11,253 results for "science"

14 Karat Yellow Gold Hand-Crafted Polish and Texture-Finished Two-Disk Star of David Shema Yisrael Pendant, Accented with 0.04 Carats of Pave Set Diamonds, Sliding on a 16" Rolo.

Porsche IP 84S lounge chair was designed by Ferdinand Alexander Porsche in 1984. Fine construction methods, stunning aesthetics and innovation are the most important characteristics ...

This gouache painting was inspired by the landscapes of Occitanie in southern France in May 2026, when the fields begin to glow with vivid reds and fresh spring greens. "I was draw...

This Modern abstract piece by Stanley Bate is a wood panel sculpture that has been painted white. Three-dimensional that are reminiscent of architectural pieces are tightly stacked w...

'Dusk on Schoelcher Lagoon Martinique', oil on canvas, by Robert Humblot (1959). The third in a series of artworks completed in 1959 when the artist vis...

This extraordinarily rare and important painting, for the cover of the December, 1952 issue of "American Manhood" magazine, depicts a fallen scuba diver, p...

Anatomical, composition, organ model of the eye by New York Scientific Co., Inc disassembles into six pieces deconstructing the eye and its nerves. Th...

White Odyssey Armchair Adjustable Headrest Leather & Fabric Finish Materials: Fabric, leather Dimensions: D 81 cm x W 75 cm x H 111 cm. Odyssey is an out-of-this wor...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

An incredibly rare Italian due fogli teaser poster for Roger Vadim's 1968 sexy science fiction comedy 'Barbarella', with spectacular psychedelic artwork by Mario De Berardinis. Based...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

Artist Comments
Artist Onelio Marrero paints this piece based on a visit to Rome, Italy. He depicts a scene of Constantine's Arch and The Colosseum on a warm late May...

This diptych explores the sensation of renewal and upward movement associated with early spring. Soft yet dynamic layers of blush pinks, muted greens and luminous light tones interac...

Still Life with Fruit & Bread Rustic French Farmhouse Interior by 20th Century French Artist, Robert Chailloux (1913-2006). Art measures 29 x 23....

This Mixed Media piece titled "Blobflower Series 4" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 5”h x...

A finely carved marble statue of Ganesh circa 19th century from India. The semi-elephant semi-human Hindu deity is also known as Ganapati and Vinayaka. In the Hinduism, Ganesh has th...

Large antique blue-and-white Chinese porcelain vase owned by Gordon and Ann Getty. A treasured find for collectors and enthusiasts of unique and one-of-a-kind pieces with a story to tell! Ann Getty was a paleoanthropologist, arts patron, interior designer, author, and one of America’s legendary tastemakers. She married Gordon Getty, the 4th son of oil tycoon J. Paul Getty, billionaire philanthropist and classical music composer. They were chic intellectual San Francisco socialites who spent a lifetime supporting and advocating for the arts, music, science, and education. The J. Paul Getty Museum, Getty Center, and Getty Villa exhibit J. Paul Getty’s private art and antiquity collections, the J. Paul Getty Trust fund is the world’s wealthiest art institution. Anne was raised on a farm in northern California, then graduated from UC Berkeley with dual degrees in Biology and Anthropology. She wholeheartedly worked on and supported archaeological digs in Ethiopia and Turkey, searching for human fossils and artifacts, studying genetics and DNA structures. She was unpretentious and hands on, physically and intellectually in synch with scholarly scientists, craftsmen and artists. There’s a photo of her restoring an ancient buffalo’s fossilized horns at the National Museum of Ethiopia. These very same personality traits and mannerisms, her curiosity, keen eye and great attention to detail are apparent in her approach to collecting furniture, art, textiles, pottery, etc. Ann spent decades fully immersing herself studying art and antiques, first a student, then connoisseur. She knew the provenance and story behind every piece she bought. She taught herself by observing, experimenting and absorbing everything. She employed artists that became her great teachers. Before launching her interior design firm she hired legendary designers Albert Hadley and Sister Parish, then John Stefanidis to design her Pacific Heights estate, an early 1900’s sprawling Italianate mansion with views of the Golden Gate Bridge, designed by architect Willis Polk. The estate was nicknamed the “San Francisco Embassy” for its lavish political and cultural parties. Shortly after opening her interior design firm she launched "The Ann Getty House Collection," offering original and authentic furniture reproductions from her own collections and inspiration produced by Luis Rossi of L. Rossi Antiques...

