11,431 results for "science"

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

William Fisher (American, 1891-1985) Untitled (Covered Bridge), 20th century Oil on canvas 24 x 30 in. Signed lower right: William Fisher William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the "Villager," a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the "Gotham Guide," which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930's. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia,Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Preserved in its original grey shale matrix, this ichthyosaur (Stenopterygius quadriscissus) skeleton fossil captures the dynamic form of a marine reptile that once dominated Jurassi...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was and Artist's invention in 1994. In fact, since 19...

This genuine woolly rhinoceros (Coelodonta antiquitatis) skull fossil represents one of the most iconic megafauna of the Pleistocene Ice Age. A rare example of a near-complete skull,...

Madagascar Jurassic - Cretaceous Period, 200 - 145 million years old Dimensions: 9.25 × 8 × 2 in. / 23.5 × 20.5 × 5 cm Weight: 5.55 lbs / 2.424 kg In this example, the complex pa...

Seymour Easton (1859-1916) a rare ebonized tabard inn library revolving bookcase. An American ebonized on oak version. Architectural form, with a wonderful ...

medium: aluminum (found cans), wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique...

Contemporary Figurative Ceramic Sculpture, Glazed, 23 x 20 x 18 in, Sunkoo Yuh The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants...

A beautiful, informative, and interactive introduction to 10 of the world’s most amazing animals and their ‘secret powers’ This dazzling non-fiction board book invites curious child...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

Transporting the viewer to the majestic Ice Age, this Mammuthus primigenius (Woolly Mammoth) tusk is a remarkable relic of the Pleistocene epoch. Approximately 30,000 years old, the ...

A commanding cave bear (Ursus spelaeus) skull fossil, preserved from a species that once inhabited caves across the European continent, this specimen reflects the rugged environments...

A simply magnificent Estate ring set in solid platinum and featuring a stunning Unheated Padparadscha Sapphire from Sri Lanka weighing 5.83ct. The beautifully made Estate ring contai...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

An exceptional dining table for four, where Italian design meets the raw beauty of natural quartz crystal formation. Anchored by a black mirror-polished stainless-steel base, the com...

‘Sun 1’ Large British Abstract, Oil Painting By British artist, 21st Century Titled 'Sun' and dated '2018' on the back of the painting Oil painting on board, unframed Board size: 39.5 x 39.5 inches Striking abstract oil painting on a huge square board. This fabulous colourful abstract depicts a sunrise unveiling a plethora of rich red, yellow and dark tones. The paint technique is quite liberal, creating a tactile effect. The artist created two similar paintings, this is the first, please contact us if you would like to see the second. Abstract art uses...

A term derived from Greek mythology, Muses were nine goddesses, that symbolized the greatest of arts and sciences. Today a Muse is defined as a person or object who is the source of inspiration for a creative artist. SEED Design has brought a spark of ingenuity and created our very own MUSE. The CASTLE Muse Table...

Artist Comments
"Vietnam is a country of contrasts - lowlands with lush green ricefields like this one as well as mountains around every corner," says artist James Nyika. "This picture was so compelling because of the huge color contrast of the bright luscious foreground and the greying distant mountains. I wanted to capture these contrasts that are pervasive throughout the country."

About the Artist
Artist James Nyika paints the glowing atmosphere of cities across the world. As a child growing up in Kenya, he found art materials at the student bookshop and also borrowed just about every art history volume from the British Council library in Nairobi. "I checked out the same books over and over just to stare at the art, to try and understand how it was created," says James. With family encouragement to study engineering, James moved to the U.S. and immersed himself in science studies at Boston University. Several years after embarking on a tech career, he set a goal to create at least one painting a week, never throwing away any works and learning as much as possible in his off hours. Today, James still balances his full-time career designing large software systems with his prolific output as a painter. "Painting is a great antidote to the regularity of a computing profession and I really value it for the uncertainty that it brings - something frowned upon when writing code."

Words that describe this painting: Vietnam, paddy, rice field...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Edition of 25 pieces, 2023. Accompanied with the catalog of the artist and the certificat...

In this contemporary botanical photograph, flowers, butterflies, and doves are layered and combined in an abstracted composition. Shades of violet and blue stand out brightly against...

Decorative stoneware bowl by Berndt Friberg, with brown hare’s fur glaze blending into an eggshell white around the rim. Berndt Friberg was a Swedish ceramicist, renowned for his st...

The large and special lavastone Ganesha statue is a truly magnificent and sacred artifact originating from Indonesia. Crafted from lavastone, this Ganesha statue stands tall at an im...

Katherine Bello Bits of Magenta Mixed Media on Board 20235 Size: 12 x 12 inches (30.48 x 30.48cm) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) Signed and titled by hand CO...

This monumental Apatosaurus femur embodies the immense scale and enduring legacy of one of the largest animals ever to walk the Earth. Originating from the renowned Morrison Formatio...

A simply stunning Estate ring set in solid 18k gold and featuring a stunning Unheated Padparadscha Sapphire almost certainly from Sri Lanka weighing 2.16ct. The beautifully made Esta...

