to reach a completely unique aesthetic and feel. The process and the inherent uncertainty of the outcome is a defining element of the work. The production of the explosions takes place in the Portuguese countryside with a team of explosive ordnance experts, and has been recorded into a film directed by Frederico Velez. “We are not able to control anything but our attitude regarding life, and even that is at some point uncontrollable. Lose Control is a liberation of energy, a constructive loss of control”. Born in Romania in 1986, Mircea Anghel...

Large Portuguese silver salver, crafted in 833‰ silver, featuring a plain surface and four feet, 19th century. Bearing the Lisbon assay mark from the early 19th century — possibly la...

Eurytmia vase by Paolo Marcolongo Dimensions: 15.7 x 16.2 x H 42 cm Materials: Murano glass and iron. Paolo Marcolongo was born in Padua in 1956, he attended the Art High Sc...

A set of three mid-18th century Delft style tiles by Sadler & Green of Liverpool dating from circa 1765. Ex. private British collection, these decorative antique tiles are each tra...

Claudino de Oliveira Art Deco Golden Pearl and Diamond Lavalier Necklace in Platinum, Portugal, 1940s. A refined Art Deco lavalier necklace by renowned Lisbon jeweler Claudino de Ol...

Description: Chiseled silver inkwell with two reservoirs and bell, base, pen holders and resting on four pierced feet. Metal: Silver. Origin: Portuguese. Brand: Lisbon Crown. Weight:...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

Volta Side Table 50 by Wentz Dimensions: D 50 x W 50 x H 55 cm Materials: Wood, Plywood, MDF, Veneer, Steel The Volta table references nature in its im...

Leitão & Irmão Sapphire Pair of Clip Brooches in 19.2kt Yellow Gold, Portugal, late 1930s. A refined expression of Portuguese modernity, this pair of sapphire-set clip brooches by L...

Neide Carreira (Lisbon, Portugal 1992- ): this painting - oil on wood panel - is called Autumn Evening #4, and indeed shows a beautiful landscape in autumn with the typical autumn co...

Tiffany & Co. Platinum Akoya Pearl & Diamond Multi-Strand Necklace – 4.20 Carats An extraordinary creation from Tiffany & Co., this elegant multi-strand necklace captures the essenc...

Ash Portuguese roots chair by Alexandre Caldas Dimensions: W 40 x D 39 x H 73 cm Materials: Ash PORTUGUESE ROOTS Chair, was inspired by its ori...

Viga table lamp by Caio Superchi Limited edition of 10 Dimensions: D15 x W7 x H28 cm Materials: metal, wood All our lamps can be wired according to each country. If sold to th...

Whimsical teacups for your favorite brew Take your morning routine to a new level of style with this set of 2 handmade ceramic teacups. Crafted in a rustic, yet whimsical, style, these teacups combine home decor with functionality to enhance your kitchen and dining room. Minor variations and irregularities may be present, as every piece is made by hand. Photographs are as accurate as possible, but colors may vary slightly from one screen...

A contemplative vessel where whimsy meets solitude. The Head in Hands Wish Vase feels like a quiet encounter — a head held lightly in a blue ceramic hand, as if caught mid-thought....