This botanical still life arrangement of orange, pink, yellow and purple flowers is dramatic and mysterious against a dark black background. A white porcelain bird figurine stands to the right of the bouquet, a crystal geode and shell to the left. Edition 4/15. Printed on archival Simply Elegant Gold Fiber Paper 310gsm. 40 x 31 inches (unframed). The cost for the photograph mounted or framed is separate, please inquire with the gallery. Lisa A. Frank’s large-scale photographs are kaleidoscopic multilayered images of the natural world. The work’s complex patterns are composed from the artist’s deep archive of her own photographs; the images are digitally collaged and arranged in patterns that take cues from historic wallpaper...

Boundless Spring is a diptych built on expansion — of color, of gesture, of spatial breath. The two canvases function as a continuous field, where forms emerge and dissolve without f...

Unique and playful table by artist Bruno Contenotte. Matt, transparent plastic table top filled with colored liquid in purple and green, blue circular edge and aluminum structure, chrome legs. Bruno Contenotte, stage name of Bruno Facchini...

Copernican Solar System – Celestial Plan, Doppelmayer, Hand-Colored c.1742 Description: This large and finely engraved celestial chart illustrates the Copernican solar system and is titled Ephemerides Motuum Coelestium Geometrica, a scientific visualization of planetary motion according to the Copernican hypothesis. The work was created by Johann Gabriel Doppelmayer and published in Nuremberg circa 1742, during the height of the Enlightenment’s engagement with astronomy and mathematical science. The map is offered unframed, giving flexibility to select a frame that best suits the intended interior. The chart presents a geometric representation of the irregular motions of the planets, including their directions, stations, and retrogradations. At the center is the sun, surrounded by concentric, color-coded orbital bands representing the paths of Mercury, Venus, Earth, Mars, Jupiter, and Saturn. Radiating lines and numerical annotations record observed planetary positions across specific dates, translating empirical observation into visual form. Surrounding diagrams provide auxiliary explanations of orbital mechanics, apparent motion, and planetary phenomena. These panels were intended for scholarly use, offering astronomers, mathematicians, and educated readers a precise tool for understanding celestial movement within the Copernican framework. The Latin text reinforces its academic purpose and confirms its role as a serious scientific instrument rather than a decorative fantasy. The composition is further enriched by allegorical figures representing astronomy and the celestial sciences, engraved in the Baroque tradition and delicately hand colored. These figures bridge science and art, a hallmark of Doppelmayer’s work, making the chart both intellectually rigorous and visually compelling. Johann Gabriel Doppelmayer was one of the leading scientific illustrators and mathematicians of the Holy Roman Empire, closely associated with the Nuremberg publishing world. His celestial charts are today prized for their accuracy, clarity, and refined engraving quality. This engraving stands as an important document in the history of astronomy, marking the widespread acceptance of the Copernican system in 18th-century Europe. It is highly desirable for collectors of scientific instruments, astronomical prints, Enlightenment-era works, and decorative interiors with intellectual character. This chart was produced by Johann Gabriel Doppelmayer and published in Nuremberg circa 1742. Doppelmayer was a leading mathematician and scientific illustrator of the early Enlightenment, closely associated with the Nuremberg scientific publishing tradition. His Ephemerides Motuum Coelestium Geometrica played an important role in visualizing and popularizing the Copernican heliocentric system through precise geometric representation of planetary motion. Condition report: Good condition overall. Contemporary hand coloring. Light age toning and patina throughout, with minor browning and scattered surface marks consistent with age. Vertical centerfold as issued. Small handling wear at margins. No modern restoration observed. Framing tips: This chart benefits from a museum-style presentation. Use a wide ivory or warm off-white mat to balance the strong colors, paired with a dark walnut, ebonized, or gilt frame. UV-protective glazing is recommended due to the original hand coloring. Note: We supply this original antique map unframed. Technique: Engraved map with contemporary hand coloring Maker: Johann Gabriel Doppelmayer, Nuremberg, circa 1742 Keyword block: celestial map, astronomical chart, Copernican system, solar system engraving, Johann Gabriel Doppelmayer, Doppelmayer celestial map, antique astronomy print, Enlightenment science, planetary orbits, ephemerides, retrograde motion, planetary motion diagram, heliocentric model, 18th century astronomy, scientific engraving, hand colored celestial map, Baroque astronomy, Nuremberg engraving, rare astronomy chart, historical science print, antique star chart...