Designed for HAY by Norwegian designer Andreas Bergsaker, Chisel Lounge Chair is a contemporary yet timeless take on the ever-relevant moulded plywoo...

Edouard Benedictus, 'Variations, plate 15' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

"My work is about respecting the beauty that remains and the poetry that is found." - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the mediu...

Ewa Ọlà (Beauty of Nobility) is a tribute to the strength and quiet confidence found in many African women. She sits calmly, but there’s power in her presence, a kind of beauty that ...

Large-Scale Islamic Astrolabe with Five Rolling Celestial Globes India or Persia, Early 20th Century Reproduction after Medieval Islamic Originals An impressive early 20th-century Is...

Acrylic on canvas painting of fishermen on the docks by Provincetown artist, William Maynard. Circa 1985. Signed lower right. The painting is housed ...

Antique map titled 'Generalis Totius Imperii Moscovitici (..)'. Decorative map of Russia and Central Asia, showing the Northeast Passage. The map covers the entirety of the Russian Empire at the time, stretching from the Arctic Circle in the north to the "Oceanus Orientalis" and the northern parts China (Chinae Septentrionalis confinia), Mongolia and India in the south. Published by J.B. Homann, circa 1730. Johann Baptist Homann was born 1664 in Oberkammlach. He founded his business 1702 in Nuremberg, Germany. After a long period of Dutch domination in map publishing, the Homann publishing house became the most important map...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Title: 1861 Hand-Colored Lithograph of Butterflies and Botanical Flowers Description: This vibrant 1861 hand-colored lithograph depicts a variety of butterfly species fluttering aro...

Rich natural earth tones and pronounced sculptural form define this striking Kranaosphinctes sp. ammonite from the Cretaceous of Madagascar. Measuring approximately 15 inches in diam...

Still life - Giovanni Perna Italia 2008 - Oil on canvas cm.50x70 In this beautiful oil on canvas Giovanni Perna was inspired by the paintings of the Spanish painter of Dutch origin Juan van der Hamen, famous for his production of still lifes In particular, this painting depicts an elegant terracotta fruit...

Thisoil painting on masonite board, "Untitled," by Modernist Stanley Bate was created circa 1950, part of his earlier body of work. The dark, heavy line work combined with bright col...

This striking tourmaline crystal has a mesmerizing blue color, a robust size, and sharp form. Upon first glance, the piece appears to have a dark, almost black cap, but when lit, its...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

Edouard Benedictus, 'Variations, plate 20' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

With the subject covering his face, we, the viewer, are perplexed by the mystery of the moment. The warm light from the background in this painting titled, "Seer" suggest a fire. I...

These illustrations, executed with precision and rich coloration, are fine examples of chromolithography, a technique popular in the 19th century for its ability to produce vivid, mu...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) "Abstraction" 24 x 18 inches Signed and dated 1957 lower left Oil on can...

The prints depict various botanical species, each illustrated with detailed attention to the morphology of the plants, including leaves, flowers, and sometimes fruits or seeds. These...

Indians of North America, Dress and Weapons – Millar Geography Engraving, c.1782 This detailed 18th-century copper engraving illustrates the dress, customs, and weapons of Indigenou...

Modernist white stone cat sculpture by Japanese artist Masatoyo Kishi, circa 1970s. The impressive hand carved sculpture by the listed artist and sculptor who goes by the name "Kuki"...

Three beautifully preserved fossil fish appear suspended within warm cream limestone, creating a balanced composition that captures the quiet elegance of the ancient Green River lake...

A large and funky modern painting by Istvan Lendvay, a Canadian artist from Hungary (1929-2016). Istvan was born in 1929 in a small village in the count...

A brooding and atmospheric 1960s abstract oil painting on board titled "Biblical Fire" by celebrated Mexican artist Leonardo Nierman, renowned for his lyrical explorations of light, ...

Louis Ernest Barrias (French 1841-1905) Nature Revealing Herself La Nature se dévoilant devant la Science Gilt, and silver patinated bronze with blue glass scarab Signed on base “E...

Set of 2 Brass Cove Handle by Henry Wilson Dimensions: W 5 x D 3 x H 25 cm Materials: Brass Each piece is sand cast and rumbled finished. Aluminium Pull Handles are manufactured in...

Nebos Bracelet in Sterling Silver 925 by Alejandra Campos Taylor. Dimensions: Available upon request. Materials: Sterling silver with fine silver plating, nickel-free. About the ar...

A wonderfully glazed, beautifully crafted, fine art bowl by renowned Canadian master potter Brother Thomas Bezanson (1929-2007). Brother Thomas studied design at Nova Scotia Colle...

LEONARDO NIERMAN – UNTITLED TAPESTRY ⚜ Wool tapestry ⚜ Signed in the weaving lower right ⚜ Weaver: Gobelinos Riedl ⚜ Features original hanging loops ABSTRACT EXPRESSIONIST TAPESTRY ...

I am a fan of science fiction, especially depictions of minimalist dwellings in desert areas. I am fascinated by the adobe houses found in certain African countries. The simplicity, ...