An acrylic and oil on canvas piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very colorful pa...

Article: Ceramic object Designer and producer: Dieter Crumbiegel Information: Dieter Crumbiegel (born June 6, 1938 in Essen) is a German artist (painting, ceramics) and university professor. Since 1961, Crumbiegel has held solo and group exhibitions of ceramic objects in West and East Germany, Belgium, CSFR, France, Italy, Australia, New Zealand, Switzerland, Spain, Hungary and Taiwan. Decade: 1980s This original vintage Studio Ceramic Object was designed by Dieter Crumbiegel and produced in his own Studio in the 1960s in Heinsberg in Germany. It is made of solid very heavy stoneware pottery and has a very unique light beige main coloration with abstract brown illustration. the bottom is marked with typical Producer signature. a very collectible and very rare item of the Crumbiegel Collection. the object has a very sculptural form and in its size of 18cm in height and 21cm in diameter, it is very impressive. straightforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 18cm Diameter 21cm. Condition: This item is in a very good vintage condition with patina. slight traces of use. VITA: Dieter Crumbiegel graduated from high school in 1957 at the traditional language Burggymnasium in Essen. He then studied painting from 1957 to 1961 at the State University of Fine Arts in Kassel with Fritz Winter and Marie-Louise von Rogister, ceramics with Walter Popp, art theory and art sociology with Stephan Hirzel and Georg Hoeltje, and art history and art education with Ernst Röttger. During the 1958/1959 academic year he received a holiday scholarship from the Max Beckmann Society and spent some time in the Liliamor house with its founder Lilly von Mallinckrodt-Schnitzler in Murnau. In 1959 he also received a scholarship from the German National Academic Foundation. Crumbiegel completed his studies in 1961 with the first state examination. After the 2nd state examination in 1964, Crumbiegel worked with Robert Sturm at the educational institute in Fulda as a lecturer for the training of art and craft teachers at general schools with a training focus on the construction of vascular ceramics. In 1971 he took over the class for sculpture and architectural ceramics at the State Technical School for Ceramic Design in Höhr- Grenzhausen. From 1979 to 2001 he was a professor at the Niederrhein University of Applied Sciences in Krefeld in the design department, studying ceramics/porcelain/glass design. In 1979, Crumbiegel was appointed a member of the Académie Internationale de la Ceramique (AIC) / International Academy of liamorCeramic in Geneva. The German members of the AIC joined together in 1983/1984 to form Group 83 - German Ceramicists,[1] of which he himself became a member in 1986. Crumbiegel founded the “Krefeld School for Ceramics/Design”[2] as a continuation of the Kassel School for Ceramics run by his teacher Walter Popp, from which artists and designers such as Frank Louis emerged. In 1983 he was appointed supervisor at Helwan University in Giza/Cairo. From 1971 he gave lectures on new trends in ceramic art at the Hetjens Museum in Düsseldorf. Between 1969 and 1978 he was a member of various award juries, such as the jury for the Richard...

Pair of Antique Engravings of Marine Plants and Cactus Forms from Diderot’s Encyclopédie, ca. 1770 A pair of copperplate engravings from Denis Diderot and Jean le Rond d’Alembert’s ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Subject: Fall Landscape Size: 24" x 30" x 0...

English mahogany banjo barometer with centered brass finial in scrolled pediment, glass encased thermometer, ebonized reeded mirror, original ...

Spheres and Cubes - Geometric Surrealist Landscape in Acrylic on Canvas Bright and lively surrealist landscape by Randy Dunham (American, b. 1961). Six spheres float above a minimalist landscape with mountains and a body of still water. Some of the spheres are transparent and others are opaque, with three cubes partially obscuring the transparent ones. There are streams of water hitting the shapes and splashing into the body of water below. Signed and dated "Randy Dunham © Nov 04" in the lower left corner. No frame. Canvas size: 36"H x 48"W Randy Dunham (American, b. 1961) was born in Troy New York...

On offer is a bronze “Navigation Aerienne” commemorative triptych medal. The plaque was designed by the legendary French medalist Pierre-Alexande Morlon and struck in 1909 by the Mon...

Artist: Damien Hirst Title: Norcamphor from “40 Woodcut Spots" Year: 2011 Medium: Woodcut on 410gsm Somerset White Paper Edition: 43/55; signed (recto) and numbered (verso) in penci...

This painting depicts an impressionistic scene of Pink Peonies in a glass Vase, a poetic piece with beautiful details. With marks similarly captured by the French impressionists, rem...

Rare Gothic Castle Limestone Chimney Mantle Chateau Fireplace Hand Carved Stone . A real museum / Chateau mantel fireplace piece. Perfect for a Rustic ...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

William Fisher (American, 1891-1985) Untitled (Covered Bridge), 20th century Oil on canvas 24 x 30 in. Signed lower right: William Fisher William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the "Villager," a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the "Gotham Guide," which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930's. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia,Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

Mountain Lake Landscape in Oil on Canvas Serene mountain landscape by notable architect and artist Masao Kinoshita (Japanese-American, 1925-2003). The viewer stands at the edge of a...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Fun Day Size: 16" x 20" x 0.8'' inch...

The love affair between the Emperor Hadrian and his Greek companion Antinous is perhaps the most famous and tragic romance in Ancient Rome. So great that it inspired the final great...

Jules Herve (French, 1887 - 1981) Place Jeanne D'Arc, Paris, circa 1930 Oil on canvas 8 3/4 x 10 3/4 inches Signed lower right; signed on the reverse Jules Rene Herve, an impression...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

"Untitled (Nr. 1072)" Nude Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid...

Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olaosun draws h...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A good antique taxidermy brown trout in original display case, by William Hope, Edinburgh Scotland, circa 1890. A very good antique taxidermy rainbow trout, mounted in it's original ...

Original abstract painting created with charcoal, graphite, inks, and acrylic on canvas. Stretched, but unframed. Artist statement : My visual language allows me to go where words...

Condition: Original Vintage Condition Materials: Oil On Canvas, Metal Frame This signed 1974 Space Age orbital colony painting by Connie Kish captures the futuristic imagination of ...

Madagascar Jurassic - Cretaceous Period, 200 - 145 million years old Dimensions: 9.25 × 8 × 2 in. / 23.5 × 20.5 × 5 cm Weight: 5.55 lbs / 2.424 kg In this example, the complex pa...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was and Artist's invention in 1994. In fact, since 19...

Still Life With Cups and Saucers Artist signed, canvas 24hx48w, beautiful custom made silver-gold frame. Mr. Miagkov was born in Ukraine in 1936 and had formal training from the Odes...

A beautiful, informative, and interactive introduction to 10 of the world’s most amazing animals and their ‘secret powers’ This dazzling non-fiction board book invites curious child...

Universal bank is an original modern artwrok realized by Antonio Feltrinelli in the 1930s. Mixed colored oil painting on canvas. The artwork depi...

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi and Fantasia and UPA’s Gerald McBoing-Boing, he is best known as a mentor to literally hundreds of students. Engel was also one of the original members of United Productions of America (UPA), where, during the ’50s, he worked on classics such as Mr. Magoo, Gerald McBoing-Boing and Madeline. According to his biographer, Dr. Janeann Dill, Engel has created more than 33 personal films and received five Golden Eagle awards, an Annie Award, a Winsor McCay Award, the Fritz Award, a Jean Vigo Award, and the Norman McLaren...

Signed, titled, and dated in black ink on print margin. Series: Jazz Katz Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography w...

This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed. About the artist: Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university. During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates. Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...

Large-Scale Islamic Astrolabe with Five Rolling Celestial Globes India or Persia, Early 20th Century Reproduction after Medieval Islamic Originals An impressive early 20th-century Is...

Decorative stoneware bowl by Berndt Friberg, with brown hare’s fur glaze blending into an eggshell white around the rim. Berndt Friberg was a Swedish ceramicist, renowned for his st...

Katherine Bello Bits of Magenta Mixed Media on Board 20235 Size: 12 x 12 inches (30.48 x 30.48cm) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) Signed and titled by hand CO...

Our lighting fixtures are more than just lighting objects, they are functional works of art that bring a touch of mystery and wonder to any space. The Jedy collection is no exception...

Ewa Ọlà (Beauty of Nobility) is a tribute to the strength and quiet confidence found in many African women. She sits calmly, but there’s power in her presence, a kind of beauty that ...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...